Speed Negotiations

[ed. Funny. Never seen this clip before (NewsRadio). Finding the right one takes time (the wrong one, not so much).]

Arlo Guthrie: Alice's Restaurant - Illustrated

Alice’s Restaurant. It’s now a Thanksgiving classic, and something of a tradition around here. Recorded in 1967, the 18+ minute counterculture song recounts Arlo Guthrie’s real encounter with the law, starting on Thanksgiving Day 1965. As the long song unfolds, we hear all about how a hippie-bating police officer, by the name of William “Obie” Obanhein, arrested Arlo for littering. (Cultural footnote: Obie previously posed for several Norman Rockwell paintings, including the well-known painting, “The Runaway,” that graced a 1958 cover of The Saturday Evening Post.) In fairly short order, Arlo pleads guilty to a misdemeanor charge, pays a $25 fine, and cleans up the thrash. But the story isn’t over. Not by a long shot.

Later, when Arlo (son of Woody Guthrie) gets called up for the draft, the petty crime ironically becomes a basis for disqualifying him from military service in the Vietnam War. Guthrie recounts this with some bitterness as the song builds into a satirical protest against the war: “I’m sittin’ here on the Group W bench ’cause you want to know if I’m moral enough to join the Army, burn women, kids, houses and villages after bein’ a litterbug.” And then we’re back to the cheery chorus again: “You can get anything you want, at Alice’s Restaurant.”

We have featured Guthrie’s classic during past years. But, for this Thanksgiving, we give you the illustrated version.

by Open Culture | Read more:

[ed. Never gets old (maybe a day late : ) We've got tons of Christmas songs but this is the only Thanksgiving song I can think of.]

I Work For an Evil Company, but Outside Work, I’m Actually a Really Good Person

I love my job. I make a great salary, there’s a clear path to promotion, and a never-ending supply of cold brew in the office. And even though my job requires me to commit sociopathic acts of evil that directly contribute to making the world a measurably worse place from Monday through Friday, five days a week, from morning to night, outside work, I’m actually a really good person.

Let me give you an example. Last quarter, I led a team of engineers on an initiative to grow my company’s artificial intelligence data centers, which use millions of gallons of water per day. My work with AI is exponentially accelerating the destruction of the planet, but once a month, I go camping to reconnect with my own humanity through nature. I also bike to and from the office, which definitely offsets all the other environmental destruction I work tirelessly to enact from sunup to sundown for an exorbitant salary. Check out this social media post of me biking up a mountain. See? This is who I really am.

Does the leadership at my company promote a xenophobic agenda and use the wealth I help them acquire to donate directly to bigoted causes and politicians I find despicable? Yeah, sure. Did I celebrate my last birthday at Drag Brunch? Also yes. I even tipped with five-dollar bills. I contain multitudes, and would appreciate it if you focused on the brunch one.

Mathematically, it might seem like I spend a disproportionate amount of my time making the world a significantly less safe and less empathetic place, but are you counting all the hours I spend sleeping? You should. And when you do, you’ll find that my ratio of evil hours to not evil hours is much more even, numerically.

I just don’t think working at an evil company should define me. I’ve only worked here for seven years. What about the twenty-five years before, when I didn’t work here? In fact, I wasn’t working at all for the first eighteen years of my life. And for some of those early years, I didn’t even have object permanence, which is oddly similar to the sociopathic detachment with which I now think about other humans.

And besides, I don’t plan to stay at this job forever, just for my prime working years, until I can install a new state-of-the-art infinity pool in my country home. The problem is that whenever I think I’m going to leave, there’s always the potential for a promotion, and also a new upgrade for the pool, like underwater disco lights. Time really flies when you’re not thinking about the effect you have on others.

But I absolutely intend to leave at some point. And when I do, you should define me by whatever I do next, unless it’s also evil, in which case, define me by how I ultimately spend my retirement.

Because here’s the thing: It’s not me committing these acts of evil. I’m just following orders (until I get promoted; then I’ll get to give them). But until then, I do whatever my supervisor tells me to do, and that’s just how work works. Sure, I chose to be here, and yes, I could almost certainly find a job elsewhere, but redoing my résumé would take time. Also, I don’t feel like it. Besides, once a year, my company mandates all employees to help clean up a local beach, and I almost always go.

Speaking of the good we do at work, sometimes I wear a cool Hawaiian shirt on Fridays, and it’s commonly accepted that bad people don’t wear shirts with flowers on them. That’s just a fact. There’s something so silly about discussing opportunities to increase profits for international arms dealers while wearing a purple button-down covered in bright hibiscus blossoms.

And when it comes to making things even, I put my money where my mouth is. I might make more than 99 percent of all Americans, but I also make sure to donate almost 1 percent of my salary to nonprofits. This way, I can wear their company tote bag to my local food coop. Did I mention I shop at a local food coop? It’s quite literally the least I could do.

by Emily Bressler, McSweeny's |  Read more:

Image: Illustration by Tony Cenicola/The New York Times

Bill Watterson, Calvin and Hobbes

[ed. See also: The Escapist Tragedy of ‘Calvin and Hobbes’ (Harvard Crimson).]

Everything That’s Wrong About Raccoons

Too many people want you to dismiss a raccoon’s deal of “Oh they’re mischievous cat-dogs with friendly washed hands and a jewel-thief face” when it’s really an ALL-HANDS NO-FEET TRASH-CAT WITH A DOG’S STOMACH AND A POSSUM’S HEART.

It can put itself up in trees but it waddles on the ground, I can’t be in trustment of a beast that clambers and waddles both; either be graceful and lithe all of times, or be clumsy and relatable on the ground. Seals can barely pull off “limber in the water, silly on a rock” and raccoons, you are not seals, you do not have their wise old laugh-faces, you just seem creepy and duplicitous.

Once when my dog died a passel of raccoons showed up in the backyard as if to say “Now that he’s gone, we own the night,” and they didn’t flinch when I yelled at them, and I found it disrespectful to 1) me personally and 2) the entire flow of the food chain. Don’t disrespect me if you can’t eat me, you false-night-dogs.

YOU SCRUBBLEMENT UP YOUR WITCH HANDS AND I DON’T TRUST IT, THAT IS A HUMAN ATTRIBUTE AND I WANT YOU TO LEAVE THAT TO US, STOP BEFORE-WASHING AND RUBBLE-SCRITCHING YOUR FUR-FINGERS, YOU MASHED-DOWN SMALLBEAR

They’re a dense badger lie

THEY CAN POINT THEIR FEET BACKWARDS TO CLIMB DOWN TREES, THEY CAN SWIM, THEY CAN SWEAT LIKE A YOU OR ME, A PERSON OR PANT LIKE A DOG TO COOL DOWN AS THEY CHOOSE, THEY IDLY AND INSOLENTLY SLIDE BETWEEN THE ANIMAL AND THE HUMAN WORLD AND IF THE ISLAND OF DOCTOR MOREAU TAUGHT ME NOTHING ELSE IT’S THAT THAT IS FUCKED UPWARDLY

I don’t like the word “chittering” and that is the only sound a raccoon makes

MAYBE THEY ARE AN ASSEMBLAGE OF VERY CONDENSED SQUIRRELS THAT POWERED UP INTO A MEDIUM-SIZED BEASTIE AND THAT WOULD BE INAPPROPRIATE, IF SQUIRRELS HAD DEVELOPED POWER-RANGER-LIKE ABILITIES

I hate the way they wobble-squample across the street at night when you see a shadowy mass under a streetlight and then it turns out to be like seven fur-children

A raccoon is the child of a cat and a wizard and it walks in too many worlds for it to be allowed to stay in this one

STOP LOOKING AT ME, YOU RIVER-DABBLER

by Mallory Ortberg, Toast |  Read more:

Image: uncredited

[ed. Still traveling so here's a repost of a perennial favorite. See also: So You've Decided to Drink More Water]

What To Know About Data Centers

As the use of AI increases, data centers are popping up across the country. The Onion shares everything you need to know about the controversial facilities.

Q: What do data centers need to run?

A: Water, electricity, air conditioning, and other resources typically wasted on schools and hospitals.

Q: Do data centers use a lot of water?

A: What are you, a fish? Don’t worry about it.

Q: How are data centers regulated?

A: Next month, Congress will hear about data centers for the very first time.

Q: Do I need to worry about one coming to my town?

A: Only if your town is built on land.

Q: How long does it take to build a new data center?

A: Approximately one closed-door city council vote.

Q: What’s Wi-Fi?

A: Not right now, big guy.

Q: What will most data centers house in the future?

A: Raccoons.

Image: uncredited

via:

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Six-Seven

It originated in a rap song, then featured in South Park, and is now the bane of schoolteachers in the US and UK as pupils shout it out at random. How did it become such a thing?

Name: Six-seven.

Age: Less than a year old.

Appearance: Everywhere.

What does six-seven signify? You know, just six-seven. Six-sevvuhnn!

Is it a code? No, it’s six-seven!

Is it a cool way to say someone is at sixes and sevens, ie in a state of disorder or confusion? It is definitely not that.

Then what does it mean? It’s just something the young people of today are saying. Or shouting.

You mean it’s fashionable to yell out two consecutive numbers? It’s more than fashionable – it’s a plague. Six-seven has become the bane of school teachers everywhere.

Why? Because it’s maddening. Imagine telling your students to turn to page 67, only for all of them to shout “six-seven!” at you.

No, I mean why are the children doing that? Even they don’t know why.

It must come from somewhere. Yes, but I should preface any explanation by saying: it’s a long story and it doesn’t matter.

I’ll be the judge of that. Fine. The phrase “six-seven”, in its modern sense, appears to originate with the Philadelphia rapper Skrilla’s 2024 track Doot Doot (6 7), in which it’s either a reference to police radio code, or 67th Street, or something else.

I see. But it really went viral when the song was repeatedly used to soundtrack video clips of the NBA basketball star LaMelo Ball, who is, as it happens, 6ft 7in.

OK, I think I get it. Trust me, you don’t. Somewhere along the line the phrase acquired an accompanying hand gesture: two upturned palms alternately rising and falling, like weighing scales.

In that case, perhaps it’s a reference to something being nothing special, ie a six or a seven on a scale from one to 10? Nice try, but no. The phrase has become such a phenomenon in the US that it was the basis for last week’s South Park episode, in which it sparks a moral panic.

And it’s now reached the classrooms of the UK? Apparently it has. Thus ends the story of six-seven.

You were right. That was long, and it didn’t matter. Not in the least. It’s a bit of meme slang that refers only to itself, advertising nothing beyond the average 13-year-old’s capacity for being annoying and a corresponding willingness to flog a dead horse.

What can be done about it? Some teachers have banned it, but others have incorporated six-seven into their teaching.

I suppose it will be over soon enough. Adults are talking about it, so it already is.

by Pass Notes, The Guardian |  Read more:

Image: Alarmy

[ed. I tested it out on my grandkids yesterday (ages 7 and 9) and they were both well aware of it, but as a 'thing', thought it was kind of lame already. But! As one commenter noted, if you multiply six and seven you get 42 - “the Answer to the Ultimate Question of Life, the Universe and Everything” in Douglas Adams’ The Hitchhiker’s Guide to the Galaxy. So there's that.]

Ice Fishing

[ed. Now this cracked me up : )]

Biologists Announce There Absolutely Nothing We Can Learn From Clams

WOODS HOLE, MA—Saying they saw no conceivable reason to bother with the bivalve mollusks, biologists at the Woods Hole Oceanographic Institution announced Thursday that there was absolutely nothing to be learned from clams. “Our studies have found that while some of their shells look pretty cool, clams really don’t have anything to teach us,” said the organization’s chief scientist, Francis Dawkins, clarifying that it wasn’t simply the case that researchers had already learned everything they could from clams, but rather that there had never been anything to learn from them and never would be. “We certainly can’t teach them anything. It’s not like you can train them to run through a maze the way you would with mice. We’ve tried, and they pretty much just lie there. From what I’ve observed, they have a lot more in common with rocks than they do with us. They’re technically alive, I guess, if you want to call that living. They open and close sometimes, but, I mean, so does a wallet. If you’ve used a wallet, you know more or less all there is to know about clams. Pretty boring.” The finding follows a study conducted by marine biologists last summer that concluded clams don’t have much flavor, either, tasting pretty much the same as everything else on a fried seafood platter.

by The Onion |  Read more:

Image: uncredited

Nation Figured Everything Would Run On Some Kind Of Cubes Of Blue Energy By Now

Expressing their disappointment and frustration at the current state of technology, citizens across the nation reported Thursday that they figured everything would run on some sort of cubes of blue energy by now.

Americans of all ages and demographic groups explained to reporters that they thought the cubes would be “basically everywhere you looked at this point,” saying they could not understand why translucent, pulsating blue cubes of energy did not yet exist, and why they were not currently being used to power appliances, lighting, various modes of transportation, and all manner of personal electronics.

Many theorized that the blue cubes of energy would last between 50 years and forever, and that those in need of more cubes would simply be able to pick them up at a local “cube station.”

“All you’d have to do is pick up the cube and put it on a thing you want to have power, and that would give it power—why can’t I do that yet?” said Lawrence Faber of Tampa, FL, one of millions of Americans who was confused that he was currently unable to fully charge his iPhone battery “in, like, 10 seconds” simply by holding the device in the vicinity of a blue cube of energy. “They’d be these cubes and they’d just be there and make everything work, like computers and TVs and stuff.”

“You know, like blue energy cubes,” Faber added. “We should have those.”

Although the majority of people surveyed were unable to verbally describe the cubes beyond “blue” and “glowing,” many pantomimed box-like shapes with their hands to demonstrate their best guess as to the general appearance of the blue cubes of energy, often adding, “like this.”

“I figured there would be a real big cube that would sit in the middle of town that powered all the streetlights and things like that, and then a smaller cube in your house for your refrigerator and your heaters and everything else,” said Youngstown, OH resident Kendra Morgan. “And then you’d have some littler cubes that you could carry around with you in your pocket for whatever else you needed them for, like a blow dryer or a coffee machine, and the cubes would make all of them run.”

Many theorized that the blue cubes of energy would last between 50 years and forever, and that those in need of more cubes would simply be able to pick them up at a local “cube station.” Others speculated that the cubes would be far more powerful than today’s energy sources, including oil, coal, and natural gas, because “they would have so much energy inside of them.”

Most Americans agreed, however, that the cubes would be affordable, noting that every citizen would have “a bunch.”

“You wouldn’t have to plug them in—they would just sit there and make power,” said Stephen Garcia of Mesa, AZ, later adding that everyone would be able to make their car run by simply placing the cube in the automobile’s “cube holder.” “But they would be really quiet, too. And when you carried them around, they wouldn’t zap you or be too hot to hold or anything, even though all the energy would be whirling around inside.”

“The cubes wouldn’t hurt people; they would help people,” Garcia continued.

Additionally, many Americans surveyed said that the blue cubes of energy would be incredibly durable and would never break, even if they were dropped on the ground or a drink was accidentally spilled on them.

But by far the biggest recurrent complaint reportedly stemming from the lack of blue cubes of energy was that further technological advances—namely “even faster” blue cubes of energy—were being held back due to the cubes not yet having been invented.

“How are we all supposed to live in space if we don’t have the blue cubes of energy?” said David Reston of Batavia, NY, later adding that NASA would probably develop its own special “super” blue energy cubes. “We need those cubes for our spaceship boosters to get us around in space. And how are we going to live in our houses up on Mars without those cubes?”

“At this rate, we’ll never have the red, floating spheres that make you live forever,” Reston added.

by The Onion |  Read more:

Image: uncredited

[ed. See also: Five technological achievements! (That we won’t see any time soon.) (Crooked Timber).]

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The Gospel According to South Park

Somehow, five years have passed since the COVID summer of 2020. My son had just “finished” fourth grade. His mother and I were distracted parents of him and his seven-year-old sister, both of us teetering from cabin fever. It felt like we were hanging on to our sanity, and our marriage, by a thread.

We held on to both, thankfully. Our kids seem to have recovered, too. But by this time that summer, it’s fair to say we had completely “lost contain” of our children. Even under normal conditions, we’ve favored a loose-reins approach to parenting, with a healthy dose of Lenore Skenazy-style “Free Range Parenting.” But that summer? I gave up entirely. I let my son watch TV. A lot of TV.

By the time school resumed, he had watched every episode of The Simpsons and every episode of South Park.

At the time, I felt more than a little guilty about letting a 10-year-old binge-watch two decades of South Park. It was a bit early, I thought, for him to be learning proper condom application techniques from Mr. Garrison. When I told friends later, the story always got a laugh – a kind of comic confession from a parent who’d fallen asleep at the wheel.

But as my son made his way through middle school and into high school, something changed. One night over dinner, we were talking about wars when I mentioned Saddam Hussein. My son chimed in casually – he knew exactly who Saddam was. I asked him how. His answer: “South Park.”

That kept happening. From Michael Jackson and Neverland Ranch, to Mormonism, to the NSA, to wokeism … my son was not only familiar with these topics, he was informed, funny, and incisively skeptical. I realized that this crash course from Butters and Cartman and Mr. Mackey had functioned like one of those downloads Neo gets in The Matrix; except that instead of instantly learning martial arts, my son had instantly become culturally literate. And, just as important, that literacy came wrapped in a sense of humor rooted in satire, absurdity, and a deep mistrust of power, regardless of party affiliation.

He jokes about Joe Biden’s senility and Trump’s grifting grossness. He refers to COVID-era masking as “chin diapers,” a phrase South Park coined while many adults were still double-masking alone in their cars. It struck me: my greatest parenting lapse had somehow turned into one of my best decisions.

Of course, it’s not just that South Park is anti-authority and unapologetically crude. So was Beavis and Butthead. The difference is that South Park is crafted. It endures not just because of what it says, but how it’s made – with discipline, speed, and storytelling intelligence.

South Park co-creators Matt Parker and Trey Stone are master storytellers. In a short video that should be required viewing for anyone who writes, they explain that if the beats, or scenes, of your story are best linked by the phrase “and then,” you’re doing it wrong. Instead, each scene should be connected by “therefore” or “but.” It’s deceptively simple, and it’s the single best explanation of narrative momentum I’ve ever seen. (Watch it here.)

Combine that storytelling mastery with a relentless work ethic that has allowed them to churn out weekly takes on almost every major current event of the last three decades, and you get the South Park that we know and (that most of us) love today. A generational institution that’s still funny.

And still winning.

Just days after closing a new five-year, $1.5 billion deal with Paramount+, South Park opened its 27th season with an episode titled “Sermon on the Mount,” which gleefully eviscerated both President Trump and Paramount+. What’s the point of having “fuck you money” if you never say “fuck you”? (...)

And the difference between South Park and the late-night crowd isn’t just about the comedy. It’s about the message. During COVID, while Colbert and others were fawning over Fauci, hawking Pfizer ads, and pushing for school closures, South Park was mocking all of it – the masks, the panic, the bureaucratic gaslighting. As a concept, “chin diapers” wasn’t just funny – it was accurate.

When comedy becomes propaganda, it stops being funny. Parker and Stone have never forgotten that the job is to make people laugh. That means skewering whoever is in power, without asking for permission.

Late night talk shows are dying, not entirely but primarily because the product is borderline unwatchable. But, despite the best efforts of the hall monitor, cancel culture crowd, satire – real, cutting, offensive, hilarious satire – is alive and well. My son, now in high school, is living proof. He is a great conversationalist, comfortable speaking with just about anyone of any age; in large part, thanks to a show I once felt guilty for letting him watch.

As it turns out, enrolling my son in summer school at South Park Elementary wasn’t a parenting blunder at all. And, of course, Parker and Stone had it right from the beginning.

by Jeremy Radcliffe, Epsilon Theory | Read more:
Image: South Park

[ed. They'll pick it all up from classmates anyway. I think my son was near that age, maybe about 12, when I took him to see Pulp Fiction.]

Annual Check-up

via:

Spinal Tap II: The End Continues

[ed. The boys are back. Coming September 12 to a theater near you.]

Image: via

[ed. See also: Rob Reiner on ‘Spinal Tap II’ and His Real Rock Memories (RS).]

Bohemian Seafood Rhapsody

via:

The Gospel According to South Park

Somehow, five years have passed since the COVID summer of 2020. My son had just “finished” fourth grade. His mother and I were distracted parents of him and his seven-year-old sister, both of us teetering from cabin fever. It felt like we were hanging on to our sanity, and our marriage, by a thread.

We held on to both, thankfully. Our kids seem to have recovered, too. But by this time that summer, it’s fair to say we had completely “lost contain” of our children. Even under normal conditions, we’ve favored a loose-reins approach to parenting, with a healthy dose of Lenore Skenazy-style “Free Range Parenting.” But that summer? I gave up entirely. I let my son watch TV. A lot of TV.

By the time school resumed, he had watched every episode of The Simpsons and every episode of South Park.

At the time, I felt more than a little guilty about letting a 10-year-old binge-watch two decades of South Park. It was a bit early, I thought, for him to be learning proper condom application techniques from Mr. Garrison. When I told friends later, the story always got a laugh – a kind of comic confession from a parent who’d fallen asleep at the wheel.

But as my son made his way through middle school and into high school, something changed. One night over dinner, we were talking about wars when I mentioned Saddam Hussein. My son chimed in casually – he knew exactly who Saddam was. I asked him how. His answer: “South Park.”

That kept happening. From Michael Jackson and Neverland Ranch, to Mormonism, to the NSA, to wokeism … my son was not only familiar with these topics, he was informed, funny, and incisively skeptical. I realized that this crash course from Butters and Cartman and Mr. Mackey had functioned like one of those downloads Neo gets in The Matrix; except that instead of instantly learning martial arts, my son had instantly become culturally literate. And, just as important, that literacy came wrapped in a sense of humor rooted in satire, absurdity, and a deep mistrust of power, regardless of party affiliation.

He jokes about Joe Biden’s senility and Trump’s grifting grossness. He refers to COVID-era masking as “chin diapers,” a phrase South Park coined while many adults were still double-masking alone in their cars. It struck me: my greatest parenting lapse had somehow turned into one of my best decisions.

Of course, it’s not just that South Park is anti-authority and unapologetically crude. So was Beavis and Butthead. The difference is that South Park is crafted. It endures not just because of what it says, but how it’s made – with discipline, speed, and storytelling intelligence.

South Park co-creators Matt Parker and Trey Stone are master storytellers. In a short video that should be required viewing for anyone who writes, they explain that if the beats, or scenes, of your story are best linked by the phrase “and then,” you’re doing it wrong. Instead, each scene should be connected by “therefore” or “but.” It’s deceptively simple, and it’s the single best explanation of narrative momentum I’ve ever seen. (Watch it here.)

Combine that storytelling mastery with a relentless work ethic that has allowed them to churn out weekly takes on almost every major current event of the last three decades, and you get the South Park that we know and (that most of us) love today. A generational institution that’s still funny.

by Jeremy Radcliffe, Epsilon Theory | Read more:
Image: South Park

[ed. Smart moronic vs dumb moronic. People are probably just grateful for any kind of resistance these days.]

Eric Cartman, Welcome (for Now) to the Resistance

There is a slang term that, because I am not writing this for a foul-mouthed satire on a streaming service, I will refer to as “bleep-you money”: the amount of cash you need to feel free to do and say what you want.

For Trey Parker and Matt Stone, the makers of “South Park,” that number appears to be around $1.25 billion — the price tag on their recent deal with Paramount. Once the ink dried, they put their mouths where their money was, going hard after President Trump and their own corporate benefactors.

The Season 27 premiere aired July 23, shortly after Paramount agreed to a lawsuit settlement with the president that the late-night host Stephen Colbert called a “big, fat bribe,” and shortly after CBS, which Paramount owns, announced that Colbert’s show would end next year. (Paramount said the move was purely a financial decision.)

In the episode, “Sermon on the ’Mount,” the president is suing everyone, and everyone — from local governments to “60 Minutes” — is giving up. The town of South Park has to literally bring Jesus (a recurring character since the show’s earliest days) into its schools. President Trump appears as a tinpot dictator, in bed (again literally) with Satan. Desperate, the townspeople turn to Christ, who bestows his wisdom: “All of you, shut the [expletive] up, or South Park is over,” he says. “You really want to end up like Colbert?”

In the follow-up episode, the school counselor, Mr. Mackey, gets fired because of funding cuts and signs up with Immigration and Customs Enforcement. (“If you need a job, it’s A! Job! To have!” goes the recruiting jingle.)

Mr. Mackey and his inexperienced comrades pull up their face masks, bust a “Dora the Explorer” live show (another repurposing of a Paramount property) and raid heaven to round up Latino angels. For good performance, Mr. Mackey wins a trip to Mar-a-Lago — here, a debauched Fantasy Island with President Trump as Mr. Roarke and Vice President JD Vance as Tattoo.

If you were making a list of the series likeliest to become voices of the Trump 2.0 resistance, “South Park” would not have been close to the top. It has savaged liberal pieties and has been credited, if not by its own creators, with inspiring a wave of “South Park conservatives.”

The show’s politics have been elusive — close to libertarian, in the neighborhood of cynical. It’s not that “South Park” is amoral — it is often deeply moralistic, summing up episodes with speeches and epiphanies. But for years, its core principle has been that people who care too righteously about any cause are ridiculous.

That message may have been a blueprint for civic nihilism, an invitation to LOL all the way to dystopia. But the show’s history may also be exactly what makes “South Park” a compelling voice at this moment. Along with its three-comma price tag, the show has amassed cultural capital, a reputation for not being in any party’s corner. (...)

Beyond the crackdown on media and academic speech, the new “South Park” also focuses on the people who feel more free than ever to speak up in the new order. Eric Cartman, the show’s Magic 8-Ball of offensiveness, begins to realize that “woke is dead”: People are free to spew the kind of slurs and insults that used to get him yelled at. A classmate steals his material — anti-Jewish conspiracy theories, kneejerk sexism — to start a hit podcast. Cartman has won, and he’s miserable. “You can just say ‘retarded’ now, nobody cares,” he moans. “I don’t know what I’m supposed to do.” (...)

Of course, you could counter that Parker and Stone are free to mock. They have become very rich doing it, and, unlike Colbert, no one is taking their show off the air yet.

But this, too, is part of the meta point. It is still a free country. You can still say what you want. So why are so many powerful institutions behaving like it isn’t and they can’t? If a few bratty cartoon kids can peel off the emperor’s clothes, what are the grown-ups so afraid of?

The show has a theory for that, and it’s also about money. In the premiere, big institutions — up to heaven itself — are brought to heel by billion-dollar litigation. Later, Mr. Mackey quits ICE despite the pressure to swallow his qualms and go along with things he doesn’t believe because he needs to “make my nut” — that is, pay his bills.

It’s the same story either way: Everyone’s got to make their nut, even if some people’s nuts are bigger than others. Maybe it takes bleep-you money to buy your freedom. But maybe, “South Park” is telling us, freedom comes from deciding that your self-respect is priceless.

by James Poniewozik, NY Times | Read more:
Image: Comedy Central

[ed. Double thumbs up. Kristi Noem episode is an instant classic.]

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