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[ed. Assume this is Ed King of Lynyrd Skynyrd fame. A '54 tele would probably go for around $30-40,000 these days (neck attached).]

Kay Nielsen, “In Powder and Crinoline: Old Fairy Tales Retold by Sir Arthur Quiller-Couch” (1913).

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Why So Many Book Covers Look the Same

At a time when half of all book purchases in the U.S. are made on Amazon — and many of those on mobile — the first job of a book cover, after gesturing at the content inside, is to look great in miniature. That means that where fine details once thrived, splashy prints have taken over, grounding text that’s sturdy enough to be deciphered on screens ranging from medium to miniscule.

If books have design eras, we’re in an age of statement wallpaper and fatty text. We have the internet to thank — and not just the interface but the economy that’s evolved around it. From the leather-bound volumes of old to lurid mass-market paperbacks, book covers were never designed in a vacuum. Their presentation had everything to do with the way books were made, where and how and to whom they were sold. And when you look at book covers right now, what you’ll see blaring back at you, bold and dazzling, is a highly competitive marketing landscape dominated by online retail, social media, and their curiously symbiotic rival, the resurgent independent bookstore...

Left with blunt tools and fuzzy math, book marketing and design departments resort to instinct and look for ways to produce the most visible proof of concept: publicity. And where do we go for publicity in this age of tech disruption? Social media.

Books that are designed to render well on digital screens also look great on social.

by Margot Boyer-Dry, Vulture | Read more:
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[ed. Followup to the post below (Decline of Deviance). I have a strong aversion to any book that looks like this, which to me translates as 'unserious', 'hyped', and, (unfortunately) 'chick lit'.]

Anthony Brault, Pots and Pans
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Alfred Fernandes
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Taylor Price

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To Readers

Bill Watterson, Calvin and Hobbes
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[ed. I'd like to apologize for all the political junk on this blog lately. Unfortunately so many bad things are happening these days that celebrating normal life seems almost impossible. For my sanity and yours, I'll try to keep it all to a minimum (but still highlight important issues as needed). Please bear with me, we'll get through this.]

L. K. Zaiser. “INDICATEUR DE VITESSE” (speed indicator). Poster. SABENA/RAPIDITE. 1938.
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Kai Schaefer. Dual 1219 - The Beatles - Abbey Road, 2011
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Kurt Ard (b.1925), Knight in Distress (1958)

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now recording

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Andrey Sokolov, Illustration for Ray Bradbury's 'Fahrenheit 451'

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Tom Gauld - Mooncop
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[AI.]

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Kazumasa Nagai — The Yokogawa Philosophy (poster, 1989)

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