Showing posts with label Culture. Show all posts
Showing posts with label Culture. Show all posts

Monday, March 16, 2026

On Adversarial Capitalism

I’ve lately been writing a series on modern capitalism. You can read these other blog posts for additional musings on the topic:
We are now in a period of capitalism that I call adversarial capitalism. By this I mean: market interactions increasingly feel like traps. You’re not just buying a product—you’re entering a hostile game rigged to extract as much value from you as possible.

A few experiences you may relate to:
  • I bought a banana from the store. I was prompted to tip 20, 25, or 30% on my purchase.
  • I went to get a haircut. Booking online cost $6 more and also asked me to prepay my tip. [Would I get worse service if I didn’t tip in advance…?]
  • I went to a jazz club. Despite already buying an expensive ticket, I was told I needed to order at least $20 of food or drink—and literally handing them a $20 bill wouldn’t count, as it didn’t include tip or tax.
  • I looked into buying a new Garmin watch, only to be told by Garmin fans I should avoid the brand now—they recently introduced a subscription model. For now, the good features are still included with the watch purchase, but soon enough, those will be behind the paywall.
  • I bought a plane ticket and had to avoid clicking on eight different things that wanted to overcharge me. I couldn’t sit beside my girlfriend without paying a large seat selection fee. No food, no baggage included.
  • I realized that the bike GPS I bought four years ago no longer gives turn-by-turn directions because it’s no longer compatible with the mapping software.
  • I had to buy a new computer because the battery in mine wasn’t replaceable and had worn down.
  • I rented a car and couldn’t avoid paying an exorbitant toll-processing fee. They gave me the car with what looked like 55% of a tank. If I returned it with less, I’d be charged a huge fee. If I returned it with more, I’d be giving them free gas. It’s difficult to return it with the same amount, given you need to drive from the gas station to the drop-off and there’s no precise way to measure it.
  • I bought tickets to a concert the moment they went on sale, only for the “face value” price to go down 50% one month later – because the tickets were dynamically priced.
  • I used an Uber gift card, and once it was applied to my account, my Uber prices were higher.
  • I went to a highly rated restaurant (per Google Maps) and thought it wasn’t very good. When I went to pay, I was told they’d reduce my bill by 25% if I left a 5-star Google Maps review before leaving. I now understand the reviews.
Adversarial capitalism is when most transactions feel like an assault on your will. Nearly everything entices you with a low upfront price, then uses every possible trick to extract more from you before the transaction ends. Systems are designed to exploit your cognitive limitations, time constraints, and moments of inattention.

It’s not just about hidden fees. It’s that each additional fee often feels unreasonable. The rental company doesn’t just charge more for gas, they punish you for not refueling, at an exorbitant rate. They want you to skip the gas, because that’s how they make money. The “service fee” for buying a concert ticket online is wildly higher than a service fee ought to be.

The reason adversarial capitalism exists is simple.

Businesses are ruthlessly efficient and want to grow. Humans are incredibly price-sensitive. If one business avoids hidden fees, it’s outcompeted by another that offers a lower upfront cost, with more adversarial fees later. This exploits the gap between consumers’ sensitivity to headline prices and their awareness of total cost. Once one firm in a market adopts this pricing model, others are pressured to follow. It becomes a race to the bottom of the price tag, and a race to the top of the hidden fees.

The thing is: once businesses learn the techniques of adversarial capitalism and it gets accepted by consumers, there is no going back — it is a super weapon that is too powerful to ignore once discovered.

by Daniel Frank, Frankly Speaking |  Read more:

[ed. Many great essays on his blog, and substack (not not Talmud) to keep one busy for awhile. See also: Daniel-isms: 50 Ideas for Life I Repeatedly Share (Part 1); and 50 Ideas for Life I Repeatedly Share (part 2). Also, here's a couple more: the loss of magic: why Bob Dylan can’t write great songs anymore; and, Notes on Taiwan.]

Friday, March 13, 2026

The Sucker

On a Thursday evening in September, I excused myself from the family dinner table and slipped into my bedroom. I didn’t want my kids to see what I was about to do.

With the door locked behind me, I pulled out my phone and downloaded the DraftKings betting app. I felt a certain thrill as I typed in my debit-card information and deposited $500. The first game of the NFL season was a few minutes away. Anything seemed possible.

I am not, by temperament, a gambling man. As a suburban dad with four kids, a mortgage, and a minivan, I’m more likely to be found wrestling a toddler into a car seat than scouring moneylines or consulting betting touts. And as a practicing Mormon, I am prohibited from indulging in games of chance. Besides, I had always thought of gambling as a waste of time. This makes me an outlier among my generational peers: Since 2018, Americans have wagered more than half a trillion dollars on sports, and roughly half of men ages 18 to 49 have an active account with an online sportsbook.

When I set out to report on the sports-betting industry—its explosive growth, its sudden cultural ubiquity, and what it’s doing to America—my editors thought I should experience the phenomenon firsthand. Mindful of my religious constraints, they proposed a work-around: The Atlantic would stake me $10,000 to gamble with over the course of the upcoming NFL season. The magazine would cover any losses, and—to ensure my ongoing emotional investment—split any winnings with me, 50–50. Surely God would approve of such an arrangement, my editors reasoned, because I wouldn’t be risking my own hard-earned money.

This spiritual loophole intrigued me. But for the sake of my soul, I decided I’d better consult a higher ecclesiastical authority than The Atlantic’s masthead.

A few days later, I sat across from my bishop, explaining the experiment and watching a look of pastoral concern come over his face. After some consideration, he said (a bit tentatively, if I’m being honest), “I don’t think you’re doing anything wrong.” He grasped the difference between gambling with my own money and using my employer’s for research purposes. But he had also seen too many lives wrecked by vice to let me leave without a warning. He told me stories he’d heard about upstanding family men who had let an initially modest gambling habit ruin them, and a cautionary tale about a churchgoing lawyer who developed an unhealthy curiosity about sex work after handling a prostitution case and wound up devastating his family.

I promised the bishop that I would steer clear of slippery slopes. “This will really just be a journalistic exercise,” I assured him.

Fifteen minutes before kickoff, I scrolled through the available wagers on DraftKings in wide-eyed bewilderment. Struggling to make sense of the terminology—Profit boosts? Alternative spreads?—I punched in bets almost at random. I bet that the Eagles would beat the Cowboys by at least nine points, based on the sophisticated premise that the Eagles had won the previous Super Bowl and the Cowboys had not. I placed a bet that Eagles quarterback Jalen Hurts would throw for more than 200 yards, and wagered on something called a “same-game parlay” that would pay out if both Hurts and running back Saquon Barkley scored touchdowns.

Then, after tucking in my kids for the night, I turned on the TV in our bedroom and settled in next to my wife, Annie.

Watching the game was unexpectedly stressful. Toggling among my five different bets—monitoring their progress, weighing live “cash out” options—left me feeling harried and sweaty. Four seconds into the game, I got a taste of the capriciousness of the enterprise when the Eagles’ best defender inexplicably spit on the Cowboys’ quarterback and got himself ejected. Had the Eagles’ chances of beating the spread, and my chances at winning $75, just been expectorated away?

Ever since the advent of sports, humans have found ways to lose money gambling on them.

But the experience was also strangely mesmerizing. For 200 bucks, I had purchased an artificial rooting interest in a game I had no reason to care about. I kept watching even after a weather delay pushed it late into the night, scrolling frenetically next to my sleeping wife in search of angles to exploit with late-game bets. Most of my bets ended up losing, but the long-shot Hurts-Barkley parlay hit, and when the game ended, I calculated that I was up $20.

The next morning, I proudly shared the news with Annie, who high-fived me and immediately began to fantasize about how we would spend my winnings for the season. Could we replace our dying KitchenAid mixer? Remodel the kitchen pantry? Like so many wives before her, she had looked upon my foray into sports gambling with a bemused air of exasperation; now she was seeing a potential upside.

I laughed at her sudden enthusiasm—but I was starting to get ideas myself. I had made $20 on my very first night of gambling. Scale up the wager sizes, multiply across all 272 games in the NFL season, throw in some NBA and college football, and I stood to make—what, $10,000? $20,000? More?

I knew, of course, that I wouldn’t win every bet. But I didn’t see the harm in dreaming. As Annie and I traded home-improvement fantasies, I tried my best not to dwell on the last thing the bishop had said to me: “Be careful.” 

Practically overnight, we took an ancient vice—long regarded as soul-rotting and civilizationally ruinous—put it on everyone’s phone, and made it as normal and frictionless as checking the weather. What could possibly go wrong? [...]

Week Two

Total gambled: $376.00
Down $58.15

If I was going to do this, I decided, I would need a gambling guru—someone to talk me through the basics of sound sports betting (if such a thing existed) and teach me best practices.

The obvious choice was Nate Silver, America’s most famous statistics nerd. Silver first made a name for himself as the founder of 538, an election-forecasting website that accurately predicted the winner of all 50 states in the 2012 presidential campaign. A few years ago, Silver, citing a midlife crisis and political fatigue, discarded the pundit suits, threw on a baseball cap, and started writing more about gambling. He launched a newsletter full of sophisticated sports-betting models and wrote a book about the psychology of successful gamblers. He estimates that he has netted in the “mid–six figures” over the course of his gambling life. If anyone could turn me into a respectable bettor, I figured, it was him.

Before our first call, I sheepishly sent Silver my week-one bet slips. After that first triumphant game, things had gone downhill. Scrolling through DraftKings’ offerings, I had turned into a little kid at a carnival, emptying my parents’ wallet into any ring toss or high striker that caught my eye. I’d taken fliers on games without doing any research, and placed live bets on whatever ESPN happened to be showing when I turned on the TV. On Saturday afternoon, while casually watching a random college-football game with my brother, I bet $10 that the point total wouldn’t go over 52.5, lost, tried to make my money back with a new bet that it wouldn’t go over 61.5, and lost that one too. Of the 14 wagers I’d placed in my first week, I’d won three.

Silver pulled up my slips when we got on the phone, and began to audibly react as he scrolled:

“Okay …”

“Oh.”

“Oh no.” He started laughing.

Is it possible to be emasculated by Nate Silver? Apparently, yes.

Perhaps sensing my humiliation, he tried to soften his assessment. “Look, the nice way to put it is that you’re betting like a recreational bettor.” I took this as a withering insult.

Silver laid out some basic realities of the sports-betting economy. The books effectively charge you about 4.5 percent for every bet you place, he explained, which means it isn’t enough to win 50.1 percent of the time; you have to win 52.5 percent of your bets just to break even, and that’s before taxes. My most obvious mistake, he said, was that I was using only DraftKings. To find edges, I would need to shop for lines across at least three or four books every week.

He gave me other tips, too: Avoid “prop bets” on individual players (Josh Allen to rush for more than 50 yards) and multi-leg parlays, which pay out only if every outcome hits (the Chiefs cover the spread, the Ravens win, and the Chargers score more than 24 points). Props and parlays are how sportsbooks generate most of their profits. “They’re suckers’ bets,” Silver said, which made sense, given that I had already placed several of them.

Live betting—placing wagers in the middle of games—was also a bad idea, he told me, because it leads to gambling based on emotion more than logic. Also, televised games are broadcast on a delay, which means the sportsbooks can adjust lines before you even see what has happened on the field. You are, in effect, betting against people who live 20 seconds in the future.

To guard against emotional betting, Silver suggested a Tuesday-morning ritual: I should sit in a quiet place, study the lines for that week’s games, gather information on injury reports and weather forecasts, and then place $100 bets on the six or seven games I liked best.

Before we hung up, I asked Silver what kind of profit would make it a successful season for me.

He seemed confused by the question. “If you make one penny, that would be better than 98 percent of people over an entire season,” Silver answered, as if this were obvious.

I was taken aback. Hadn’t Silver himself made hundreds of thousands of dollars gambling? Yes, he said, but that was mostly from poker tournaments. Sports betting was a game of razor-thin margins and microscopic edges. NFL football was among the hardest sports to win money on—the lines were too sharp, the teams too evenly matched. Silver told me that, even with his quantish models and prognosticatory brilliance, he would consider it cause to celebrate if he broke even on the season.

by McKay Coppins, The Atlantic |  Read more:
Image: Tyler Comrie/Getty
[ed. See also: The Online Sports Gambling Experiment Has Failed (DS).]

Thursday, March 12, 2026

Goodbye, Taiwan

Three and a half years ago, I moved to Taiwan to teach policy debate at a cram school. I had just graduated with a math degree and three semesters of Mandarin, and I had no idea that my incoming adventures would land me a Taiwanese husband and a job at ChinaTalk. But as of this week, my time in Taiwan has come to an end.

Taiwan is so much more than just a disputed territory, a chess piece, or a flashpoint for great power war. That seems obvious, yet my conversations with friends back home always end up centered on invasion timelines and ADIZ violations. Today, I’d like to share some vignettes from my time living on this beautiful island as I tearfully say goodbye. I hope they make you smile.

Bumming Cigs—A Glitch for Infinite Mandarin Practice

I often meet foreigners who lament the difficulty of making Taiwanese friends. In America, bars are an acceptable place to talk to strangers, whereas, in my experience, Taiwanese people prefer to go to bars with a group of people they already know and socialize with that group. This is why I’ve started teaching my foreign friends a magical friend-making Mandarin phrase:

我可以白嫖一根煙嗎?

“Can I bum a cigarette?”

This sentence is your ticket to infinite free Mandarin conversation practice and endless opportunities to make Taiwanese friends. The verb 白嫖 (báipiáo) means “to bum” or “to freeload,” but the literal meaning is something like “to have a free appointment with a sex worker.” Predictably, Taiwanese people laugh out loud when a random foreigner walks up and uses this word correctly in a sentence, making it the perfect way to break the ice.

If you don’t smoke, simply tuck the cigarette behind your ear, and then, later in the evening, walk up to a different group and declare you need to give away your last cigarette because you’ve just decided to quit. Bam! You’ve just doubled your opportunities for socializing.

I used to teach people how to say, “Can I freeload off your vape?” — but Taiwan has since made it illegal to buy, sell, or import e-cigarettes. People still have them and can use them in public, but asking to 白嫖 such a rare commodity is in poor taste.

Non-Tariff Barriers

I didn’t crave hamburgers or pizza after I moved to Taipei. That would have been too easy. Instead, I craved Honey Nut Cheerios (or HNCs for short).

Cereal is not popular in Taiwan. Pretty much every neighborhood has a shop serving hot breakfast items, so the convenience of cereal isn’t a strong selling point the way it is in America. Some cereals are available at Carrefour 家樂福, but they somehow never stock my beloved HNCs. I set out on a mission to find out why.

I discovered Costco 好市多 used to sell HNCs, until it became clear that Cheerios are even less profitable than other cereals due to the quirks of Taiwanese advertising law. You see, every box of Cheerios is plastered with slogans like “can help lower cholesterol” and “may reduce the risk of heart disease.” In Taiwan, it’s illegal to make claims like that in food advertising, so if Costco wants to sell Cheerios, an employee first has to take a marker and strike out all the illegal claims on every box before the product can be put on the shelves. You can see why they switched to Froot Loops.

I did eventually find a small imported snack store selling exorbitantly priced Cheerios with stickers covering the offending text. I bought a box, but discovered my tolerance for sugar had changed since leaving America, and my beloved HNCs were now way too sweet for me. I guess that’s why it’s illegal to imply this cereal is healthy. [...]

The Meerkats

My Taiwanese friends and I decided to take a weekend trip to Chiayi 嘉義, a city in central Taiwan. We were walking around the old Japanese train station when I spotted a middle-aged Taiwanese uncle walking his two pet meerkats.

I found this to be incredibly delightful — the meerkats wore tiny little harnesses hooked up to a retractable leash. They were scrambling around, taking in the excitement of the bustling train station, while their owner just stood there scrolling on his phone.

I burst out laughing and turned around to ask my friends how to say “meerkat” in Mandarin (they’re called 狐獴, “fox mongooses”). When I looked back a second later, the meerkats had found a super wrinkly obese dog to play with.

I turned back to my friends, wheezing from laughter with tears in my eyes, and asked, “Is it common to keep meerkats as pets in Taiwan? How am I the only one being affected by this?”

They looked at each other with blank expressions and shrugged. “This is just how we react to stuff.

I thought back to this moment in April 2024, when the 7.4-magnitude earthquake centered in Hualien rippled across the entire island. Once the shaking had stopped, I looked out the window of my Taipei apartment onto the market below. No one was screaming or panicking — the aunties just picked up their wheeled grocery carriers and continued walking. “This is just how we react to stuff.

New Year’s in the Countryside

For Lunar New Year, we always go to visit my husband’s paternal grandparents. They live in a little farming community called Lukang 鹿港, “The Deer Port,” so called because deer skin and meat were shipped out of this settlement during the Dutch colonial period. Lukang was once the largest city in central Taiwan, but has depopulated in large part because it doesn’t have a rail station. But this sleepy town roars to life during the New Year, when the children and grandchildren who migrated to larger cities for work come back to Lukang to celebrate.

My husband’s grandparents live on a small farm granted to them by Chiang Kai-Shek’s land redistribution policy (耕者有其田, literally “the tiller has his own land”). Their names are Japanese, since they were born during the colonial period, and they mostly cannot speak Mandarin or read Chinese characters. Other family members are kind enough to help translate from Hokkien so I can communicate with them. I once asked Grandpa what he and his wife liked to do for fun in the countryside. “We love to go out and vote!” he said proudly.

Grandma’s teeth aren’t great, so one year I brought American-style mashed potatoes and gravy to LNYE dinner for her, and we’ve been friends ever since. This year, when we were saying goodbye, I asked if I could hug her for the first time. “My coat is all dirty…” I told her I didn’t mind and hugged her anyway. We both started tearing up. “When will you be back?

Green Island

Taiwanese people don’t really collect sea glass — and that lack of competition makes beachcombing here super rewarding. But when my husband and I took a family trip to Green Island 綠島 off Taiwan’s southeastern coast, my mother-in-law cautioned me against bringing any sea glass back to the mainland. Green Island, she explained, housed a political prison during the martial law years (which is now an excellent museum), and she was worried a tormented spirit might be attached to the glass I picked up on the beach.

We spent the weekend wading through Green Island’s tide pools, eating freshly butchered young tuna we caught ourselves, and enjoying one of the world’s only saltwater hot springs. And of course, when we went to the beach, there was tons of beautiful sea glass.

I wasn’t sure about bringing the sea glass home (it’s better to just do what my mother-in-law says), but I was still picking it up since the hunt is half the fun. But that changed when we found a piece of sea glass with a Chinese character embossed on the front.

This character is 維 (wéi). It’s my husband’s name. There was no wei I wasn’t taking it home.

There is no special subset of characters used only for names — those same characters appear in words too (my Chinese name, for example, means surplus flowers 盈莉). So out of all the tens of thousands of Chinese characters, this piece of sea glass happened to have exactly the right one. It’s probably a fragment of an old bottle of liquid vitamin B12 (vitamin in Mandarin is 維他命).

While Americans often have a room in their house dedicated to tools for their hobby of choice, Taiwanese people rent tools at maker spaces and create things there. Back in Taipei, I made an appointment at a metalworking studio and soldered a silver bezel for my Green Island treasure.

by Lily Ottinger, ChinaTalk |  Read more:
Images: uncredited

Monday, March 9, 2026

The Sluishuis

The Sluishuis (Dutch for 'sluice house') is an apartment building in IJburg, a neighbourhood on artificial islands in Amsterdam, the Netherlands. The building, which opened on 13 July 2022, was designed by Bjarke Ingels Group, an architecture firm based in Copenhagen and New York City, in collaboration with Rotterdam-based Barcode Architects.

The Sluishuis is a sustainable building, with solar panels installed on the roof providing the energy for the lighting and heating, ventilation, and air conditioning in the complex. Its courtyard has a publicly accessible jetty where boats can moor...

The Sluishuis has 442 apartment units; 369 of them, mainly in the middle segment, are for renting and the rest are on sale. The size of the residential units ranges from 40 to 180 square metres (430 to 1,940 sq ft). Around the entire building is a publicly accessible jetty where there is space for 34 houseboats. The Sluishuis is built over the water of the IJ, allowing boats to moor at a dock of the complex. The unusual shape makes the building appear to float above the water.

Image: Hay Kranen

Sunday, March 8, 2026

Suno: The AI Music Race is Over

Video: Rick Beato

[ed. See also: The Truth About AI Music (Rowland's newsletter).]

For someone as profoundly unmusical as me, AI music generators are quite magical. I can barely sing a note, but in a few seconds I can make an entire track in any genre on any topic I want – like this soul song about Sky camera operator Phil Hooper. You can dismiss this as pure silliness for an audience of about five, but to me that’s the point! Thanks to AI, I get a little bit of musical joy that otherwise is completely out of reach.

Yet, as ever with technology, removing friction comes with a cost, and in this case the cost is a tsunami of musical spam. The stats on AI music are mind-boggling. In 2015, the entire US music industry made around 57,000 songs. Today, 60,000 AI tracks are uploaded to Deezer (aka French Spotify) *every single day* - that’s 21m a year, and this thing is just getting going.

The real problem isn’t the tracks, however, but the behaviour around them, because AI music is being used to try and steal from streamers (and by extension every legitimate musician on the site). Deezer estimate that 85% of listens to AI music are fraudulent – that is, made by bots set to stream the songs over and over in order to siphon royalties from the common pool. 

[ed. Do check out the soul song example mentioned above (with this accompanying video). Pretty scary... and sad.]

Saturday, March 7, 2026

The Plastic Surgeon Summit

We’re in a plastic surgery “renaissance period.”

Dr. Yannis Alexandrides: It is busier than ever. There’s a remarkable year-on-year demand increase that we see in surgical procedures, especially for the face, but also for the body. This is a trend that we have seen through the pandemic, but it has accelerated the last year.

Dr. Akshay Sanan: I think plastic surgery is in a renaissance period right now because of people publicly talking about it. Plastic surgery is now part of your wellness armamentarium. People used to flex what gym they went to, that they had a trainer, and now plastic surgery is part of that flex. People love to rock that they had their eyes done or their face and neck done or their body done. It’s just part of the cultural shift that we’re seeing.

Dr. Jason Champagne: This is where social media comes into play, camera phones and Zoom meetings. You see yourself from all these different angles nowadays that maybe you didn’t notice in the past.

Dr. Emily Hu: I find it very generational: Those who grew up in the social media era with a lot of sharing and openness are also very open about telling their friends [about the work they’ve had done].

Sanan: There’s a shift in consumer or patient habits. More people in their late 30s, early 40s, they’re choosing surgery earlier to age gracefully instead of waiting until things are advanced. They’re like, “I’m not going to wait until it drops down further. I just want to be hot in my 40s.”

Dr. John Diaz: It used to be that not everyone had access to a plastic surgeon. That was reserved within the realm of the elite. Well, not anymore. I have celebrities, executives, and business owners come in — but also teachers and waiters. There’s this democratization of attractiveness.

Dr. Paul Afrooz: Patients are very educated these days. They know what they’re looking for, they know what realistic results are, and they have the ability to do a lot of background research and understand who does things at an elite level. [...]

Let’s get into it: Why are we talking so much about facelifts this year?

Diaz: Facelifts have absolutely exploded for a few reasons. A lot of women see celebrities and influencers suddenly looking incredible, and they want to know how. Think about Kris Jenner — she had a huge impact when her pictures came out. And now it’s brought awareness to the fact that we have the technology to be able to take a young-looking woman and make her look better with surgery, without making her look fake. That was a real challenge 20 years ago.

Alexandrides: Kris Jenner was a very hot topic the last few months. Definitely a lot of the patients I see here take her as, let’s say, a model on how they want to look, because she looks fresh, but she doesn’t look pulled. She looks younger, and she looks happy, and you cannot see the scars, at least not in these pictures that we see.

Hu: I can’t tell you how many of my patients are like, “Yeah, my mom had a facelift. She was so scary. I’m never doing a facelift.” I mean, that was their response because they see their mom all bruised and scary looking.

Dr. Mark Murphy: Facelifts historically had a stereotypical “plastic surgery” look. Now people have realized, “I can look like myself 15 years ago and not have to look like a circus freak for it.” It’s become very digestible for patients. Social media is a huge driver behind it. Well, that, and the techniques are better.

So what’s actually new or changing about facelifts?

Dr. Mark Mani: We call it the golden age of facelift surgery. It’s primarily because of the success of the deep plane facelift.

Dr. David Shafer: There’s nothing new about [the deep plane facelift] as a procedure. It’s just very sophisticated marketing that’s being done now, and there are refinements to the procedures. But it’s not some plastic surgeon who’s marketing it now as some magic procedure that he came up with that nobody else does.

Mani: [A version of] the first deep plane lifts was performed in the late 1960s by a surgeon named Tord Skoog in Sweden [though the name came later]. I have his textbook and can show you results that would stand up to the best deep plane surgeons today. It’s not the procedure, it’s the surgeon, and facelift surgery, among all surgeries in plastic surgery, is an art form.

Afrooz: A surgeon named Sam Hamra — he just passed, but a wonderful human being, an extraordinary thinker, an extraordinary surgeon — first coined the phrase “deep plane facelift” in a 1990 paper and laid out some building blocks of the procedure. Just like everything else in plastic surgery, we stand on the giants before us.

Dr. Michael Stein: There are two main facelift techniques: deep plane and SMAS plication. The deep plane facelift is where you cut the layer under the skin called the SMAS, dissect underneath it, and tighten it in addition to the skin. In the SMAS facelift, instead of cutting and elevating the SMAS, you suture it to itself to tighten it from over top.

Dr. Amir Karam: The majority of surgeons, up until recently, have been doing the traditional SMAS technique, which is more or less horizontally pulling the face sideways, and that was leading to a very unnatural look.

Mani: I was the surgeon who wrote the most-read facelift academic article that convinced other surgeons to do deep plane facelifts. It was an article in Aesthetic Surgery Journal in 2016, where I detailed the specific anatomic reasons that deep plane is better.

Stein: The people who only do deep plane facelifts say they have a more longitudinal result, and vice versa. But the truth is, a good result is a good result. It depends more on the surgeon versus technique. A good facelift is a good facelift.

Facelifts aren’t done evolving.

Karam: The consumer is driving surgeons to create better and better results. So there’s been a massive increase in interest for surgeons to level up their strategies surgically and learn new techniques that are not new but new to them.

Afrooz: Even my facelift today is better than my facelift was one year ago. When you hone in on one thing as your career, you’re just constantly looking for ways to improve. It’s the cumulative effect of small subtleties over time and practice that you notice nuanced improvements to your results. One might assume that a deep plane facelift in one surgeon’s hands is the same as it is in another’s, but I’m here to tell you that it’s very much not the same.

Dr. Daniel Gould: There are new layers that we’re adding into the surgery. We’re recognizing the importance of the mid-face and volume position there. I’m recognizing adding fat to the mouth and the areas around the mouth, the chin, because all these areas have been neglected. We are now nailing all the low-hanging fruit: We’re nailing the neck, we’re nailing the face, we’re nailing the temple and the brows. Now it’s time to move forward and continue to innovate and push the limits of what we can really do in facial rejuvenation.

Mani: What I’ve developed is called the scarless lift, and it’s basically a deep plane facelift without a scar in front of the ear, with an endoscope. The endoscopic procedure involves a hidden incision within the hair, a short one behind the ear, and sometimes one under the chin. I still do about 60% open [non-endoscopic], but a good percentage of my facelifts are scarless endoscopic. The results are more beautiful because you don’t have to worry about the scar, and the vectors of lifting are better.

Alexandrides: I don’t think this will be now, “OK, let’s forget about facelifts, let’s move to something else.” What will probably happen is that people will discover intricate little different techniques and say, “You have the facelift that is done like that.” I have patients who ask me very technical questions: How do you design your scar around your ear?

Stein: Facelift surgery has survived the test of time. Every year there are new machines designed to tighten skin, and for some patients with mild laxity, they may see nice results. The truth is though, if you have jowls or droopy skin of the face and neck, the only thing that’s really going to give you the best bang for your buck and directly address your laxity is a facelift.

by Bustle Editors, Bustle |  Read more:
Image: uncredited

Thursday, March 5, 2026

Hawaiian Slack Key

(and, let no good deed go unpunished)

Tuesday, March 3, 2026

The Irsay Collection/Auction

Kurt Cobain’s famed Fender is part of $1 billion collection going to auction

In the summer of 1991, Nirvana filmed the music video for “Smells Like Teen Spirit” on a Culver City sound stage. Kurt Cobain strummed the grunge anthem’s iconic four-chord opening riff on a 1969 Fender Mustang, Lake Placid Blue with a signature racing stripe.

Nearly 35 years later, the six-string relic hung on a gallery wall at Christie’s in Beverly Hills as part of a display of late billionaire businessman Jim Irsay’s world-renowned guitar collection, which heads to auction at Christie’s, New York, beginning Tuesday. Each piece in the Beverly Hills gallery, illuminated by an arched spotlight and flanked by a label chronicling its history, carried the aura of a Renaissance painting.

Irsay’s billion-dollar guitar arsenal, crowned “The Greatest Guitar Collection on Earth” by Guitar World magazine, is the focal point of the Christie’s auction, which has split approximately 400 objects — about half of which are guitars — into four segments: the “Hall of Fame” group of anchor items, the “Icons of Pop Culture” class of miscellaneous memorabilia, the “Icons of Music” mixed batch of electric and acoustic guitars and an online segment that compiles the remainder of Irsay’s collection. The online sale, featuring various autographed items, smaller instruments and historical documents, features the items at the lowest price points.

A portion of auction proceeds will be donated to charities that Irsay supported during his lifetime.

Cobain’s Fender was only one of the music history treasures nestled in Christie’s gallery. A few paces away, Jerry Garcia’s “Budman” amplifier, once part of the Grateful Dead’s three-story high “Wall of Sound,” perched atop a podium. Just past it lay the Beatles logo drum head (estimated between $1 million and $2 million) used for the band’s debut appearance on “The Ed Sullivan Show,” which garnered a historic 73 million viewers and catalyzed the British Invasion. Pencil lines were still visible beneath the logo’s signature “drop T.” [ed. Also includes Eric Clapton's Martin acoustic guitar used on 'Unplugged'].

It is exceptionally rare for even one such artifact to go to market, let alone a billion-dollar group of them at once, Walker said. But a public sale enabling many to participate and demonstrate the “true market value” of these objects is what Irsay would have wanted, she added.

Dropping tens of millions of dollars on pop culture memorabilia may seem an odd hobby for an NFL general manager, yet Irsay viewed collecting much like he viewed leading the Indianapolis Colts.

Irsay, the youngest NFL general manager in history, said in a 2014 Colts Media interview that watching and emulating the legendary NFL owners who came before him “really taught me to be a steward.”

“Ownership is a great responsibility. You can’t buy respect,” he said. “Respect only comes from you being a steward.”

The first major acquisition in Irsay’s collection came in 2001, with his $2.4-million purchase of the original 120-foot scroll for Jack Kerouac’s 1957 novel, “On the Road.” He loved the book and wanted to preserve it, Walker said. But he also frequently lent it out, just like he regularly toured his guitar collection beginning 20 years later.

“He said publicly, ‘I’m not the owner of these things. I’m just that current custodian looking after them for future generations,’ ” Walker said. “And I think that’s what true collectors always say.”

At its L.A. highlight exhibition, Irsay’s collection held an air of synchronicity. Paul McCartney’s handwritten lyrics for “Hey Jude” hung just a few steps from a promotional poster — the only one in existence — for the 1959 concert Buddy Holly, Ritchie Valens and J.P. “The Big Bopper” Richardson were en route to perform when their plane crashed. The tragedy spurred Don McLean to write “American Pie,” about “the day the music died.”

Holly was McCartney’s “great inspiration,” Christie’s specialist Zita Gibson said. “So everything connects.”

Later, the Beatles’ 1966 song “Paperback Writer” played over the speakers near-parallel to the guitars the song was written on. [...]

Another fan-favorite is the “Wilson” volleyball from 2000’s “Cast Away,” starring Tom Hanks, estimated between $60,000 and $80,000, Gibson said.

Historically, such objects were often preserved by accident. But as the memorabilia market has ballooned over the last decade or so, Gibson said, “a lot of artists are much more careful about making sure that things don’t get into the wrong hands. After rehearsals, they tidy up after themselves.”

by Malia Mendez, Los Angeles Times/Seattle Times |  Read more:
Image:Cover Images/ZUMA Press/TNS
[ed. Mentioned this in a previous post but still can't believe what's here.]

Monday, March 2, 2026

Just Super Cub Flying - No BS

[ed. I could fall asleep to this. Wish I could have afforded one of these in my younger days (with floats!). See also: another video of AK super cub flying (and many more).

Anthony Bourdain’s Moveable Feast

When the President of the United States travels outside the country, he brings his own car with him. Moments after Air Force One landed at the Hanoi airport last May, President Barack Obama ducked into an eighteen-foot, armor-plated limousine—a bomb shelter masquerading as a Cadillac—that was equipped with a secure link to the Pentagon and with emergency supplies of blood, and was known as the Beast. Hanoi’s broad avenues are crowded with honking cars, storefront venders, street peddlers, and some five million scooters and motorbikes, which rush in and out of the intersections like floodwaters. It was Obama’s first trip to Vietnam, but he encountered this pageant mostly through a five-inch pane of bulletproof glass. He might as well have watched it on TV.

Obama was scheduled to meet with President Trần Đại Quang, and with the new head of Vietnam’s national assembly. On his second night in Hanoi, however, he kept an unusual appointment: dinner with Anthony Bourdain, the peripatetic chef turned writer who hosts the Emmy-winning travel show “Parts Unknown,” on CNN. Over the past fifteen years, Bourdain has hosted increasingly sophisticated iterations of the same program. Initially, it was called “A Cook’s Tour,” and aired on the Food Network. After shifting to the Travel Channel, it was renamed “Anthony Bourdain: No Reservations,” and it ran for nine seasons before moving to CNN, in 2013. All told, Bourdain has travelled to nearly a hundred countries and has filmed two hundred and forty-eight episodes, each a distinct exploration of the food and culture of a place. The secret ingredient of the show is the when-in-Rome avidity with which Bourdain partakes of indigenous custom and cuisine, whether he is pounding vodka before plunging into a frozen river outside St. Petersburg or spearing a fatted swine as the guest of honor at a jungle longhouse in Borneo. Like a great white shark, Bourdain tends to be photographed with his jaws wide open, on the verge of sinking his teeth into some tremulous delicacy. In Bourdain’s recollection, his original pitch for the series was, roughly, “I travel around the world, eat a lot of shit, and basically do whatever the fuck I want.” The formula has proved improbably successful.

People often ask Bourdain’s producers if they can tag along on an escapade. On a recent visit to Madagascar, he was accompanied by the film director Darren Aronofsky. (A fan of the show, Aronofsky proposed to Bourdain that they go somewhere together. “I kind of jokingly said Madagascar, just because it’s the farthest possible place,” he told me. “And Tony said, ‘How’s November?’ ”) A ride-along with Bourdain promises the sidekick an experience that, in this era of homogenized tourism, is all too rare: communion with a foreign culture so unmitigated that it feels practically intravenous. Parachuted into any far-flung corner of the planet, Bourdain ferrets out the restaurant, known only to discerning locals, where the grilled sardines or the pisco sours are divine. Often, he insinuates himself into a private home where the meal is even better. He is a lively dining companion: a lusty eater and a quicksilver conversationalist. “He’s got that incredibly beautiful style when he talks that ranges from erudite to brilliantly slangy,” his friend Nigella Lawson observed. Bourdain is a font of unvarnished opinion, but he also listens intently, and the word he uses perhaps more than any other is “interesting,” which he pronounces with four syllables and only one “t”: in-ner-ess-ting.

Before becoming famous, Bourdain spent more than two decades as a professional cook. In 2000, while working as the executive chef at Les Halles, a boisterous brasserie on Park Avenue South, he published a ribald memoir, “Kitchen Confidential.” It became a best-seller, heralding a new national fascination with the grubby secrets and “Upstairs Downstairs” drama of the hospitality industry. Bourdain, having established himself as a brash truth-teller, got into public spats with more famous figures; he once laid into Alice Waters for her pious hatred of junk food, saying that she reminded him of the Khmer Rouge. People who do not watch Bourdain’s show still tend to think of him as a savagely honest loudmouthed New York chef. But over the years he has transformed himself into a well-heeled nomad who wanders the planet meeting fascinating people and eating delicious food. He freely admits that his career is, for many people, a fantasy profession. A few years ago, in the voice-over to a sun-dappled episode in Sardinia, he asked, “What do you do after your dreams come true?” Bourdain would be easy to hate, in other words, if he weren’t so easy to like. “For a long time, Tony thought he was going to have nothing,” his publisher, Dan Halpern, told me. “He can’t believe his luck. He always seems happy that he actually is Anthony Bourdain.”

The White House had suggested the meeting in Vietnam. Of all the countries Bourdain has explored, it is perhaps his favorite; he has been there half a dozen times. He fell for Hanoi long before he actually travelled there, when he read Graham Greene’s 1955 novel, “The Quiet American,” and the city has retained a thick atmosphere of colonial decay—dingy villas, lugubrious banyan trees, monsoon clouds, and afternoon cocktails—that Bourdain savors without apology. Several years ago, he seriously considered moving there.

Bourdain believes that the age of the fifteen-course tasting menu “is over.” He is an evangelist for street food, and Hanoi excels at open-air cooking. It can seem as if half the population were sitting around sidewalk cookfires, hunched over steaming bowls of phở. As a White House advance team planned the logistics for Obama’s visit, an advance team from Zero Point Zero, the company that produces the show, scoured the city for the perfect place to eat. They selected Bún chả Hương Liên, a narrow establishment across from a karaoke joint on a busy street in the Old Quarter. The restaurant’s specialty is bún chả: springy white noodles, smoky sausage, and charred pork belly served in a sweet and pungent broth.

At the appointed hour, Obama exited the Beast and walked into the restaurant behind a pair of Secret Service agents, who cleared a path for him, like linemen blocking for a running back. In a rear dining room on the second floor, Bourdain was waiting at a stainless-steel table, surrounded by other diners, who had been coached to ignore the cameras and Obama, and to focus on their bún chả. Like many restaurants in Vietnam, the facility was casual in the extreme: diners and servers alike swept discarded refuse onto the floor, and the tiles had acquired a grimy sheen that squeaked beneath your feet. Obama was wearing a white button-down, open at the collar, and he greeted Bourdain, took a seat on a plastic stool, and happily accepted a bottle of Vietnamese beer.

“How often do you get to sneak out for a beer?” Bourdain asked.

“I don’t get to sneak out, period,” Obama replied. He occasionally took the First Lady to a restaurant, he said, but “part of enjoying a restaurant is sitting with other patrons and enjoying the atmosphere, and too often we end up getting shunted into one of those private rooms.”

As a young waitress in a gray polo shirt set down bowls of broth, a plate of greens, and a platter of shuddering noodles, Bourdain fished chopsticks from a plastic container on the table. Obama, surveying the constituent parts of the meal, evinced trepidation. He said, “All right, you’re gonna have to—”

“I’ll walk you through it,” Bourdain assured him, advising him to grab a clump of noodles with chopsticks and dunk them into the broth.

“I’m just gonna do what you do,” Obama said.

“Dip and stir,” Bourdain counselled. “And get ready for the awesomeness.”

Eying a large sausage that was floating in the broth, Obama asked, “Is it generally appropriate to just pop one of these whole suckers in your mouth, or do you think you should be a little more—”

“Slurping is totally acceptable in this part of the world,” Bourdain declared.

Obama took a bite and let out a low murmur. “That’s good stuff” he said, and the two of them—lanky, conspicuously cool guys in late middle age—slurped away as three cameras, which Bourdain had once likened to “drunken hummingbirds,” hovered around them. Noting the unaffected rusticity of the scene, Obama was reminded of a memorable meal that he had eaten as a child, in the mountains outside Jakarta. “You’d have these roadside restaurants overlooking the tea fields,” he recalled. “There’d be a river running through the restaurant itself, and there’d be these fish, these carp, that would be running through. You’d pick the fish. They’d grab it for you and fry it up, and the skin would be real crispy. They just served it with a bed of rice.” Obama was singing Bourdain’s song: earthy, fresh, free of pretense. “It was the simplest meal possible, and nothing tasted so good.”

But the world is getting smaller, Obama said. “The surprises, the serendipity of travel, where you see something and it’s off the beaten track, there aren’t that many places like that left.” He added, wistfully, “I don’t know if that place will still be there when my daughters are ready to travel. But I hope it is.” The next day, Bourdain posted a photograph of the meeting online. “Total cost of Bun cha dinner with the President: $6.00,” he tweeted. “I picked up the check.” [...]

As he sipped a beer and picked at a platter of delicate spring rolls, he was still fidgeting with exhilaration from the encounter with Obama. “I believe what’s important to him is this notion that otherness is not bad, that Americans should aspire to walk in other people’s shoes,” he reflected. This idea resonates strongly with Bourdain, and, although he insists his show is a selfish epicurean enterprise, Obama’s ethic could be the governing thesis of “Parts Unknown.” In the opening moments of an episode set in Myanmar, Bourdain observes, “Chances are you haven’t been to this place. Chances are this is a place you’ve never seen.” [...]

In 1998, he answered an ad in the Times and got the executive-chef job at Les Halles. It was an ideal fit for Bourdain: an unpretentious brasserie with its own butcher, who worked next to the bar, behind a counter stacked with steak, veal, and sausages. “Kitchen Confidential,” which was excerpted in this magazine, was inspired by “Down and Out in Paris and London,” in which George Orwell describes chefs as “the most workmanlike class, and the least servile.” Karen Rinaldi, the editor who acquired the book, for Bloomsbury, told me that she underestimated the impact it would have. “It was a flyer,” she said—the profane musings of a guy who broiled steaks for a living. “But a lot of the books that end up shifting the culture are flyers.”

“Kitchen Confidential” was filled with admonitions: Bourdain assailed Sunday brunch (“a dumping ground for the odd bits left over from Friday and Saturday”) and advised against ordering fish on Mondays, because it is typically “four to five days old.” The book was marketed as a dispatch from the scullery, the type of tell-all that might be more interesting to the naïve restaurant-goer than to the battle-seasoned cook. (“I won’t eat in a restaurant with filthy bathrooms,” Bourdain warned. “They let you see the bathrooms. If the restaurant can’t be bothered to replace the puck in the urinal or keep the toilets and floors clean, then just imagine what their refrigeration and work spaces look like.”) But, for Bourdain, the most important audience was his peers. The final line of the acknowledgments page was “Cooks rule,” and he hoped, desperately, that other professionals would see the book in the spirit he had intended, and pass gravy-stained copies around the kitchen.

Bourdain did not quit his job at Les Halles when the book became a success. “I was careful to modulate my hopes, because I lived in a business where everybody was a writer or an actor,” he recalls. For decades, he’d seen colleagues come into work crowing about their latest callback, only to see their grand designs amount to nothing. “So at no point was it ‘So long, suckers.’ ” His confederates at Les Halles were amused, if mystified, by his blossoming career as a writer, and the owners were accommodating about the book tour. When Bourdain started travelling to promote the book, something curious happened. He’d amble into a restaurant alone and order a drink at the bar. Out of nowhere, a plate of amuse-bouches would appear, compliments of the house. It marked an affirmation for Bourdain: chefs were reading the book, and they liked it. But it also signified a profound inversion. He had spent the first half of his life preparing food to feed others. He would spend the second half getting fed.

by Patrick Radden Keefe, New Yorker | Read more:
Image: William Mebane
[ed. I was reading another article in the New Yorker and got sidetracked. Great read. Still miss not having him in this world. And Obama in the presidency.] 

Wednesday, February 25, 2026

'Banality of Evil Personified'

A fake ICE tip line reveals neighbors reporting neighbors.

Ben Palmer, a stand-up comic in Nashville, has built a following online with his signature style of elaborate deadpan pranks, stumbling his way onto court TV shows and pyramid-scheme calls to poke fun at the latent absurdities of American life.

Then last January, he had an idea for a new bit: He’d set up a fake tip line that people could use to report anyone they thought was an undocumented immigrant. It was darker than his other stunts, but it felt topical, the kind of challenge he wanted to try. At the very least, he thought, he might get a few calls he could talk about at his next show.

Instead, his website has received nearly 100 submissions from across the country: people reporting their neighbors, ex-lovers, Uber drivers, strangers they saw at the grocery store. One tip came from a teacher reporting the parents of a kindergarten student at her school.

“I mean, they seem like nice people or whatever,” the woman told Palmer on the call. “But if they’re taking up resources from our county, I’m not into illegal people being here.”

What began as a comedy routine has become one of the most viral pieces of social satire during President Donald Trump’s mass-deportation campaign. The kindergarten video has been watched more than 20 million times on TikTok and exploded across Facebook, Reddit and YouTube, where one commenter called it “one of the most creative, nonviolent and effective acts of resistance” they’d ever seen. [...]

Will Johnson, a pro-Trump podcaster and content creator in Texas, said Palmer is “leading people on who think they’re reporting a crime” and that he could go to prison for impersonating law enforcement.

“He’s making people who are reporting people taking advantage of the system look like just bad human beings,” Johnson said in an interview. In cases like the kindergarten video, he added, it may “look bad, but at the same time we are a nation of laws.” (ICE and the Department of Homeland Security did not respond to requests for comment.)

But neither Palmer nor the website say they represent a government agency, and the sites’ privacy policies include disclaimers at the bottom saying they’re intended only for “parody, joke purposes and sociological research.” (Palmer spoke on the condition that The Washington Post not name the websites, so as not to ruin the bit.)

His supporters have argued the strategy is worth it because it has helped reveal the horrors of America’s immigration crackdown, exposing the moral contradictions and hidden inhumanities of deportation politics — and reaching viewers, through their TikTok and Instagram feeds, who might otherwise be politically disengaged. One commenter said the teacher video showed the “banality of evil personified.”

Matt Sienkiewicz, a Boston College professor who studies political comedy and saw the video on social media, said Palmer’s satire has been effective because he plays the conversations as straight as possible, letting the caller deliver an unimpeded justification that slowly crumbles under its own weight.

“It creates this uncomfortable irony, where he's letting the person deliver the argument and it just beats itself, because it's so morally problematic or hypocritical or wrong,” he said. “You can kind of sense that they think they're doing the right thing, and then he just repeats what they said, and they kind of realize they're doing something terrible.”

Palmer's project, Sienkiewicz said, feels especially distinctive in the short-video era because he does not copy the style of many social media ideologues by “rage-baiting” viewers into an immediate emotional response.

“So much of contemporary internet culture is showing something offensive and telling people how to feel about it,” he said. “It’s his refusal to act enraged that allows the audience to then choose their own level of anger.” [...]

After reading dozens of reports, he said he was stunned by how many people seemed driven by personal annoyance. One woman reported the new girlfriend of her ex-husband. Another homeowner reported his neighbor after he used his trash can.

One tipster called after she went to Publix and the worker who helped her find the water didn’t speak English. “And then she did help you find the water?” Palmer asked on the call, to which the woman responded, “Right, she walked me right to it.”

Many of the tipsters spoke as if the government was “their own personal army,” Palmer said. “If these are the calls I’m getting, as a fake, not legitimate person, imagine what’s happening at the actual ICE.”

In the kindergarten call, the teacher said she’d decided to report the student’s parents after looking them up in the school files and seeing that they were born in Honduras and El Salvador. She said the student was born in New York, and was 5 or 6 years old, but that she didn’t like people “taking up resources from our country.”

When Palmer read back her report in a flat tone, she scoffed. “You make it sound terrible,” she said. Later in the call, she asked to speak to Palmer’s supervisor after saying she didn’t like his attitude.

“I can’t help that they have a 6-year-old. That’s on them,” she said. [...]

Dannagal Young, a political communication professor at the University of Delaware, said Palmer’s videos could help reach Americans turned off by politics and uninformed about how deportations work. She noted that immigration, once one of Trump’s most popular policy issues, has become the one area where he’s lost the most support.

“There’s something really powerful about witnessing someone have to reckon with their own moral judgment in the moment, especially because they think they’re calling a welcome receiver, and they think they’re going to be applauded,” Young said.

“He is describing to them the reality of what they’re requesting as though it is completely fine and desirable, and through that calm matter-of-fact representation, it reveals itself to be absolutely inhumane,” she added. “The greatest nightmare for this administration is [normal people] paying attention.”

by Drew Harwell, Washington Post |  Read more:
Image: Natalie Vineberg/The Washington Post; Screenshots from Ben Palmer's YouTube and reportaliens.us; iStock
[ed. 'Banality of Evil' ~ Hannah Arendt, Eichmann in Jerusalem]

Tuesday, February 24, 2026

Child’s Play

Tech’s new generation and the end of thinking

The first sign that something in San Francisco had gone very badly wrong was the signs. In New York, all the advertising on the streets and on the subway assumes that you, the person reading, are an ambiently depressed twenty-eight-year-old office worker whose main interests are listening to podcasts, ordering delivery, and voting for the Democrats. I thought I found that annoying, but in San Francisco they don’t bother advertising normal things at all. The city is temperate and brightly colored, with plenty of pleasant trees, but on every corner it speaks to you in an aggressively alien nonsense. Here the world automatically assumes that instead of wanting food or drinks or a new phone or car, what you want is some kind of arcane B2B service for your startup. You are not a passive consumer. You are making something.

This assumption is remarkably out of step with the people who actually inhabit the city’s public space. At a bus stop, I saw a poster that read: TODAY, SOC 2 IS DONE BEFORE YOUR GIRLFRIEND BREAKS UP WITH YOU. IT'S DONE IN DELVE. Beneath it, a man squatted on the pavement, staring at nothing in particular, a glass pipe drooping from his fingers. I don’t know if he needed SOC 2 done any more than I did. A few blocks away, I saw a billboard that read: NO ONE CARES ABOUT YOUR PRODUCT. MAKE THEM. UNIFY: TRANSFORM GROWTH INTO A SCIENCE. A man paced in front of the advertisement, chanting to himself. “This . . . is . . . necessary! This . . . is . . . necessary!” On each “necessary” he swung his arms up in exaltation. He was, I noticed, holding an alarmingly large baby-pink pocketknife. Passersby in sight of the billboard that read WEARABLE TECH SHAREABLE INSIGHTS did not seem piqued by the prospect of having their metrics constantly analyzed. I couldn’t find anyone who wanted to PROMPT IT. THEN PUSH IT. After spending slightly too long in the city, I found that the various forms of nonsense all started to bleed into one another. The motionless people drooling on the sidewalk, the Waymos whooshing around with no one inside. A kind of pervasive mindlessness. Had I seen a billboard or a madman preaching about “a CRM so smart, it updates itself”? Was it a person in rags muttering about how all his movements were being controlled by shadowy powers working out of a data center somewhere, or was it a car?

Somehow people manage to live here. But of all the strange and maddening messages posted around this city, there was one particular type of billboard that the people of San Francisco couldn’t bear. People shuddered at the sight of it, or groaned, or covered their eyes. The advertiser was the most utterly despised startup in the entire tech landscape. Weirdly, its ads were the only ones I saw that appeared to be written in anything like English:
HI MY NAME IS ROY
I GOT KICKED OUT OF SCHOOL FOR CHEATING 
BUY MY CHEATING TOOL
CLUELY.COM
Cluely and its co-founder Chungin “Roy” Lee were intensely, and intentionally, controversial. They’re no longer in San Francisco, having been essentially chased out of the city by the Planning Commission. The company is loathed seemingly out of proportion to what its product actually is, which is a janky, glitching interface for ChatGPT and other AI models. It’s not in a particularly glamorous market: Cluely is pitched at ordinary office drones in their thirties, working ordinary bullshit email jobs. It’s there to assist you in Zoom meetings and sales calls. It involves using AI to do your job for you, but this is what pretty much everyone is doing already. The cafés of San Francisco are full of highly paid tech workers clattering away on their keyboards; if you peer at their screens to get a closer look, you’ll generally find them copying and pasting material from a ChatGPT window. A lot of the other complaints about Cluely seem similarly hypocritical. The company is fueled by cheap viral hype, rather than an actual workable product—but this is a strange thing to get upset about when you consider that, back in the era of zero interest rates, Silicon Valley investors sank $120 million into something called the Juicero, a Wi-Fi-enabled smart juicer that made fresh juice from fruit sachets that you could, it turned out, just as easily squeeze between your hands.

What I discovered, though, is that behind all these small complaints, there’s something much more serious. Roy Lee is not like other people. He belongs to a new and possibly permanent overclass. One of the pervasive new doctrines of Silicon Valley is that we’re in the early stages of a bifurcation event. Some people will do incredibly well in the new AI era. They will become rich and powerful beyond anything we can currently imagine. But other people—a lot of other people—will become useless. They will be consigned to the same miserable fate as the people currently muttering on the streets of San Francisco, cold and helpless in a world they no longer understand. The skills that could lift you out of the new permanent underclass are not the skills that mattered before. For a long time, the tech industry liked to think of itself as a meritocracy: it rewarded qualities like intelligence, competence, and expertise. But all that barely matters anymore. Even at big firms like Google, a quarter of the code is now written by AI. Individual intelligence will mean nothing once we have superhuman AI, at which point the difference between an obscenely talented giga-nerd and an ordinary six-pack-drinking bozo will be about as meaningful as the difference between any two ants. If what you do involves anything related to the human capacity for reason, reflection, insight, creativity, or thought, you will be meat for the coltan mines.

The future will belong to people with a very specific combination of personality traits and psychosexual neuroses. An AI might be able to code faster than you, but there is one advantage that humans still have. It’s called agency, or being highly agentic. The highly agentic are people who just do things. They don’t timidly wait for permission or consensus; they drive like bulldozers through whatever’s in their way. When they see something that could be changed in the world, they don’t write a lengthy critique—they change it. AIs are not capable of accessing whatever unpleasant childhood experience it is that gives you this hunger. Agency is now the most valuable commodity in Silicon Valley. In tech interviews, it’s common for candidates to be asked whether they’re “mimetic” or “agentic.” You do not want to say mimetic. Once, San Francisco drew in runaway children, artists, and freaks; today it’s an enormous magnet for highly agentic young men. I set out to meet them.

by Sam Kriss, Harper's |  Read more:
Image: Max Guther
[ed. Seems like we're already creating artificial humans. That said, I have only the highest regard for Scott Alexander, one of the people profiled here. The article makes him sound like some kind of cult leader or something (he's a psychologist), but he's really just a smart guy with a wide range of interests that intelligent people gravitate to (also a great writer). Here's his response  on his website ACX:]
***
I agreed to be included, it’s basically fine, I’m not objecting to it, but a few small issues, mostly quibbles with emphasis rather than fact:
1. The piece says rationalists believe “that to reach the truth you have to abandon all existing modes of knowledge acquisition and start again from scratch”. The Harper’s fact-checker asked me if this was true and I emphatically said it wasn’t, so I’m not sure what’s going on here.

2. The article describes me having dinner with my “acolytes”. I would have used the word “friends”, or, in one case, “wife”.

3. The article says that “When there weren’t enough crackers to go with the cheese spread, [Scott] fetched some, murmuring to himself, “I will open the crackers so you will have crackers and be happy.”” As written, this makes me sound like a crazy person; I don’t remember this incident but, given the description, I’m almost sure I was saying it to my two year old child, which would have been helpful context in reassuring readers about my mental state. (UPDATE: Sam says this isn’t his memory of the incident, ¯\_(ツ)_/¯ )

4. The article assessed that AI was hitting a wall at the time of writing (September 2025). I explained some of the difficulties with AI agents, but I’m worried that as written it might suggest to readers think that I agreed with its assessment. I did not.

5. In the article, I say that I “never once actually made a decision [in my life]”. I don’t remember this conversation perfectly and he’s the one with the tape recorder, but I would have preferred to frame this as life mostly not presenting as a series of explicit decisions, although they do occasionally come up.

6. Everything else is in principle a fair representation of what I said, but it’s impossible to communicate clearly through a few sentences that get quoted in disjointed fragments, so a lot of things came off as unsubtle or not exactly how I meant them. If you have any questions, I can explain further in the comments.

Monday, February 23, 2026

Family Farms, Not Data Farms

US farmers are rejecting multimillion-dollar datacenter bids for their land: ‘I’m not for sale’. Families are navigating the tough choice between unimaginable riches and the identity that comes with land.

When two men knocked on Ida Huddleston’s door last May, they carried a contract worth more than $33m in exchange for the Kentucky farm that had fed her family for centuries.

According to Huddleston, the men’s client, an unnamed “Fortune 100 company”, sought her 650 acres (260 hectares) in Mason county for an unspecified industrial development. Finding out any more would require signing a non-disclosure agreement.

More than a dozen of her neighbors received the same knock. Searching public records for answers, they discovered that a new customer had applied for a 2.2 gigawatt project from the local power plant, nearly double its annual generation capacity.

The unknown company was building a datacenter.

“You don’t have enough to buy me out. I’m not for sale. Leave me alone, I’m satisfied,” Huddleston, 82, later told the men.

As tech companies race to build the massive datacenters needed to power artificial intelligence across the US and the world, bids like the one for Huddleston’s land are appearing on rural doorsteps nationwide. Globally, 40,000 acres of powered land – real estate prepped for datacenter development – are projected to be needed for new projects over the next five years, double the amount currently in use.

Yet despite sums that often dwarf the land’s recent value, farmers are increasingly shutting the door. At least five of Huddleston’s neighbors gave similar categorical rejections, including one who was told he could name any price.

In Pennsylvania, a farmer rejected $15m in January for land he’d worked for 50 years. A Wisconsin farmer turned down $80m the same month. Other landowners have declined offers exceeding $120,000 per acre – prices unimaginable just a few years ago. [...]

Today, where residents see meandering creeks and open pastures, Silicon Valley executives see weak zoning protections, cheap power and abundant water.

Developers keep knocking because there are billions to be made. In northern Virginia last November, an investor paid $615m for less than 100 acres – property the seller had bought for just $57m four years prior. Days later, Amazon spent $700m on nearby farmland that had sold for a fraction of that price the year before. In Georgia, a local developer flipped land to Amazon for $270m after paying $4m for it 12 months earlier. For the middlemen scouting these deals, potential returns exceed 1,000%.

‘Name your price’

About 20 Mason county residents have reportedly been offered deals, with the datacenter project estimated to cover 2,000 acres.

After Dr Timothy Grosser, 75, rejected an $8m offer for his 250-acre farm – 3,500% more than he’d paid nearly four decades earlier – the developers came back with a new proposition: “Name your price.”

His answer: “There is none.” [...]

‘Keeping our people here’

Local officials in Mason county insist the datacenter would sustain future generations by bringing much-needed tax revenue and jobs, an argument being made in town halls across the country.

Mason’s population has shrunk by around 10% since 1980, largely due to the loss of manufacturing. Developers say the datacenter project would bring 1,000 construction jobs, although it may only create 50 full-time operational jobs.

In places like Loudoun county, Virginia – home to “Data Center Alley”, where about a fifth of the world’s internet traffic goes through – datacenter tax revenue nearly equals the county’s entire operating budget.any 

“We can continue to shrink – losing population, losing jobs and watching our young people leave for opportunities elsewhere – or we can chart a new course,” Tyler McHugh, Mason county’s industrial development director, said at a public hearing in December. “It’s about keeping our people here.”

by Niamha Rowe, The Guardian |  Read more:
Image: Jim West/Universal Images Group/Getty Images
[ed. No disrespect to folks determined to keep their land (generational diffusion and family disageements usually take care of that), but something seems off here. Globally, 40000 acres of land are projected to be needed for data centers? That's almost nothing. So what are companies really paying for?]

Sunday, February 22, 2026

Alcohol Death Rates in Europe

Source: Institute for Health Metrics and Evaluation (OWID)
via:
[ed. A few surprises.]

"Alcohol death rates in Europe. Apparently very low in cultures where drunkenness is frowned upon and where alcohol is only consumed in company of others and served alongside meals. Spain and Italy for example." via:

Family Deepfakes Help With Grieving

When the lights dimmed at Jaideep Sharma’s wedding reception in the north Indian city of Ajmer, guests expected to see a cheesy montage of the young couple in various attractive locations. Instead, they saw Sharma’s father — dead for more than a year — on the screen, smiling and blessing the newlyweds.

The video was created using artificial intelligence by a local creator Sharma found on Instagram. Using pictures of Sharma’s father, the creator produced a minute-long video in about a week, and charged about 50,000 rupees ($600), Sharma told Rest of World. It was worth it, he said.

“It was like a bombardment of emotions for everyone,” said the 33-year-old garment trader, who felt his father’s absence keenly at his wedding. “He was like a central force in the entire family. So when the video played, everyone was very happy and emotional at the same time.”

Sharma is among a growing number of Indians discovering the power of AI deepfakes to resurrect dead family members, create voice clones of the departed, and add absent guests to family celebrations. AI tools such as OpenAI’s Sora, Google’s Nano Banana, and Midjourney have made it easier to create images and videos that can fool even experts. Cashing in are entrepreneurs in small towns and cities, who have learned how to use these tools from YouTube tutorials and online forums.

Like Akhil Vinayak, a film buff, who posts deepfake videos of popular dead actors on Instagram for fun. A client in the south Indian city of Thiruvananthapuram approached him with an unusual request: Could he create a deepfake video of her dead mother-in-law blessing her baby?

“She wanted to surprise her husband,” the 29-year-old told Rest of World. “Her mother-in-law had passed away before the baby was born.”

Vinayak created a video showing the dead woman stepping down from heaven and visiting her son, then holding the baby she hadn’t met. The client was thrilled, and sent Vinayak a recording of the family’s stunned reaction. That video has more than 1 million likes on Instagram.


Such uses — and reactions — stand in sharp contrast to the growing pushback to AI-generated videos and voice clones, which are most commonly used for harassment, extortion, financial scams, political misinformation, and election manipulation.

For Vinayak’s clients, though, the deepfakes are not just practical but also deeply emotional, he said. Vinayak uses open-source models like Stable Diffusion and editing systems such as Adobe Premiere Pro to create them, charging about 18,000 rupees ($200) on average for minute-long videos. 

by Hanan Zaffar and Jyoti Thakur, Rest of World | Read more:
Images: Ishan Tankha for Rest of World/Akhil Vinayak