Saturday, August 31, 2013

Academy Fight Song

This essay starts with utopia—the utopia known as the American university. It is the finest educational institution in the world, everyone tells us. Indeed, to judge by the praise that is heaped upon it, the American university may be our best institution, period. With its peaceful quadrangles and prosperity-bringing innovation, the university is more spiritually satisfying than the church, more nurturing than the family, more productive than any industry.

The university deals in dreams. Like other utopias—like Walt Disney World, like the ambrosial lands shown in perfume advertisements, like the competitive Valhalla of the Olympics—the university is a place of wish fulfillment and infinite possibility. It is the four-year luxury cruise that will transport us gently across the gulf of class. It is the wrought-iron gateway to the land of lifelong affluence.

It is not the university itself that tells us these things; everyone does. It is the president of the United States. It is our most respected political commentators and economists. It is our business heroes and our sports heroes. It is our favorite teacher and our guidance counselor and maybe even our own Tiger Mom. They’ve been to the university, after all. They know.

When we reach the end of high school, we approach the next life, the university life, in the manner of children writing letters to Santa. Oh, we promise to be so very good. We open our hearts to the beloved institution. We get good grades. We do our best on standardized tests. We earnestly list our first, second, third choices. We tell them what we want to be when we grow up. We confide our wishes. We stare at the stock photos of smiling students, we visit the campus, and we find, always, that it is so very beautiful.

And when that fat acceptance letter comes—oh, it is the greatest moment of personal vindication most of us have experienced. Our hard work has paid off. We have been chosen.

Then several years pass, and one day we wake up to discover there is no Santa Claus. Somehow, we have been had. We are a hundred thousand dollars in debt, and there is no clear way to escape it. We have no prospects to speak of. And if those damned dreams of ours happened to have taken a particularly fantastic turn and urged us to get a PhD, then the learning really begins.

College and Mammon Both

Go back to the beginning, back to the days when people first understood a character-building college diploma to be the ticket to middle-class success. We would forge a model republic of citizen-students, who would redeem the merit badges of academic achievement for spots in the upper reaches of corporate capitalism. The totems of the modern American striver were to be the University Credential and the Corner Office, and prosperity would reward the ablest.

And so the story remains today, despite everything that has happened in the realms of the corporation and the university. We might worry from time to time about the liberal professors who infest the academy, but school is still where you go to “write your destiny,” to use President Obama’s 2010 description of education generally. Go to college, or else your destiny will be written by someone else. The bachelor’s degree that universities issue is a “credential” that’s “a prerequisite for 21st century jobs,” says the White House website. Obama himself equates education with upward mobility—more schooling equals more success—as well as with national greatness. “The kinds of opportunities that are open to you will be determined by how far you go in school,” he declared a few years ago.
In other words, the farther you go in school, the farther you’ll go in life. And at a time when other countries are competing with us like never before, when students around the world are working harder than ever, and doing better than ever, your success in school will also help determine America’s success in the twenty-first century.
This is commonplace and unremarkable to the point of being utterly hackneyed. Everyone says this. It is obvious. Thomas Friedman, the New York Times foreign affairs columnist who has refashioned himself into the Lord Protector of Learning in recent years, says the same thing, constantly: you’d better have the schooling and the skills that the entrepreneurial class demands if you want to make even a minimal living. The higher education mantra is possibly the greatest cliché in American public life.

And so the dreams proliferate. Education is the competitive advantage that might save our skins as we compete more and more directly with China and Vietnam and the Philippines, the journalists say. Education is what explains income inequality, chime the economists, and more education is what will roll it back. In fact, education is just about the only way we can justify being paid for our work at all; it is the only quantifiable input that makes us valuable or gives us “skills.”

Quantifiable, yes, but only vaguely. No one really knows the particular contents of the education that is supposed to save us. It is, again, a dream, a secret formula, a black box into which we pour money and out of which comes uplift or enrichment or wish-fulfillment. How a college education manages to do these marvelous things—Is it calculus? Is it classics?—is a subject of hot controversy. All we know for sure is that people who go to college are affluent; it follows naturally that if you send more people to college, you will have yourself a more affluent country.

by Thomas Frank, The Baffler |  Read more:
Image:Spencer Walts

Pros and Cons


The handball courts loom high over the dirt running path in Forest Park. The last time anyone painted the twenty-foot-high wooden boards they were a soft canary yellow; today they're a sun-bleached gray. In lush green surroundings, the handball courts are a stern sight, rising from the lawn like industrial ruins.

The players, when they start to arrive around noon by foot or bicycle, show up with a racquetball and a pair of gloves. Rarely do they schedule games ahead of time.

"Somebody turned over a rock," a man calls out by way of greeting as the courts fill up on a recent Monday afternoon.

The casual, pick-up-game style of play doesn't tend to work for Jerry Raymond Jones, known better as Junior. He paces impatiently on the baseline, a cell phone to his ear, trying to get a friend to the courts for a game of singles.

The sun is high, and there's a group of players sitting in the shade; none is interested in going toe-to-toe with the sinewy Jones.

"I don't fuck with Junior," one chuckles.

"I ain't gonna play you no singles," another snorts. "You think I'm crazy?"

Jones, a fair, boyish-looking 29-year-old with a boxer's nose, grins immodestly. "I'm a flat-wall player, for real," he says. "But I'm good at this, too."

Jones learned flat-wall (single-wall handball) in a place where there is an abundance of them: prison. Handball is one of the few sports that are allowed and encouraged in many federal and state penitentiaries where bats and racquets are out of the question.

According to Forest Park Handball Club president R.P. Murphy, Jones is one of the best in the core group of about 100 who come out regularly.

"He's a fantastic young player," says Murphy. "When they are locked up like that, they really get a chance to really develop their game."

Regulars here estimate that about half of the players come to Forest Park after they learned the game in prison. Though the handballers often don't know each other's last name (in the case of doubles there's a racial prefix, "White Don" and "Black Don," for example), the jailhouse stories tend to trickle out during sideline conversations.

"I thought it was just a prison game," says Ram Burrows, who was released in 2009 for a drug sentence. "Then I came out and met these guys who've been playing since the '60s."

As Jones demonstrates his serve against the court's high wall, it's not difficult to picture him behind the concrete barriers at Greenville Federal Correctional Institution in Illinois.

"This really changed my life, for real," he says.

The fact that Illinois and Missouri's prisons have become a farm team of sorts for Forest Park only explains part of the reason why the crowd here — sometimes 30 or 40 deep, drinking beers, smoking, shelling peanuts between games — stands out compared to the preppy joggers trotting past. Beyond the former inmates, the courts have always attracted an eclectic mix: restaurateurs, doctors, lawyers, Imo's delivery drivers, construction workers, entrepreneurs, prison guards and the unemployed. Forest Park even (very occasionally) lures the man some consider the greatest handballer to ever live, St. Louis' own David Chapman. And no matter what their background, handballers universally describe the game the exact same way:

"It's an addiction," says Terry Huelsman, the owner of the Break Billiards in Cahokia, Illinois. "It's a poor man's country club."

But among so much openness and camaraderie, the players also keep secrets. This is a place where the men (there is currently only one regular female player) go to lose themselves. The things they keep private vary from tales of failed business ventures to chemical dependencies to violent crime.

Three decades ago the handball community in Forest Park was forever changed when one of its own was gunned down as he left the courts. Today the man's killer is a frequent visitor to the Forest Park courts, though he hides his identity from the handball players who continue to tell the story of the 1979 murder in almost mythic terms. But more on that later.

"Most of the people there are looking for an escape. There's a lot of damaged people out there," confirms Rick Nelson, a retired insurance broker and Forest Park regular of eight years. "It's really hard to think about something else when you're whacking a blue ball against the wall."

by Jessica Lussenhop, Riverfront Times |  Read more:
Image:Jennifer Silverberg

Kangaroos propel themselves with powerful hind legs. Australia, December 1926. Photograph by Wide World Photos Inc.
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Kishin Shinoyama - Sans Titre, 1968.
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Why Pianos and Monkeys Can Never Really Play the Blues

One of the last things you’d expect to see at a physics conference is a physicist on stage, in a dapper hat, pounding out a few riffs of the blues on a keyboard. But that’s exactly what University of Illinois professor J. Murray Gibson did at the recent March meeting of the American Physical Society in Baltimore. Gibson has been doing these wildly popular demonstrations for years to illustrate the intimate connection between music, math, and physics.

While there is a long tradition of research on the science of acoustics and a noted connection between music and math in the brain, science and math have also influenced the evolution of musical styles themselves. For thousands of years, Western music was dominated by the diatonic Pythagorean scale, which is built on an interval (the difference in pitch between two different notes) known as a perfect fifth: where the higher note vibrates at exactly 50 percent higher frequency than the lower note. Anyone who’s seen The Sound of Music probably gets the idea of the perfect fifth, and can likely sing along with Julie Andrews: “Do, a deer, a female deer….” If you start on one note and keep going up by perfect fifths from one note to the next, you trace out a musical scale, the alphabet for the language of music. While a musical scale built like that includes a lot of ratios of whole numbers (like 3:2, the perfect fifth itself), it has a fatal flaw: It can’t duplicate another keystone of music, the octave, where one note is exactly double the frequency of the lower note. Contrary to Andrews’ lyrics, the scale doesn’t really bring us back to “Do.”

To bring the fifth and the octave together in the diatonic Pythagrean scale, various versions of the same interval were forced to be different lengths in different parts of the scale—one was so badly out of tune it was called the “wolf fifth” and composers avoided using it entirely. This meant that a piece of music composed in the key of E sounded fine on a harpsichord tuned to the key of E but dreadful on one in D. It also made it difficult to change keys within a single composition; you can’t really re-tune a piano mid-performance. Johann Sebastian Bach, among others, chafed at such constraints.

Thus was born the “well-tempered” scales, in which each appearance of an interval was tweaked so that it was not far off from the ideal length or from other versions of the same interval, so composers and performers could easily switch between keys. Bach used this scale to compose some of the most beautiful fugues and cantatas in Western music. This approach eventually led to the equal temperament scale, the one widely used today, in which every interval but the octave is slightly off from a perfect ratio of whole numbers, but intervals are entirely consistent and each step in the scale is exactly the same size.

In the 20th century, musicians like Jelly Roll Morton and ragtime composer Scott Joplin wanted to incorporate certain African influences into their music—namely, the so-called “blue notes.” But no such keys existed on the piano; when in the key of C, one major blue note falls somewhere between E-flat and E. So blues pianists started crushing the two notes together at the same time. It’s an example of “art building on artifacts,” according to Gibson. That distinctive bluesy sound is the result of trying to “recreate missing notes on the modern equal temperament scale”: In more traditional scales, the interval called a third represents a frequency ratio of 5/4; and indeed in the key of C, a true third lies between E-flat and E.

by Jennifer Ouellette, Nautilus |  Read more:
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Paul Klee, Tomcat’s Turf, 1919.
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Of Monsters and Men


Friday, August 30, 2013

The Burdened Walk


I remembered that, once, he had looked as though he walked on air. He had looked as though his feet never touched the ground. He had looked as though his club managed to strike the ball perfectly within a private reality. Even his divots had looked cleanly cut as they sailed through the clear air. You could have used one of them for a welcome mat. Once upon a time, I remembered, Tiger Woods had looked as though he played golf in a self-contained universe that he carried around with him. I remembered all this as I crouched behind the green on the 13th hole of the Oak Hill Country Club in Rochester, New York, on Sunday afternoon, and watched Tiger Woods, who was standing in the shade a little ways down the fairway and rotating his upper body to the left and to the right, stretching his back muscles.

Jesus, I thought to myself, that's something I do.

In fact, I always do it before I swing a club. I don't know that it does me any good. Very often, I do it as a distraction and, perhaps, as a kind of preemptive alibi; that way, when the ball goes where it's not supposed to go, which is very often, I have established that I have termites eating my spine or something. Now there was Tiger Woods, who used to look as though he were made of electrified wire, cranking up the sacroiliac the way that I do. And, yes, he'll be 38 this December, but there was a time in which he was so young that he looked ageless, a time in which the future blended so seamlessly with the present that the future looked as inevitable and predictable as the past. I met him then, and the aftermath was somewhat unusual, and this was the first time we'd been in the same area code since the afternoon we had spent together, and he'd had his picture taken, and he'd told some jokes, and had wondered whether or not women followed basketball players because they thought black men had larger penises, and now he was down under a tree, doing the same back exercises that I do. He knocked it a little ways past the hole, drained a putt coming back, and ground out another par.

"Having a chance on the back nine on Sunday, I can live with that," he said later, after flogging an even-par 70 out of the course and finishing even for the weekend, another major championship slipping away. And Jack Nicklaus's record of 18 major championships, which once seemed so easily within his grasp, now slips a little deeper into the mists of an uncertain future. "It's always frustrating going out there, and I'm 3 over today, got to 7 [over], and I'm grinding my tail off coming in just to shoot even par for the day. And I'm nowhere in it."

It was Woods himself who made the pursuit of Nicklaus's 18 majors the Mount Everest of his career, so it's hard to muster up much sympathy for him if he's getting a bit winded in the middle of the North Col. He has won five times on the Tour this year, most recently burying the field just a week earlier. He is the no. 1 player in the world. None of those things matters because the PGA Championship is a major, and he did not come close to winning it, and that is going to be the way his career will be defined no matter how many times he tears it up in Southern California or rural Ohio.

(The cynics in the audience wondered why Tiger couldn't just join the rest of the golfing world and pretend that the PGA Championship isn't really a major but, rather, a John Deere Classic jumped up with historical resonance. Walter Hagen, as the story goes, once left the Wanamaker Trophy in a taxicab and it went missing for years. That was the last remarkable thing that happened at a PGA Championship.)

He walks a burdened walk now, even when it is going well. He walks the same way, above par or below, birdie or bogie. He birdies and he tips his cap, but his head is down. He talks to the ball more when it is in flight — "Get right!" "Down, DOWN!" — than he once did. By contrast, on Saturday, Phil Mickelson had a round so bad he should have been escorted off Oak Hill by the EPA, and he looked like he was having more fun than most of the gallery was. His steps were light and his smile was easy. He did not walk the burdened walk. But he did blow town quickly.

Of course, Mickelson won the British Open a couple weeks ago, and he's not the guy who defined his career success by how many majors he won. Woods was never effervescent, even in the glorious heart of his young career, but he didn't look the way he does now, coming up the fairway toward the green like an aging farmer coming to work in fields he knows are burnt and fallow but remembers with fondness and with pain the verdancy they once had.

by Charles P. Pierce, Grantland |  Read more:
Image: Charlie Niebergall, AP/Photo

Internment Camp

For a very brief period not too long ago I was the “chief of research” at a glossy yet rugged men’s lifestyle magazine. An industry darling, this “practical guide to the sensory thrills and psychological rewards of an active physical life” (as its 1995 National Magazine Award write-up swooned), was one of the most celebrated and award-laden start-ups in recent memory. As they say in the industry, Men’s Journal was “a very hot book.”

Not coincidentally, it was also an advertiser’s wet dream—a place where we took press releases at their word, where we re-shot photos for “personal grooming” stories because the toothbrushes didn’t look “exciting” enough, and where being a “complete guide for high-performance living” (we used this phrase seriously) meant giving lavish coverage to every sexy consumer product we could get our comp-crazy hands on. In the pages of this morally bankrupt advertorial, this himbo of a magazine, you could, any given month, learn that speed-skiing was not only fun but fulfilling (“Courage wasn’t what would propel me down Willamette. Innocence. I would become innocent.”); read about the religious significance of mountain-biking equipment (“There’s a Zen-like mystery about Giro’s new Helios helmet.”); be the first to know that this particular style of Nikes was much better than the one we said was the best ever a month ago (this one uses aircraft tubing!); and discover all the reasons why Howie Long is a really good actor.

But do not be impressed by the lofty title I held there. “Research chief” was pure euphemism for “the-fact-checker-whose-head-will-roll-if-anything-goes-wrong.” In charge of the “legal invulnerability and factual accuracy” of the magazine, the bulk of my days involved determining whether octopi have pancreases (they don’t), what the hell “aircraft tubing” actually is (nobody knows), and if ex-Oakland Raider wide receiver Warren Wells would sue us for calling him “compulsively felonious” (playing it safe, we ultimately cut the “compulsively” and never heard from him).

I was also partly in charge of finding interns to send our faxes, answer our phones, and, among other sundry responsibilities, go shopping for the products in photo shoots that we couldn’t get comped. Compared to fact-checking, hiring interns was difficult stuff. Not because no one was willing, mind you. On the contrary, I was spoiled for choice. The applicants would walk in, these college kids, recent graduates, and grad students, always punctual and always white, sheepish but confident, polite, and well-fragranced. They would hand me clips from their school newspapers while I looked over their résumés, which always went something like this:

Interview Magazine
May ’95 to Sept ’95
Summer Intern

CBS News
Oct ’94 to May ’95
Fall Intern

The Village Voice
May ’94 to August ’94
Summer Intern

“Very impressive,” I would say. By my quick calculations they had contributed, conservatively, five or six thousand dollars worth of uncompensated work to various media conglomerates. I would tell them that they surely have all the “experience” they would ever get by following this strategy, and that while I had positions open (who doesn’t have unpaid positions open?), I was reluctant to fill them with people who were already competent cub writers, reporters, editors, and fact-checkers. They should have been demanding jobs a long time ago. They would try not to look too crestfallen at this news. They would explain to me that they were indeed the perfect person to work for me for free. Hell, they sometimes said, they had been doing it so long that they were good at it by now.

by Jim Frederick, The Baffler |  Read more:
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Concussions Lawsuit Settlement Lets NFL off the Hook

It's a testament to the NFL's massive financial success that they can claim victory while still agreeing to hand over $765 million. The truth is, that if the massive proposed settlement, to be paid out to former NFL players and their families, holds up it will be a huge win for the NFL and commissioner Roger Goodell. As evidence grows that NFL players risk serious life-altering health risks due to concussions and other serious injuries, this settlement, which undoubtedly will help the players involved and their families, effectively ends the first major threat to the NFL's current existence without forcing the league to make meaningful changes.

At first glance it might seem like the NFL has lost big time here, having been forced to pay out $765 million to over 4,500 former players, with that total before factoring in lawyer fees, "to fund medical exams, concussion-related compensation, and a program of medical research''. While this would come out to about $170,000 per player if handed out equally to each player, it's been reported that the actual payouts would be tied to the individual's specific medical conditions. Plus that estimate also factors in around $75 million of the settlement would go towards medical tests and there would be around $10 million leftover for further scientific research.

So, make no mistake, this is a significant amount of money, don't expect Roger Goodell to pull a Randy Moss and joke about paying it out in "straight cash homey", However, even a quick look at the NFL's finances makes it very clear that this will not be a crippling blow. The NFL made $9.5 billion last year alone. In relative terms this is a small price to pay to avoid confronting the fact that they have literally been killing their employees. On top of this, around half of this money will be doled out over the course of the next 17 years, severely lessening the immediate financial consequences for the league. (...)

As Grantland's Bill Barnwell notes, this settlement allows them to pay off the plaintiffs without acknowledging any liability, pretty much the best case scenario imaginable. Not admitting fault gives the NFL a much better chance at defeating future lawsuits, which are nearly inevitable.

The timing is perfect as well. By resolving this lawsuit before the start of the NFL regular season, Goodell ensures that at least this particular story won't distract fans from the on-field product, which is as popular and profitable as it has ever been, once the real games begin.

by Hunter Felt, The Guardian |  Read more:
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Googling Yourself Takes on a Whole New Meaning

Here’s what you see if you look at my face: a skinny titanium headband stretched across my forehead. It looks like a futuristic pair of sunglasses, minus the lenses. On my right-hand side there’s a computer, a metal frame with a small, clear cube of plastic perched just over my eye. When I tilt my head upward a bit, or run my finger along the side of the frame, the cube lights up. What I see, floating six inches in front of me, is a pinkish, translucent computer screen. It gives me access to a few simple apps: Google search, text messaging, Twitter, a to-do list, some hourly news headlines from CNN (“See a Truck Go Airborne, Fly Over Median,” “Dolphin Deaths Alarm Biologists”). Beside the screen is a teensy camera built into the frame of the glasses, ready to record anything I’m looking at.

Google Glass is the company’s attempt to mainstream what the tech industry calls wearable computing, to take the computer off your desk or out of your pocket and keep it in your field of view. In a world where we’re already peering at screens all day long, pecked at by alerts, the prospect of an eyeball computer can provoke a shudder. But over several weeks of using the device myself, I began to experience some of the intriguing — and occasionally delightful — aspects of this new machine. I got used to glancing up to start texting and e-mailing by addressing its surprisingly accurate voice-transcription capabilities. (I admit I once texted my wife while riding my bicycle.) I set up calendar reminders that dinged in my ear. I used an app that guided me back to my car in a parking lot. I sent pictures of magazine articles to Evernote, so I would have reminders of what I’d read. I had tweets from friends float across my gaze.

Despite my quick adoption, however, only rarely did I accomplish something with Glass that I couldn’t already do with, say, my mobile phone. When I first heard about the device, I envisioned using it as a next-level brain supplement, accessing brilliant trivia during conversations, making myself seem omniscient (or insufferable, or both). This happened only occasionally: I startled a friend with information about the author of a rare sci-fi book, for example. But generally I found that Googling was pretty hard; you mostly control Glass with voice commands, and speaking queries aloud in front of others was awkward.

The one thing I used regularly was its camera. I enjoyed taking hands-free shots while playing with my kids and street scenes for which I would probably not have bothered to pull out my phone. I streamed live point-of-view video with friends and family. But it also became clear that the camera is a social bomb. One friend I ran into on the street could focus only on the lens pointing at her. “Can it see into my soul?” she asked. Later, she wrote me an e-mail: “Nice to see you. Or spy you spying, I guess.”  (...)

The earliest prototypes of Glass were made by taking the components from phones running Android — Google’s mobile operating system — and gluing them to a pair of safety goggles, with a huge L.C.D. in front of one eye. Heft was a hurdle: the prototypes were more than five and a half ounces, creating an untenable amount of “nose-borne weight,” to use an industry term. “If it doesn’t meet a minimum bar for comfort and style, it just doesn’t matter what it will do,” Lee said. Nobody would wear it all day long.

To shrink the device and make it more attractive, Lee hired Isabelle Olsson, a Swedish industrial designer known for her elegant, stripped-down aesthetic. She wasn’t told what she was being hired for. On her first day at work, Olsson was shown the safety-goggle prototype. When she pulled it out of a box and put it on to show me, she looked like a mad scientist.

“My heart skipped a beat,” she said with a laugh. “As a very nontacky person, this idea overwhelmed me a little bit. I’m going to wear a computer on my face? I really felt like we need to simplify this to the extreme. Whatever we can remove, we will remove.” (...)

Google started selling Glass this spring. Two thousand went to software developers; 8,000 went to people who submitted to Google short descriptions of what they’d do with Glass; those selected paid $1,500 for it. (I received mine this way and paid full price.) Once users began wandering into public life a few months ago, gazing into their glowing eye-screens, it became possible to begin answering the question: how would people use wearable computers in their everyday lives?

by Clive Thompson, NY Times |  Read more:
Image: Grant Cornett for The New York Times

Facebook to Update Privacy Policy, but Adjusting Settings Is No Easier


[ed. Why anyone would continue to use a service so obviously manipulative is beyond me.]

Facebook announced Thursday that it planned to enact changes to its privacy policies on Sept. 5.

But the social network’s famously difficult privacy controls will not become any easier to navigate.

Mostly, the new data use policy and statement of rights and responsibilities lay out more clearly the things that Facebook already does with your personal information, Ed Palmieri, the company’s associate general counsel for privacy, said in an interview. “The updates that we are showing in the red lines are our way to better explain the products that exist today,” he said.

In some ways, the company is making it more clear that it uses a wide variety of personal data about its 1.2 billion users to deliver advertising, including things they share and do, what they like, how they interact with ads and applications, and even demographic data inferred from everything else.

Facebook also said that it might use its customers’ profile photos to help their friends tag them in photos. Those photos are already public, but Facebook does not currently use them to help recognize faces when photos are uploaded to the service. “This will make the product better for people,” Mr. Palmieri said. “You can still opt out of it.”

But the company is also deliberately deleting information about specific privacy controls. Instead, Mr. Palmieri said, Facebook decided it was better to send users to various other pages, such as one on advertising, to learn more about privacy issues and how to adjust the controls.

For example, the data use policy will no longer offer a direct path to the control for opting out of your name and activities on the site being used as endorsements on ads sent to your friends.

by Vindu Goel, NY Times |  Read more:
Image: Dado Ruvic/Reuters