Why are so many Americans living by themselves?
As reliably as autumn brings Orion to the night sky, spring each year sends a curious constellation to the multiplex: a minor cluster of romantic comedies and the couples who traipse through them, searching for love. These tend not to be people who have normal problems. She is poised, wildly successful in an ulcer-making job, lonely. He is sensitive, creative, equipped with a mysteriously vast apartment, unattached. For all these resources, nothing can allay their solitude. He tries to cook. She collects old LPs. He seeks love in the arms of chatty narcissists. She pulls all-nighters in her office. Eventually, her best friend, who may also be her divorced mother, tells her that something needs to change: she’s squandering her golden years; she’ll end up forlorn and alone. Across town, his stout buddy, who is married to someone named Debbee, rhapsodizes about the pleasures of cohabitation. None of this is helpful. As the movie’s first act nears its end point, we spy our heroine in the primal scene of rom-com solitude: curled up on her couch, wearing lounge pants, quaffing her third glass of wine, and excavating an enormous box of Dreyer’s. She is watching the same TV show that he is (whiskey half drained on his coffee table, Chinese takeout in his lap), and although this fact assures us of a destined romance, it is not so useful for the people on the screen. They are alone; their lives are grim. The show they’re watching seems, from the explosive flickering, to be about the invasion of Poland.
Few things are less welcome today than protracted solitude—a life style that, for many people, has the taint of loserdom and brings to mind such characters as Ted Kaczynski and Shrek. Does aloneness deserve a less untoward image? Aside from monastic seclusion, which is just another way of being together, it is hard to come up with a solitary life that doesn’t invite pity, or an enviable loner who’s not cheating the rules. (Even Henry David Thoreau, for all his bluster about solitude, ambled regularly into Concord for his mother’s cooking and the local bars.) Meanwhile, the culture’s data pool is filled with evidence of virtuous togetherness. “The Brady Bunch.” The March on Washington. The Yankees, in 2009. Alone, we’re told, is where you end up when these enterprises go south.
And yet the reputation of modern solitude is puzzling, because the traits enabling a solitary life—financial stability, spiritual autonomy, the wherewithal to buy more dishwashing detergent when the box runs out—are those our culture prizes. Plus, recent demographic shifts suggest that aloneness, far from fading out in our connected age, is on its way in. In 1950, four million people in this country lived alone. These days, there are almost eight times as many, thirty-one million. Americans are getting married later than ever (the average age of first marriage for men is twenty-eight), and bailing on domestic life with alacrity (half of modern unions are expected to end in divorce). Today, more than fifty per cent of U.S. residents are single, nearly a third of all households have just one resident, and five million adults younger than thirty-five live alone. This may or may not prove a useful thing to know on certain Saturday nights.
by Nathan Heller, New Yorker | Read more:
Illustration: Jean-François Martin
As reliably as autumn brings Orion to the night sky, spring each year sends a curious constellation to the multiplex: a minor cluster of romantic comedies and the couples who traipse through them, searching for love. These tend not to be people who have normal problems. She is poised, wildly successful in an ulcer-making job, lonely. He is sensitive, creative, equipped with a mysteriously vast apartment, unattached. For all these resources, nothing can allay their solitude. He tries to cook. She collects old LPs. He seeks love in the arms of chatty narcissists. She pulls all-nighters in her office. Eventually, her best friend, who may also be her divorced mother, tells her that something needs to change: she’s squandering her golden years; she’ll end up forlorn and alone. Across town, his stout buddy, who is married to someone named Debbee, rhapsodizes about the pleasures of cohabitation. None of this is helpful. As the movie’s first act nears its end point, we spy our heroine in the primal scene of rom-com solitude: curled up on her couch, wearing lounge pants, quaffing her third glass of wine, and excavating an enormous box of Dreyer’s. She is watching the same TV show that he is (whiskey half drained on his coffee table, Chinese takeout in his lap), and although this fact assures us of a destined romance, it is not so useful for the people on the screen. They are alone; their lives are grim. The show they’re watching seems, from the explosive flickering, to be about the invasion of Poland.Few things are less welcome today than protracted solitude—a life style that, for many people, has the taint of loserdom and brings to mind such characters as Ted Kaczynski and Shrek. Does aloneness deserve a less untoward image? Aside from monastic seclusion, which is just another way of being together, it is hard to come up with a solitary life that doesn’t invite pity, or an enviable loner who’s not cheating the rules. (Even Henry David Thoreau, for all his bluster about solitude, ambled regularly into Concord for his mother’s cooking and the local bars.) Meanwhile, the culture’s data pool is filled with evidence of virtuous togetherness. “The Brady Bunch.” The March on Washington. The Yankees, in 2009. Alone, we’re told, is where you end up when these enterprises go south.
And yet the reputation of modern solitude is puzzling, because the traits enabling a solitary life—financial stability, spiritual autonomy, the wherewithal to buy more dishwashing detergent when the box runs out—are those our culture prizes. Plus, recent demographic shifts suggest that aloneness, far from fading out in our connected age, is on its way in. In 1950, four million people in this country lived alone. These days, there are almost eight times as many, thirty-one million. Americans are getting married later than ever (the average age of first marriage for men is twenty-eight), and bailing on domestic life with alacrity (half of modern unions are expected to end in divorce). Today, more than fifty per cent of U.S. residents are single, nearly a third of all households have just one resident, and five million adults younger than thirty-five live alone. This may or may not prove a useful thing to know on certain Saturday nights.
by Nathan Heller, New Yorker | Read more:
Illustration: Jean-François Martin
