Friday, September 20, 2013
The Orange Trapper
Fishing from a canoe in the Delaware River, I like to ship the paddle and let the boat go where it will. I watch the stony bottom, which flies by under fast-moving water. This is not Philadelphia. This is two hundred river miles above Philadelphia, where the stream-rounded rocks are so clear they look printed. Shoving the rocks, anadromous lampreys have built fortress nests, which are spread around the river like craters of the moon. Mesmerized, I watch the rocks go by. Fly-casting for bass, I see golf balls. (...)When you are flying along on fast current, you don’t just get off your canoe and prop it up on a kickstand in order to pick up a golf ball. Over time, seeing so many golf balls in the river was such a threatening frustration that I had to do something about it. Research led to the telephone number of a company then in Michigan. A real person answered and was even more than real. She understood me. She knew what I was asking and did not call 911. Instead, she had questions of her own: What was the speed of the current? What was the depth of the river? Was the bottom freestone? Sand? Clay? Silt? After completing the interview, she said, “You want the Orange Trapper.”
“The Orange Trapper?”
“The Orange Trapper.”
It came in various lengths. I said I thought the nine-footer would do. The nine might be stiffer in the current than the twelve, the fifteen, the eighteen, the twenty-one, or the twenty-four. Besides, nine (actually, 9.6) just felt right. It was the length of my fly rods.
What came in the mail was only twenty-one inches long, with an orange head, a black grip, and a shaft that consisted of ten concentric stainless tubes with a maximum diameter of five-eighths of an inch. You could conduct an orchestra with it. It was beautiful. The orange head was a band of industrial-strength plastic, as obovate as a pear and slightly wider than a golf ball. A depression in its inside top was there to secure one side of a ball, but the genius of the device was in a working part, a bevelled “flipper” that came up through the throat and would waggle into place on the other side of the ball. The Orange Trapper worked two ways. It had no upside or downside. You could surround a golf ball with either side, then lift it up as if you were playing lacrosse with no strings. You could turn the head over—a hundred and eighty degrees—and the ball would generally stay put. But flip the thing over once more and the ball would always roll free. Made by JTD Enterprises, it could have been designed by Apple.
Even so, finesse was required to trap a ball in shallow current. After seeing one, and swinging around, and going hard upstream, and shipping the paddle, you had about five seconds to place the head of the Trapper over the ball. I missed as often as not. It wasn’t the Trapper’s fault. My average would have been higher chasing hummingbirds with a butterfly net. The river is an almost endless sequence of shallows, riffles, rapids, and slow pools. For the real action, I went below some white water into a long deep pool with Don Schlaefer in his johnboat. Don is a fishing pal. He plays golf. He had no interest in the balls in the river, but he could put his boat right over them and hold it there while I fished with the Orange Trapper. I picked up a dozen golf balls in half an hour.
Marvelling at the craziness, Don said, “Why are you doing this? They’re only golf balls. Golf balls are cheap.”
I said, “Money has nothing to do with it.”
A Titleist Pro V1, currently the Prada golf ball, costs four or five dollars on the Internet and more in a pro shop. If a person of Scottish blood says money has nothing to do with that, he is really around the corner. True, I don’t find balls of such quality often in the river. But they’re a high percentage of what I pick up in the roadside woods of New Jersey. Titleist makes about a million balls a day. In the United States, for all qualities and brands, a present estimate is that golfers lose three hundred million golf balls a year.
Why? Ask George Hackl, who grew up playing golf on courses around Princeton, now lives in central New Hampshire, and is a member of Bald Peak, Yeamans Hall, Pine Valley, and the Royal and Ancient Golf Club of St. Andrews.
Hackl: “It is an indication of the vast disparity of wealth in this country that golfers in some places can hit seven-dollar balls into woods and thickets and not even bother to look for them.”
There is less to it than that. Golfers have egos in the surgeon range. They hit a drive, miss the fairway, and go looking for the ball thirty yards past where it landed. When their next drive goes into timber and sounds like a woodpecker in the trees, there is no way to know the vector of the carom, so they drop another ball and play on. It must be said, in their defense, that various pressures concatenate and force them to keep moving, no matter the cost in golf balls. The foursome behind is impatient. A major issue is how long it takes to play. It is infra dig to cause “undue delay.” In the Rules of Golf, there’s a five-minute time limit on looking for lost balls. The rule may be unknown to some golfers and by others ignored, but five minutes or less is what most golfers give to finding lost balls. The rest are mine. (...)
In the frenzy of marketing, golf balls are sold in such complex variety that golf’s pro shops are not far behind fishing’s fly shops, where line weights and rod weights and tip flex and reel seats are sold in so many forms for so many different capabilities and so many different situations that people’s basements are forested with tackle. And, as with fishing equipment, the spectrum of subtlety in golf balls includes price. The difference is not among manufacturers but within the product lines of manufacturers. You can buy a dozen Titleist DT SoLos for less than twenty dollars. I know a golfer who has spoken as follows about looking for a wayward ball: “If you don’t find yours but find another of the same quality, you’re even. If you find a ball that’s not up to your standards, you leave it there for a lower class of golfer.” How he happened to get into the woods in the first place was not a topic he addressed. He reminded me of a pirate in the Guayas River near Guayaquil. With six other pirates, he came off a needle boat and over the stern of a Lykes Brothers merchant ship. They were armed mainly with knives. One of them held a hacksaw blade at a sailor’s throat while others tied him to a king post. A pirate pointed at the sailor’s watch, and said, “Give me.” The sailor handed over the watch. The pirate looked at it and gave it back.
by John McPhee, New Yorker | Read more:
Image: Phillip ToledanoNot Weird About Brooklyn
[ed. The Saturn return]
Comfy, well-loved small couch/loveseat, I’d posted. Has a tear in one of the cushions (see photo) but otherwise in good condition. VERY comfortable. Free if you can help me carry it down from my third-floor apartment (it’s not too heavy). Should fit in the back of an SUV; we’ve done it before. I’d taken the pictures haphazardly, in a spasm of sudden anxiety (couldn’t possibly start packing before I made some space in the apartment!), and now, as I considered the coincidence of Eytan having been the first person to respond, I wondered whether the fact that there had been books in the photos (a copy of Anne Applebaum’s Gulag and a notebook lay beside the cushion-rip for scale; Eating Animals, Revolutionary Road, and The Lost Origins of the Essay were strewn in the foreground) had somehow limited my audience. It seemed typical of New York that the person to answer my ad at last would be someone of my precise demographic, as if the ad’s imagery and syntax (was it the semicolon?) could communicate only with people exactly like me.
Because I was moving away in nine days, such New York typicalities were aggressively making themselves known. I recognized the reaction as a defense mechanism, a sort of mental packing-up, but still it freaked me out. For years I’d rolled my eyes at those gullible plebes and out-of-touch patricians who called New Yorkers busy (I’d never worked full-time!) or the city expensive (I’d saved money while making $24K a year!) or the life there hard (my job was a scenic ten-minute bike ride away!)—but then, in July, my first subway trip after a long vacation had subjected me to just such a stereotype, producing the unpleasant and unshakeable sensation of acting in a bad SNL skit about riding the subway. Pressed to my left was a woman putting on makeup and violently sneezing, while on my right another woman dozed, her head periodically thunking my shoulder and then jerking away. It was the first time I’d allowed myself to feel disdain toward the city, or relief about leaving, and it felt like betrayal. As I’d confessed to Marie one night that spring, when the move first became a possibility, I’d always thought of my friends who left New York as the ones who had failed.
Now I called Marie to confirm that Eytan was Eytan and to ask whether we could meet in Red Hook a little later that afternoon—she and I had plans to knock out another item on my NYC bucket list, a last swim at the neighborhood’s public pool followed by food from the ball park’s food vendors. How crazy is that, we agreed about Eytan being the only person in the world to want my couch; “It’s like Craigslist is better than OKCupid,” (...)
I guess that’s part of what it means to live in a place, too—to share a story with the other people who are there. In late spring, after I’d decided to move, when Marie said to me that she’d always need to live somewhere with the stimulation and stuff-to-do-ness of New York, I would mostly believe her—certainly she was someone capable of being busier, and more gracefully busy, than me, and I knew she’d once spent a summer being unhappily un-busy in Wisconsin—but I’d also wonder whether this wasn’t just one of those stories we tell ourselves to keep ourselves where we are, sort of like how Didion says “We tell ourselves stories in order to live,” but in this case a story in order to die, to kill off the other lives we might lead, the same way that most people who give advice are forever saying Do exactly what I did. We have the conversations we want to have, say the things we want to be saying, and even as I write this, I am aware of how much it is the story I want to be telling: a story to shed my New York self, to leave it behind.
by Helen Rubenstein, Paris Review | Read more:
Image: Criagslist (uncredited)
Thursday, September 19, 2013
House Republicans Pass Deep Cuts in Food Stamps
[ed. To be read as a companion piece to the post following this one.]
The vote set up what promised to be a major clash with the Senate and dashed hopes for passage this year of a new five-year farm bill.
The vote was 217 to 210, largely along party lines.
Republican leaders, under pressure from Tea Party-backed conservatives, said the bill was needed because the food stamp program, which costs nearly $80 billion a year, had grown out of control. They said the program had expanded even as jobless rates had declined with the easing recession.
“This bill eliminates loopholes, ensures work requirements, and puts us on a fiscally responsible path,” said Representative Marlin Stutzman, Republican of Indiana, who led efforts to split the food stamps program from the overall farm bill. “In the real world, we measure success by results. It’s time for Washington to measure success by how many families are lifted out of poverty and helped back on their feet, not by how much Washington bureaucrats spend year after year.”
But even with the cuts, the food stamp program would cost more than $700 billion over the next 10 years.
Republicans invoked former President Bill Clinton in their defense of the bill, saying that the changes were in the spirit of those that he signed into law in 1996 that set work requirements for those who receive welfare.
But Democrats, many of whom held up pictures of people they said would lose their benefits, called the cuts draconian and said they would plunge millions into poverty.
“It’s a sad day in the people’s House when the leadership brings to the floor one of the most heartless bills I have ever seen,” said Representative James McGovern, Democrat of Massachusetts. “It’s terrible policy trapped in a terrible process.” (...)
Critics of the measure said the cuts would fall disproportionately on children.
“Yes, the federal government has budget problems, but children didn’t cause them, and cutting anti-hunger investments is the wrong way to solve them,” said Bruce Lesley, president of First Focus Campaign for Children, a child advocacy group.
According to the Congressional Budget Office, nearly 4 million people would be removed from the food stamp program under the House bill starting next year. The budget office said after that, about 3 million a year would be cut off from the program.
The budget office said that, left unchanged, the number of food stamp recipients would decline by about 14 million people — or 30 percent — over the next 10 years as the economy improves. A Census Bureau report released on Tuesday found that the program had kept about 4 million people above the poverty level and had prevented millions more from sinking further into poverty. The census data also showed nearly 47 million people living in poverty — close to the highest level in two decades.
by Ron Nixon, NY Times | Read more:
Image via:
How the NFL Fleeces Taxpayers
Last year was a busy one for public giveaways to the National Football League. In Virginia, Republican Governor Bob McDonnell, who styles himself as a budget-slashing conservative crusader, took $4 million from taxpayers’ pockets and handed the money to the Washington Redskins, for the team to upgrade a workout facility. Hoping to avoid scrutiny, McDonnell approved the gift while the state legislature was out of session. The Redskins’ owner, Dan Snyder, has a net worth estimated by Forbes at $1 billion. But even billionaires like to receive expensive gifts.
Taxpayers in Hamilton County, Ohio, which includes Cincinnati, were hit with a bill for $26 million in debt service for the stadiums where the NFL’s Bengals and Major League Baseball’s Reds play, plus another $7 million to cover the direct operating costs for the Bengals’ field. Pro-sports subsidies exceeded the $23.6 million that the county cut from health-and-human-services spending in the current two-year budget (and represent a sizable chunk of the $119 million cut from Hamilton County schools). Press materials distributed by the Bengals declare that the team gives back about $1 million annually to Ohio community groups. Sound generous? That’s about 4 percent of the public subsidy the Bengals receive annually from Ohio taxpayers.
In Minnesota, the Vikings wanted a new stadium, and were vaguely threatening to decamp to another state if they didn’t get it. The Minnesota legislature, facing a $1.1 billion budget deficit, extracted $506 million from taxpayers as a gift to the team, covering roughly half the cost of the new facility. Some legislators argued that the Vikings should reveal their finances: privately held, the team is not required to disclose operating data, despite the public subsidies it receives. In the end, the Minnesota legislature folded, giving away public money without the Vikings’ disclosing information in return. The team’s principal owner, Zygmunt Wilf, had a 2011 net worth estimated at $322 million; with the new stadium deal, the Vikings’ value rose about $200 million, by Forbes’s estimate, further enriching Wilf and his family. They will make a token annual payment of $13 million to use the stadium, keeping the lion’s share of all NFL ticket, concession, parking, and, most important, television revenues. (...)
In his office at 345 Park Avenue in Manhattan, NFL Commissioner Roger Goodell must smile when Texas exempts the Cowboys’ stadium from taxes, or the governor of Minnesota bows low to kiss the feet of the NFL. The National Football League is about two things: producing high-quality sports entertainment, which it does very well, and exploiting taxpayers, which it also does very well. Goodell should know—his pay, about $30 million in 2011, flows from an organization that does not pay corporate taxes.
That’s right—extremely profitable and one of the most subsidized organizations in American history, the NFL also enjoys tax-exempt status. On paper, it is the Nonprofit Football League.
This situation came into being in the 1960s, when Congress granted antitrust waivers to what were then the National Football League and the American Football League, allowing them to merge, conduct a common draft, and jointly auction television rights. The merger was good for the sport, stabilizing pro football while ensuring quality of competition. But Congress gave away the store to the NFL while getting almost nothing for the public in return.
The 1961 Sports Broadcasting Act was the first piece of gift-wrapped legislation, granting the leagues legal permission to conduct television-broadcast negotiations in a way that otherwise would have been price collusion. Then, in 1966, Congress enacted Public Law 89‑800, which broadened the limited antitrust exemptions of the 1961 law. Essentially, the 1966 statute said that if the two pro-football leagues of that era merged—they would complete such a merger four years later, forming the current NFL—the new entity could act as a monopoly regarding television rights. Apple or ExxonMobil can only dream of legal permission to function as a monopoly: the 1966 law was effectively a license for NFL owners to print money. Yet this sweetheart deal was offered to the NFL in exchange only for its promise not to schedule games on Friday nights or Saturdays in autumn, when many high schools and colleges play football.
Public Law 89-800 had no name—unlike, say, the catchy USA Patriot Act or the Patient Protection and Affordable Care Act. Congress presumably wanted the bill to be low-profile, given that its effect was to increase NFL owners’ wealth at the expense of average people.
While Public Law 89-800 was being negotiated with congressional leaders, NFL lobbyists tossed in the sort of obscure provision that is the essence of the lobbyist’s art. The phrase or professional football leagues was added to Section 501(c)6 of 26 U.S.C., the Internal Revenue Code. Previously, a sentence in Section 501(c)6 had granted not-for-profit status to “business leagues, chambers of commerce, real-estate boards, or boards of trade.” Since 1966, the code has read: “business leagues, chambers of commerce, real-estate boards, boards of trade, or professional football leagues.”
The insertion of professional football leagues into the definition of not-for-profit organizations was a transparent sellout of public interest. This decision has saved the NFL uncounted millions in tax obligations, which means that ordinary people must pay higher taxes, public spending must decline, or the national debt must increase to make up for the shortfall. Nonprofit status applies to the NFL’s headquarters, which administers the league and its all-important television contracts. Individual teams are for-profit and presumably pay income taxes—though because all except the Green Bay Packers are privately held and do not disclose their finances, it’s impossible to be sure.
Taxpayers in Hamilton County, Ohio, which includes Cincinnati, were hit with a bill for $26 million in debt service for the stadiums where the NFL’s Bengals and Major League Baseball’s Reds play, plus another $7 million to cover the direct operating costs for the Bengals’ field. Pro-sports subsidies exceeded the $23.6 million that the county cut from health-and-human-services spending in the current two-year budget (and represent a sizable chunk of the $119 million cut from Hamilton County schools). Press materials distributed by the Bengals declare that the team gives back about $1 million annually to Ohio community groups. Sound generous? That’s about 4 percent of the public subsidy the Bengals receive annually from Ohio taxpayers.
In Minnesota, the Vikings wanted a new stadium, and were vaguely threatening to decamp to another state if they didn’t get it. The Minnesota legislature, facing a $1.1 billion budget deficit, extracted $506 million from taxpayers as a gift to the team, covering roughly half the cost of the new facility. Some legislators argued that the Vikings should reveal their finances: privately held, the team is not required to disclose operating data, despite the public subsidies it receives. In the end, the Minnesota legislature folded, giving away public money without the Vikings’ disclosing information in return. The team’s principal owner, Zygmunt Wilf, had a 2011 net worth estimated at $322 million; with the new stadium deal, the Vikings’ value rose about $200 million, by Forbes’s estimate, further enriching Wilf and his family. They will make a token annual payment of $13 million to use the stadium, keeping the lion’s share of all NFL ticket, concession, parking, and, most important, television revenues. (...)
In his office at 345 Park Avenue in Manhattan, NFL Commissioner Roger Goodell must smile when Texas exempts the Cowboys’ stadium from taxes, or the governor of Minnesota bows low to kiss the feet of the NFL. The National Football League is about two things: producing high-quality sports entertainment, which it does very well, and exploiting taxpayers, which it also does very well. Goodell should know—his pay, about $30 million in 2011, flows from an organization that does not pay corporate taxes.
That’s right—extremely profitable and one of the most subsidized organizations in American history, the NFL also enjoys tax-exempt status. On paper, it is the Nonprofit Football League.
This situation came into being in the 1960s, when Congress granted antitrust waivers to what were then the National Football League and the American Football League, allowing them to merge, conduct a common draft, and jointly auction television rights. The merger was good for the sport, stabilizing pro football while ensuring quality of competition. But Congress gave away the store to the NFL while getting almost nothing for the public in return.
The 1961 Sports Broadcasting Act was the first piece of gift-wrapped legislation, granting the leagues legal permission to conduct television-broadcast negotiations in a way that otherwise would have been price collusion. Then, in 1966, Congress enacted Public Law 89‑800, which broadened the limited antitrust exemptions of the 1961 law. Essentially, the 1966 statute said that if the two pro-football leagues of that era merged—they would complete such a merger four years later, forming the current NFL—the new entity could act as a monopoly regarding television rights. Apple or ExxonMobil can only dream of legal permission to function as a monopoly: the 1966 law was effectively a license for NFL owners to print money. Yet this sweetheart deal was offered to the NFL in exchange only for its promise not to schedule games on Friday nights or Saturdays in autumn, when many high schools and colleges play football.
Public Law 89-800 had no name—unlike, say, the catchy USA Patriot Act or the Patient Protection and Affordable Care Act. Congress presumably wanted the bill to be low-profile, given that its effect was to increase NFL owners’ wealth at the expense of average people.
While Public Law 89-800 was being negotiated with congressional leaders, NFL lobbyists tossed in the sort of obscure provision that is the essence of the lobbyist’s art. The phrase or professional football leagues was added to Section 501(c)6 of 26 U.S.C., the Internal Revenue Code. Previously, a sentence in Section 501(c)6 had granted not-for-profit status to “business leagues, chambers of commerce, real-estate boards, or boards of trade.” Since 1966, the code has read: “business leagues, chambers of commerce, real-estate boards, boards of trade, or professional football leagues.”
The insertion of professional football leagues into the definition of not-for-profit organizations was a transparent sellout of public interest. This decision has saved the NFL uncounted millions in tax obligations, which means that ordinary people must pay higher taxes, public spending must decline, or the national debt must increase to make up for the shortfall. Nonprofit status applies to the NFL’s headquarters, which administers the league and its all-important television contracts. Individual teams are for-profit and presumably pay income taxes—though because all except the Green Bay Packers are privately held and do not disclose their finances, it’s impossible to be sure.
by Gregg Easterbrook, The Atlantic | Read more:
Image: Matt Lehman
A Big Heart Open to God
This interview with Pope Francis took place over the course of three meetings during August 2013 in Rome. The interview was conducted in person by Antonio Spadaro, S.J., editor in chief of La Civiltà Cattolica, the Italian Jesuit journal. Father Spadaro conducted the interview on behalf of La Civiltà Cattolica,America and several other major Jesuit journals around the world.
The setting is simple, austere. The workspace occupied by the desk is small. I am impressed not only by the simplicity of the furniture, but also by the objects in the room. There are only a few. These include an icon of St. Francis, a statue of Our Lady of Luján, patron saint of Argentina, a crucifix and a statue of St. Joseph sleeping. The spirituality of Jorge Mario Bergoglio is not made of “harmonized energies,” as he would call them, but of human faces: Christ, St. Francis, St. Joseph and Mary.
The pope speaks of his trip to Brazil. He considers it a true grace, that World Youth Day was for him a “mystery.” He says that he is not used to talking to so many people: “I can look at individual persons, one at a time, to come into contact in a personal way with the person I have before me. I am not used to the masses,” the pope remarks. He also speaks about the moment during the conclave when he began to realize that he might be elected pope. At lunch on Wednesday, March 13, he felt a deep and inexplicable inner peace and comfort come over him, he said, along with a great darkness. And those feelings accompanied him until his election later that day.
The pope had spoken earlier about his great difficulty in giving interviews. He said that he prefers to think rather than provide answers on the spot in interviews. In this interview the pope interrupted what he was saying in response to a question several times, in order to add something to an earlier response. Talking with Pope Francis is a kind of volcanic flow of ideas that are bound up with each other. Even taking notes gives me an uncomfortable feeling, as if I were trying to suppress a surging spring of dialogue.
Who Is Jorge Mario Bergoglio?
I ask Pope Francis point-blank: “Who is Jorge Mario Bergoglio?” He stares at me in silence. I ask him if I may ask him this question. He nods and replies: “I do not know what might be the most fitting description.... I am a sinner. This is the most accurate definition. It is not a figure of speech, a literary genre. I am a sinner.”
The pope continues to reflect and concentrate, as if he did not expect this question, as if he were forced to reflect further. “Yes, perhaps I can say that I am a bit astute, that I can adapt to circumstances, but it is also true that I am a bit naïve. Yes, but the best summary, the one that comes more from the inside and I feel most true is this: I am a sinner whom the Lord has looked upon.” And he repeats: “I am one who is looked upon by the Lord. I always felt my motto, Miserando atque Eligendo [By Having Mercy and by Choosing Him], was very true for me.” (...)
“We need to proclaim the Gospel on every street corner,” the pope says, “preaching the good news of the kingdom and healing, even with our preaching, every kind of disease and wound. In Buenos Aires I used to receive letters from homosexual persons who are ‘socially wounded’ because they tell me that they feel like the church has always condemned them. But the church does not want to do this. During the return flight from Rio de Janeiro I said that if a homosexual person is of good will and is in search of God, I am no one to judge. By saying this, I said what the catechism says. Religion has the right to express its opinion in the service of the people, but God in creation has set us free: it is not possible to interfere spiritually in the life of a person.
“A person once asked me, in a provocative manner, if I approved of homosexuality. I replied with another question: ‘Tell me: when God looks at a gay person, does he endorse the existence of this person with love, or reject and condemn this person?’ We must always consider the person. Here we enter into the mystery of the human being. In life, God accompanies persons, and we must accompany them, starting from their situation. It is necessary to accompany them with mercy. When that happens, the Holy Spirit inspires the priest to say the right thing.
“This is also the great benefit of confession as a sacrament: evaluating case by case and discerning what is the best thing to do for a person who seeks God and grace. The confessional is not a torture chamber, but the place in which the Lord’s mercy motivates us to do better. I also consider the situation of a woman with a failed marriage in her past and who also had an abortion. Then this woman remarries, and she is now happy and has five children. That abortion in her past weighs heavily on her conscience and she sincerely regrets it. She would like to move forward in her Christian life. What is the confessor to do?
“We cannot insist only on issues related to abortion, gay marriage and the use of contraceptive methods. This is not possible. I have not spoken much about these things, and I was reprimanded for that. But when we speak about these issues, we have to talk about them in a context. The teaching of the church, for that matter, is clear and I am a son of the church, but it is not necessary to talk about these issues all the time.
“The dogmatic and moral teachings of the church are not all equivalent. The church’s pastoral ministry cannot be obsessed with the transmission of a disjointed multitude of doctrines to be imposed insistently. Proclamation in a missionary style focuses on the essentials, on the necessary things: this is also what fascinates and attracts more, what makes the heart burn, as it did for the disciples at Emmaus. We have to find a new balance; otherwise even the moral edifice of the church is likely to fall like a house of cards, losing the freshness and fragrance of the Gospel. The proposal of the Gospel must be more simple, profound, radiant. It is from this proposition that the moral consequences then flow.
The setting is simple, austere. The workspace occupied by the desk is small. I am impressed not only by the simplicity of the furniture, but also by the objects in the room. There are only a few. These include an icon of St. Francis, a statue of Our Lady of Luján, patron saint of Argentina, a crucifix and a statue of St. Joseph sleeping. The spirituality of Jorge Mario Bergoglio is not made of “harmonized energies,” as he would call them, but of human faces: Christ, St. Francis, St. Joseph and Mary.The pope speaks of his trip to Brazil. He considers it a true grace, that World Youth Day was for him a “mystery.” He says that he is not used to talking to so many people: “I can look at individual persons, one at a time, to come into contact in a personal way with the person I have before me. I am not used to the masses,” the pope remarks. He also speaks about the moment during the conclave when he began to realize that he might be elected pope. At lunch on Wednesday, March 13, he felt a deep and inexplicable inner peace and comfort come over him, he said, along with a great darkness. And those feelings accompanied him until his election later that day.
The pope had spoken earlier about his great difficulty in giving interviews. He said that he prefers to think rather than provide answers on the spot in interviews. In this interview the pope interrupted what he was saying in response to a question several times, in order to add something to an earlier response. Talking with Pope Francis is a kind of volcanic flow of ideas that are bound up with each other. Even taking notes gives me an uncomfortable feeling, as if I were trying to suppress a surging spring of dialogue.
Who Is Jorge Mario Bergoglio?
I ask Pope Francis point-blank: “Who is Jorge Mario Bergoglio?” He stares at me in silence. I ask him if I may ask him this question. He nods and replies: “I do not know what might be the most fitting description.... I am a sinner. This is the most accurate definition. It is not a figure of speech, a literary genre. I am a sinner.”
The pope continues to reflect and concentrate, as if he did not expect this question, as if he were forced to reflect further. “Yes, perhaps I can say that I am a bit astute, that I can adapt to circumstances, but it is also true that I am a bit naïve. Yes, but the best summary, the one that comes more from the inside and I feel most true is this: I am a sinner whom the Lord has looked upon.” And he repeats: “I am one who is looked upon by the Lord. I always felt my motto, Miserando atque Eligendo [By Having Mercy and by Choosing Him], was very true for me.” (...)
“We need to proclaim the Gospel on every street corner,” the pope says, “preaching the good news of the kingdom and healing, even with our preaching, every kind of disease and wound. In Buenos Aires I used to receive letters from homosexual persons who are ‘socially wounded’ because they tell me that they feel like the church has always condemned them. But the church does not want to do this. During the return flight from Rio de Janeiro I said that if a homosexual person is of good will and is in search of God, I am no one to judge. By saying this, I said what the catechism says. Religion has the right to express its opinion in the service of the people, but God in creation has set us free: it is not possible to interfere spiritually in the life of a person.
“A person once asked me, in a provocative manner, if I approved of homosexuality. I replied with another question: ‘Tell me: when God looks at a gay person, does he endorse the existence of this person with love, or reject and condemn this person?’ We must always consider the person. Here we enter into the mystery of the human being. In life, God accompanies persons, and we must accompany them, starting from their situation. It is necessary to accompany them with mercy. When that happens, the Holy Spirit inspires the priest to say the right thing.
“This is also the great benefit of confession as a sacrament: evaluating case by case and discerning what is the best thing to do for a person who seeks God and grace. The confessional is not a torture chamber, but the place in which the Lord’s mercy motivates us to do better. I also consider the situation of a woman with a failed marriage in her past and who also had an abortion. Then this woman remarries, and she is now happy and has five children. That abortion in her past weighs heavily on her conscience and she sincerely regrets it. She would like to move forward in her Christian life. What is the confessor to do?
“We cannot insist only on issues related to abortion, gay marriage and the use of contraceptive methods. This is not possible. I have not spoken much about these things, and I was reprimanded for that. But when we speak about these issues, we have to talk about them in a context. The teaching of the church, for that matter, is clear and I am a son of the church, but it is not necessary to talk about these issues all the time.
“The dogmatic and moral teachings of the church are not all equivalent. The church’s pastoral ministry cannot be obsessed with the transmission of a disjointed multitude of doctrines to be imposed insistently. Proclamation in a missionary style focuses on the essentials, on the necessary things: this is also what fascinates and attracts more, what makes the heart burn, as it did for the disciples at Emmaus. We have to find a new balance; otherwise even the moral edifice of the church is likely to fall like a house of cards, losing the freshness and fragrance of the Gospel. The proposal of the Gospel must be more simple, profound, radiant. It is from this proposition that the moral consequences then flow.
by Antonio Spadaro, S.J., America | Read more:
Image: uncredited
Phil Mickelson
Lob shot off a tight lie (over a cameraman)
Backward shot
From Cocaine to Fascism
In 1920, at the age of just twenty-seven, a young Italian named Dino Segre, writing under the pen name Pitigrilli, achieved notoriety with a book of short stories called Luxurious Breasts, followed the next year by the novel Cocaine and a second book of stories entitled The Chastity Belt.
Behind Italy’s official façade of bourgeois morality, traditional family life, and patriotism, Pitigrilli saw a world driven by sex, power and greed, in which adultery, illegitimate children, and hypocrisy were the order of the day and husbands and wives were little more than respectable-seeming pimps and prostitutes. Born in Turin, Segre himself had been the illegitimate child of a Jewish father—also named Dino Segre—and a young Catholic mother. (His father did not marry his mother until their child was eight years old.) In his work he delighted in turning conventional morality on its head, along with most of the Ten Commandments:
The principal occupation of the characters of Cocaine is distracting themselves from the horrors of real life. In searching for any kind of thrill or stimulation, they resort to “the fashionable poisons of the moment, the wild exaltation they produce, the craze for ether and chloroform and the white Bolivian powder that produces hallucinations.” As Tito’s lover (or one of his lovers), Kalantan, tells him:
by Alexander Stille, NY Review of Books | Read more:
Image: Benito Mussolini; drawing by David Levine
Behind Italy’s official façade of bourgeois morality, traditional family life, and patriotism, Pitigrilli saw a world driven by sex, power and greed, in which adultery, illegitimate children, and hypocrisy were the order of the day and husbands and wives were little more than respectable-seeming pimps and prostitutes. Born in Turin, Segre himself had been the illegitimate child of a Jewish father—also named Dino Segre—and a young Catholic mother. (His father did not marry his mother until their child was eight years old.) In his work he delighted in turning conventional morality on its head, along with most of the Ten Commandments:
Never tell the truth. A lie is a weapon. I speak of useful, necessary lies. A useless lie is as unpleasant and odious as a useless homicide… (...)In Cocaine, perhaps his most successful effort at a sustained narrative, Pitigrilli describes a world of cocaine dens, gambling parlors, orgies, lewd entertainment, and séances. His main character Tito Arnaudi is a failed medical student who has just been hired as a journalist in Paris, where begins to investigate cocaine dens in order to write an article for a Paris newspaper appropriately named The Fleeting Moment. In the course of his research, he indulges in the white powder, which for a time acts as a kind of welcome balm, giving one “a sense not just of euphoria, but of boundless optimism and a special kind of receptivity to insults.”
The principal occupation of the characters of Cocaine is distracting themselves from the horrors of real life. In searching for any kind of thrill or stimulation, they resort to “the fashionable poisons of the moment, the wild exaltation they produce, the craze for ether and chloroform and the white Bolivian powder that produces hallucinations.” As Tito’s lover (or one of his lovers), Kalantan, tells him:
“There’s still hope for you…. You haven’t yet got to the stage of tremendous depression, of insuperable melancholy. Now you smile when you have the powder in your blood. You’re at the early stage in which you go back to childhood.”
She spoke to him as to a child, though they were both of the same age. Cocaine achieves the cruel miracle of distorting time.Kalantan is a wealthy Armenian woman whom Tito meets on the cusp of widowhood. A drug addict as well, she keeps a black coffin in her bedroom for making love. She explains her curious habit thus:
It’s comfortable and delightful. When I die they’ll shut me up in it forever, and all the happiest memories of my life will be in it…. It also offers another advantage. When it’s over I’m left alone, all alone; it’s the man who has to go away. Afterwards I find the man disgusting. Forgive me for saying so, but afterwards men are always disgusting. Either they follow the satisfied male’s impulse and get up as quickly as they do from a dentist’s chair, or they stay close to me out of politeness or delicacy of feeling; and that revolts me, because there’s something in them that is no longer male.At a certain point, Tito’s two principal drugs, cocaine and sex, fuse in the figure of Maud, the main female character; Pitigrilli begins to call her Cocaine, since he becomes equally addicted to both at the same time. Maud too is a kind of addict, distracting herself by having sex with a procession of men, in some cases for money and in others for pleasure. She makes no effort to hide her activities from Tito, who follows her to South America in hopes of having her entirely to himself. The affair with Maud follows the course that addiction to cocaine generally follows: leading from initial euphoria to increasing desperation and psychological collapse. When Tito finally does himself in, Maud and Tito’s best friend Pietro attend to him on his deathbed. Struck by Tito’s final despair, they vow to give up their lives of excess but soon fall into bed with one another, ending the novel on a note of Pitigrillian cynicism, in which despair is leavened by bitter laughter.
by Alexander Stille, NY Review of Books | Read more:
Image: Benito Mussolini; drawing by David Levine
Seeing Straight
Look around the room you are sitting in now. How many right angles can you see? Book-spines, the ceiling, picture frames, door panels, the capital T and L at the bottom of this page, this page itself. Now spare a thought for a young domestic servant working at a Christian mission in Malawi in the late nineteenth century, whose experience was recorded by Robert Laws inWomen’s Work at Livingstonia (1886):
“In laying the table there is trouble for the girl. At home her house is round; a straight line and the right angle are unknown to her . . . . Day after day therefore she will lay the cloth with the folds anything but parallel with one edge of the table. Plates, knives and forks are set down in a confusing manner, and it is only after lessons often repeated and much annoyance that she begins to see how things might be done.”
Vision is a form of cognition: the kinds of things we see shape the ways we think. That is why it is so hard to imagine the visual experience of our prehistoric ancestors, or, for that matter, the girls of nineteenth-century Malawi, who lived in a world without right angles. Inhabitants of, say, late Neolithic Orkney would only have seen a handful of perpendicular lines a day: tools, shaped stones, perhaps some simple geometric decoration on a pot. For the most part, their world was curved: circular buildings, round tombs, stone circles, rounded clay vessels.
What does a round building mean? Does it mean anything, or is the choice of one shape of house over another simply a matter of practicalities? It is, for instance, easy to build extensions on to a rectangular building, since extra rooms can simply be added onto the sides or end; if the owners of an Iron Age roundhouse want a bigger living room, they have little choice but to knock the whole thing down and start again. Roundhouses are more storm- and wind-resistant, while parts of a rectangular house can more easily be partitioned or closed off, to provide privacy or a secure storage place. But this is obviously not the whole story. None of these practical arguments applies to a burial mound, which might as well take the form of a rectangular barrow as a round tumulus. So when we find that prehistoric Europeans who lived in roundhouses also tended to build circular wall circuits around their towns, to erect round tombs to their dead, and to worship their gods in circular temples or enclosures, it becomes clear – as Richard Bradley argues in his absorbing new book – that we are dealing not solely, or even primarily, with a practical choice, but with a particular way of seeing the world: an “Idea of Order”, as his title suggests.
Circles, unlike rectangles, are common in the natural world (fungi, the moon, the pupil of the human eye), and it is probably no coincidence that, with a few exceptions, prehistoric Europeans seem to have started off as circle-people. Roundhouses have traditionally been favoured by hunter-gatherers and pastoralist societies, while farmers prefer rectilinear structures (round cattle-byres, but square barns). Conversion to the right angle came at different points in different regions. In Britain, a long local tradition of roundhouses went into a steep decline after the Roman conquest, although, as Bradley notes, the inhabitants of Roman Britain and northern Gaul retained a most un-Roman preference for circular temples right down through the Roman period. The last part of Europe to retain a strong tradition of round buildings was Ireland, where circular earthworks (“raths”) and roundhouses remained the norm well into the early medieval period. Royal centres like Tara and Uisneach continued to be dominated by great circular and figure-of-eight enclosures. It was only with the Christianization of Ireland that the right angle finally triumphed here too: the early medieval island hermitage of Illaunloughan contained four traditional roundhouses but, ominously, a square Christian church and shrine, reflecting the shape of things to come.
“In laying the table there is trouble for the girl. At home her house is round; a straight line and the right angle are unknown to her . . . . Day after day therefore she will lay the cloth with the folds anything but parallel with one edge of the table. Plates, knives and forks are set down in a confusing manner, and it is only after lessons often repeated and much annoyance that she begins to see how things might be done.”Vision is a form of cognition: the kinds of things we see shape the ways we think. That is why it is so hard to imagine the visual experience of our prehistoric ancestors, or, for that matter, the girls of nineteenth-century Malawi, who lived in a world without right angles. Inhabitants of, say, late Neolithic Orkney would only have seen a handful of perpendicular lines a day: tools, shaped stones, perhaps some simple geometric decoration on a pot. For the most part, their world was curved: circular buildings, round tombs, stone circles, rounded clay vessels.
What does a round building mean? Does it mean anything, or is the choice of one shape of house over another simply a matter of practicalities? It is, for instance, easy to build extensions on to a rectangular building, since extra rooms can simply be added onto the sides or end; if the owners of an Iron Age roundhouse want a bigger living room, they have little choice but to knock the whole thing down and start again. Roundhouses are more storm- and wind-resistant, while parts of a rectangular house can more easily be partitioned or closed off, to provide privacy or a secure storage place. But this is obviously not the whole story. None of these practical arguments applies to a burial mound, which might as well take the form of a rectangular barrow as a round tumulus. So when we find that prehistoric Europeans who lived in roundhouses also tended to build circular wall circuits around their towns, to erect round tombs to their dead, and to worship their gods in circular temples or enclosures, it becomes clear – as Richard Bradley argues in his absorbing new book – that we are dealing not solely, or even primarily, with a practical choice, but with a particular way of seeing the world: an “Idea of Order”, as his title suggests.
Circles, unlike rectangles, are common in the natural world (fungi, the moon, the pupil of the human eye), and it is probably no coincidence that, with a few exceptions, prehistoric Europeans seem to have started off as circle-people. Roundhouses have traditionally been favoured by hunter-gatherers and pastoralist societies, while farmers prefer rectilinear structures (round cattle-byres, but square barns). Conversion to the right angle came at different points in different regions. In Britain, a long local tradition of roundhouses went into a steep decline after the Roman conquest, although, as Bradley notes, the inhabitants of Roman Britain and northern Gaul retained a most un-Roman preference for circular temples right down through the Roman period. The last part of Europe to retain a strong tradition of round buildings was Ireland, where circular earthworks (“raths”) and roundhouses remained the norm well into the early medieval period. Royal centres like Tara and Uisneach continued to be dominated by great circular and figure-of-eight enclosures. It was only with the Christianization of Ireland that the right angle finally triumphed here too: the early medieval island hermitage of Illaunloughan contained four traditional roundhouses but, ominously, a square Christian church and shrine, reflecting the shape of things to come.
by Peter Thonemann, TLS | Read more:
Image: Boscawen-Un Stone Circle, St Buryan, Cornwall. Robert Harding/Getty ImagesA Jewel at the Heart of Quantum Physics
Physicists have discovered a jewel-like geometric object that dramatically simplifies calculations of particle interactions and challenges the notion that space and time are fundamental components of reality.
“This is completely new and very much simpler than anything that has been done before,” said Andrew Hodges, a mathematical physicist at Oxford University who has been following the work.
The revelation that particle interactions, the most basic events in nature, may be consequences of geometry significantly advances a decades-long effort to reformulate quantum field theory, the body of laws describing elementary particles and their interactions. Interactions that were previously calculated with mathematical formulas thousands of terms long can now be described by computing the volume of the corresponding jewel-like “amplituhedron,” which yields an equivalent one-term expression.
“The degree of efficiency is mind-boggling,” said Jacob Bourjaily, a theoretical physicist at Harvard University and one of the researchers who developed the new idea. “You can easily do, on paper, computations that were infeasible even with a computer before.” (...)
The amplituhedron looks like an intricate, multifaceted jewel in higher dimensions. Encoded in its volume are the most basic features of reality that can be calculated, “scattering amplitudes,” which represent the likelihood that a certain set of particles will turn into certain other particles upon colliding. These numbers are what particle physicists calculate and test to high precision at particle accelerators like the Large Hadron Collider in Switzerland.
The 60-year-old method for calculating scattering amplitudes — a major innovation at the time — was pioneered by the Nobel Prize-winning physicist Richard Feynman. He sketched line drawings of all the ways a scattering process could occur and then summed the likelihoods of the different drawings. The simplest Feynman diagrams look like trees: The particles involved in a collision come together like roots, and the particles that result shoot out like branches. More complicated diagrams have loops, where colliding particles turn into unobservable “virtual particles” that interact with each other before branching out as real final products. There are diagrams with one loop, two loops, three loops and so on — increasingly baroque iterations of the scattering process that contribute progressively less to its total amplitude. Virtual particles are never observed in nature, but they were considered mathematically necessary for unitarity — the requirement that probabilities sum to one.
“The number of Feynman diagrams is so explosively large that even computations of really simple processes weren’t done until the age of computers,” Bourjaily said. A seemingly simple event, such as two subatomic particles called gluons colliding to produce four less energetic gluons (which happens billions of times a second during collisions at the Large Hadron Collider), involves 220 diagrams, which collectively contribute thousands of terms to the calculation of the scattering amplitude.
In 1986, it became apparent that Feynman’s apparatus was a Rube Goldberg machine.
To prepare for the construction of the Superconducting Super Collider in Texas (a project that was later canceled), theorists wanted to calculate the scattering amplitudes of known particle interactions to establish a background against which interesting or exotic signals would stand out. But even 2-gluon to 4-gluon processes were so complex, a group of physicists had written two years earlier, “that they may not be evaluated in the foreseeable future.”
Stephen Parke and Tommy Taylor, theorists at Fermi National Accelerator Laboratory in Illinois, took that statement as a challenge. Using a few mathematical tricks, they managed to simplify the 2-gluon to 4-gluon amplitude calculation from several billion terms to a 9-page-long formula, which a 1980s supercomputer could handle. Then, based on a pattern they observed in the scattering amplitudes of other gluon interactions, Parke and Taylor guessed a simple one-term expression for the amplitude. It was, the computer verified, equivalent to the 9-page formula. In other words, the traditional machinery of quantum field theory, involving hundreds of Feynman diagrams worth thousands of mathematical terms, was obfuscating something much simpler. As Bourjaily put it: “Why are you summing up millions of things when the answer is just one function?”
“We knew at the time that we had an important result,” Parke said. “We knew it instantly. But what to do with it?”
by Natalie Wolchover, Quanta | Read more:
“This is completely new and very much simpler than anything that has been done before,” said Andrew Hodges, a mathematical physicist at Oxford University who has been following the work.
The revelation that particle interactions, the most basic events in nature, may be consequences of geometry significantly advances a decades-long effort to reformulate quantum field theory, the body of laws describing elementary particles and their interactions. Interactions that were previously calculated with mathematical formulas thousands of terms long can now be described by computing the volume of the corresponding jewel-like “amplituhedron,” which yields an equivalent one-term expression.
“The degree of efficiency is mind-boggling,” said Jacob Bourjaily, a theoretical physicist at Harvard University and one of the researchers who developed the new idea. “You can easily do, on paper, computations that were infeasible even with a computer before.” (...)
The amplituhedron looks like an intricate, multifaceted jewel in higher dimensions. Encoded in its volume are the most basic features of reality that can be calculated, “scattering amplitudes,” which represent the likelihood that a certain set of particles will turn into certain other particles upon colliding. These numbers are what particle physicists calculate and test to high precision at particle accelerators like the Large Hadron Collider in Switzerland.
The 60-year-old method for calculating scattering amplitudes — a major innovation at the time — was pioneered by the Nobel Prize-winning physicist Richard Feynman. He sketched line drawings of all the ways a scattering process could occur and then summed the likelihoods of the different drawings. The simplest Feynman diagrams look like trees: The particles involved in a collision come together like roots, and the particles that result shoot out like branches. More complicated diagrams have loops, where colliding particles turn into unobservable “virtual particles” that interact with each other before branching out as real final products. There are diagrams with one loop, two loops, three loops and so on — increasingly baroque iterations of the scattering process that contribute progressively less to its total amplitude. Virtual particles are never observed in nature, but they were considered mathematically necessary for unitarity — the requirement that probabilities sum to one.
“The number of Feynman diagrams is so explosively large that even computations of really simple processes weren’t done until the age of computers,” Bourjaily said. A seemingly simple event, such as two subatomic particles called gluons colliding to produce four less energetic gluons (which happens billions of times a second during collisions at the Large Hadron Collider), involves 220 diagrams, which collectively contribute thousands of terms to the calculation of the scattering amplitude.
In 1986, it became apparent that Feynman’s apparatus was a Rube Goldberg machine.
To prepare for the construction of the Superconducting Super Collider in Texas (a project that was later canceled), theorists wanted to calculate the scattering amplitudes of known particle interactions to establish a background against which interesting or exotic signals would stand out. But even 2-gluon to 4-gluon processes were so complex, a group of physicists had written two years earlier, “that they may not be evaluated in the foreseeable future.”
Stephen Parke and Tommy Taylor, theorists at Fermi National Accelerator Laboratory in Illinois, took that statement as a challenge. Using a few mathematical tricks, they managed to simplify the 2-gluon to 4-gluon amplitude calculation from several billion terms to a 9-page-long formula, which a 1980s supercomputer could handle. Then, based on a pattern they observed in the scattering amplitudes of other gluon interactions, Parke and Taylor guessed a simple one-term expression for the amplitude. It was, the computer verified, equivalent to the 9-page formula. In other words, the traditional machinery of quantum field theory, involving hundreds of Feynman diagrams worth thousands of mathematical terms, was obfuscating something much simpler. As Bourjaily put it: “Why are you summing up millions of things when the answer is just one function?”
“We knew at the time that we had an important result,” Parke said. “We knew it instantly. But what to do with it?”
by Natalie Wolchover, Quanta | Read more:
Image: Andy Gilmore
Wednesday, September 18, 2013
Boz Scaggs
[ed. Still one of my favorites -- including the killer track Loan Me A Dime with Duane Allman.]
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