211-mile Ambler Road Project Through Gates of the Arctic National Park Gets Approval

Trump Sacrifices Alaska Wilderness to Help AI Companies

Trump’s approval of the Ambler Road Project is a reversal for the federal government. Only last year, the Bureau of Land Management released its Record of Decision selecting “No Action” on Ambler Road, in cooperation with Alaska tribal councils, the Environmental Protection Agency, the U.S. Fish and Wildlife Service, and many others.

In the document, the impact on fish habitat, water and air quality, disruption of groundwater flow, hazardous materials from spills, and the negative impact on the Western Arctic caribou herd, which has been steadily declining since 2017, were all cited as reasons for denial. The Record of Decision also stated that the Ambler Road Project would forever alter the culture and traditional practices of Alaska Native communities, who have lived and thrived in the region for centuries.

by Gavin Feek, The Intercept |  Read more:

Image: Bonnie Jo Mount/The Washington Post via Getty Images

[ed. I used to permit/mitigate mine development in Alaska. Imagine what a 211-mile gravel road, 30+ years of year-round maintenance, and relentless heavy truck/support traffic will do to the area, its wildlife and nearby native communities (not to mention blasting a massive mining crater, constructing sprawling support facilities, airstrip(s), and discharging millions of gallons of wastewater (from somewhere, to... somewhere).]

via:

Target on Tongass

GRAVINA ISLAND, Tongass National Forest — Rain drips from the tips of branches of a grandmother cedar, growing for centuries. In verdant moss amid hip-high sword ferns, the bones of a salmon gleam, picked clean by feasting wildlife. “Gronk,” intones a raven, from somewhere high overhead in the forest canopy.

This is the Tongass National Forest, in Southeast Alaska. At nearly 17 million acres, it is the largest national forest in our country by far — and its wildest. These public lands are home to more grizzly bears, more wolves, more whales, more wild salmon than any other national forest. More calving glaciers; shining mountains and fjords; and pristine beaches, where intact ancient forests meet a black-green sea. These wonders drew more than 3 million visitors from around the nation and the world to Alaska from May 2024 through April 2025 — a record.

In the forest, looming Sitka spruce, western hemlock and cedars quill a lush understory of salal and huckleberry. Life grows upon life, with hanks of moss and lichen swaddling trunks and branches. Nothing really dies here, it just transforms into new life. Fallen logs are furred with tree seedlings, as a new generation rises. After they spawn, salmon die — and transubstantiate into the bodies of ravens, bears and wolves they nourish.

Strewn across thousands of islands, and comprising most of Southeast Alaska, the Tongass was designated a national forest by President Theodore Roosevelt in 1907. The trees here were coveted by the timber industry even before Alaska was a state, and industrial logging began in 1947 with construction of two pulp mills, each with a federally subsidized 50-year contract for public timber.

While the Tongass is big, only about 33% of it is forested in old and second growth, and clear-cuts disproportionately targeted the most productive areas with the biggest trees. In North Prince of Wales Island, notes Kate Glover, senior attorney for EarthJustice in Juneau, more than 77% of the original contiguous old growth was cut.

The logging boom that began in the 1950s is long since bust; the last pulp mill in Alaska shut in 1997. But now, the prospect of greatly increased cutting is once again ramping up.

President Donald Trump wants to revoke a federal rule that could potentially open more than 9 million acres of the Tongass to logging, including about 2.5 million acres of productive old growth. The Roadless Area Conservation Rule, widely known as the Roadless Rule, was adopted by President Bill Clinton in 2001 to protect the wildest public lands in our national forests, after an extensive public process. Trump revoked it during his first term of office. President Joe Biden reinstated it. Now Trump has announced plans to rescind it again.

“Once again, President Trump is removing absurd obstacles to common sense management of our natural resources by rescinding the overly restrictive roadless rule,” said Secretary of Agriculture Brooke Rollins, in a June announcement. “This move opens a new era of consistency and sustainability for our nation’s forests … to enjoy and reap the benefits of this great land.”

The Roadless Rule is one of the most important federal policies many people have never heard of, protecting nearly 45 million acres in national forests all over the country from logging, mining and other industrial development. In Washington state, the rule preserves about 2 million acres of national forest — magnificent redoubts of old growth and wildlife, such as the Dark Divide in the Gifford Pinchot National Forest.

The rule is popular. After Rollins announced the proposed rollback, more than 500,000 people posted comments defending it in just 21 days during an initial public comment period. Another public comment period will open in the spring.

At stake in the Tongass is one of the last, largest coastal temperate rainforests in the world. (...)

The Tongass also is home to more productive old-growth trees (older than 150 years) than any other national forest. And the biggest trees store the most carbon.

In a world in which wilderness is rapidly disappearing, “the best is right here,” DellaSala says. “If you punch in roads and log it, you lose it. You flip the system to a degraded state.

“What happens right now is what will make the difference in the Tongass.”

“Who knew this could happen?”

Revoking the Roadless Rule isn’t the only threat to the Tongass. It’s also being clear-cut, chunk by chunk, through land transfers, swaps and intergovernmental agreements affecting more than 88,000 acres just since 2014.

Joshua Wright bends low over a stump, counting its tightly packed rings. Certainly 500, maybe 700, it’s hard to tell in the driving rain. This stump he and DellaSala are standing on is as wide as they are tall. “Who knew this could happen?” says Wright, looking at the clear-cut, with nearly every tree taken, all the way to the beach fringe. So close to the beach, delicate domes of sea urchin shells sit amid the logging slash, as do abalone shells, dropped by seabirds, their shimmering opalescent colors so out of place in a bleak ruin of stumps.

This is representative of the type of logging that can happen when lands are removed from the national forest system, says Wright, who leads the Southeast Alaska program for the Legacy Forest Defense Coalition, based in Tacoma. More such cuts could be coming. Legislation proposed last summer would privatize more than 115,000 acres of the Tongass.

The legislation is part of a yearslong effort since 1985 to wrest more of the Tongass from federal control to private, for-profit Native corporations. In 1971, a federal land claims settlement act transferred 44 million acres of federal land to regional and village corporations owned by Alaska Native shareholders.

Five communities that were not included in that 1971 settlement would receive land under the so-called landless legislation, though none of them met the original criteria for eligibility. Native people in these communities were made at-large/landless shareholders, with payments to them managed by Sealaska Corporation, which owns and manages a range of for-profit businesses and investments throughout Southeast Alaska. (...)

Industrial scale clear-cut logging in the Tongass, in addition to its environmental destruction, has never made economic sense. U.S. taxpayers heavily subsidize the cutting, in part through the construction and maintenance of Forest Service roads to access the forest. A recent study done by the independent, nonpartisan group Taxpayers for Common Sense found that the Forest Service lost $16.1 million on Tongass timber sales in fiscal year 2019, and $1.7 billion over the past four decades. Most of Alaska’s timber harvest is exported as raw logs to Asian markets. (...)

Only about 240 people work in the logging business in Alaska today, most of them at two sawmills. The industry, states the Alaska Forest Association, an industry group, will collapse unless it is fed more old growth from public lands. The AFA made the claim in a lawsuit, joined with other plaintiffs, against the Forest Service, demanding release of more old-growth forest from the Tongass for cutting.

Booming business

But while the timber industry is fighting for a lifeline, more than 8,263 people work locally in a thriving tourism business built on wild and scenic Alaska. In 2023, tourism became the largest economic sector in Southeast, according to a 2024 report by Southeast Conference, the regional economic development organization.

Mary Catharine Martin, spokesperson for SalmonState, a nonprofit based in Juneau, notes that the Mendenhall Glacier Visitor Center at the Tongass National Forest is visited by about 700,000 people annually from all over the world. “This is what people come to see,” says Martin, regarding the glacier, its ice glowing blue as a husky’s eye. “They come to see this amazing place, and to be out in it.”

by Linda Mapes, Seattle Times |  Read more:

Image: Amy Gulick

[ed. They've been chipping away at the Tongass for decades. Trading old growth trees for pulp and chopsticks.]

Leonardo’s Wood Charring Method Predates Japanese Practice

Yakisugi is a Japanese architectural technique for charring the surface of wood. It has become quite popular in bioarchitecture because the carbonized layer protects the wood from water, fire, insects, and fungi, thereby prolonging the lifespan of the wood. Yakisugi techniques were first codified in written form in the 17th and 18th centuries. But it seems Italian Renaissance polymath Leonardo da Vinci wrote about the protective benefits of charring wood surfaces more than 100 years earlier, according to a paper published in Zenodo, an open repository for EU funded research.

Check the notes

As previously reported, Leonardo produced more than 13,000 pages in his notebooks (later gathered into codices), less than a third of which have survived. The notebooks contain all manner of inventions that foreshadow future technologies: flying machines, bicycles, cranes, missiles, machine guns, an “unsinkable” double-hulled ship, dredges for clearing harbors and canals, and floating footwear akin to snowshoes to enable a person to walk on water. Leonardo foresaw the possibility of constructing a telescope in his Codex Atlanticus (1490)—he wrote of “making glasses to see the moon enlarged” a century before the instrument’s invention.

In 2003, Alessandro Vezzosi, director of Italy’s Museo Ideale, came across some recipes for mysterious mixtures while flipping through Leonardo’s notes. Vezzosi experimented with the recipes, resulting in a mixture that would harden into a material eerily akin to Bakelite, a synthetic plastic widely used in the early 1900s. So Leonardo may well have invented the first manmade plastic.

The notebooks also contain Leonardo’s detailed notes on his extensive anatomical studies. Most notably, his drawings and descriptions of the human heart captured how heart valves can control blood flow 150 years before William Harvey worked out the basics of the human circulatory system. (In 2005, a British heart surgeon named Francis Wells pioneered a new procedure to repair damaged hearts based on Leonardo’s heart valve sketches and subsequently wrote the book The Heart of Leonardo.)

In 2023, Caltech researchers made another discovery: lurking in the margins of Leonardo’s Codex Arundel were several small sketches of triangles, their geometry seemingly determined by grains of sand poured out from a jar. The little triangles were his attempt to draw a link between gravity and acceleration—well before Isaac Newton came up with his laws of motion. By modern calculations, Leonardo’s model produced a value for the gravitational constant (G) to around 97 percent accuracy. And Leonardo did all this without a means of accurate timekeeping and without the benefit of calculus. The Caltech team was even able to re-create a modern version of the experiment.

“Burnt Japanese cedar”

Annalisa Di Maria, a Leonardo expert with the UNESCO Club of Florence, collaborated with molecular biologist and sculptor Andrea da Montefeltro and art historian Lucica Bianchi on this latest study, which concerns the Codex Madrid II. They had noticed one nearly imperceptible phrase in particular on folio 87r concerning wood preservation: “They will be better preserved if stripped of bark and burned on the surface than in any other way,” Leonardo wrote.

“This is not folklore,” the authors noted. “It is a technical intuition that precedes cultural codification.” Leonardo was interested in the structural properties of materials like wood, stone, and metal, as both an artist and an engineer, and would have noticed from firsthand experience that raw wood with its bark intact retained moisture and decayed more quickly. Furthermore, Leonardo’s observation coincides with what the authors describe as a “crucial moment for European material culture,” when “woodworking was receiving renewed attention in artistic workshops and civil engineering studies.”

Leonardo did not confine his woody observations to just that one line. The Codex includes discussions of how different species of wood conferred different useful properties: oak and chestnut for strength, ash and linden for flexibility, and alder and willow for underwater construction. Leonardo also noted that chestnut and beech were ideal as structural reinforcements, while maple and linden worked well for constructing musical instruments given their good acoustic properties. He even noted a natural method for seasoning logs: leaving them “above the roots” for better sap drainage.

The Codex Madrid II dates to 1503-1505, over a century before the earliest known written codifications of yakisugi, although it is probable that the method was used a bit before then. Per Di Maria et al., there is no evidence of any direct contact between Renaissance European culture and Japanese architectural practices, so this seems to be a case of “convergent invention.”

The benefits of this method of wood preservation have since been well documented by science, although the effectiveness is dependent on a variety of factors, including wood species and environmental conditions. The fire’s heat seals the pores of the wood so it absorbs less water—a natural means of waterproofing. The charred surface serves as natural insulation for fire resistance. And stripping the bark removes nutrients that attract insects and fungi, a natural form of biological protection.

by Jennifer Ouellette, Ars Technica |  Read more:
Images: A. Di maria et al., 2025; Unimoi/CC BY-SA 4.0; and Lorna Satchell/CC BY 4.0

Numb At Burning Man

Numb at Burning Man (long..)

Every year, seventy thousand hippies, libertarians, tech entrepreneurs, utopians, hula-hoop artists, psychonauts, Israelis, perverts, polyamorists, EDM listeners, spiritual healers, Israelis, coders, venture capitalists, fire spinners, elderly nudists, white girls with cornrows, Geoff Dyers, and Israelis come together to build a city in the middle of the Nevada desert. The Black Rock Desert is one of the most inhospitable places on the planet. The ground there isn’t even sand, but a fine alkaline powder that causes chemical burns on contact with your skin, and it’s constantly whipped up into towering dust storms. Nothing grows there. There’s no water, no roads, and no phone signal. In the daytime the heat is deadly and it’s freezing cold at night. The main virtue of the place is that it’s extremely flat; it’s been the site of two land speed records. But for one week, it becomes a lurid wonderland entirely devoted to human pleasure. Then, once the week is up, it’s completely dismantled again. They rake over the desert and remove every last scrap of plastic or fuzzball of human hair. Afterwards the wind moves over the lifeless alkaline flats as if no one was ever there.

They’ve been doing this there since 1990, as long as I’ve been alive, and for the most part I’ve been happy to leave them to it. Burning Man might be where the world’s new ruling class are free to express their desires without inhibitions, which makes it a model of what they want to do to the rest of the world; if you want to know what horrors are heading our way, you have to go. But I don’t do drugs, I don’t like camping, and I can’t stand EDM. It’s just not really my scene.

What happened is that in February this year I received a strange email from two strangers who said they wanted to commission me to write an essay. They weren’t editors, they didn’t have a magazine, and they didn’t care where I published the essay once I wrote it; all they wanted was for me to go to Burning Man and say something about the experience. (...)

Up before dawn. Seventy thousand people would be attempting to get into Burning Man that day; to avoid queues your best bet is to go early. Three hours driving through some of the most gorgeous landscapes anywhere in the world, green meadows between sheer slabs of rock, glittering black crystal lakes, until finally the mountains fall away and you’re left on an endless flat grey plain. Nine thousand years ago, this was a lakebed. Now it’s nothing at all. Drive along a rutted track into this emptiness until, suddenly, you reach the end of the line. Ahead of us were tens of thousands of vehicles, cars and trucks and RVs, jammed along a single track far into the horizon. Like a migrant caravan, like a people in flight. If we’re lucky, Alan said, we should get in and have our tents set up before sunset. Wait, I said, does that mean that if we’re unlucky, we might not? Alan shrugged. He explained that once he’d been stuck in this line for nearly twelve hours. He’d staved off boredom by playing Go against himself on the surface of an imaginary Klein bottle... Every half an hour the great mass of vehicles would crawl ahead thirty, forty, fifty metres and then stop. (...)

I don’t know exactly what I’d expected the place to look like. For the best possible experience, I’d studiously avoided doing any research whatsoever. A hazy mental image of some vast cuddle puddle, beautiful glowing naked freaks. What it actually looked like was a refugee camp. Tract after tract of mud-splattered tents, rows of RVs, general detritus scattered everywhere. Our camp, when we finally arrived, was a disaster zone. A few people had already arrived and set up, but the previous night’s storm had uprooted practically everything. Tents crumpled under a collapsed shade structure; tarps sagging with muddy water, pegs and poles and other bits of important metal all strewn about like a dyspraxic toddler’s toys. The ground moved underfoot. When it rains over the alkaline flats you don’t get normal, wholesome, Glastonbury-style mud. Not the dirt that makes flowers plants grow. An alien, sterile, non-Newtonian substance, sucking at my shoes. (...)

My camp for the duration of Burning Man was named BrainFish. We were a theme camp. Most camps are just a small group of friends pitching their tents together, but some are big. Dozens or hundreds of people who have come to offer something. All free, all in the gift economy. A bar, or food, or yoga classes, or orgies. One camp runs a library, which contains a lot of books about astrology and drug legalisation, plus two copies of Fake Accounts by Lauren Oyler. Mostly, though, theme camps are the ones with geodesic domes. (...)

What I learned, digging and hauling all day and talking to BrainFish at night, is that Burning Man is not really a festival. Festivals have a very long history. A thousand years ago, the villagers could spend the feast day drinking and feasting, while the bishop had to ride through town backwards on a donkey being pelted with turds. A brief moment of communal plenty. Leftists like me like the festival; what we want is essentially for life to be one big festival all the time. But as conservative critics point out, you can’t really consider the festival in isolation, and there’s no feast without a fast. There are also days of abstention and self-denial, when people are forbidden from laughing or talking, solemn mortification of the flesh. Burning Man is something new: a festival and an antifestival at the same time. Everything that’s scarce in the outside world is abundant. There are boutiques where you can just wander in and take a handful of clothes for free; there’s a basically infinite supply of drugs, and a similarly infinite supply of random casual sex. It is the highest-trust society to have ever existed anywhere in the world. At the same time, some extremely rich and powerful people come to Burning Man to experience deprivation and suffering. All the ordinary ties and comforts of a complex society are gone. No public authority that owes you anything, no public services, no concept of the public at all, just whatever other individuals choose to gift you. This is the only city in the world without any kind of water supply, or system for managing waste, or reliable protection from the elements. You are something less than human here. Not a political animal, but a mangy desert creature, rutting in the dust.

Not everyone experiences the same level of discomfort. There are plug-and-play camps, where they hire a team of paid staff to set up all the amenities, and you can just arrive, stay in a luxury caravan, and have fun. They get private showers. Everyone else despises these people, supposedly because it’s not in keeping with the ethos of the place. I’m not sure it’s just that. There’s something more at stake.

Tech people tend to have a very particular view of their role in the universe. They are the creators, the people who build the world, who bless the rest of us with useful and entertaining apps. But they’re never allowed to simply get on with their job of engineering reality; they’re constantly held back from doing whatever they want by petty political forces that try to hold back progress in the name of dusty eighteenth-century principles like democracy. As if the public’s revealed preferences weren’t already expressed through the market. Every so often an imbecile politician will demand that tech companies turn off the algorithm. They don’t know what an algorithm is, they just know it’s bad. The British government thinks you can save water by deleting old emails. These people straightforwardly don’t understand anything about the industry they’re trying to regulate, but if you suggest getting rid of the whole useless political layer people get upset. You can’t win. But Burning Man is a showcase for the totally unlimited power of the builders. Here they get to be Stalinist technocrats, summoning utopia out of the Plan. The difference is that unlike the Soviet model, their utopia really works. Look what we can do. From literally nothing, from a barren desert, we can build a paradise of pleasure in a week and then dismantle it again. And all of this could be yours, every day, if you give over the world to me.

But all these tech people are, as everyone knows, interlopers. Burning Man used to be for weirdos and dreamers; now it’s been colonised by start-up drones, shuffling around autistically in the dirt, looking at their phones, setting up Starlink connections so they can keep monitoring their KPIs in the middle of the orgy. Which just shows how little people know, because the hippie counterculture and the tech industry are obviously just two stages in the development of the same thing. They call it non-monogamy instead of free love, and there’s a lot more business software involved, but the doctrine is exactly the same: tear down all the hoary old repressive forces; bring about a new Aquarian age of pleasure and desire. Turn on, tune in, spend all day looking at your phone. It’s what you want to do. Your feed doesn’t want to harsh your trip with any rules. It just wants to give you more of what you want.

by Sam Kriss, Numb at the Lodge |  Read more:

Image: uncredited

via:

Liminal Spaces

or... The Dead Mall Society.

“How’s everybody feeling today?” Aryeh asks the crowd of thirty-odd people gathered at a bus stop on the fringes of downtown Toronto. In response, there’s sparse, nervous laughter. “No, really,” says Aryeh. “What does it feel like to be alive today?”

Horrible, whispers a woman behind me.

Undeterred, Aryeh presses on. “We’re going to feel for real today,” he tells us, before leading the group through a ramshackle guided meditation, encouraging us to pay attention to the sights and smells and sounds that surround us. I take in the pillowy, slate-coloured sky, the wads of gum mixed with concrete at my feet, the faint smell of cooking oil. At that moment, a child screams and a flock of pigeons crashes into the crowd; a few of us duck for cover. “Yes,” says Aryeh, laughing. “Even that.”

Aryeh, wearing jeans, a t-shirt, and a colourful cap with a propeller atop, is here to take us to the mall—or, more accurately, to several malls, most of which are almost completely abandoned. In his spare time, he runs an organization called Liminal Assembly, which shuttles people through a series of decaying suburban shopping malls around the Greater Toronto Area, places that seem stuck in purgatory between eras, at once eerie and beseeching. (...)

Aryeh’s tours have gained a cult following, often attracting people obsessed with “liminal spaces,” a term given to places that represent in-between stages, connecting two different eras or experiences. By this definition, a parking lot or an empty hallway can be considered a liminal space, as can an abandoned structure, paused mid-demolition. Many people report feeling unsettled or haunted in liminal spaces, and some anthropologists believe this is because our bodies innately know we’re not supposed to dwell in them. They are, after all, not a destination, but a portal, a gateway to another world. But despite this disconnect, many people report feeling a strange, forbidden pull towards liminal spaces. There are digital and in-person communities around the world dedicated to sharing these experiences. r/LiminalSpace on Reddit, for example, has one million followers who post daily photos of bridges and doorways and food courts, of highways that stretch into oblivion. “Dude, that’s so liminal,” others will respond.

For the liminal space curious, semi-abandoned suburban shopping malls are a perfect example of this phenomenon: something purpose-built that’s long-since lost that purpose, yet sits in limbo awaiting its next iteration—a nod to the past, an amorphous fumble toward the future.

But I didn’t know any of this as I slipped into the crowd at Cumberland Terrace on that winter day. I was surprised at the diversity of the people who joined the send off: hipsters, tourists, students, even a few senior couples who strolled the fluorescent, mirrored hallways hand-in-hand, perhaps imagining the mall’s glory days, a 1980s meet-cute at the Italian deli stall when the food court was still open. Days later, I called Aryeh to ask what he thought was the appeal of these deserted, liminal spaces, expecting him to say something about nostalgia and ’90s kids who simply can’t get with the times. But the depth and complexity of Aryeh’s answer surprised me. Nostalgia is part of it, he admitted. People want a reminder of simpler times, when they weren’t bombarded with “the technological future and all this short-form content.” But Aryeh told me that standing in the wreckage of these spaces unlocks a sensation people often crave, but can’t name. He called it a “rare emotion,” the same haunted feeling one experiences after a particularly powerful piece of literature or music.

“When you go to these places that have what I like to say is importance built into them, in the detail of the tiles and the polished brass railings and all these elements, they suggest this place is a very important place,” he said. “But when you see it empty, there’s something very uncanny and eerie about that…You feel things and go, ‘huh, that is really unique.’ And I think that is the escape that people feel when they come to these liminal spaces.” He told me this is a feeling that seems to transcend cultures and geographies, that many people report feeling relieved and delighted when they find there are others who experience this pang of emotion in these spaces. “It’s something core in the human experience.”

***

But if humans themselves are in a constant search for optimization and self-improvement, so are cities as a whole. And malls, with their single-storey forms, plopped amongst a sea of unused parking spots (what some real estate developers call “lazy land”) are easy targets for the chopping block. Between 2017 and 2022, an average of 1,170 malls closed each year in the United States, nearly twice as many as during the period between 1986 and 2017. In my work as a journalist, which sometimes involves covering the urban planning beat, countless economists and land use planners have told me that the rise of e-commerce, a global recession, and population growth requiring new housing has created a perfect storm for the demise of these spaces. I tried to find data about mall closures or redevelopments in Canada, as we’re clearly not exempt from these same forces, but came up empty.

Regardless, malls are now considered so outdated that many North American municipalities—including Toronto, Metro Vancouver and Phoenix, Arizona—have unrolled mall redevelopment strategies. These often guide or incentivize the “intensification” of shopping and strip mall sites, imagining, in their wake, clusters of sleek luxury towers with airy retail units on their ground floors, side streets with artful shrubbery, places for pedestrians to sit and walk and admire the benefits of capitalism.

But as a mass trend, this hasn’t always worked out. Some redevelopment projects—like the mall we just visited with the Liminal Assembly—get stuck amid municipal red tape, while others fall victim to rising costs and construction labour shortages, leaving them in limbo, the gaping maws of excavators still poised in their parking lots. Other malls seem to be resisting this movement altogether, standing sentinel with their faux-brick tiling and plastic ferns, even as vendors abandon ship and their kiosks clank shut for the last time, having sold their final mutton roll or polyester-blend nightgown. Though our cities have always been susceptible to the whims of social, behavioral and economic forces, the truth is, even the most meticulous of plans sometimes go awry, leaving gaps between what we want and what we are given.

***

We make our way through the suburbs, spilling into low-rise malls that threaten to blur together as one: the same brown tiles and shuttered kiosks, the plastic trees and fountains parched of water. The murky glass atriums that soar over the retail corridors, now hushed and sleepy. The way all that’s left in these malls are stores that seem to sell a singular, specific item: Clocks Unlimited, Bikini Warehouse. On the bus between destinations, we talk about millennial childhoods, about the passage of time, about how disconcerting it feels to explain pivotal news events that shaped our youths, like 9/11, to a younger generation who has only the vaguest notion of them.

Christa pipes in: “Tell me about it. When students ask me about Y2K it becomes a history lesson.” We laugh, uneasily. The sands of time, and all that.

We pull into our final mall destination of the day, which Aryeh preemptively describes as “a beautiful and tragic space.” Inside, the main floor has been commandeered by a mishmash of cash-only Asian food stalls, which gives it the feel of a makeshift street market. On the mall’s perimeters, vendors sell DVDs, Filipino souvenirs, discount travel agency packages, while the building’s upper levels consist of carpeted banquet halls and space leased by a Chinese Baptist church. One or two of the walls have been painted a shade of bubblegum pink not found in nature. We run up and down the stairs, delighted by the open space, whispering to each other that there’s a payphone bank with real phonebooks from the ’90s. Of all the malls, this one feels like the most functional, as though unplugged from the “global mall system,” as Aryeh calls it. It’s gone back to the earth, becoming what its community really needs: cheap noodles and worship services and bootleg DVDs. Somewhere, a land developer is having a wet dream about turning this place into a utopian master-planned community, but for now it persists, a quiet dignity to its stubbornness.

I once read a comment on r/LiminalSpace likening the feeling of being in a liminal space to the sensation you get as you’re about to rappel off a cliff. Weight balanced between your foot and a rope, your body hovering over the drop, it’s a viscerally unsettling moment as you navigate two different experiences of gravity. But with that comes possibility, said the commenter, so many different futures awaiting as you leap into the chasm.

by Lana Hall, Hazlitt |  Read more:

Image: via

The Day the Dinosaurs Died

A young paleontologist may have discovered a record of the most significant event in the history of life on Earth. “It’s like finding the Holy Grail clutched in the bony fingers of Jimmy Hoffa, sitting on top of the Lost Ark."

If, on a certain evening about sixty-­six million years ago, you had stood somewhere in North America and looked up at the sky, you would have soon made out what appeared to be a star. If you watched for an hour or two, the star would have seemed to grow in brightness, although it barely moved. That’s because it was not a star but an asteroid, and it was headed directly for Earth at about forty-five thousand miles an hour. Sixty hours later, the asteroid hit. The air in front was compressed and violently heated, and it blasted a hole through the atmosphere, generating a supersonic shock wave. The asteroid struck a shallow sea where the Yucatán peninsula is today. In that moment, the Cretaceous period ended and the Paleogene period began.

A few years ago, scientists at Los Alamos National Laboratory used what was then one of the world’s most powerful computers, the so-called Q Machine, to model the effects of the impact. The result was a slow-motion, second-by-second false-color video of the event. Within two minutes of slamming into Earth, the asteroid, which was at least six miles wide, had gouged a crater about eighteen miles deep and lofted twenty-five trillion metric tons of debris into the atmosphere. Picture the splash of a pebble falling into pond water, but on a planetary scale. When Earth’s crust rebounded, a peak higher than Mt. Everest briefly rose up. The energy released was more than that of a billion Hiroshima bombs, but the blast looked nothing like a nuclear explosion, with its signature mushroom cloud. Instead, the initial blowout formed a “rooster tail,” a gigantic jet of molten material, which exited the atmosphere, some of it fanning out over North America. Much of the material was several times hotter than the surface of the sun, and it set fire to everything within a thousand miles. In addition, an inverted cone of liquefied, superheated rock rose, spread outward as countless red-hot blobs of glass, called tektites, and blanketed the Western Hemisphere.

Some of the ejecta escaped Earth’s gravitational pull and went into irregular orbits around the sun. Over millions of years, bits of it found their way to other planets and moons in the solar system. Mars was eventually strewn with the debris—just as pieces of Mars, knocked aloft by ancient asteroid impacts, have been found on Earth. A 2013 study in the journal Astrobiology estimated that tens of thousands of pounds of impact rubble may have landed on Titan, a moon of Saturn, and on Europa and Callisto, which orbit Jupiter—three satellites that scientists believe may have promising habitats for life. Mathematical models indicate that at least some of this vagabond debris still harbored living microbes. The asteroid may have sown life throughout the solar system, even as it ravaged life on Earth.

The asteroid was vaporized on impact. Its substance, mingling with vaporized Earth rock, formed a fiery plume, which reached halfway to the moon before collapsing in a pillar of incandescent dust. Computer models suggest that the atmosphere within fifteen hundred miles of ground zero became red hot from the debris storm, triggering gigantic forest fires. As the Earth rotated, the airborne material converged at the opposite side of the planet, where it fell and set fire to the entire Indian subcontinent. Measurements of the layer of ash and soot that eventually coated the Earth indicate that fires consumed about seventy per cent of the world’s forests. Meanwhile, giant tsunamis resulting from the impact churned across the Gulf of Mexico, tearing up coastlines, sometimes peeling up hundreds of feet of rock, pushing debris inland and then sucking it back out into deep water, leaving jumbled deposits that oilmen sometimes encounter in the course of deep-sea drilling.

The damage had only begun. Scientists still debate many of the details, which are derived from the computer models, and from field studies of the debris layer, knowledge of extinction rates, fossils and microfossils, and many other clues. But the over-all view is consistently grim. The dust and soot from the impact and the conflagrations prevented all sunlight from reaching the planet’s surface for months. Photosynthesis all but stopped, killing most of the plant life, extinguishing the phytoplankton in the oceans, and causing the amount of oxygen in the atmosphere to plummet. After the fires died down, Earth plunged into a period of cold, perhaps even a deep freeze. Earth’s two essential food chains, in the sea and on land, collapsed. About seventy-five per cent of all species went extinct. More than 99.9999 per cent of all living organisms on Earth died, and the carbon cycle came to a halt.

Earth itself became toxic. When the asteroid struck, it vaporized layers of limestone, releasing into the atmosphere a trillion tons of carbon dioxide, ten billion tons of methane, and a billion tons of carbon monoxide; all three are powerful greenhouse gases. The impact also vaporized anhydrite rock, which blasted ten trillion tons of sulfur compounds aloft. The sulfur combined with water to form sulfuric acid, which then fell as an acid rain that may have been potent enough to strip the leaves from any surviving plants and to leach the nutrients from the soil.

Today, the layer of debris, ash, and soot deposited by the asteroid strike is preserved in the Earth’s sediment as a stripe of black about the thickness of a notebook. This is called the KT boundary, because it marks the dividing line between the Cretaceous period and the Tertiary period. (The Tertiary has been redefined as the Paleogene, but the term “KT” persists.) Mysteries abound above and below the KT layer. In the late Cretaceous, widespread volcanoes spewed vast quantities of gas and dust into the atmosphere, and the air contained far higher levels of carbon dioxide than the air that we breathe now. The climate was tropical, and the planet was perhaps entirely free of ice. Yet scientists know very little about the animals and plants that were living at the time, and as a result they have been searching for fossil deposits as close to the KT boundary as possible.

One of the central mysteries of paleontology is the so-called “three-­metre problem.” In a century and a half of assiduous searching, almost no dinosaur remains have been found in the layers three metres, or about nine feet, below the KT boundary, a depth representing many thousands of years. Consequently, numerous paleontologists have argued that the dinosaurs were on the way to extinction long before the asteroid struck, owing perhaps to the volcanic eruptions and climate change. Other scientists have countered that the three-metre problem merely reflects how hard it is to find fossils. Sooner or later, they’ve contended, a scientist will discover dinosaurs much closer to the moment of destruction.

Locked in the KT boundary are the answers to our questions about one of the most significant events in the history of life on the planet. If one looks at the Earth as a kind of living organism, as many biologists do, you could say that it was shot by a bullet and almost died. Deciphering what happened on the day of destruction is crucial not only to solving the three-­metre problem but also to explaining our own genesis as a species.

On August 5, 2013, I received an e-mail from a graduate student named Robert DePalma. I had never met DePalma, but we had corresponded on paleontological matters for years, ever since he had read a novel I’d written that centered on the discovery of a fossilized Tyrannosaurus rex killed by the KT impact. “I have made an incredible and unprecedented discovery,” he wrote me, from a truck stop in Bowman, North Dakota. “It is extremely confidential and only three others know of it at the moment, all of them close colleagues.” He went on, “It is far more unique and far rarer than any simple dinosaur discovery. I would prefer not outlining the details via e-mail, if possible.” He gave me his cell-phone number and a time to call...

DePalma’s find was in the Hell Creek geological formation, which outcrops in parts of North Dakota, South Dakota, Montana, and Wyoming, and contains some of the most storied dinosaur beds in the world. At the time of the impact, the Hell Creek landscape consisted of steamy, subtropical lowlands and floodplains along the shores of an inland sea. The land teemed with life and the conditions were excellent for fossilization, with seasonal floods and meandering rivers that rapidly buried dead animals and plants.

Dinosaur hunters first discovered these rich fossil beds in the late nineteenth century. In 1902, Barnum Brown, a flamboyant dinosaur hunter who worked at the American Museum of Natural History, in New York, found the first Tyrannosaurus rex here, causing a worldwide sensation. One paleontologist estimated that in the Cretaceous period Hell Creek was so thick with T. rexes that they were like hyenas on the Serengeti. It was also home to triceratops and duckbills. (...)

Today, DePalma, now thirty-seven, is still working toward his Ph.D. He holds the unpaid position of curator of vertebrate paleontology at the Palm Beach Museum of Natural History, a nascent and struggling museum with no exhibition space. In 2012, while looking for a new pond deposit, he heard that a private collector had stumbled upon an unusual site on a cattle ranch near Bowman, North Dakota. (Much of the Hell Creek land is privately owned, and ranchers will sell digging rights to whoever will pay decent money, paleontologists and commercial fossil collectors alike.) The collector felt that the site, a three-foot-deep layer exposed at the surface, was a bust: it was packed with fish fossils, but they were so delicate that they crumbled into tiny flakes as soon as they met the air. The fish were encased in layers of damp, cracked mud and sand that had never solidified; it was so soft that it could be dug with a shovel or pulled apart by hand. In July, 2012, the collector showed DePalma the site and told him that he was welcome to it. (...)

The following July, DePalma returned to do a preliminary excavation of the site. “Almost right away, I saw it was unusual,” he told me. He began shovelling off the layers of soil above where he’d found the fish. This “overburden” is typically material that was deposited long after the specimen lived; there’s little in it to interest a paleontologist, and it is usually discarded. But as soon as DePalma started digging he noticed grayish-white specks in the layers which looked like grains of sand but which, under a hand lens, proved to be tiny spheres and elongated ­droplets. “I think, Holy shit, these look like microtektites!” DePalma recalled. Micro­tektites are the blobs of glass that form when molten rock is blasted into the air by an asteroid impact and falls back to Earth in a solidifying drizzle. The site appeared to contain micro­tektites by the million.

As DePalma carefully excavated the upper layers, he began uncovering an extraordinary array of fossils, exceedingly delicate but marvellously well preserved. “There’s amazing plant material in there, all interlaced and interlocked,” he recalled. “There are logjams of wood, fish pressed against cypress-­tree root bundles, tree trunks smeared with amber.” Most fossils end up being squashed flat by the pressure of the overlying stone, but here everything was three-dimensional, including the fish, having been encased in sediment all at once, which acted as a support. “You see skin, you see dorsal fins literally sticking straight up in the sediments, species new to science,” he said. As he dug, the momentousness of what he had come across slowly dawned on him. If the site was what he hoped, he had made the most important paleontological discovery of the new century.

by Douglas Preston, New Yorker |  Read more:

Image: Richard Barnes

'Atmospheric Rivers' Flood Western Washington; Blizzard Follows

WA floods hit many uninsured small farms with ‘varied’ damages (Seattle Times)

Over the past few days, farm owners and operators across Western Washington have been returning to their businesses after heavy flooding turned massive swaths of low-lying land into deep basins of water since the downpour began last week.

Farms up and down the I-5 corridor sustained losses, though for most of them, it’s too early to accurately account for damage. Some are still unable to reach their farms due to high water levels and road closures. Many don’t have insurance and those who do have it aren’t sure what it will cover. And the National Weather Service has forecast more minor to moderate flooding in the region through Friday.

Hundreds of thousands out of power in WA; blizzard warning continues (Seattle Times)

A storm brought high winds and heavy rain to Western Washington overnight into Wednesday, leaving more than 200,000 customers in the dark after days of flooding.

Wind speeds reached the 50s and 60s in Seattle and surrounding areas early Wednesday: In the Alpental Ski Area, 112 mph gusts were recorded around 2 a.m., and Snoqualmie Pass saw 82 mph wind speeds.

WA flooding devastates major roads. What’s the path ahead? (Seattle Times)

Even after the rain ends and waters recede, after workers remove trees and clean up landslides, after engineers finally get a good look at the damage to the region’s roads and bridges, Washington state’s transportation system faces a long, expensive and daunting road to recovery following this month’s devastating weather.

Yet an even more elusive — and immediate — task is determining when traffic will flow again on roads like Highway 2, where Tuesday’s news that a 50-mile stretch will be closed for months forced grim questions about the expense of repairing ravaged roads and the immediate economic future of communities in the Cascades.

Images: Brian Marchello/King County Sherriff's Office/Erika Schultz

[ed. One/two punch.]

Music, Forest, Body

The Musical Instruments Collection at the Metropolitan Museum of Art, a short walk across Central Park from Lincoln Center, reveals the tangled relationships among local ecologies, colonial trade, and the craft of instrument making. At first, the galleries seem like mausoleums for sound. Silent instruments sit illuminated behind sheets of plateglass, reliquaries for the remains of music whose spirits have flown. The glass, polished wooden floors, and long, narrow dimensions of the galleries give the sound of footfalls and voices a lively, clattery feel, unlike the expansive warmth of concert halls, reinforcing the sense of isolation from musical sound. This initial impression evaporates, though, when I let go of the idea that this is a space for direct experience of sound. Instead, we can marvel here at stories of materiality, human ingenuity, and the relationships among cultures. (...)

Precolonial instruments often used indigenous materials. Walking through the galleries is an education in the many ways that humans have sonified matter from their surroundings. Clay, shaped then fired, turns human breath and lip vibrations into amplified tones. Rocks turned to bells and strings reveal metallurgical connections to land. Plant matter is given voice in carved wood, stretched palm frond, and spun fiber. A bestiary of animals sings through taut skins and reshaped teeth and tusks. Each instrument is rooted in local ecological context. Condor feathers in South American pipes. Kapok wood, snake skins, antelope horn, and porcupine quills on African drums, harps, and lutes. Boxwood and brass in European oboes. Wood, silk, bronze, and stone in se, shiqing, and yunluo, Chinese percussive and stringed instruments. Music emerged from human relation- ship with the beyond-human world, its varied sounds around the world revealing not only the many forms of human culture but the diverse sonorous, reverberant properties of rock, soil, and living beings...

Eighteenth- and nineteenth-century European colonizers picked out the material most pleasing to their ears and most useful to instrument-making workshops. A few European materials made the grade and were retained, even as “exotic” woods and animal parts became more readily available. Spruce and maple, especially, remained the favored wood for the bodies of stringed instruments and the soundboards of pianos. Calfskin topped tympani. These European materials were joined by ivory, favored for its workability and stability, and tropical woods whose density, smoothness, elasticity, and tones met musical needs: mpingo’s tight, silky grain; Pernambuco’s extraordinary strength, elasticity, and responsiveness; rosewood’s warmth and stability; and padauk’s resonance. These tropical woods all belong to the same taxonomic family, tree cousins to the beans, and have tight-grained, dense wood from slow-growing trees. Most take seventy or more years to reach harvestable age. On a concert stage, we hear the voices of tree elders. (...)

The tropical woods and ivory most favored for instrument making are now mostly threatened or endangered. Nineteenth-century exploitation has turned to twenty-first-century ruination. Demand for materials for musical instruments, though, was not the primary cause of many of these losses. The volume of ivory used for violin bows and bassoon rings was dwarfed by exports for tableware handles, billiard balls, religious carvings, and ornaments, although piano keys consumed hundreds of thousands of pounds of tusks in the late nineteenth and early twentieth centuries. Pernambuco was extirpated from most of its range not by violin bow makers, but through overharvesting for dye made from its crimson heartwood. The country Brazil gets its name from brasa, “ember” in Portuguese, for the glowing-coal color of the wood whose trade was so important in the founding of the country.

Mpingo woodlands are in decline, driven by export for instruments and flooring, and by local uses for carving. Compounding the problem of overharvesting is the twisting, gnarled form of mpingo trunks. Carving straight billets for oboes and clarinets from such wood is challenging, and often less than ten percent of the cut log is usable. Rosewoods, often used for guitar fingerboards, are mostly exported for furniture, with more wood in one bed frame or cabinet than in any guitar shop. Although trade in many rosewood species is restricted by international law, the wood is now so valuable that financial speculators and luxury goods manufacturers drive an illegal market worth billions of dollars yearly.

The sound of contemporary music is therefore a product of past colonialism and present-day trade, but, with very few exceptions, it is not a driver of species endangerment. Indeed, the relationships between musicians and their instruments—often built over decades of daily bodily connection—serve as an inspiring example of how we might live in better relationship to forests. An oboe or violin contains less wood than a chair or stack of magazines, yet this single instrument yields beauty and utility for decades, sometimes centuries. Contrast this with the culture of overexploitation and disposability that pervades so much of our relationship to material objects and their sources. For example, we threw out more than twelve million tons of furniture in the United States in 2018, eighty percent of it buried in landfills, most of the rest burned, and only one-third of one percent recycled. Much of this furniture was sourced from tropical forests, often supplied to the United States through manufacturing hubs in Asia. Such trade is increasing and the World Wildlife Fund states that the “world’s natural forests cannot sustainably meet the soaring global demand for timber products.” If the rest of our economy took as much care of wood products as musicians do of their instruments, the deforestation crisis would be greatly eased.

Driven to action by a desire to honor the materials with which they work, some musicians and luthiers are now at the forefront of seeking alternatives to the exploitative use of wood, ivory, and other materials from threatened species. This is especially important work because musical instruments are now far more numerous than in past centuries. More than ten million guitars and hundreds of thousands of violins are made annually. Such volume of trade cannot be built on rare woods. It is therefore now possible, with some searching, to find instruments made from wood certified to come from sustainable logging operations. The Forest Stewardship Council, for example, puts its stamp of approval on several new lines of instruments. The Mpingo Conservation & Development Initiative in southeastern Tanzania promotes community-based forest management where local residents own, manage, and benefit from mpingo and other woodland species, managing forests sustainably to help the local economy. Instrument makers are also introducing new materials, relieving pressure on endangered woods. Until the late twentieth century, only twenty tree species provided most of the wood for guitars, violins, violas, cellos, mandolins, and other Western stringed instruments. Today the variety of wood sources for instrument making has increased to more than one hundred species. Alongside this diversification of natural products, manufactured materials like carbon fiber and wood laminate are substituting for solid wood.

In the decades that come, unless our path changes, it will not be the overharvesting of particularly valuable species that challenges our sources of wood and animal parts for instruments. Instead, the loss of entire forest ecosystems will remake the relationship between human music and the land. The forests from which we now draw our most precious musical raw materials are in decline...

A few old instruments—carefully tended by musicians—now evoke the memory of the departed or degraded forests. On the stage at Lincoln Center, we hear woods from past decades and centuries. Sherry Sylar plays on oboes whose woods were harvested decades ago in the early twentieth century. Each one has a “passport” documenting the wood’s provenance, showing that it was not obtained through recent cutting of now-endangered trees. When we talked, she described how some colleagues scour the country for sales of older oboes, hoping to find instruments with good wood from ages past. The music of Sylar’s violinist colleague, Sheryl Staples, comes from a Guarneri violin. Its woods are at least three hundred years old, harvested from spruce and maple forests that grew on a preindustrial Earth. Although wood for instruments still comes from the Fiemme Valley forests in northern Italy that supplied Guarneri and Stradivarius, springtime there now comes earlier, summer is hotter, and winter snowpack is diminished compared with that of previous centuries. This yields wood with a looser, less sonorous grain than the tight woods of past centuries. In another hundred years, it is likely that heat, droughts, and changed rainfall will push alpine forests off these mountain slopes. Music often now speaks of the Earth as it was, not as it is, a memory carried in wood grain.

by David Haskell, Orion |  Read more:

Image: uncredited

via:

I Work For an Evil Company, but Outside Work, I’m Actually a Really Good Person

I love my job. I make a great salary, there’s a clear path to promotion, and a never-ending supply of cold brew in the office. And even though my job requires me to commit sociopathic acts of evil that directly contribute to making the world a measurably worse place from Monday through Friday, five days a week, from morning to night, outside work, I’m actually a really good person.

Let me give you an example. Last quarter, I led a team of engineers on an initiative to grow my company’s artificial intelligence data centers, which use millions of gallons of water per day. My work with AI is exponentially accelerating the destruction of the planet, but once a month, I go camping to reconnect with my own humanity through nature. I also bike to and from the office, which definitely offsets all the other environmental destruction I work tirelessly to enact from sunup to sundown for an exorbitant salary. Check out this social media post of me biking up a mountain. See? This is who I really am.

Does the leadership at my company promote a xenophobic agenda and use the wealth I help them acquire to donate directly to bigoted causes and politicians I find despicable? Yeah, sure. Did I celebrate my last birthday at Drag Brunch? Also yes. I even tipped with five-dollar bills. I contain multitudes, and would appreciate it if you focused on the brunch one.

Mathematically, it might seem like I spend a disproportionate amount of my time making the world a significantly less safe and less empathetic place, but are you counting all the hours I spend sleeping? You should. And when you do, you’ll find that my ratio of evil hours to not evil hours is much more even, numerically.

I just don’t think working at an evil company should define me. I’ve only worked here for seven years. What about the twenty-five years before, when I didn’t work here? In fact, I wasn’t working at all for the first eighteen years of my life. And for some of those early years, I didn’t even have object permanence, which is oddly similar to the sociopathic detachment with which I now think about other humans.

And besides, I don’t plan to stay at this job forever, just for my prime working years, until I can install a new state-of-the-art infinity pool in my country home. The problem is that whenever I think I’m going to leave, there’s always the potential for a promotion, and also a new upgrade for the pool, like underwater disco lights. Time really flies when you’re not thinking about the effect you have on others.

But I absolutely intend to leave at some point. And when I do, you should define me by whatever I do next, unless it’s also evil, in which case, define me by how I ultimately spend my retirement.

Because here’s the thing: It’s not me committing these acts of evil. I’m just following orders (until I get promoted; then I’ll get to give them). But until then, I do whatever my supervisor tells me to do, and that’s just how work works. Sure, I chose to be here, and yes, I could almost certainly find a job elsewhere, but redoing my résumé would take time. Also, I don’t feel like it. Besides, once a year, my company mandates all employees to help clean up a local beach, and I almost always go.

Speaking of the good we do at work, sometimes I wear a cool Hawaiian shirt on Fridays, and it’s commonly accepted that bad people don’t wear shirts with flowers on them. That’s just a fact. There’s something so silly about discussing opportunities to increase profits for international arms dealers while wearing a purple button-down covered in bright hibiscus blossoms.

And when it comes to making things even, I put my money where my mouth is. I might make more than 99 percent of all Americans, but I also make sure to donate almost 1 percent of my salary to nonprofits. This way, I can wear their company tote bag to my local food coop. Did I mention I shop at a local food coop? It’s quite literally the least I could do.

by Emily Bressler, McSweeny's |  Read more:

Image: Illustration by Tony Cenicola/The New York Times

Golden Line at Twilight. 5:15 to 5:45 am. 60° F. September 10, 2025. Cove Island Park, Stamford, CT
via:

Unsolicited Advice to the Sierra Club

After the 2020 George Floyd murder, the Sierra Club called for defunding police and reparations for slavery. It touched off an internal battle that tore the organization apart, leading to the ouster of two consecutive executive directors, employee layoffs, office closings, loss of members, and financial freefall. It also invited some unsolicited advice — from me.

My column, during the worst of the club’s turmoil, strongly advised its leaders to “stay in your lane.” “Stick to what you are known for, and good at, and you will remain effective and relevant,” I advised. You may be shocked to learn that they did not heed that advice. Perhaps they considered it unfriendly?

Psychology Today just published suggested responses to shut down unsolicited advice. Say something like, “That’s useful, but I prefer to handle it this way,” or “I appreciate your input, but already have a plan.” I didn’t even get such platitudes for suggesting the Sierra Club stick to environmental issues.

Instead, the group doubled down on woke social activism, its director, Michael Brune, trashing the reputation of Sierra Club founder and conservation hero John Muir. Brune claimed the club had played a “substantial role in perpetuating white supremacy.” It was an outrageous assertion, motivated by political correctness and based on the obscure fact that a young Muir had written some unflattering views after his travels among native American tribes. I hate judging people of the past by today’s standards. Muir was a product of the 19th century, who thought like most 19th century Americans. He said some things modern leaders would not say. But he played no role whatsoever in perpetuating any notion of white supremacy, much less a “substantial role.” He was not a Klansman, was never governor of Arkansas, managed no bus system in Montgomery, nor sanitation department in Memphis. He was a Wisconsin-bred northern Republican, an advocate of voting rights, an early progressive, a friend and ally of Theodore Roosevelt.

Brune’s attempt to demonize and “cancel” John Muir from Sierra Club history, and other “social justice” campaigns ultimately cost him his job and led to two years of infighting. The board then hired Ben Jealous, a former head of the NAACP and president of People for the American Way, the extremist lefty group founded by Norman Lear. The board put political correctness above its historic mission, and it didn’t work. Jealous was ultimately fired, too, but the direction has not changed. When the club was rich and influential beyond Muir’s wildest dreams, its leaders continually reached beyond environment issues into other left-wing causes, including labor unions, race relations, LGBT rights, Palestine v. Israel, and illegal immigration. Its “equity language guide,” suggested the word “Americans” was offensive.

The effect on its membership, funding, and influence can readily be seen in this week’s headlines: “Sierra Club Went Woke and Now is Going Broke;” “Sierra Club Embraced Social Justice and Then Tore Itself Apart;” “Sierra Club Faces Uncertainty;” and “Sierra Club Deviated from Environmental Mission to Embrace Far-Left Projects. It Ripped Itself to Shreds.”

It still calls itself the “largest and most influential grass roots environmental organization in the country.” But in fact, it has lost 60% of the four million members and supporters it claimed just five years ago. Its new director, Loren Blackford, faces a $40 million budget shortfall, and employees remain up in arms about a mission that has morphed beyond anything familiar.

A Colorado-based volunteer reported being criticized for lobbying for more protection for wolves. She says a Sierra Club staffer asked, “What do wolves have to do with equity, justice, and inclusion?” The correct response would have been, “What do equity, justice, and inclusion have to do with the environment, which I thought was our mission?”

Former Board Chairman Aaron Mair was censured for asking “Do we want to still be the Sierra Club?” It’s the right question. Digital marketing pioneer Gary Vaynerchuk says, “I’m pretty good at sticking to what I know... I talk about what I know because I’m petrified of being wrong.” It’s not even that the Sierra Club was necessarily wrong on social issues — reasonable people may debate that. It’s that these are not the issues the club is known for, and more to the point, not the reason people join, donate, and support it.

by Greg Walcher, The Daily Sentinel | Read more:
Image: Sierra Club/uncredited via

The Trillion-Dollar Space Race

Check-in on NASA (1:28)

The Chinese tend to do what they say they’re going to do on the timeline that they say they’re going to do it. That said, they haven’t gone to the moon . . . It’s really hard.

Pethokoukis: As someone — and I’m speaking about myself — who wants to get America back to the moon as soon as possible, get cooking on getting humans to Mars for the first time, what should I make of what’s happening at NASA right now?

They don’t have a lander. I’m not sure the rocket itself is ready to go all the way, we’ll find out some more fairly soon with Artemis II. We have flux with leadership, maybe it’s going to not be an independent-like agency anymore, it’s going to join the Department of Transportation.

It all seems a little chaotic. I’m a little worried. Should I be?

Davenport: Yes, I think you should be. And I think a lot of the American public isn’t paying attention and they’re going to see the Artemis II mission, which you mentioned, and that’s that mission to send a crew of astronauts around the moon. It won’t land on the moon, but it’ll go around, and I think if that goes well, NASA’s going to take a victory leap. But as you correctly point out, that is a far cry from getting astronauts back on the lunar surface.

The lander isn’t ready. SpaceX, as acting NASA administrator Sean Duffy just said, is far behind, reversing himself from like a month earlier when he said no, they appear to be on track, but everybody knew that they were well behind because they’ve had 11 test flights, and they still haven’t made it to orbit with their Starship rocket.

The rocket itself that’s going to launch them into the vicinity of the moon, the SLS, launches about once every two years. It’s incredibly expensive, it’s not reusable, and there are problems within the agency itself. There are deep cuts to it. A lot of expertise is taking early retirements. It doesn’t have a full-time leader. It hasn’t had a full-time leader since Trump won the election. At the same time, they’re sort of beating the drum saying we’re going to beat the Chinese back to the lunar surface, but I think a lot of people are increasingly looking at that with some serious concern and doubt. 

For what it’s worth, when I looked at the betting markets, it gave the Chinese a two-to-one edge. It said that it was about a 65 percent chance they were going to get there first. Does that sound about right to you?

I’m not much of a betting man, but I do think there’s a very good chance. The Chinese tend to do what they say they’re going to do on the timeline that they say they’re going to do it. That said, they haven’t gone to the moon, they haven’t done this. It’s really hard. They’re much more secretive, if they have setbacks and delays, we don’t necessarily know about them. But they’ve shown over the last 10, 20 years how capable they are. They have a space station in low earth orbit. They’ve operated a rover on Mars. They’ve gone to the far side of the moon twice, which nobody has done, and brought back a sample return. They’ve shown the ability to keep people alive in space for extended periods of times on the space station.

The moon seems within their capabilities and they’re saying they’re going to do it by 2030, and they don’t have the nettlesome problem of democracy where you’ve got one party come in and changing the budget, changing the direction for NASA, changing leadership. They’ve just set the moon — and, by the way, the south pole of the moon, which is where we want to go as well — as the destination and have been beating a path toward that for several years now.

Losing the Space Race (5:49)

. . . the American flags that the Apollo astronauts planted, they’re basically no longer there anymore. . . There are, however, two Chinese flags on the moon

Have you thought about what it will look like the day after, in this country, if China gets to the moon first and we have not returned there yet?

Actually, that’s a scenario I kind of paint out. I’ve got this new book called Rocket Dreams and we talk about the geopolitical tensions in there. Not to give too much of a spoiler, but NASA has said that the first person to return to the moon, for the US, is going to be a woman. And there’s a lot of people thinking, who could that be? It could be Jessica Meir, who is a mother and posted a picture of herself pregnant and saying, “This is what an astronaut looks like.” But it could very well be someone like Wang Yaping, who’s also a mother, and she came back from one of her stays on the International Space Station and had a message for her daughter that said, “I come back bringing all the stars for you.” So I think that I could see China doing it and sending a woman, and that moment where that would be a huge coup for them, and that would obviously be symbolic.

But when you’re talking about space as a tool of soft power and diplomacy, I think it would attract a lot of other nations to their side who are sort of waiting on the sidelines or who frankly aren’t on the sidelines, who have signed on to go to the United States, but are going to say, “Well, they’re there and you’re not, so that’s who we’re going to go with.”

I think about the wonderful alt-history show For All Mankind, which begins with the Soviets beating the US to the moon, and instead of Neil Armstrong giving the “one small step for man,” basically the Russian cosmonaut gives, “Its one small step for Marxism-Leninism,” and it was a bummer. And I really imagine that day, if China beats us, it is going to be not just, “Oh, I guess now we have to share the moon with someone else,” but it’s going to cause some national soul searching.

And there are clues to this, and actually I detail these two anecdotes in the book, that all of the flags, the American flags that the Apollo astronauts planted, they’re basically no longer there anymore. We know from Buzz Aldrin‘s memoir that the flag that he and Neil Armstrong planted in the lunar soil in 1969, Buzz said that he saw it get knocked over by the thrust in the exhaust of the module lifting off from the lunar surface. Even if that hadn’t happened, just the radiation environment would’ve bleached the flag white, as scientists believe it has to all the other flags that are on there. So there are essentially really no trace of the Apollo flags.

There are, however, two Chinese flags on the moon, and the first one, which was planted a couple of years ago, or unveiled a couple of years ago, was made not of cloth, but their scientists and engineers spent a year building a composite material flag designed specifically to withstand the harsh environment of the moon. When they went back last summer for their farside sample return mission, they built a flag, — and this is pretty amazing — out of basalt, like volcanic rock, which you find on Earth. And they use basalt from earth, but of course basalt is common on the moon. They were able to take the rock, turn it into lava, extract threads from the lava and weave this flag, which is now near the south pole of the moon. The significance of that is they are showing that they can use the resources of the moon, the basalt, to build flags. It’s called ISR: in situ resource utilization. So to me, nothing symbolizes their intentions more than that. (...)

SpaceX and the Falcon 9, the reusable rocket, has dropped launches down. It used to be if you got 10, 12 orbital rocket launches in a year, that was a good year. SpaceX is launching about every 48 hours now. It’s unprecedented what they’ve done. You’re seeing a lot of new players — Blue Origin, Rocket Lab, others — driving down the cost of launch.

That said, the main anchor tenant customer, the force driving all of this is still the government, it’s still NASA, it’s still the Pentagon. There is not a self-sustaining space economy that exists in addition or above and beyond the government. You’re starting to see bits of that, but really it’s the government that’s driving it.

by James Pethokoukis and Christian Davenport, Faster, Please | Read more:
Image: uncredited

[ed. Weaving lava on the moon?! Launches every 48 hrs?!]