Friday, November 30, 2018


Anchorage, Alaska after the ‘64 quake
via:

A New Movement: Squatty Potty

For their 27th wedding anniversary, the Breaking Bad star Bryan Cranston gave his wife, Robin, a gift that promises “to give you the best poop of your life, guaranteed”. The Squatty Potty is a wildly popular seven-inch-high plastic stool, designed by a devout Mormon and her son, which curves around the base of your loo. By propping your feet on it while you crap, you raise your knees above your hips. From this semi-squat position, the centuries-old seated toilet is transformed into something more primordial, like a hole in the ground. The family that makes the Squatty Potty says this posture unfurls your colon and gives your faecal matter a clear run from your gut to the bowl, reducing bloating, constipation and the straining that causes haemorrhoids. Musing about the gift on one of America’s daytime talk shows in 2016, Cranston said: “Elimination is love.”

More than 5m Squatty Potties have been sold since they first crept on to the market in 2011. Celebrities such as Sally Field and Jimmy Kimmel have raved about them, and the basketball sensation Stephen Curry put one in every bathroom of his house. “I had, like, a full elimination,” Howard Stern, the celebrity shock jock, said after he first used one, in 2013. “It was unbelievable. I felt empty. I was like, ‘Holy shit.’” The Squatty Potty has been the subject of jokes on Saturday Night Live, and of adulation by the queen of drag queens, RuPaul. This January, after Squatty Potty LLC hit $33m in annual revenues, the business channel CNBC, which helped bring the footstool to fame through its US version of Dragon’s Den, hailed the device as a “cult juggernaut”.

The Squatty Potty’s success is partly down to “This Unicorn Changed the Way I Poop”, an online ad that launched in October 2015 and has since been viewed more than 100m times. In the video, a fey cartoon unicorn, its rear hooves perched upon a Squatty Potty, Mr-Whippies rainbow-coloured soft-serve ice-cream out of its butt and into cake cones while an Elizabethan Prince Charming details the benefits of squatting to poop. (“I scream, you scream, and plop, plop baby!”) At the end of the video, the prince serves the ice-cream to a gaggle of kids. (“How does it taste, is that delicious? Is that the best thing you’ve ever had in your life?”)

At first, many people saw the footstool as little more than a joke Christmas present. But, like fresh bed linen and French bulldogs, the Squatty Potty exerts a powerful emotional force on its owners. “I have one and I have to tell you, it will ruin your life,” a Reddit user called chamburgers recently posted. “I can’t poop anywhere but at home with my Squatty Potty. When I have to poop at work I’m left unsatisfied. It’s like climbing into a wet sleeping bag.” Bobby Edwards, who invented the footstool with his mom, calls people like this “evangelists”. “They talk about it at dinner parties, they talk about whenever they can – about how the Squatty Potty has changed their life,” he told me. He sounded almost mystified.

The popularity of the Squatty Potty, and the existence of its many rivals and imitators, is one of the clearest signs of an anxiety that’s been growing in the west for the past decade: that we have been “pooping all wrong”. In recent years, some version of that phrase has headlined articles from outlets as diverse as Men’s Health, Jezebel, the Cleveland Clinic medical centre and even Bon Appétit. By giving up the natural squatting posture bequeathed to us by evolution and taking up our berths on the porcelain throne, the proposition goes, we have summoned a plague of bowel trouble. Untold millions suffer from haemorrhoids – in the US alone, some estimates run to 125 million – and millions more have related conditions such as colonic inflammation.

Where illness goes, big business follows. The markets for treating these ailments – with creams, surgery and haemorrhoid doughnut cushions – are worth many billions of dollars. Although diet is widely believed to be a contributing factor in these problems (eat your fibre!), lately attention has focused on the possible effects of toilet posture. The renowned Mayo clinic is now conducting a randomised controlled trial to see whether the Squatty Potty can ease chronic constipation, which afflicts some 50 million Americans, most of them women, many over 45 years old.

People often say pooping is taboo, but lately it seems more like a cultural fetish. There are poop emoji birthday parties for three-year-olds, people WhatsApping photos of their ordure to friends, TripAdvisor threads on how to avoid or avail yourself of squat toilets. Through the miracle of online media, you can now discover that, in the past year, both Brisbane, Australia and Colorado Springs, Colorado, suffered reigns of terror by mystery “pooping joggers” who ran around crapping on people’s lawns. There’s a whole YouTube subculture devoted to infiltrating restrooms with vintage toilets and surreptitiously flushing them over and over again (one of these channels has more than 16m views). The renowned novelist Karl Ove Knausgaard has devoted passage after passage to his bowel movements. You can even read opinion pieces about the pleasures of evacuating in the nude.

But it’s the banal Squatty Potty that’s doing the most to change not just how people discuss poop, but how they actually do it. “It’s piercing that final veil around bodily use and bodily functions,” Barbara Penner, professor of architectural humanities at UCL’s Bartlett School of Architecture, and one of the preeminent scholars of the modern bathroom, told me. Perhaps it’s because this small, unlovely stool embodies a grand ambition: to upend two centuries of western orthodoxy about going to the loo.

by Alex Blasdel, The Guardian | Read more:
Image: Squatty Potty

The Pentagon’s Massive Accounting Fraud

On November 15, Ernst & Young and other private firms that were hired to audit the Pentagon announced that they could not complete the job. Congress had ordered an independent audit of the Department of Defense, the government’s largest discretionary cost center—the Pentagon receives 54 cents out of every dollar in federal appropriations—after the Pentagon failed for decades to audit itself. The firms concluded, however, that the DoD’s financial records were riddled with so many bookkeeping deficiencies, irregularities, and errors that a reliable audit was simply impossible.

Deputy Secretary of Defense Patrick Shanahan tried to put the best face on things, telling reporters, “We failed the audit, but we never expected to pass it.” Shanahan suggested that the DoD should get credit for attempting an audit, saying, “It was an audit on a $2.7 trillion organization, so the fact that we did the audit is substantial.” The truth, though, is that the DoD was dragged kicking and screaming to this audit by bipartisan frustration in Congress, and the result, had this been a major corporation, likely would have been a crashed stock.

As Republican Senator Charles Grassley of Iowa, a frequent critic of the DoD’s financial practices, said on the Senate floor in September 2017, the Pentagon’s long-standing failure to conduct a proper audit reflects “twenty-six years of hard-core foot-dragging” on the part of the DoD, where “internal resistance to auditing the books runs deep.” In 1990, Congress passed the Chief Financial Officers Act, which required all departments and agencies of the federal government to develop auditable accounting systems and submit to annual audits. Since then, every department and agency has come into compliance—except the Pentagon.

Now, a Nation investigation has uncovered an explanation for the Pentagon’s foot-dragging: For decades, the DoD’s leaders and accountants have been perpetrating a gigantic, unconstitutional accounting fraud, deliberately cooking the books to mislead the Congress and drive the DoD’s budgets ever higher, regardless of military necessity. DoD has literally been making up numbers in its annual financial reports to Congress—representing trillions of dollars’ worth of seemingly nonexistent transactions—knowing that Congress would rely on those misleading reports when deciding how much money to give the DoD the following year, according to government records and interviews with current and former DoD officials, congressional sources, and independent experts.

“If the DOD were being honest, they would go to Congress and say, ‘All these proposed budgets we’ve been presenting to you are a bunch of garbage,’ ” said Jack Armstrong, who spent more than five years in the Defense Department’s Office of Inspector General as a supervisory director of audits before retiring in 2011. (...)

Among the laundering tactics the Pentagon uses: So-called “one-year money”—funds that Congress intends to be spent in a single fiscal year—gets shifted into a pool of five-year money. This maneuver exploits the fact that federal law does not require the return of unspent “five-year money” during that five-year allocation period.

The phony numbers are referred to inside the Pentagon as “plugs,” as in plugging a hole, said current and former officials. “Nippering,” a reference to a sharp-nosed tool used to snip off bits of wire or metal, is Pentagon slang for shifting money from its congressionally authorized purpose to a different purpose. Such nippering can be repeated multiple times “until the funds become virtually untraceable,” says one Pentagon-budgeting veteran who insisted on anonymity in order to keep his job as a lobbyist at the Pentagon.

The plugs can be staggering in size. In fiscal year 2015, for example, Congress appropriated $122 billion for the US Army. Yet DoD financial records for the Army’s 2015 budget included a whopping $6.5 trillion (yes, trillion) in plugs. Most of these plugs “lack[ed] supporting documentation,” in the bland phrasing of the department’s internal watchdog, the Office of Inspector General. In other words, there were no ledger entries or receipts to back up how that $6.5 trillion supposedly was spent. Indeed, more than 16,000 records that might reveal either the source or the destination of some of that $6.5 trillion had been “removed,” the inspector general’s office reported.

In this way, the DoD propels US military spending higher year after year, even when the country is not fighting any major wars, says Franklin “Chuck” Spinney, a former Pentagon whistle-blower. Spinney’s revelations to Congress and the news media about wildly inflated Pentagon spending helped spark public outrage in the 1980s. “They’re making up the numbers and then just asking for more money each year,” Spinney told The Nation. The funds the Pentagon has been amassing over the years through its bogus bookkeeping maneuvers “could easily be as much as $100 billion,” Spinney estimated.

Indeed, Congress appropriated a record amount—$716 billion—for the DoD in the current fiscal year of 2019. That was up $24 billion from fiscal year 2018’s $692 billion, which itself was up $6 billion from fiscal year 2017’s $686 billion. Such largesse is what drives US military spending higher than the next ten highest-spending countries combined, added Spinney. Meanwhile, the closest thing to a full-scale war the United States is currently fighting is in Afghanistan, where approximately 15,000 US troops are deployed—only 2.8 percent as many as were in Vietnam at the height of that war.

by Dave Lindorff, The Nation |  Read more:
Image: Jason Reed/Reuters

Thursday, November 29, 2018


Inger Sitter, Café Scene (1952)

Bruce Springsteen: Beneath the Surface

The first time I meet Bruce Springsteen is backstage at the Walter Kerr Theatre in New York, where he is in the homestretch of performing his one-man show, Springsteen on Broadway. It is a few weeks before I am supposed to sit with him for an interview, but his publicist has asked me to come by before this performance so he can, I deduce, check me out. I arrive at 7:00 and am directed to a small couch near the backstage bathroom. Finally, five minutes before curtain, I see, coming down the stairs that lead to his dressing room, a pair of black work boots and black-legged jeans. Springsteen ducks his head beneath a low arch and walks toward me, extending his hand and saying, “I’m Bruce.” We shake hands, and then there is silence. He looks at me and I look at him, not sure what to say. At five-foot-ten, he’s taller than you think he’ll be; somehow, he remains the runty-scrawny kid in the leather jacket, possibly dwarfed in our minds due to the years he spent leaning against Clarence Clemons.

That evening, Springsteen is weeks from notching his sixty-ninth birthday. And as we stand there, I find it impossible not to think that the journey he has undertaken in this decade of his life has been nothing short of miraculous. He entered his sixties struggling to survive a crippling depression, and now here he is approaching his seventies in triumph—mostly thanks to the success of this powerful, intimate show, which is not a concert but an epic dramatic monologue, punctuated with his songs. After a year of sold-out shows, he will close it out on December 15, the same night it will debut on Netflix as a film. He at last breaks the awkward silence by giving a small nod and saying to me—but more to himself, just as we all kind of say it to ourselves as we head out the door each day—“Well, I guess I better go to work.” And with that he ambles toward stage right. (...)

Springsteen’s first breakdown came upon him at age thirty- two, around the time he released Nebraska. It is 1982, and he and his buddy Matt Delia are driving from New Jersey to Los Angeles in a 1969 Ford XL. On a late- summer night, in remote Texas, they come across a small town where a fair is happening. A band plays. Men and women hold each other and dance lazily, happily, beneath the stars. Children run and laugh. From the distance of the car, Springsteen gazes at all the living and happiness. And then: Something in him cracks open. As he writes, in this moment his lifetime as “an observer . . . away from the normal messiness of living and loving, reveals its cost to me.” All these years later, he still doesn’t exactly know why he fell into an abyss that night. “All I do know is as we age, the weight of our unsorted baggage becomes heavier . . . much heavier. With each passing year, the price of our refusal to do that sorting rises higher and higher. . . . Long ago, the defenses I built to withstand the stress of my childhood, to save what I had of myself, outlived their usefulness, and I’ve become an abuser of their once lifesaving powers. I relied on them wrongly to isolate myself, seal my alienation, cut me off from life, control others, and contain my emotions to a damaging degree. Now the bill collector is knocking, and his payment’ll be in tears.” (...)

As Springsteen confesses to me, “I have come close enough to [mental illness] where I know I am not completely well myself. I’ve had to deal with a lot of it over the years, and I’m on a variety of medications that keep me on an even keel; otherwise I can swing rather dramatically and . . . just . . . the wheels can come off a little bit. So we have to watch, in our family. I have to watch my kids, and I’ve been lucky there. It ran in my family going way before my dad.” (...)

Springsteen tells me he has found purpose through his children. He is the father of two sons and a daughter: Evan, twenty- eight, works for SiriusXM; Sam, twenty- four, is a firefighter in New Jersey; and Jessica, twenty-six, is an equestrian. He says he promised himself long ago that he would not lose his children the way his father lost him. Much of his struggle to become a good father had to do with the hurt and anger he had to work through. He was fighting what he calls “the worst of my destructive behavior.” His father sent him a message that a woman, a family, weakens a man. As he says, for years the idea of a home filled him “with distrust and a bucketload of grief.”

He credits Scialfa, his wife of twenty-seven years, with inspiring him to be a better man, with saving him. (“By her intelligence and love she showed me that our family was a sign of strength, that we were formidable and could take on and enjoy much of the world.”) It’s no wonder that he brings her out in the center of the show and duets with her on “Tougher Than the Rest” as well as “Brilliant Disguise.” You read his book and you see the wisdom and sensitivity she brought to their relationship. It’s Scialfa who, when the kids are small, goes to Bruce, the lifelong nocturnal creature, and says, “You’re going to miss it.” What? he asks. “The kids, the morning, it’s the best time, it’s when they need you the most.” Cut to: Bruce, remaking himself as the early- morning-breakfast dad. “Should the whole music thing go south, I will be able to hold a job between the hours of 5:00 and 11:00 a.m. at any diner in America. Feeding your children is an act of great intimacy, and I received my rewards: the sounds of forks clattering on breakfast plates, toast popping out of the toaster.”

And there it is: Bruce, no longer the son of scarcity but rather the father of abundance, reclaiming the kitchen for his family; transforming it from a fortress of darkness and silence into a land of brightness, filled with the sounds of life. Sitting here with me now, talking about his brood, he radiates joy. A father, proud of his children, grateful. I ask him, considering the current environment, what kinds of conversations he and his family are having around the kitchen table; what it means to be a man in society right now.

“My kids . . . we’re lucky. They’re solid citizens.”

But what would you say if you had to give advice to someone raising sons today?

“Be present. Be there. If I have any advice to give, that is it. I mean you have to be fully present in mind, spirit, and body. And you don’t have to do anything. [Laughs] I mean, you get a lotta credit just for showing up. Just by being present, you guide them. My children are transitioning into adulthood. But I’ve found my presence still carries a great deal of weight—on that rare occasion now when someone actually still asks me a question. [Laughs]” (...)

Do you feel you have, at last, found your true self?

“You never get there. Nobody does. You become more of yourself as time passes by. . . . In the arc of your life, there are so many places where you reach milestones that add to your authenticity and your presentation of who you really are. But I find myself still struggling just for obvious things that I should’ve had under my belt a long time ago. You know, when I get in those places where I’m not doing so well, I lose track of who I am. . . . The only thing in life that’s sure is: If you think you’ve got it, you don’t have it!”

I tell him I want to pause for a moment, because some people might say, “What are you talking about? You’re Bruce fucking Springsteen! How do you not know who you are?”

“Ugh.” Springsteen laughs and lets out a sigh. He drops his chin into his chest and then smiles and looks up. “Bruce fucking Springsteen is a creation. So it’s somewhat liquid—even though at this point you would imagine I have it pretty nailed down. But sometimes not necessarily. [Laughs] And personally—you’re in search of things like everybody else. Identity is a slippery thing no matter how long you’ve been at it. Parts of yourself can appear—like, whoa, who was that guy? Oh, he’s in the car with everybody else, but he doesn’t show his head too often, because he was so threatening to your stability. At the end of the day, identity is a construct we build to make ourselves feel at ease and at peace and reasonably stable in the world. But being is not a construct. Being is just being. In being, there’s a whole variety of wild and untamed things that remain in us. You bump into those in the night, and you can scare yourself.”

by Michael Hainey, Esquire |  Read more:
Image: Bruce Springsteen

Wednesday, November 28, 2018

Congress Has Refused to Restore Net Neutrality as Dec. 10 Deadline Nears

Net neutrality advocates are preparing one more "Day of Action" before the expiration of a key deadline for restoring the repealed rules.

In May, the US Senate narrowly voted to reverse the Federal Communications Commission's repeal of net neutrality rules. But the measure still needs majority support from the House of Representatives by a deadline of December 10, net neutrality advocates say.

Advocacy groups Fight for the Future and Demand Progress organized a Day of Action for Thursday this week.

"Congress has until the end of this session to reverse [FCC Chairman] Ajit Pai's net neutrality repeal—afterwards, it gets way harder to restore protections against blocking, throttling, and new fees," the groups said. "So we're bringing together tech companies, small businesses, and Internet users for an epic push on November 29th to pressure lawmakers into signing the Congressional Review Act resolution to restore net neutrality before it expires."

The effort, involving individuals and businesses that run websites, will consist of social media posts, banner ads, and website alerts. The goal is to direct people to this "deadline for net neutrality" page, where they can sign an open letter to Congress.

The effort is a long shot given President Trump's opposition to net neutrality and the fact that Republicans control the House until newly elected lawmakers are sworn in on January 3, 2019.

But advocates say public support is on their side. "Poll after poll shows that the overwhelming majority of people from across the political spectrum support strong protections against blocking, throttling, and paid prioritization of Internet content. In divided times, this is one of the few things we all agree on," their open letter to Congress says.

Without net neutrality rules, "monopolistic Internet providers like Comcast, Verizon, and AT&T—some of the least popular companies in the United States—will become the dictators of our online experience: they'll control what we see, where we get our news, which businesses succeed, and which ones fail," the letter also says.

Open letter signers include Etsy, Tumblr, Postmates, Sonos, Foursquare, Namecheap, Private Internet Access, Startpage.com, Boing Boing, and many individuals.

218 signatures needed


In the House, 218 members (a majority) would have to sign a discharge petition to force a floor vote, but only 177 have signed it (176 of them are Democrats). The discharge petition must be filed by December 10.

Technically, the House could vote on reversing the repeal until its session ends on January 3. But the House's Republican leadership almost certainly would not bring the measure to a vote voluntarily. Advocates are thus centering their efforts around the December 10 discharge petition deadline.

While Republicans are almost universally opposed to the effort, there are also 18 Democrats in the House that haven't signed the petition. Motherboard reviewed campaign finance filings and found that "each of the [Democratic] representatives has taken thousands of dollars in campaign contributions from one or more major telecom companies, including AT&T, Verizon, Comcast, and the National Cable Television Association (NCTA), an ISP trade group." (Rep. Joseph Morelle (D-N.Y.), who was sworn in this month after a special election, intends to sign the petition, according to Motherboard.)

Lawmakers who haven't supported the petition are listed here. Advocates are urging Americans to call, write to, or tweet at those lawmakers.

by Jon Brodkin, Ars Technica |  Read more:
Image: Getty

Delusion at the Gastropub

It takes a lot of high-capitalist pixie dust to turn the basics of subsistence into coveted luxuries. The brazen marketing of designer water at $5 per bottle, flown in from Fiji or the Alps—or better yet, filled from a local municipal tap—may have been the first red flag, signaling the modern public’s staggering ability to suspend its disbelief, or simply to miss the central tenets of manufactured demand.

But if one trait characterizes Americans with lots of disposable income, it’s their tireless compulsion to dispose of that income in brand new ways. The more pedestrian the product in question, the greater its seeming potential to evoke untold volumes of feeling and meaning. A few centuries into the future, inhabitants of a ravaged globe may look back on this time as the crucial moment at which delusional fervor around unremarkable, overpriced things reached its apex.

Oh, there are lovingly itemized ideological whys-and-wherefores behind the so-called food revolution, to be sure. A long train of exposés and manifestos has shown in chilling detail the myriad ways our foodstuffs have been too long tainted by chemical manipulations, resource-intensive factory farming, overprocessing, and general tastelessness. The solution, from the consumer’s vantage, is to repair all this systemic damage with the homely remedy of better informed, more locally minded shopping. To combat the epidemic of fast food (and the kindred American plague of mounting obesity), we’ve been schooled in the virtues of “slow food,” a.k.a. “locavore” cuisine, a.k.a. organic and regional produce, meats, and dairy products.

All of which is plenty worthy and salubrious, so far as our individual food intake goes. We’re all likelier to lead healthy, slim, fulfilling, and flavorful lives when we nourish ourselves on farmers’ market fare—and to feel better about ourselves as agents of ethical change.

But as no end of other right-thinking crusades have shown, there’s a fine line between right conduct and smarmy self-righteousness. As we weather one discursive foodie sermon after another and choke down the aristocratic excesses of today’s foodie media complex, we may long for a sweet taste of silence. After all, there’s scant evidence that the vogue for artisanal cuisine has produced anything close to a more just, affordable, and robust food economy. If anything, it has driven our already class-segmented food system into still greater polarities, with privileged access to rabbit larb and Japanese uni at the upper end of the spectrum, and a wasteland of overprocessed, cheap, and empty slop at the other. To better grasp just how things got to be this way, let’s venture into the dark belly of the modern-day cult known as foodie-ism.

Food, Glorious Food

The glorification of food seems understandable enough, at first glance. Everybody’s got to eat. And as with any other animal urge or act of survival—masticate, copulate, procreate, repeat—it’s not exactly challenging to move this activity to the center of one’s value system. What upper-middle-class college student doesn’t emerge from six months abroad in Barcelona swearing fealty to the crown of jamón ibérico? What leisurely plutocrat with too much time on his hands isn’t tempted to throw his energies into some hobby with immediate built-in payoffs, like becoming an overnight expert on the expensive aged cheeses of the world? What better pastime for a wealthy faux-hippie housewife than raising egg-laying hens (they’re adorable!) or learning to pickle the organic vegetables her child is growing at his pricey progressive preschool?

Why not, in short, transform the rather self-indulgent habit of spending more than $200 on a single meal into an intellectual and cultural badge of honor—a chance to loudly matter in public as you remark on the bright or redolent or flavorful undertones of whatever anxiously plated concoction you’ve just overpaid to savor? The bourgeoisie will always find creative new ways to paint even their most decadent indulgences as highly enlightened, discriminating, and honorable—if not downright heroic. And those who provide such indulgences (and who are, in turn, rewarded handsomely for them) are more than happy to collude in this fantasy.

Of course, the fantasy itself grows more baroque and involuted as the foodie cult nets an ever-greater number of well-heeled recruits. In spite of the self-congratulatory earthiness that foodie culture tends to favor (“I just really love food,” earnest foodies will confess, never bothering to notice that most of humankind shares their passion), its overwrought quasi-religiosity picks up right where the rise of designer bottled water left off—i.e., with the world-conquering condescension of the enormously cultivated consumer.

“Food is everything!” foodies often declare, in a fervent yelp apparently aimed at shaking the rest of the populace out of its imagined hunger strike. Even so, simply purchasing a meal at Chez Panisse or Momofuku or Trois Mec is not enough. One must dine at all of Eater’s “essential” restaurants, and speak in an authoritative, Top Chef–tutored tongue on the importance of balancing sourness and sweetness and umami in every single bite. The solemnly important task of delivering “thoughtful” and “inventive” food to every semi-hip town in America has been accomplished, and food culture mavens have officially overshot their mark: eating out now means being served sweetmeats on a slab of brick while listening to the neighboring table grouse about the inadequate “acidity” of their last plate in the self-serious tones of CIA operatives on a top-secret mission.

And every bit as vital as the digestion of precious food is the copious chronicling of the eating experience. If eating is a deeply private and emotional activity, laced with personal meaning and nostalgia, then the Yelp restaurant review corpus is a mass community diary, documenting with a hopelessly public, community-focused slant the turmoil of a food revolution. Here, each determined diarist struggles mightily to mimic the hauteur of the practiced establishment food critic. Take this review of a hot Italian restaurant in Silver Lake:
We ordered the chicken liver crostone, the octopus, and the chopped salad “amigliorata” to start. The chicken liver was ludicrous—airy and creamy in texture, and absolutely rich with flavor. It came with thick crusty hunks of grilled bread and a tart black plum mostarda, a thoughtful accompaniment to the decadent liver. The octopus was tender and toothsome, served over a bed of black barley, roasted carrots, and red onion—a nice, earthy dish with some balancing brightness.
Or how about this one, for a ramen joint nearby:
Everything in the Ozu pork ramen was on point, except for the broth. The pork was tender and flavorful, the ajitsuke egg was cooked to perfection, and I liked the tangy flavor added by the mizuna on top. The broth was on the lighter side—not to my liking (I like the fattier broths of Santouka Ramen)—but what made it fail for me was the lack of depth. Even lighter broths need that umami flavor to be good, and Ozu’s broth fell flat on its face on this dimension. . . . I will not come back to Ozu East Kitchen until they add a richer, fattier pork broth.
Both (entirely representative) reviews brandish the standard adjectives of food critics and food blogs and food everything—ludicrous, decadent, earthy, brightness, umami—all mixed and matched in an invocation of transcendent morsel-adoring delight that resembles nothing so much as the old Latin Mass. And as with the Mass, and other elite cultures of metaphysical self-congratulation, the obscurantism of the relevant content is itself a mark of chosenness.

This same sense of ethereal chosenness is what rhetorically elevates a mundane consumer choice to the level of a noble stand against . . . a ramen joint with a pork broth this expert deems inadequate? As these legions of pompous reviews unfold, the customer emerges not as an audience member, bystander, or faceless nobody holding a wallet, but someone central to the entire production, the star of the show, even. This incoherence of self goes straight to the heart of what makes foodie culture such a vibrant manifestation of high-capitalist bewilderment. Lured into a world of luxe commodities by their taste buds, their nostalgia, and a growing sense of their own insignificance (even with all of this money, I am no one!), high-end consumers do much more than simply misjudge a basic exchange of lucre for product. They come, very intimately, to identify with the embrace or rejection of said product (I like the fattier broths of Santouka Ramen!), beyond reason, as if the world turns on such appraisals, and awaits each of their Yelp verdicts with bated breath.

Here is also the point of transubstantiation: the moment when the foodie’s identity, so completely cobbled together from various deeply felt products (the broths of Santouka! the roasted chickens of Waxman’s!), intersects with the precious precepts of foodie-ism as political activism. Just as the food-chewing subject has been alchemized into an all-knowing, all-savoring telos for the preparation of ritzy grub, so is that subject mystically charged with the power to save the Earth—and its poor, overweight, undernourished people from themselves—with one effortless bite of a really good foie-gras-smeared, grass-fed burger. After all, a rich sense of entitlement has always paired nicely with empty self-righteousness. The stone soup, drizzled in an unctuous snake oil, is eventually mistaken for stone tablets, bearing the word of God.

by Heather Havrilesky, The Baffler |  Read more:
Image: Jensine Eckwall
[ed. See also: Heather's new book of essays What If This Were Enough?]

The Invisible Hit Parade: How Unofficial Recordings Have Flowered in the 21st Century

Most times, Eric Pier-Hocking will get to the venue before you do. It's not because he wants to be in the front row, grab some limited edition merch, or even meet the performing musicians. But all of those sometimes occur in the line of duty.

This evening at Trans-Pecos near the Brooklyn-Queens border, he is in the front, though only because the room is small and the exact center of the stage in front of the performer is the most convenient place to set up his microphones. Plus, there's a booth alongside the nearby wall where he can sit. And he will be acquiring something rare, in that he's about to make a high-fidelity recording of an exquisite performance by acoustic guitarist Daniel Bachman. And, in fact, he does meet the artist, as well. "Mostly just to say hi," Pier-Hocking shrugs. The show isn't empty, but it's far from a sell-out. In time, though, more people will be able to hear Bachman's performance. Pier-Hocking is there to preserve the music and share it. In the process, he has become a valuable part of the 21st century musical ecosystem.

For most of the artists he records, he'll make sure to secure permission in advance, but like an increasing number of touring musicians, the Virginia-based Bachman is fine with audio-obsessed fans like Pier-Hocking. In this case, Pier-Hocking doesn't even ask, just sets up his recording gear.

"I'm all about it," Bachman says, understanding that high-quality recordings of his performances are good calling cards to have out there, his music spreading further when Pier-Hocking posts it online. "I actually record other musicians myself," the guitarist says. "I'll just pull up the voice memo app on my iPhone and record an entire set. I do it on the road a lot so that I can listen back to friends or other people I get to perform with."

Wearing a black denim jacket covered in pins, Pier-Hocking is not a professional audio engineer. The 37-year-old works by day as a production manager at a publishing company. With short hair and a neatly cropped beard, it's easy to peg him for the enthusiastic indie music fan he is. But to call him an amateur wouldn't be accurate either. What he does goes far beyond recording on an iPhone.

Tonight, Pier-Hocking is running a pair of MBHO KA100DK omnidirectional microphone capsules (via a 603A capsule attachment) into "a home-brewed" PFA phantom power adapter by way of a set of newfangled "active" cables, wired up by a colleague on a web forum for live-performance recording aficionados. (Most still refer to them as tapers.) Along with a feed from the venue's soundboard, the microphone signal runs into Sound Devices MixPre-6, a digital multi-track recorder.

But, once getting his gear set up and he's sure his levels are OK, Pier-Hocking mostly just sits and listens attentively to Bachman's performance. Occasionally, he glances at the MixPre-6, just to make sure it's still running.

Capturing the music from the two different sources—his own mics and the sound-board feed—as a pair of multitrack WAV files, Pier-Hocking will later align the two recordings in Adobe Audition CC. It gets pretty geeky. "Usually the mics are milliseconds behind the board feed," he says. "I zoom in on the WAV and look for a sharp point I can isolate, like a drum hit, and then shift it all over." He corrects the EQ with Izotope Ozone 5, tracks and tags them with Audacity, and outputs them as high-def, lossless files known as FLACs. Once Bachman has gotten back to him with approval and corrects the track listing, Pier-Hocking will post the show as FLACs and mp3s to NYCTaper.com, a website established by Dan Lynch in 2007.

Sometimes, with an artist's permission, Pier-Hocking will also establish a page on the Internet Archive's Live Music Archive, where visitors can listen to shows right in their web browsers, and where files are backed up regularly to locations in Egypt, the Netherlands, and Canada. "I love Archive," he says. "You upload it once, and it sets it up for streaming and all the formats. It saves me a lot of work. And I know when I die, my recordings will still be there." He pauses for half a beat. "Which is comforting, I guess."

Like every other part of the music world, taping has changed utterly in the digital age. Once dismissed as mere bootlegging, the surrounding attitudes, economies, and technologies have evolved. It's been a long haul since Dean Benedetti recorded Charlie Parker's solos on a wire recorder. In the '60s and '70s aspiring preservationists snuck reel-to-reel recorders into venues under battlefield conditions, scaling down to professional quality handheld cassette decks and eventually to DATs.

The myth and popular image of "the taper" persists, even though there haven't really been tapes since the early 2000s, when most tapers switched from DAT to laptops and finally to portable drives. But old terms are hard to dismiss. Many now prefer "recording" or even "capturing" to "taping," though recent headlines are a good reminder of just how durable "tape" really is, and most just use the term unconsciously and don't have a preference about the terminology one way or the other—as long as you don't ask them to leave.

Unlike most every other part of the music world, taping has not only thrived in the 21st century but come into its own, from advanced cell phone gadgetry (like DPA's iPhone-ready d:vice MMA-A digital audio interface) to compact handheld recorders (like Zoom's varied line of products), from high-speed distribution to metadata organization. Despite constant radical change, taping has never been disrupted. Rather, it has positively flowered.

by Jesse Jarnow, Backchannel |  Read more:
Image: Vincent Tullo

Tuesday, November 27, 2018

Who Goes Nazi?

It is an interesting and somewhat macabre parlor game to play at a large gathering of one’s acquaintances: to speculate who in a showdown would go Nazi. By now, I think I know. I have gone through the experience many times—in Germany, in Austria, and in France. I have come to know the types: the born Nazis, the Nazis whom democracy itself has created, the certain-to-be fellow-travelers. And I also know those who never, under any conceivable circumstances, would become Nazis.

It is preposterous to think that they are divided by any racial characteristics. Germans may be more susceptible to Nazism than most people, but I doubt it. Jews are barred out, but it is an arbitrary ruling. I know lots of Jews who are born Nazis and many others who would heil Hitler tomorrow morning if given a chance. There are Jews who have repudiated their own ancestors in order to become “Honorary Aryans and Nazis”; there are full-blooded Jews who have enthusiastically entered Hitler’s secret service. Nazism has nothing to do with race and nationality. It appeals to a certain type of mind.

It is also, to an immense extent, the disease of a generation—the generation which was either young or unborn at the end of the last war. This is as true of Englishmen, Frenchmen, and Americans as of Germans. It is the disease of the so-called “lost generation.”

Sometimes I think there are direct biological factors at work—a type of education, feeding, and physical training which has produced a new kind of human being with an imbalance in his nature. He has been fed vitamins and filled with energies that are beyond the capacity of his intellect to discipline. He has been treated to forms of education which have released him from inhibitions. His body is vigorous. His mind is childish. His soul has been almost completely neglected.

At any rate, let us look round the room.

The gentleman standing beside the fireplace with an almost untouched glass of whiskey beside him on the mantelpiece is Mr. A, a descendant of one of the great American families. There has never been an American Blue Book without several persons of his surname in it. He is poor and earns his living as an editor. He has had a classical education, has a sound and cultivated taste in literature, painting, and music; has not a touch of snobbery in him; is full of humor, courtesy, and wit. He was a lieutenant in the World War, is a Republican in politics, but voted twice for Roosevelt, last time for Willkie. He is modest, not particularly brilliant, a staunch friend, and a man who greatly enjoys the company of pretty and witty women. His wife, whom he adored, is dead, and he will never remarry.

He has never attracted any attention because of outstanding bravery. But I will put my hand in the fire that nothing on earth could ever make him a Nazi. He would greatly dislike fighting them, but they could never convert him. . . . Why not?

Beside him stands Mr. B, a man of his own class, graduate of the same preparatory school and university, rich, a sportsman, owner of a famous racing stable, vice-president of a bank, married to a well-known society belle. He is a good fellow and extremely popular. But if America were going Nazi he would certainly join up, and early. Why? . . . Why the one and not the other?

Mr. A has a life that is established according to a certain form of personal behavior. Although he has no money, his unostentatious distinction and education have always assured him a position. He has never been engaged in sharp competition. He is a free man. I doubt whether ever in his life he has done anything he did not want to do or anything that was against his code. Nazism wouldn’t fit in with his standards and he has never become accustomed to making concessions.

Mr. B has risen beyond his real abilities by virtue of health, good looks, and being a good mixer. He married for money and he has done lots of other things for money. His code is not his own; it is that of his class—no worse, no better, He fits easily into whatever pattern is successful. That is his sole measure of value—success. Nazism as a minority movement would not attract him. As a movement likely to attain power, it would.

The saturnine man over there talking with a lovely French emigree is already a Nazi. Mr. C is a brilliant and embittered intellectual. He was a poor white-trash Southern boy, a scholarship student at two universities where he took all the scholastic honors but was never invited to join a fraternity. His brilliant gifts won for him successively government positions, partnership in a prominent law firm, and eventually a highly paid job as a Wall Street adviser. He has always moved among important people and always been socially on the periphery. His colleagues have admired his brains and exploited them, but they have seldom invited him—or his wife—to dinner.

He is a snob, loathing his own snobbery. He despises the men about him—he despises, for instance, Mr. B—because he knows that what he has had to achieve by relentless work men like B have won by knowing the right people. But his contempt is inextricably mingled with envy. Even more than he hates the class into which he has insecurely risen, does he hate the people from whom he came. He hates his mother and his father for being his parents. He loathes everything that reminds him of his origins and his humiliations. He is bitterly anti-Semitic because the social insecurity of the Jews reminds him of his own psychological insecurity.

Pity he has utterly erased from his nature, and joy he has never known. He has an ambition, bitter and burning. It is to rise to such an eminence that no one can ever again humiliate him. Not to rule but to be the secret ruler, pulling the strings of puppets created by his brains. Already some of them are talking his language—though they have never met him.

There he sits: he talks awkwardly rather than glibly; he is courteous. He commands a distant and cold respect. But he is a very dangerous man. Were he primitive and brutal he would be a criminal—a murderer. But he is subtle and cruel. He would rise high in a Nazi regime. It would need men just like him—intellectual and ruthless. But Mr. C is not a born Nazi. He is the product of a democracy hypocritically preaching social equality and practicing a carelessly brutal snobbery. He is a sensitive, gifted man who has been humiliated into nihilism. He would laugh to see heads roll.

I think young D over there is the only born Nazi in the room. Young D is the spoiled only son of a doting mother. He has never been crossed in his life. He spends his time at the game of seeing what he can get away with. He is constantly arrested for speeding and his mother pays the fines. He has been ruthless toward two wives and his mother pays the alimony. His life is spent in sensation-seeking and theatricality. He is utterly inconsiderate of everybody. He is very good-looking, in a vacuous, cavalier way, and inordinately vain. He would certainly fancy himself in a uniform that gave him a chance to swagger and lord it over others.

Mrs. E would go Nazi as sure as you are born. That statement surprises you? Mrs. E seems so sweet, so clinging, so cowed. She is. She is a masochist. She is married to a man who never ceases to humiliate her, to lord it over her, to treat her with less consideration than he does his dogs. He is a prominent scientist, and Mrs. E, who married him very young, has persuaded herself that he is a genius, and that there is something of superior womanliness in her utter lack of pride, in her doglike devotion. She speaks disapprovingly of other “masculine” or insufficiently devoted wives. Her husband, however, is bored to death with her. He neglects her completely and she is looking for someone else before whom to pour her ecstatic self-abasement. She will titillate with pleased excitement to the first popular hero who proclaims the basic subordination of women.

On the other hand, Mrs. F would never go Nazi. She is the most popular woman in the room, handsome, gay, witty, and full of the warmest emotion. She was a popular actress ten years ago; married very happily; promptly had four children in a row; has a charming house, is not rich but has no money cares, has never cut herself off from her own happy-go-lucky profession, and is full of sound health and sound common sense. All men try to make love to her; she laughs at them all, and her husband is amused. She has stood on her own feet since she was a child, she has enormously helped her husband’s career (he is a lawyer), she would ornament any drawing-room in any capital, and she is as American as ice cream and cake.

How about the butler who is passing the drinks? I look at James with amused eyes. James is safe. James has been butler to the ‘ighest aristocracy, considers all Nazis parvenus and communists, and has a very good sense for “people of quality.” He serves the quiet editor with that friendly air of equality which good servants always show toward those they consider good enough to serve, and he serves the horsy gent stiffly and coldly.

Bill, the grandson of the chauffeur, is helping serve to-night. He is a product of a Bronx public school and high school, and works at night like this to help himself through City College, where he is studying engineering. He is a “proletarian,” though you’d never guess it if you saw him without that white coat. He plays a crack game of tennis—has been a tennis tutor in summer resorts—swims superbly, gets straight A’s in his classes, and thinks America is okay and don’t let anybody say it isn’t. He had a brief period of Youth Congress communism, but it was like the measles. He was not taken in the draft because his eyes are not good enough, but he wants to design airplanes, “like Sikorsky.” He thinks Lindbergh is “just another pilot with a build-up and a rich wife” and that he is “always talking down America, like how we couldn’t lick Hitler if we wanted to.” At this point Bill snorts.

Mr. G is a very intellectual young man who was an infant prodigy. He has been concerned with general ideas since the age of ten and has one of those minds that can scintillatingly rationalize everything. I have known him for ten years and in that time have heard him enthusiastically explain Marx, social credit, technocracy, Keynesian economics, Chestertonian distributism, and everything else one can imagine. Mr. G will never be a Nazi, because he will never be anything. His brain operates quite apart from the rest of his apparatus. He will certainly be able, however, fully to explain and apologize for Nazism if it ever comes along. But Mr. G is always a “deviationist.” When he played with communism he was a Trotskyist; when he talked of Keynes it was to suggest improvement; Chesterton’s economic ideas were all right but he was too bound to Catholic philosophy. So we may be sure that Mr. G would be a Nazi with purse-lipped qualifications. He would certainly be purged.

H is an historian and biographer. He is American of Dutch ancestry born and reared in the Middle West. He has been in love with America all his life. He can recite whole chapters of Thoreau and volumes of American poetry, from Emerson to Steve Benet. He knows Jefferson’s letters, Hamilton’s papers, Lincoln’s speeches. He is a collector of early American furniture, lives in New England, runs a farm for a hobby and doesn’t lose much money on it, and loathes parties like this one. He has a ribald and manly sense of humor, is unconventional and lost a college professorship because of a love affair. Afterward he married the lady and has lived happily ever afterward as the wages of sin.

H has never doubted his own authentic Americanism for one instant. This is his country, and he knows it from Acadia to Zenith. His ancestors fought in the Revolutionary War and in all the wars since. He is certainly an intellectual, but an intellectual smelling slightly of cow barns and damp tweeds. He is the most good-natured and genial man alive, but if anyone ever tries to make this country over into an imitation of Hitler’s, Mussolini’s, or Petain’s systems H will grab a gun and fight. Though H’s liberalism will not permit him to say it, it is his secret conviction that nobody whose ancestors have not been in this country since before the Civil War really understands America or would really fight for it against Nazism or any other foreign ism in a showdown.

But H is wrong. There is one other person in the room who would fight alongside H and he is not even an American citizen. He is a young German emigre, whom I brought along to the party. The people in the room look at him rather askance because he is so Germanic, so very blond-haired, so very blue-eyed, so tanned that somehow you expect him to be wearing shorts. He looks like the model of a Nazi. His English is flawed—he learned it only five years ago. He comes from an old East Prussian family; he was a member of the post-war Youth Movement and afterward of the Republican “Reichsbanner.” All his German friends went Nazi—without exception. He hiked to Switzerland penniless, there pursued his studies in New Testament Greek, sat under the great Protestant theologian, Karl Barth, came to America through the assistance of an American friend whom he had met in a university, got a job teaching the classics in a fashionable private school; quit, and is working now in an airplane factory—working on the night shift to make planes to send to Britain to defeat Germany. He has devoured volumes of American history, knows Whitman by heart, wonders why so few Americans have ever really read the Federalist papers, believes in the United States of Europe, the Union of the English-speaking world, and the coming democratic revolution all over the earth. He believes that America is the country of Creative Evolution once it shakes off its middle-class complacency, its bureaucratized industry, its tentacle-like and spreading government, and sets itself innerly free.

The people in the room think he is not an American, but he is more American than almost any of them. He has discovered America and his spirit is the spirit of the pioneers. He is furious with America because it does not realize its strength and beauty and power. He talks about the workmen in the factory where he is employed. . . . He took the job “in order to understand the real America.” He thinks the men are wonderful. “Why don’t you American in- tellectuals ever get to them; talk to them?”

I grin bitterly to myself, thinking that if we ever got into war with the Nazis he would probably be interned, while Mr. B and Mr. G and Mrs. E would be spreading defeatism at all such parties as this one. “Of course I don’t like Hitler but . . .”

by Dorothy Thompson, Harper's (Aug. 1941) |  Read more:
Image: via
[ed. Repost. See also: Maybe They’re Just Bad People. The Mississippi senate runoff results come in tonight and the full extent of Robert Mueller's investigation should be made public soon. Make of this what you will.]

Kate Wolf

Self-Care Won't Save Us

It is somewhere between one and two in the morning and, as per usual, I am flicking through internet tabs. Without really taking anything in, I am dividing my attention between a recipe for broccoli and peanut butter soup (one which has been in my favorites tab for maybe three years, still never attempted), some news story about a terrible event in which many people have needlessly died, and the usual social media sites. Scrolling down my Facebook feed, in between the enviable holiday snaps and the links to more sad news stories—people don’t talk very much on Facebook any more, I’ve noticed; it’s mostly a conduit for the exchanging of links—a picture catches my eye. It’s a cartoon of a friendly-looking blob man, large-eyed and edgeless, wrapped up in blankets. The blob man is saying “It’s okay if all you want to do today is just stay in bed and watch Netflix.” I draw up my covers, nodding to no one in particular, and flick to a tab with my favorite old TV show.

The above story doesn’t refer to any particular night that I can remember. But the general theme is one that I’ve played out again and again. I’m not sure I’m ever going to make that soup.

If you’re a millennial with regular access to the internet, you’ve probably seen similar images to the cartoon I’ve described above. They’re usually painted in comforting primary colors or pastels, featuring simple illustrations, accompanied by text in a non-threatening font. They invite you to practice ‘self-care’, a term that has been prominent in healthcare theory for many decades but has recently increased in visibility online. The term generally refers to a variety of techniques and habits that are supposed to help with one’s physical and mental well-being, reduce stress, and lead to a more balanced lifestyle. “It’s like if you were walking outside in a thunderstorm, umbrella-less, and you walked into a café filled with plush armchairs, wicker baskets full of flowers, and needlepoints on the walls that say things like ‘Be kind to yourself’ and ‘You are enough,’” says The Atlantic. Though the term has a medical tinge to it, the language used in the world of self-care is more aligned with the world of self-help, and much of the advice commonly given in the guise of self-care will be familiar to anyone who has browsed the pop-psychology shelves of a bookstore or listened to the counsel of a kindly coworker—take breaks from work and step outside for fresh air, take walks in the countryside, call a friend for a chat, have a lavender bath, get a good night’s sleep. Light a candle. Stop being so hard on yourself. Take time off if you’re not feeling so well and snuggle under the comforter with a DVD set and a herbal tea. Few people would argue with these tips in isolation (with a few exceptions—I think herbal tea is foul). We should all be making sure we are well-fed, rested, and filling our lives with things that we enjoy. In a time where people—especially millennials, at whom this particular brand of self-care is aimed—are increasingly talking about their struggles with depression, anxiety and insecurities, it’s no wonder that “practicing self-care” is an appealing prospect, even if it does sometimes seem like a fancy way to say “do things you like.” What is concerning is the way that this advice appears to be perfectly designed to fit in with a society that appears to be the cause of so much of the depression, anxiety, and insecurities. By finding the solution to young people’s mental ill-health (be it a diagnosed mental health problem or simply the day-to-day stresses of life) in do-it-yourself fixes, and putting the burden on the target audience to find a way to cope, the framework of self-care avoids having to think about issues on a societal level. In the world of self-care, mental health is not political, it’s individual. Self-care is mental health care for the neoliberal era.

As I write, the U.K. Prime Minister, Theresa May, is tweeting about World Mental Health Day and suicide prevention. She is not the only one; scrolling through the trending hashtags (there are several) one can find lots of comforting words about taking care of yourself, about opening up, confiding in a friend, keeping active, taking a breath. One such tweet is a picture of an arts-and-craftsy cut-out of a bright yellow circle behind dull green paper, designed to look like a cheerful sun. Printed on the sun are the words “everything will be so good so soon just hang in there & don’t worry about it too much.” All of us have probably seen some variation of these words at many points in our lives, and probably found at least a little bit of momentary relief in them. But looking through other tweets about World Mental Health Day reveals a different side of the issue. People talk about the times they did try to seek help, and were left to languish on waiting lists for therapy. They talk about the cuts to their local services (if they’re from somewhere with universal healthcare) or the insurance policies that wouldn’t cover them (if they’re in the United States). They talk about the illnesses left cold and untouched by campaigns that claim to reduce stigma—personality disorders, bipolar disorder, schizophrenia. They talk about homelessness and insecure housing and jobs that leave them exhausted. They talk about loneliness. And, in the case of Theresa May, they talk about how the suicide prevention minister she promises to hire will have to deal with the many people who consider suicide in response to her government’s policies. These are deep material and societal issues that all of us are touched by, to at least some degree. We know it when we see people begging in the streets, when we read yet another report that tells us our planet is dying, when we try to figure out why we feel sad and afraid and put it down to an ‘off day’, trying not to think about just how many ‘off days’ we seem to have. We turn to our TVs, to our meditation apps, and hope we can paper over the cracks. We are in darkness, and when we cry out for light, we are handed a scented candle.

A common sentiment expressed in the world of self-care is that anyone can suffer from mental ill-health. This is true, but it’s not the entire story. In fact, mental health problems are strongly correlated with poverty, vulnerability, and physical health conditions (with the causation going both ways). Furthermore, there is a big difference between those of us who are fortunate enough to be able to take time off work for doctor’s appointments and mental health days, and those who can’t; those of us who have children or other dependents to take care of, and those who don’t; those of us who have the financial independence to take a break from our obligations when we need to, and those who don’t. Not all people have the same access to help, or even access to their own free time—employers increasingly expect workers to be available whenever they are needed, both in white-collar jobs and precarious shift work. Add in the (heavily gendered) responsibilities of being a parent, studying, a night-time Uber gig to cover the bills, or a long commute from the only affordable area in the city, and the stress of life will pile on even as it soaks up the time you’re supposed to set aside to relieve that stress. Funding cuts are in fashion across a plethora of Western countries, both to healthcare and to other services that indirectly affect our health, especially the health of people who need additional support to lead the lives they wish to live, or even just to survive. The rhetoric around self-care is flattering but flattening, treating its audience as though the solution to their problems is believing in themselves and investing in themselves. This picture glosses over the question of what happens when society does not believe or invest in us.

Even for those of us who are relatively lucky in life, self-care does not solve our problems. It’s okay if all you did today was breathe,” promises a widely-shared image macro of a gentle talking pair of lungs. Well, I hate to break it to you, talking lungs, but it’s 2018. We’re supposed to be walking powerhouses of productivity, using every minute of our time to its best effect. In an economic environment where careers are precarious and competitive, young people are increasingly pressured to give up their free time to take on extracurriculars and unpaid projects “for their resume,” produce creative content “for exposure,” learn skills such as coding, scout for jobs on LinkedIn, write self-promoting posts about their personal qualities, and perhaps worst of all, attend godawful networking events, some of which don’t even have free canapés.

by Aisling McCrae, Current Affairs |  Read more:
Image: Lizzy Price

Steve Lawson - Celebrations

The Crisis

Tom Tomorrow
via:
[ed. See also: World must triple efforts or face catastrophic climate change, says UN. And, (of course) 'I don't believe it'. (The Guardian)]

The Insect Apocalypse Is Here

Sune Boye Riis was on a bike ride with his youngest son, enjoying the sun slanting over the fields and woodlands near their home north of Copenhagen, when it suddenly occurred to him that something about the experience was amiss. Specifically, something was missing.

It was summer. He was out in the country, moving fast. But strangely, he wasn’t eating any bugs.

For a moment, Riis was transported to his childhood on the Danish island of Lolland, in the Baltic Sea. Back then, summer bike rides meant closing his mouth to cruise through thick clouds of insects, but inevitably he swallowed some anyway. When his parents took him driving, he remembered, the car’s windshield was frequently so smeared with insect carcasses that you almost couldn’t see through it. But all that seemed distant now. He couldn’t recall the last time he needed to wash bugs from his windshield; he even wondered, vaguely, whether car manufacturers had invented some fancy new coating to keep off insects. But this absence, he now realized with some alarm, seemed to be all around him. Where had all those insects gone? And when? And why hadn’t he noticed?

Riis watched his son, flying through the beautiful day, not eating bugs, and was struck by the melancholy thought that his son’s childhood would lack this particular bug-eating experience of his own. It was, he granted, an odd thing to feel nostalgic about. But he couldn’t shake a feeling of loss. “I guess it’s pretty human to think that everything was better when you were a kid,” he said. “Maybe I didn’t like it when I was on my bike and I ate all the bugs, but looking back on it, I think it’s something everybody should experience.”

I met Riis, a lanky high school science and math teacher, on a hot day in June. He was anxious about not having yet written his address for the school’s graduation ceremony that evening, but first, he had a job to do. From his garage, he retrieved a large insect net, drove to a nearby intersection and stopped to strap the net to the car’s roof. Made of white mesh, the net ran the length of his car and was held up by a tent pole at the front, tapering to a small, removable bag in back. Drivers whizzing past twisted their heads to stare. Riis eyed his parking spot nervously as he adjusted the straps of the contraption. “This is not 100 percent legal,” he said, “but I guess, for the sake of science.”

Riis had not been able to stop thinking about the missing bugs. The more he learned, the more his nostalgia gave way to worry. Insects are the vital pollinators and recyclers of ecosystems and the base of food webs everywhere. Riis was not alone in noticing their decline. In the United States, scientists recently found the population of monarch butterflies fell by 90 percent in the last 20 years, a loss of 900 million individuals; the rusty-patched bumblebee, which once lived in 28 states, dropped by 87 percent over the same period. With other, less-studied insect species, one butterfly researcher told me, “all we can do is wave our arms and say, ‘It’s not here anymore!’ ” Still, the most disquieting thing wasn’t the disappearance of certain species of insects; it was the deeper worry, shared by Riis and many others, that a whole insect world might be quietly going missing, a loss of abundance that could alter the planet in unknowable ways. “We notice the losses,” says David Wagner, an entomologist at the University of Connecticut. “It’s the diminishment that we don’t see.” (...)

When the investigators began planning the study in 2016, they weren’t sure if anyone would sign up. But by the time the nets were ready, a paper by an obscure German entomological society had brought the problem of insect decline into sharp focus. The German study found that, measured simply by weight, the overall abundance of flying insects in German nature reserves had decreased by 75 percent over just 27 years. If you looked at midsummer population peaks, the drop was 82 percent.

Riis learned about the study from a group of his students in one of their class projects. They must have made some kind of mistake in their citation, he thought. But they hadn’t. The study would quickly become, according to the website Altmetric, the sixth-most-discussed scientific paper of 2017. Headlines around the world warned of an “insect Armageddon.”

Within days of announcing the insect-collection project, the Natural History Museum of Denmark was turning away eager volunteers by the dozens. It seemed there were people like Riis everywhere, people who had noticed a change but didn’t know what to make of it. How could something as fundamental as the bugs in the sky just disappear? And what would become of the world without them?
***
Anyone who has returned to a childhood haunt to find that everything somehow got smaller knows that humans are not great at remembering the past accurately. This is especially true when it comes to changes to the natural world. It is impossible to maintain a fixed perspective, as Heraclitus observed 2,500 years ago: It is not the same river, but we are also not the same people.

A 1995 study, by Peter H. Kahn and Batya Friedman, of the way some children in Houston experienced pollution summed up our blindness this way: “With each generation, the amount of environmental degradation increases, but each generation takes that amount as the norm.” In decades of photos of fishermen holding up their catch in the Florida Keys, the marine biologist Loren McClenachan found a perfect illustration of this phenomenon, which is often called “shifting baseline syndrome.” The fish got smaller and smaller, to the point where the prize catches were dwarfed by fish that in years past were piled up and ignored. But the smiles on the fishermen’s faces stayed the same size. The world never feels fallen, because we grow accustomed to the fall.

By one measure, bugs are the wildlife we know best, the nondomesticated animals whose lives intersect most intimately with our own: spiders in the shower, ants at the picnic, ticks buried in the skin. We sometimes feel that we know them rather too well. In another sense, though, they are one of our planet’s greatest mysteries, a reminder of how little we know about what’s happening in the world around us. (...)

With so much abundance, it very likely never occurred to most entomologists of the past that their multitudinous subjects might dwindle away. As they poured themselves into studies of the life cycles and taxonomies of the species that fascinated them, few thought to measure or record something as boring as their number. Besides, tracking quantity is slow, tedious and unglamorous work: setting and checking traps, waiting years or decades for your data to be meaningful, grappling with blunt baseline questions instead of more sophisticated ones. And who would pay for it? Most academic funding is short-term, but when what you’re interested in is invisible, generational change, says Dave Goulson, an entomologist at the University of Sussex, “a three-year monitoring program is no good to anybody.” This is especially true of insect populations, which are naturally variable, with wide, trend-obscuring fluctuations from one year to the next. (...)

Entomologists also knew that climate change and the overall degradation of global habitat are bad news for biodiversity in general, and that insects are dealing with the particular challenges posed by herbicides and pesticides, along with the effects of losing meadows, forests and even weedy patches to the relentless expansion of human spaces. There were studies of other, better-understood species that suggested that the insects associated with them might be declining, too. People who studied fish found that the fish had fewer mayflies to eat. Ornithologists kept finding that birds that rely on insects for food were in trouble: eight in 10 partridges gone from French farmlands; 50 and 80 percent drops, respectively, for nightingales and turtledoves. Half of all farmland birds in Europe disappeared in just three decades. At first, many scientists assumed the familiar culprit of habitat destruction was at work, but then they began to wonder if the birds might simply be starving. In Denmark, an ornithologist named Anders Tottrup was the one who came up with the idea of turning cars into insect trackers for the windshield-effect study after he noticed that rollers, little owls, Eurasian hobbies and bee-eaters — all birds that subsist on large insects such as beetles and dragonflies — had abruptly disappeared from the landscape.

The signs were certainly alarming, but they were also just signs, not enough to justify grand pronouncements about the health of insects as a whole or about what might be driving a widespread, cross-species decline. “There are no quantitative data on insects, so this is just a hypothesis,” Hans de Kroon, an ecologist at Radboud University in Denmark, explained to me — not the sort of language that sends people to the barricades.

Then came the German study. Scientists are still cautious about what the findings might imply about other regions of the world. But the study brought forth exactly the kind of longitudinal data they had been seeking, and it wasn’t specific to just one type of insect. The numbers were stark, indicating a vast impoverishment of an entire insect universe, even in protected areas where insects ought to be under less stress. The speed and scale of the drop were shocking even to entomologists who were already anxious about bees or fireflies or the cleanliness of car windshields.

by Brooke Jarvis, NY Times |  Read more:
Image: Photo illustrations by Matt Dorfman. Source photographs: Bridgeman Images

The Case for Dropping Out of College

During the summer, my father asked me whether the money he’d spent to finance my first few years at Fordham University in New York City, one of the more expensive private colleges in the United States, had been well spent. I said yes, which was a lie.

I majored in computer science, a field with good career prospects, and involved myself in several extracurricular clubs. Since I managed to test out of some introductory classes, I might even have been able to graduate a year early—thereby producing a substantial cost savings for my family. But the more I learned about the relationship between formal education and actual learning, the more I wondered why I’d come to Fordham in the first place.
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According to the not-for-profit College Board, the average cost of a school year at a private American university was almost $35,000 in 2017—a figure I will use for purposes of rough cost-benefit analysis. (While public universities are less expensive thanks to government subsidies, the total economic cost per student-year, including the cost borne by taxpayers, typically is similar.) The average student takes about 32 credits worth of classes per year (with a bachelor’s degree typically requiring at least 120 credits in total). So a 3-credit class costs just above $3,000, and a 4-credit class costs a little more than $4,000.

What do students get for that price? I asked myself this question on a class by class basis, and have found an enormous mismatch between price and product in almost all cases. Take the two 4-credit calculus classes I took during freshman year. The professor had an unusual teaching style that suited me well, basing his lectures directly on lectures posted online by MIT. Half the class, including me, usually skipped the lectures and learned the content by watching the original material on MIT’s website. When the material was straightforward, I sped up the video. When it was more difficult, I hit pause, re-watched it, or opened a new tab on my browser so I could find a source that covered the same material in a more accessible way. From the perspective of my own convenience and education, it was probably one of the best classes I’ve taken in college. But I was left wondering: Why should anyone pay more than $8,000 to watch a series of YouTube videos, available online for free, and occasionally take an exam?

Another class I took, Philosophical Ethics, involved a fair bit of writing. The term paper, which had an assigned minimum length of 5,000 words, had to be written in two steps—first a full draft and then a revised version that incorporated feedback from the professor. Is $3,250 an appropriate cost for feedback on 10,000 words? That’s hard to say. But consider that the going rate on the web for editing this amount of text is just a few hundred dollars. Even assuming that my professor is several times more skilled and knowledgeable, it’s not clear that this is a good value proposition.

“But what about the lectures?” you ask. The truth is that many students, including me, don’t find the lectures valuable. As noted above, equivalent material usually can be found online for free, or at low cost. In some cases, a student will find that his or her own professor has posted video of his or her own lectures. And the best educators, assisted with the magic of video editing, often put out content that puts even the most renowned college lecturers to shame. If you have questions about the material, there’s a good chance you will find the answer on Quora or Reddit.

Last semester, I took a 4-credit class called Computer Organization. There was a total of 23 lectures, each of 75 minutes length—or about 29 hours of lectures. I liked the professor and enjoyed the class. Yet, once the semester was over, I noticed that almost all of the core material was contained in a series of YouTube videos that was just three hours long.

Like many of my fellow students, I spend most of my time in class on my laptop: Twitter, online chess, reading random articles. From the back of the class, I can see that other students are doing likewise. One might think that all of these folks will be in trouble when test time comes around. But watching a few salient online videos generally is all it takes to master the required material. You see the pattern here: The degrees these people get say “Fordham,” but the actual education often comes courtesy of YouTube.

The issue I am discussing is not new, and predates the era of on-demand web video. As far back as 1984, American educational psychologist Benjamin Bloom discovered that an average student who gets individual tutoring will outperform the vast majority of peers taught in a regular classroom setting. Even the best tutors cost no more than $80 an hour—which means you could buy 50 hours of their service for the pro-rated cost of a 4-credit college class that supplies 30 hours of (far less effective) lectures.

All of these calculations are necessarily imprecise, of course. But for the most part, I would argue, the numbers I have presented here underestimate the true economic cost of bricks-and-mortar college education, since I have not imputed the substantial effective subsidies that come through government tax breaks, endowments and support programs run by all levels of government.

So given all this, why are we told that, far from being a rip-off, college is a great deal? “In 2014, the median full-time, full-year worker over age 25 with a bachelor’s degree earned nearly 70% more than a similar worker with just a high school degree,” read one typical online report from 2016. The occasion was Jason Furman, then head of Barack Obama’s Council of Economic Advisers, tweeting out data showing that the ratio of an average college graduate’s earnings to a similarly situated high-school graduate’s earnings had grown from 1.1 in 1975 to more than 1.6 four decades later.

To ask my question another way: What accounts for the disparity between the apparently poor value proposition of college at a micro level with the statistically observed college premium at the macro level? A clear set of answers appears in The Case against Education: Why the Education System Is a Waste of Time and Money, a newly published book by George Mason University economist Bryan Caplan.

One explanation lies in what Caplan calls “ability bias”: From the outset, the average college student is different from the average American who does not go to college. The competitive college admissions process winnows the applicant pool in such a way as to guarantee that those who make it into college are more intelligent, conscientious and conformist than other members of his or her high-school graduating cohort. In other words, when colleges boast about the “70% income premium” they supposedly provide students, they are taking credit for abilities that those students already had before they set foot on campus, and which they likely could retain and commercially exploit even if they never got a college diploma. By Caplan’s estimate, ability bias accounts for about 45% of the vaunted college premium. Which would means that a college degree actually boosts income by about 40 points, not the oft-cited 70.

Of course, 40% is still a huge premium. But Caplan digs deeper by asking how that premium is earned. And in his view, the extra income doesn’t come from substantive skills learned in college classrooms, but rather from what he called the “signaling” function of a diploma: Because employers lack any quick and reliable objective way to evaluate a job candidate’s potential worth, they fall back on the vetting work done by third parties—namely, colleges. A job candidate who also happens to be someone who managed to get through the college admissions process, followed by four years of near constant testing, likely is someone who is also intelligent and conscientious, and who can be relied on to conform to institutional norms. It doesn’t matter what the applicant was tested on, since it is common knowledge that most of what one learns in college will never be applied later in life. What matters is that these applicants were tested on something. Caplan estimates that signaling accounts for around 80% of the 40-point residual college premium described above, which, if true, would leave less than ten percentage points—from the original 70—left to be accounted for. (...)

Till now, I have discussed the value of college education in generic fashion. But as everyone on any campus knows, different majors offer different value. In the case of liberal arts, the proportion of the true college premium attributable to signaling is probably close to 100%. It is not just that the jobs these students seek typically don’t require any of the substantive knowledge they acquired during their course of study: They also aren’t really improving students’ analytical skills, either. In their 2011 book Academically Adrift: Limited Learning on College Campuses, sociologists Richard Arum and Josipa Roksa presented data showing that, over their first two years of college, students typically improve their skills in critical thinking, complex reasoning and writing by less than a fifth of a standard deviation.

According to the U.S. Department of Commerce’s 2017 report on STEM jobs, even the substantive educational benefit to be had from degrees in technical fields may be overstated—since “almost two-thirds of the workers with a STEM undergraduate degree work in a non-STEM job.” Signaling likely play a strong role in such cases. Indeed, since STEM degrees are harder to obtain than non-STEM degrees, they provide an even stronger signal of intelligence and conscientiousness.

However, this is not the only reason why irrelevant coursework pays. Why do U.S. students who want to become doctors, one of the highest paying professions, first need to complete four years of often unrelated undergraduate studies? The American blogger and psychiatrist Scott Alexander, who majored in philosophy as an undergraduate and then went on to study medicine in Ireland, observed in his brilliant 2015 essay Against Tulip Subsidies that “Americans take eight years to become doctors. Irishmen can do it in four, and achieve the same result.” Law follows a similar pattern: While it takes four years to study law in Ireland, and in France it takes five, students in the United States typically spend seven years in school before beginning the separate process of bar accreditation.

by Samuel Knoche, Quillette | Read more:
Image: uncredited