[ed. Winner of this year's Pulitzer prize for feature writing.]
The prosecutor wanted to know about window coverings. He asked: Which windows in the house on South Rose Street, the house where you woke up to him standing over you with a knife that night—which windows had curtains that blocked out the rest of the world and which did not?
She answered the prosecutor's questions, pointing to a map of the small South Park home she used to share with her partner, Teresa Butz, a downtown Seattle property manager. When the two of them lived in this house, it was red, a bit run-down, much loved, filled with their lives together, typical of the neighborhood. Now it was a two-dimensional schematic, State's Exhibit 2, set on an easel next to the witness stand. She narrated with a red laser pointer for the prosecutor and the jury: These windows had curtains that couldn't be seen through. These windows had just a sheer fabric.
Would your silhouettes have been visible through that sheer fabric at night?
Probably. She didn't know for sure. When she and her partner lived in the house, she noted, "I didn't spend a lot of time staring in my own windows."
Everyone in the courtroom laughed a small laugh—a laugh of nervous relief, because here was a woman testifying about her own rape, and the rape and murder of her partner, and yet she was smiling at the current line of questioning, at the weird perceptual cul-de-sac to which it led. She appeared to understand why people might need to hear these answers, though. What happened to her and Butz in that house in the early morning hours of July 19, 2009, is hard to comprehend. A juror, in order to ease into the reality of what occurred, might first need to imagine how the man picked these two women. At least, then, there'd be some sort of arc to the story.
Maybe he stalked them, looked in their windows, decided they would be his victims. A young South Park girl named Diana Ramirez had already told the court that the man looked familiar. "His eyes," Ramirez said. The prosecutor had also pointed out that the women only had a partial fence in their backyard, the yard where they liked to sit on warm evenings, staring at the sky above the South Park Community Center and the trees in the large surrounding park. It would have been easy for the man to approach their home, unseen, through this park at night.
Maybe he'd noticed the women around the neighborhood during the day, both attractive, both shorter than him, working in their front yard, or attending a local festival, or heading to and from their favorite bar, Loretta's. That July it was unusually hot. Butz, a brown-haired dynamo raised in much hotter St. Louis summers, thought it ridiculous to install air conditioning in Seattle, the court was told. Maybe the man saw that these women were keeping some windows open at night.
Maybe he also saw their love for each other, noticed it in silhouette or on a sidewalk, a love that was exploding that summer, making them inseparable, a love that had grown into plans for a commitment ceremony that fall. Maybe he realized he could turn that love against them, mercilessly, use it to control them in their own home, each subdued by the threat that he would kill the other.
They were two and he was one. But maybe he saw that, in a sense, they were one. He was six feet tall, 200 pounds, muscled. He would have two knives with him. Maybe, looking through one of their windows, he thought that if it did become a fight, the numbers would be on his side.
by Eli Sanders, The Stranger | Read more:
Illustration: Aaron Bagley
