Sunday, October 14, 2012
How to Win the Nobel Prize in Literature
I waited by the phone all week for that congratulatory call from overseas myself! Not for the stuff I’ve already written, which, let’s admit, is pretty amazing. But for the stuff I could write. I’m not saying I’m the most deserving writer on Earth for this recognition. I just want the Swedish people to tell the world I am. Just as the Nobel Prize people preemptively gave President Obama a Nobel Peace Prize for what he could or would do in office, they should give a Nobel Prize in Literature to me (and then maybe the year after that to you) for what we will accomplish in our Literary Careers with the million bucks, the free donuts and champagne and the NPR drive-time interviews we’ll receive as a Nobel Prize Winner. No one remembers who wins the other prizes. They are in subjects most people failed. Chemistry, geometry? Who knows. And I’m not exactly a selfless hero leading my people to any kind of freedom. I have no good intentions here. Writers are all about ourselves! And although my half-written novel Yay-o-wolf remains half-written I think we can all agree it’s going to be the greatest thing since The Bridges of Madison County, which I believe won the Nobel Prize twice it was so good. (I just checked that on Ms. Google and The Bridges of Madison County hasn’t won the Nobel Prize—yet.) The Nobel Prize in Literature is given to a writer for the body of their work while they’re still alive, so they can give a speech in cold, cold Sweden. To blond children who do not laugh or clap, such as those featured in the documentary The Children of the Corn.
So what can you do, oh writer who has not yet died? Here are some helpful hints that you and I can use on our way to the top of the Literature Anthill! (...)
BE DEEP, BUT NOT TOO DEEP
I’m not a deep person. I don’t have deep thoughts. I am not contemplative at all. I have no idea how the universe works or why it does the things it does. And my experiences haven’t given me any insight into the way people live or any ideas of how we could all live better together. Does that mean I won’t win the Nobel Prize? That does not mean that! The Nobel Committee isn’t necessarily looking for the most-daring, most-experimental, nost-smarty-pantsy of writers. They’re kind of middle of the road readers themselves. But like everyone else, they want authors to make them feel smart. Can you make them feel like they’re daring and edgy readers? Then you will soon have a Nobel, my friend. Although they hate any kind of reading that is at all fun, enjoyable, amusing. It’s an eat-your-vegetables kind of vibe they’re looking for. So just fake that kind of tone for like 30-40 years. Dour, solemn, lots of meaningful death shit and lots of adultery. Adultery is like the pinnacle of Literary Themes. If you’re a guy and you sleep around on your wife in books you are deep, existential, Nobel-worthy. If you’re a lady and you sleep around on your husband, the universe will shame you. And that shame will be deep.
But not too deep. It’s not like avant garde writers win the Nobel. Sartre refused his Nobel, which is pretty punk, because he both felt that he wasn’t avant garde enough and therefore winning wasn’t avant garde enough. That’s a lot of money to flush down the toilet. But you can always tell people in bars “The Nobel Prize? Fuck that! I threw mine in the river!” Very punk. But someone probably fished that Nobel out and sold it on ebay. Money’s money, and most writers would gladly tear your heart out and seal their grant-writing envelopes with your still-hot blood if they thought it would get them a few extra bucks. Writers are lazy or they’d go get real jobs like everybody else. Instead they live in the center of a universe in which they are the most interesting character. Yikes!! Double exclamation points!!
The John Cages and Gertrude Steins of the world don’t win prizes. They earn our lip-servicey love. We don’t actually enjoy reading them. We enjoy feeling better than everyone else for reading and listening to people like Cage and Stein. I learned more from every Raymond Chandler novel than I did by reading all the weird Woo Woo Shit I could ever get my hands on. They never gave an award to that French guy who wrote an entire book without using the letter e. Who knows if it was a good book or anything. You should win SOMETHING for writing a whole book without using an e. I can barely write a sentence without using an e. I’m munching on walrus poo. There’s one sentence. It took me an hour to write that. And I’m pretty sure walrus is spelled wrong there, doesn’t it usually have an E in it? I am seeing Es everwhere. So they never give the awards to the people who truly deserve them. That’s why they should give them to you! And me! We’re not up to anything truly complicated or trailblazing. They keep giving the award to people writing in the Magic Realism form. Talking giraffes. Monkeys dressed like angels. That kind of thing. Trees that make you cheeseburgers. Magic cheeseburgers! They love magic realism because it’s safe and it makes people feel smart. And it makes for good movies. Who doesn’t like movies with talking cats? Assholes, that’s who!
So don’t get fancy. Don’t try to do too much. Use E’s, apparently. You just have to learn how to make people feel smarter about themselves without saying much. It’s like how people who don’t talk much seem contemplative, thoughtful. When they’re probably just playing Tetris in their heads. Cheat on your wives in books but not on your husbands! Has a gay writer ever won the Nobel? Maybe just Gide! Although I have my suspicions about Hemingway. So be straight and white and male and old, maybe grow a big bushy beard. And always hold your head or face in your author photos, that helps you sell 10,000 extra copies per book. Blue covers are better. People are always asking for “that book with the blue cover.” Are you writing all this down? This is some serious Nobel-prize-winning gold. Well, get a pen! Go, now!
by Jim Behrle, The Awl | Read more:
Photo by San Francisco Foghorn.Priority Queues: Paying to Get to the Front of the Line
In the US, as elsewhere, it is becoming more common to see queues where one can pay to get to the front. It brings the market to the experience of waiting in line - but some say it conflicts with the principles of fairness and equality.
Up until recently, the "serpentine" queue was the norm in America - and businesses were proud to implement them.
"There used to be a bank in New York called Chemical Bank and they used to claim that they were the first ones to have that in their bank lobbies," says Richard Larson, a queuing theorist at MIT. "Wendy's is very proud that they were the first ones in fast food to have the single serpentine line."
The model works because most members of society agree the person who's been waiting longest should be served next, he says.
But today, many Americans are waiting in a new kind of queue - the priority queue, where certain customers get higher priority because they pay.
In American airports, priority queues are now visible everywhere - at the check-in counter, at security and at boarding gates. Many airlines now board their passengers according to the amount of money they've paid for their ticket.
Like Ryanair in Europe, discount airline Spirit is both unpopular and extremely successful. People may moan that they have to pay extra to board first or get a particular seat - but the low prices mean they keep booking tickets.
Priority queues are also being brought in to other areas of American life - from highways to theme parks.
Take the Six Flags White Water amusement park in Atlanta, which implemented a priority queue system in 2011.
Some guests simply queue up for their rides. Those who purchase green-and-gold wrist bands - fitted with radio frequency technology - are able to swim in the pool or eat snacks before being alerted to their turn.
Guests who pay an even higher fee - roughly double the price of admission - get the gold flash pass, cutting their waiting time in half.
The company says it has been a huge hit and is now installing the system in all of its American water parks.
I loved using the flash pass, but when I saw a group of teenage girls glaring at another group of teenage girls all wearing gold wrist bands - I wondered if priority queues were adding to the polarisation in American society, already a hot political issue. Is it really a good idea to further divide citizens into first and second-class citizens? (...)
In October 2011, Atlanta created a priority lane on the highway for drivers with a Peach Pass - the price of driving in the lane changes depending on how much traffic there is.
Critics call them "Lexus lanes", because they claim the lanes benefit only the rich who can afford expensive cars.
Aside from the cost of the express lanes, some drivers are also upset that they replace car pool lanes - special lanes for cars with two or more passengers.
Overnight all the car pool drivers who used to ride free were pushed into the general lanes, making traffic worse for everyone except those who pay.
by Benjamin Walker, BBC World Service | Read more:
Photo: Thinkstock
Cooking Isn’t Creative, and It Isn’t Easy
It’s a truism that eating in the United States has changed more in the last 25 years than in the preceding 50. Since he got into publishing, in 1980, Kimball has watched the arrival of California nouvelle and Asian fusion, the farm-to-table movement, Whole Foods and the gourmet supermarket, convenience-store sushi, the celebrity chef and the contemporary urban foodie cum blogger, and he has managed to ignore them all. In simplest terms, Cook’s Illustrated focuses on preparing middlebrow American dishes at home with supermarket ingredients and omits everything glossy cooking magazines have come to be known for. If you are interested in recreating a Tuscan-style Passover feast or wonder what David Chang, the Momofuku Ko chef, thinks about contemporary art, Cook’s Illustrated may not be for you. You won’t find wine columns and lavish photography, travelogues about the street markets of Morocco or plugs for heritage microgreens and porcini-infused balsamics. Restaurants — the editorial protein of the glossies — have been entirely banished. There aren’t even ads. Most noticeably, the magazine dispenses with the tone that the critic Alexander Cockburn described as “cookbook pastoral” — the sense that the ideal dinner is a sit-down for 16 with candlelight and hydrangea and unbridled toasting, a pseudo-Mediterranean hedonism that precludes wailing toddlers and mismatched silverware. And nothing makes Kimball angrier than the aspirational pipe dreams marketed by the likes of Ina Garten and Bon Appétit. “I hate the idea that cooking should be a celebration or a party,” Kimball told me over a bowl of chicken-and-vegetable soup at his regular lunch haunt, a Brookline, Mass., pub called Matt Murphy’s. “Cooking is about putting food on the table night after night, and there isn’t anything glamorous about it.”
At the core of C.I.’s M.O. are two intrepid observations Kimball has made about the innermost psychology of home cooks. Namely that they 1) are haunted by a fear of humiliation, and 2) will not follow a recipe to the letter, believing that slavishly following directions is an implicit admission that you cannot cook. (When Kimball laid this out for me, I shuddered with recognition.) What the magazine essentially offers its readers is a bargain: if they agree to follow the recipes as written, their cooking will succeed and they will be recognized by family and friends as competent or even expert in the kitchen. To this end, every 32-page issue of the magazine presents a handful of recipes that have been made “bulletproof,” to use a Kimballism, i.e., worried into technical infallibility after weeks of testing so exacting as to bring an average home cook to the brink of neurasthenia. The bargain further holds that the peppercorn-crusted filet of beef or butterscotch-cream pie will turn out not only in C.I.’s professional kitchen, with its All-Clad pans and DCS ranges, but also on a lowly electric four-top, using a dull knife and a $20 nonstick skillet.
The bargain’s appeal is, at root, visceral. To cook well at home is to begin to master the quotidian, to wrest a measure of control over the entropy of day-to-day living. I began reading the magazine as a fearful, ungainly cook several years ago, and I remember the inordinate pride I took in putting on the table, for the first time, a basic but creditable Thanksgiving dinner, made entirely with C.I. recipes. My experience, I have since learned, is actually fairly common. Editor after editor at C.I. recounts stories of readers, a surprising number of whom turn out be white, middle-aged men, who’ve approached them at public events to offer thanks for “teaching me how to cook,” voices froggy with emotion. Kimball views his bond with home cooks as a solemn responsibility. These days, online surveys allow the magazine’s editors to communicate with readers in minutes; no story idea gets into the running unless it surveys well, and no tested recipe is complete unless at least 80 percent of those who tried it at home — thousands of uncompensated volunteers known as Friends of Cook’s — say they would make it again.
From the start, readers latched onto Kimball’s strange magazine with crablike tenacity. Today, roughly three-quarters of subscribers renew, a rate that’s the envy of publishing. In 2007, they signed up their one millionth subscriber, and over the years Kimball has supersized his idea into a franchise that includes 12 seasons of “America’s Test Kitchen,” the most-watched cooking show on public television; a second magazine, Cook’s Country (with its attendant show); reams of special issues and books; a battery of paid Web sites; a radio program; and even an online cooking school, and he has done it without discounting subscriptions or giving anything away or taking on a single advertiser.
C.I.’s headlines, like Kimball himself, don’t truck in false modesty. Invariably the recipes are “better” or “best,” never just worthwhile variations, and their preparation tends to be “easy” or at least “easier,” and even “American classics” don’t make it into print unless they’ve been “improved.” Kimball’s bravado relies on a set of convictions that provoke much low-frequency grumbling among competitors. “Most cookbook authors don’t care what happens to their recipe when it enters your home,” Kimball insists at Le Bernardin. In bighearted moods, he describes the C.I. approach as “why bad things happen to good recipes.” The corollary is his belief that empirically rigorous testing always leads to the best preparation, just as blind tastings — another staple of Kimball’s products — will always winnow out the best brand of crunchy peanut butter or microwave popcorn. To the relativists — those Pollyannas who insist that cooking is as much an art as a science and that a recipe’s effectiveness depends mostly on what a particular cook enjoys eating — Kimball has this to offer: “Cooking isn’t creative, and it isn’t easy. It’s serious, and it’s hard to do well, just as everything worth doing is damn hard.” With this he takes off his spectacles and rubs his eyes, looking like a riled-up border-town newspaperman in a Western, a simile he would no doubt enjoy.
At the core of C.I.’s M.O. are two intrepid observations Kimball has made about the innermost psychology of home cooks. Namely that they 1) are haunted by a fear of humiliation, and 2) will not follow a recipe to the letter, believing that slavishly following directions is an implicit admission that you cannot cook. (When Kimball laid this out for me, I shuddered with recognition.) What the magazine essentially offers its readers is a bargain: if they agree to follow the recipes as written, their cooking will succeed and they will be recognized by family and friends as competent or even expert in the kitchen. To this end, every 32-page issue of the magazine presents a handful of recipes that have been made “bulletproof,” to use a Kimballism, i.e., worried into technical infallibility after weeks of testing so exacting as to bring an average home cook to the brink of neurasthenia. The bargain further holds that the peppercorn-crusted filet of beef or butterscotch-cream pie will turn out not only in C.I.’s professional kitchen, with its All-Clad pans and DCS ranges, but also on a lowly electric four-top, using a dull knife and a $20 nonstick skillet.
The bargain’s appeal is, at root, visceral. To cook well at home is to begin to master the quotidian, to wrest a measure of control over the entropy of day-to-day living. I began reading the magazine as a fearful, ungainly cook several years ago, and I remember the inordinate pride I took in putting on the table, for the first time, a basic but creditable Thanksgiving dinner, made entirely with C.I. recipes. My experience, I have since learned, is actually fairly common. Editor after editor at C.I. recounts stories of readers, a surprising number of whom turn out be white, middle-aged men, who’ve approached them at public events to offer thanks for “teaching me how to cook,” voices froggy with emotion. Kimball views his bond with home cooks as a solemn responsibility. These days, online surveys allow the magazine’s editors to communicate with readers in minutes; no story idea gets into the running unless it surveys well, and no tested recipe is complete unless at least 80 percent of those who tried it at home — thousands of uncompensated volunteers known as Friends of Cook’s — say they would make it again.
From the start, readers latched onto Kimball’s strange magazine with crablike tenacity. Today, roughly three-quarters of subscribers renew, a rate that’s the envy of publishing. In 2007, they signed up their one millionth subscriber, and over the years Kimball has supersized his idea into a franchise that includes 12 seasons of “America’s Test Kitchen,” the most-watched cooking show on public television; a second magazine, Cook’s Country (with its attendant show); reams of special issues and books; a battery of paid Web sites; a radio program; and even an online cooking school, and he has done it without discounting subscriptions or giving anything away or taking on a single advertiser.
C.I.’s headlines, like Kimball himself, don’t truck in false modesty. Invariably the recipes are “better” or “best,” never just worthwhile variations, and their preparation tends to be “easy” or at least “easier,” and even “American classics” don’t make it into print unless they’ve been “improved.” Kimball’s bravado relies on a set of convictions that provoke much low-frequency grumbling among competitors. “Most cookbook authors don’t care what happens to their recipe when it enters your home,” Kimball insists at Le Bernardin. In bighearted moods, he describes the C.I. approach as “why bad things happen to good recipes.” The corollary is his belief that empirically rigorous testing always leads to the best preparation, just as blind tastings — another staple of Kimball’s products — will always winnow out the best brand of crunchy peanut butter or microwave popcorn. To the relativists — those Pollyannas who insist that cooking is as much an art as a science and that a recipe’s effectiveness depends mostly on what a particular cook enjoys eating — Kimball has this to offer: “Cooking isn’t creative, and it isn’t easy. It’s serious, and it’s hard to do well, just as everything worth doing is damn hard.” With this he takes off his spectacles and rubs his eyes, looking like a riled-up border-town newspaperman in a Western, a simile he would no doubt enjoy.
by Alex Halberstadt, NY Times | Read more:
Photograph by Ryan PflugerThe Hunt For “Geronimo”
Holed up in his compound in Abbottabad, Pakistan, Osama bin Laden sat at a computer and set down his thoughts in a long letter dated April 26, 2011, to Atiyah Abdul al-Rahman, his third-in-command and the link to his far-flung and beleaguered followers—the man he addressed as Sheikh Mahmud. It was the al-Qaeda leader’s sixth spring of confinement in Abbottabad. His hair and beard had grown white. Ten years after the 9/11 attacks, bin Laden’s life had shrunk to the cramped and crowded space of the upper two floors of a house behind high walls. His days consisted of familiar routines, rarely broken: his meals, his seven daily prayer sessions, his readings, the poetry lessons for his children and grandchildren, the sermons to three of his wives, the brisk daily walk around the vegetable gardens.
In his letter to Sheikh Mahmud, he raced to catch up with the Arab Spring, to interpret the events in light of his own immutable beliefs. Bin Laden also hammered home some advice about security. After more than nine successful years in hiding, he considered himself to be an expert: “It is proven that the American technology and its modern systems cannot arrest a Mujahid if he does not commit a security error that leads them to him,” he wrote. “So adherence to security precautions makes their advanced technology a loss and a disappointment to them.”
The computer turned bin Laden’s words into neat lines of uniform Arabic. He was feeling confident. He had five days to live. (...)
Eight months earlier, on a hot day in August, Tom Donilon, then the deputy national-security adviser, had added a brief item to the end of his daily morning briefing for Barack Obama. He said, “Leon and the guys at Langley think they may have come up with something”—something related to bin Laden.
There had been no scent of the al-Qaeda leader for more than eight years, ever since he had slipped away from the mountain outpost of Tora Bora during a botched siege by allied troops. The Bush administration maintained that he was somewhere in the mountainous regions of northwestern Pakistan, but, in truth, they had no idea where he was. On May 26, 2009, Obama had concluded a routine national-security briefing in the Situation Room by pointing to Donilon, Leon Panetta, his newly appointed C.I.A. director, Mike Leiter, director of the National Counterterrorism Center, and Rahm Emanuel, his chief of staff.
“You, you, you, and you,” he said. “Come upstairs.”
The four followed Obama through the warren of narrow West Wing hallways to the Oval Office. They didn’t sit down.
Obama said, “Here’s the deal. I want this hunt for Osama bin Laden and [Ayman] al-Zawahiri to come to the front of the line. I worry that the trail has gone cold. This has to be our top priority and it needs leadership in the tops of your organizations.” He added, “I want regular reports on this to me, and I want them starting in 30 days.”
The conventional wisdom is that the intelligence apparatus had slackened off in its search for bin Laden—and it’s true that President George W. Bush, frustrated by the inability to find him, publicly declared that bin Laden wasn’t important. But among the analysts and operatives, the hunt had always continued. Obama’s order just gave it more focus and intensity. Now, a year later, there was something to talk about. While looking for an al-Qaeda figure who went by the name Abu Ahmed al-Kuwaiti—a man known to have once been a trusted aide and courier for bin Laden—intelligence analysts had become aware of a curious compound just outside Abbottabad, a prosperous city about 30 miles northeast of Islamabad. Too wary to use cell phones or Internet links, bin Laden relied on couriers to distribute his letters and occasional video and audio pronouncements. Reversing the paths taken by these tapes or thumb drives always ended one or two steps short of bin Laden’s inner circle. But now they had someone who might take them all the way inside. The search for him had lasted eight years. It had taken the C.I.A. five years just to learn his real name: Ibrahim Saeed Ahmed. The trail had ended at this residence.
Panetta brought two of the agency’s bin Laden team leaders to the Oval Office. They handed Obama classified pictures and maps and walked him through the material. What had first intrigued them was the compound itself. Unlike most homes in that affluent neighborhood, it did not have Internet or phone connections. The walls were unusually high, topped by two feet of barbed wire. There was no way to see inside the house itself, from the ground or from above. The agency had learned that the compound was home not only to Ibrahim Ahmed’s family but to his brother Abrar’s family as well. They went by assumed names: Ahmed called himself Arshad Khan, and the brother went by Tariq Khan. They had never been wealthy, but their accommodations were expensive. The brothers were also wary. They burned their trash on-site. None of their children attended school. In telephone calls to distant family members, always made from locations away from the compound itself, they lied about where they were living. The C.I.A. has been known to misinterpret many things, but one thing it recognizes is high operational security.
The agency had been investigating the compound quietly, taking pictures from above and collecting information on the ground. That and telephone intercepts had produced two discoveries.
The first was that living inside the compound on the upper two floors of the central building was a third family. Neighbors in Abbottabad who knew of the Khan brothers were not aware of this third family. The second discovery was that Ahmed still worked for al-Qaeda. Though he was known to have been close to bin Laden years earlier, the agency had no proof that he had retained the connection. But in a telephone conversation with an old friend that summer, a call the C.I.A. monitored, Ahmed was peppered with the standard questions, “What are you doing now? What are you up to?” Ahmed at first didn’t answer. But his friend was insistent, and so he finally gave in, albeit cryptically, explaining, “I’m with the same ones as before.” His friend said, “May Allah be with you,” and quickly dropped the subject. That suggested that whoever Ahmed and his brother were minding in that house was a top al-Qaeda figure.
Those were the new facts presented to the president. “This is the best lead that we have seen since Tora Bora,” said one of the team members. Thinking back on the moment during a long Oval Office conversation, Obama recalled being guarded, “not particularly optimistic.” He found the information intriguing, but only in a general way. The connection to bin Laden was tenuous. Still, he encouraged Panetta and his team to press on. He wanted to nail down the identity of whoever was living upstairs. He also wanted a “close hold” on the information. They were not to let others know about it. They were definitely not to tell Pakistan.
There had been no scent of the al-Qaeda leader for more than eight years, ever since he had slipped away from the mountain outpost of Tora Bora during a botched siege by allied troops. The Bush administration maintained that he was somewhere in the mountainous regions of northwestern Pakistan, but, in truth, they had no idea where he was. On May 26, 2009, Obama had concluded a routine national-security briefing in the Situation Room by pointing to Donilon, Leon Panetta, his newly appointed C.I.A. director, Mike Leiter, director of the National Counterterrorism Center, and Rahm Emanuel, his chief of staff.
“You, you, you, and you,” he said. “Come upstairs.”
The four followed Obama through the warren of narrow West Wing hallways to the Oval Office. They didn’t sit down.
Obama said, “Here’s the deal. I want this hunt for Osama bin Laden and [Ayman] al-Zawahiri to come to the front of the line. I worry that the trail has gone cold. This has to be our top priority and it needs leadership in the tops of your organizations.” He added, “I want regular reports on this to me, and I want them starting in 30 days.”
The conventional wisdom is that the intelligence apparatus had slackened off in its search for bin Laden—and it’s true that President George W. Bush, frustrated by the inability to find him, publicly declared that bin Laden wasn’t important. But among the analysts and operatives, the hunt had always continued. Obama’s order just gave it more focus and intensity. Now, a year later, there was something to talk about. While looking for an al-Qaeda figure who went by the name Abu Ahmed al-Kuwaiti—a man known to have once been a trusted aide and courier for bin Laden—intelligence analysts had become aware of a curious compound just outside Abbottabad, a prosperous city about 30 miles northeast of Islamabad. Too wary to use cell phones or Internet links, bin Laden relied on couriers to distribute his letters and occasional video and audio pronouncements. Reversing the paths taken by these tapes or thumb drives always ended one or two steps short of bin Laden’s inner circle. But now they had someone who might take them all the way inside. The search for him had lasted eight years. It had taken the C.I.A. five years just to learn his real name: Ibrahim Saeed Ahmed. The trail had ended at this residence.
Panetta brought two of the agency’s bin Laden team leaders to the Oval Office. They handed Obama classified pictures and maps and walked him through the material. What had first intrigued them was the compound itself. Unlike most homes in that affluent neighborhood, it did not have Internet or phone connections. The walls were unusually high, topped by two feet of barbed wire. There was no way to see inside the house itself, from the ground or from above. The agency had learned that the compound was home not only to Ibrahim Ahmed’s family but to his brother Abrar’s family as well. They went by assumed names: Ahmed called himself Arshad Khan, and the brother went by Tariq Khan. They had never been wealthy, but their accommodations were expensive. The brothers were also wary. They burned their trash on-site. None of their children attended school. In telephone calls to distant family members, always made from locations away from the compound itself, they lied about where they were living. The C.I.A. has been known to misinterpret many things, but one thing it recognizes is high operational security.
The agency had been investigating the compound quietly, taking pictures from above and collecting information on the ground. That and telephone intercepts had produced two discoveries.
The first was that living inside the compound on the upper two floors of the central building was a third family. Neighbors in Abbottabad who knew of the Khan brothers were not aware of this third family. The second discovery was that Ahmed still worked for al-Qaeda. Though he was known to have been close to bin Laden years earlier, the agency had no proof that he had retained the connection. But in a telephone conversation with an old friend that summer, a call the C.I.A. monitored, Ahmed was peppered with the standard questions, “What are you doing now? What are you up to?” Ahmed at first didn’t answer. But his friend was insistent, and so he finally gave in, albeit cryptically, explaining, “I’m with the same ones as before.” His friend said, “May Allah be with you,” and quickly dropped the subject. That suggested that whoever Ahmed and his brother were minding in that house was a top al-Qaeda figure.
Those were the new facts presented to the president. “This is the best lead that we have seen since Tora Bora,” said one of the team members. Thinking back on the moment during a long Oval Office conversation, Obama recalled being guarded, “not particularly optimistic.” He found the information intriguing, but only in a general way. The connection to bin Laden was tenuous. Still, he encouraged Panetta and his team to press on. He wanted to nail down the identity of whoever was living upstairs. He also wanted a “close hold” on the information. They were not to let others know about it. They were definitely not to tell Pakistan.
by Mark Bowden, Vanity Fair | Read more:
Photo: Pete Souza/White House/Getty Images
At The Corner of Hope and Worry
Another day begins with a sound softer than a finger-snap, in an Ohio place called Elyria. In the central square of this small city, the gushing water fountain applauds the early-morning chorus of sparrows. A car clears its throat. A door slams. And then: click.
The faint sound comes as 7:00 flashes on the clock of the Lorain National Bank building, looming over the square. The pull of a string — click — has sent life pulsing through a neon sign, announcing to all of Elyria that, once more, against the odds, Donna’s Diner is open.
Its proprietor, Donna Dove, 57, ignites the grill that she seems to have just turned off, so seamlessly do her workdays blend into one endless shift. She wears her blond hair in a ponytail and frames her hazel eyes with black-rimmed glasses that tend to get smudged with grill grease. She sees the world through the blur of her work.
A dozen years ago, Donna found a scrap of serendipity on the sidewalk: a notice that a local mom-and-pop restaurant was for sale. After cooking for her broken family as a child, after cooking for county inmates at one of her many jobs, she had come to see food as life’s binding agent, and a diner as her calling. She maxed out her credit cards, cashed in her 401(k) and opened a business to call her own.
Donna’s Diner. Donna’s.
You know this place: It is Elyria’s equivalent to that diner, that coffee shop, that McDonald’s. From the vantage point of these booths and Formica countertops, the past improves with distance, the present keeps piling on, and a promising future is practically willed by the resilient patrons.
It is where the recession and other issues of the day are lived as much as discussed. Where expectations for a certain lifestyle have been lowered and hopes for salvation through education and technology have been raised. Where the presidential nominees Barack Obama and Mitt Romney each hope that his plan for a way back will resonate with the Donna Doves, who try to get by in places like Elyria — where the American dream they talk about can sometimes seem like a tease.
But for now, at least, the door to Donna’s is open. So take a seat. Have a cup of coffee. Maybe some eggs.
This morning, as usual, Pete Aldrich is helping Donna through the new-dawn isolation, turning on the coffee and being compensated by food and tips from the occasional delivery. In his early 50s, well-educated and from regional royalty, he has hit some hard times, and may or may not have slept in his car last night, cocooned by his bundled possessions.
Pete tries, though, he tries. He often leaves straight from Donna’s for a job interview, hustling out with purpose, no matter that his thick-lensed eyeglasses are missing one arm. Something will turn up.
That is the communal hope. Donna, for example, is dogged by the day’s anxieties. Why are her receipts going down? What lunch special can she offer to clean out the refrigerator? Should she buy less perch for her Friday fish fry? Can she slide a month on her electric bill? Since she already doesn’t have health insurance, what else can she cut?
“I’m just going in circles and circles and circles,” Donna says one day, gazing through smudged glasses. “And not getting anyplace.”
The fresh aroma of coffee face-slaps the air. Soon the Breakfast Club regulars, that gaggle of Elyrian past and present, will be here to renew their continuing discussion of what was, is and isn’t in this city of 55,000. The presidential election sometimes serves as a conversation starter, like a curio placed between the salt and pepper shakers.
The talk will continue as yolk stains harden and refills turn tepid. Their Ohio is a swing state, after all, and their Elyria sits precariously on that swing. More Democratic than Republican, it has several global companies and the memory of many more; an embattled middle class and encroaching poverty; and the faint sense that the Next Big Thing better arrive before even its beloved park fountain, visible from the diner’s front window, gets shut off.
by Dan Barry, NY Times | Read more:
The faint sound comes as 7:00 flashes on the clock of the Lorain National Bank building, looming over the square. The pull of a string — click — has sent life pulsing through a neon sign, announcing to all of Elyria that, once more, against the odds, Donna’s Diner is open.Its proprietor, Donna Dove, 57, ignites the grill that she seems to have just turned off, so seamlessly do her workdays blend into one endless shift. She wears her blond hair in a ponytail and frames her hazel eyes with black-rimmed glasses that tend to get smudged with grill grease. She sees the world through the blur of her work.
A dozen years ago, Donna found a scrap of serendipity on the sidewalk: a notice that a local mom-and-pop restaurant was for sale. After cooking for her broken family as a child, after cooking for county inmates at one of her many jobs, she had come to see food as life’s binding agent, and a diner as her calling. She maxed out her credit cards, cashed in her 401(k) and opened a business to call her own.
Donna’s Diner. Donna’s.
You know this place: It is Elyria’s equivalent to that diner, that coffee shop, that McDonald’s. From the vantage point of these booths and Formica countertops, the past improves with distance, the present keeps piling on, and a promising future is practically willed by the resilient patrons.
It is where the recession and other issues of the day are lived as much as discussed. Where expectations for a certain lifestyle have been lowered and hopes for salvation through education and technology have been raised. Where the presidential nominees Barack Obama and Mitt Romney each hope that his plan for a way back will resonate with the Donna Doves, who try to get by in places like Elyria — where the American dream they talk about can sometimes seem like a tease.
But for now, at least, the door to Donna’s is open. So take a seat. Have a cup of coffee. Maybe some eggs.
This morning, as usual, Pete Aldrich is helping Donna through the new-dawn isolation, turning on the coffee and being compensated by food and tips from the occasional delivery. In his early 50s, well-educated and from regional royalty, he has hit some hard times, and may or may not have slept in his car last night, cocooned by his bundled possessions.
Pete tries, though, he tries. He often leaves straight from Donna’s for a job interview, hustling out with purpose, no matter that his thick-lensed eyeglasses are missing one arm. Something will turn up.
That is the communal hope. Donna, for example, is dogged by the day’s anxieties. Why are her receipts going down? What lunch special can she offer to clean out the refrigerator? Should she buy less perch for her Friday fish fry? Can she slide a month on her electric bill? Since she already doesn’t have health insurance, what else can she cut?
“I’m just going in circles and circles and circles,” Donna says one day, gazing through smudged glasses. “And not getting anyplace.”
The fresh aroma of coffee face-slaps the air. Soon the Breakfast Club regulars, that gaggle of Elyrian past and present, will be here to renew their continuing discussion of what was, is and isn’t in this city of 55,000. The presidential election sometimes serves as a conversation starter, like a curio placed between the salt and pepper shakers.
The talk will continue as yolk stains harden and refills turn tepid. Their Ohio is a swing state, after all, and their Elyria sits precariously on that swing. More Democratic than Republican, it has several global companies and the memory of many more; an embattled middle class and encroaching poverty; and the faint sense that the Next Big Thing better arrive before even its beloved park fountain, visible from the diner’s front window, gets shut off.
by Dan Barry, NY Times | Read more:
Photo: Nicole Bengiveno
Saturday, October 13, 2012
'The Biggest Breakthrough in Depression Research'... Ketamine?
Perhaps unsurprisingly, this isn't the entire story.
So why, in a review published late last week in Science, have researchers declared that findings on the effects of ketamine -- what the kids call "Special K" -- on the depressed brain are "the biggest breakthrough in depression research in a half century"?
Anyone who's experienced major depressive disorder, either personally or through a loved one, would understandably be excited about the news that taking ketamine can lift depression in mere hours in patients who are resistant to typical antidepressants. The commonly prescribed serotonin selective reuptake inhibitors (SSRIs) take weeks to kick in, if they end up working at all (they don't, for more than a third of depressed patients). It's during this painfully long waiting period that suicide, for two to twelve percent of patients, can begin to be seen as the quickest way out of the darkest depressions.
So yes, ketamine's potent and rapid effects seem downright miraculous, even though the relief it provides from depression only lasts seven to ten days. But researchers at the Yale School of Medicine have known this for a decade now. And the drug has actually been approved by the FDA for use as an injected anesthetic, albeit one with short-term, but psychologically intense, side-effects:
Instead, the studies reviewed here support a different theory, one which suggests that depression is the result of damage to the brain cells responsible for controlling mood. In mice, at least, this atrophy of neurons occurred in response to stress. Although the reasons stress causes this to happen are unclear, the weakening of synaptic connections appears to be at the root of depression and other stress-related disorders.
SSRIs are intended to increase brain levels of serotonin, but they do also, eventually, restore neurons. Ketamine is able to repair these synaptic connections in mice with near-miraculous speed. Indirect evidence from brain imaging supports the theory that this "synaptogensis" is the mechanism allowing for ketamine's rapid effects in humans as well.
So why, in a review published late last week in Science, have researchers declared that findings on the effects of ketamine -- what the kids call "Special K" -- on the depressed brain are "the biggest breakthrough in depression research in a half century"?
Anyone who's experienced major depressive disorder, either personally or through a loved one, would understandably be excited about the news that taking ketamine can lift depression in mere hours in patients who are resistant to typical antidepressants. The commonly prescribed serotonin selective reuptake inhibitors (SSRIs) take weeks to kick in, if they end up working at all (they don't, for more than a third of depressed patients). It's during this painfully long waiting period that suicide, for two to twelve percent of patients, can begin to be seen as the quickest way out of the darkest depressions.
So yes, ketamine's potent and rapid effects seem downright miraculous, even though the relief it provides from depression only lasts seven to ten days. But researchers at the Yale School of Medicine have known this for a decade now. And the drug has actually been approved by the FDA for use as an injected anesthetic, albeit one with short-term, but psychologically intense, side-effects:
The psychological manifestations vary in severity between pleasant dream-like states, vivid imagery, hallucinations, and emergence delirium. In some cases these states have been accompanied by confusion, excitement, and irrational behavior which a few patients recall as an unpleasant experience. The duration ordinarily is no more than a few hours; in a few cases, however, recurrences have taken place up to 24 hours postoperatively. No residual psychological effects are known to have resulted.What is new -- and legitimately exciting -- about all this is that scientists are beginning to realize that we may have been thinking about the depressed brain in the wrong way. The effects seen with ketamine suggest that the common explanations for depression -- that it's caused by a "chemical imbalance" in the brain, or by low levels of serotonin -- may not be what's really causing the disorder after all.
Instead, the studies reviewed here support a different theory, one which suggests that depression is the result of damage to the brain cells responsible for controlling mood. In mice, at least, this atrophy of neurons occurred in response to stress. Although the reasons stress causes this to happen are unclear, the weakening of synaptic connections appears to be at the root of depression and other stress-related disorders.
SSRIs are intended to increase brain levels of serotonin, but they do also, eventually, restore neurons. Ketamine is able to repair these synaptic connections in mice with near-miraculous speed. Indirect evidence from brain imaging supports the theory that this "synaptogensis" is the mechanism allowing for ketamine's rapid effects in humans as well.
by Lindsay Abrams, The Atlantic | Read more:
Photo: Olivia Harris/ReutersDark Social: We Have the Whole History of the Web Wrong
[ed. This is why I find it curious that content providers are sometimes so aggressive in wielding DMCA takedown requests when a variety of sources (ahem....like this blog) are responsible for generating such a large proportion of their traffic.]
But it's never felt quite right to me. For one, I spent most of the 90s as a teenager in rural Washington and my web was highly, highly social. We had instant messenger and chat rooms and ICQ and USENET forums and email. My whole Internet life involved sharing links with local and Internet friends. How was I supposed to believe that somehow Friendster and Facebook created a social web out of what was previously a lonely journey in cyberspace when I knew that this has not been my experience? True, my web social life used tools that ran parallel to, not on, the web, but it existed nonetheless.
To be honest, this was a very difficult thing to measure. One dirty secret of web analytics is that the information we get is limited. If you want to see how someone came to your site, it's usually pretty easy. When you follow a link from Facebook to The Atlantic, a little piece of metadata hitches a ride that tells our servers, "Yo, I'm here from Facebook.com." We can then aggregate those numbers and say, "Whoa, a million people came here from Facebook last month," or whatever.
There are circumstances, however, when there is no referrer data. You show up at our doorstep and we have no idea how you got here. The main situations in which this happens are email programs, instant messages, some mobile applications*, and whenever someone is moving from a secure site ("https://mail.google.com/blahblahblah") to a non-secure site (http://www.theatlantic.com).
This means that this vast trove of social traffic is essentially invisible to most analytics programs. I call it DARK SOCIAL. It shows up variously in programs as "direct" or "typed/bookmarked" traffic, which implies to many site owners that you actually have a bookmark or typed in www.theatlantic.com into your browser. But that's not actually what's happening a lot of the time. Most of the time, someone Gchatted someone a link, or it came in on a big email distribution list, or your dad sent it to you.
Nonetheless, the idea that "social networks" and "social media" sites created a social web is pervasive. Everyone behaves as if the traffic your stories receive from the social networks (Facebook, Reddit, Twitter, StumbleUpon) is the same as all of your social traffic. I began to wonder if I was wrong. Or at least that what I had experienced was a niche phenomenon and most people's web time was not filled with Gchatted and emailed links. I began to think that perhaps Facebook and Twitter has dramatically expanded the volume of -- at the very least -- linksharing that takes place.
Everyone else had data to back them up. I had my experience as a teenage nerd in the 1990s. I was not about to shake social media marketing firms with my tales of ICQ friends and the analogy of dark social to dark energy. ("You can't see it, dude, but it's what keeps the universe expanding. No dark social, no Internet universe, man! Just a big crunch.")
And then one day, we had a meeting with the real-time web analytics firm, Chartbeat. Like many media nerds, I love Chartbeat. It lets you know exactly what's happening with your stories, most especially where your readers are coming from. Recently, they made an accounting change that they showed to us. They took visitors who showed up without referrer data and split them into two categories. The first was people who were going to a homepage (theatlantic.com) or a subject landing page (theatlantic.com/politics). The second were people going to any other page, that is to say, all of our articles. These people, they figured, were following some sort of link because no one actually types "http://www.theatlantic.com/technology/archive/2012/10/atlast-the-gargantuan-telescope-designed-to-find-life-on-other-planets/263409/." They started counting these people as what they call direct social.
The second I saw this measure, my heart actually leapt (yes, I am that much of a data nerd). This was it! They'd found a way to quantify dark social, even if they'd given it a lamer name!
On the first day I saw it, this is how big of an impact dark social was having on The Atlantic.
Just look at that graph. On the one hand, you have all the social networks that you know. They're about 43.5 percent of our social traffic. On the other, you have this previously unmeasured darknet that's delivering 56.5 percent of people to individual stories. This is not a niche phenomenon! It's more than 2.5x Facebook's impact on the site.
Day after day, this continues to be true, though the individual numbers vary a lot, say, during a Reddit spike or if one of our stories gets sent out on a very big email list or what have you. Day after day, though, dark social is nearly always our top referral source.
Day after day, this continues to be true, though the individual numbers vary a lot, say, during a Reddit spike or if one of our stories gets sent out on a very big email list or what have you. Day after day, though, dark social is nearly always our top referral source.
by Alex Madrigal, The Atlantic | Read more:
Friday, October 12, 2012
The Master
It’s not that there is nothing going on in the movie, and we weren’t only bewildered and bored. We were also, intermittently, intrigued, daunted, amused, troubled. The very metaphor of the cause that I have just used is borrowed from the film, where something called the Cause (and distinctly resembling Scientology) is one of its elusive subjects. The questions it asks, again and again (in a way it doesn’t do anything else), are whether charisma can be portrayed and/or inspected and whether a charismatic leader can help anyone who seriously needs help.
The answers seem to be yes, no and no. Philip Seymour Hoffman’s portrayal of the Master is remarkable because it makes charisma seem so unsteady and so complicated. He is lordly, mischievous, scoundrelly, conniving, bullying, petulant, perfectly in control, half out of control, always slithering from the posture of the sage into that of the snake-oil salesman. But then this brilliant picture is not an inspection or exploration of the person or the type, it’s a fascinated trailing after him. When he abruptly loses his temper two-thirds of the way through the film, thoroughly shocking one of his devoted rich acolytes played by Laura Dern, it’s the same temper and the same loss we have seen twice already. We’re not shocked, this is not a revelation to us as it is to Dern. The repetition has its eerie force, though. We have long realised that the Master is his own permanent self-invention, and we finally see that there is no limit to the vast contentment with which he can keep putting together the self he so enjoys and admires. Nothing unsettles him for long: defections, hostile questions, doubt, imprisonment, all small bumps in the long right road. At the end of the film, still smiling with an air of benevolence that would scare the life out of anyone not seeking to grovel, he says: ‘Everyone needs a master.’ He doesn’t mean he needs one. He means everyone needs him, and if they imagine they don’t they are doomed.
The Master’s counterpart, disciple and victim is Freddie Quell, played by Joaquin Phoenix with a lurid tormented charm which spreads all over the large bright screen and makes you long for the days of lower definition and poorer visibility. He hunches his shoulders, twists his mouth, often talks unintelligibly, as if knowing what he is actually saying were a privilege he jealously wants to keep to himself. We first see him in the navy at the end of World War Two, frustrated, lonely, willing to fall in a frenzy on a woman made of sand as long as she has breasts that stick up sharply enough. The memory of this effigy recurs throughout the movie, and at the end, having found and lost and found the Master again, Freddie picks up a girl who has the right sort of breasts and is much more relaxed and amusing than any piece of Pacific beach could be. Perhaps he’s cured.
But cured of what? After the war, identified as a potential misfit in any arrangement where fitting might be required, Freddie becomes a photographer in a department store, cuts cabbages in a California field, and runs away to sea when the liquor he has become an expert at mixing – from paint thinner and various engine fuels – almost kills a man. The boat he hops onto belongs to, or is rented by, the Master, named Lancaster Dodd, who also has a taste for paint thinner. And so begins the weird relationship that so statically dominates the rest of the movie.
by Michael Wood, LRB | Read more:
Image: via Chicagoist
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