You could say, with partial plagiarism: It was the best of nights. It was the worst of nights.
I remember thinking that it might be a long time before I saw so many happy people in one place. The place was Carnegie Hall and the people were fans — worshipers might be the more appropriate word — of Groucho Marx.
At least half the eager throng was a young, college-type crowd; it was at the peak of the time when the Marx Brothers — and I, to some extent — were campus heroes. The controversial (mildly put) Erin Fleming (see previous column), the young woman who was running Groucho’s life and household for both good and ill — had hauled the frail fellow out into public once more.
To the dismay of friends and relatives, who feared that in these sadly waning years, Groucho, with formidable powers decreasing noticeably, lacked the stamina, let alone the desire to perform again, Erin had lined up a series of “concerts,” the true purpose of which many felt was less to get Groucho back in the limelight than to get Fleming into it with him.
There were two fears. Would he be physically able to get through a full-length concert, enfeebled as he was most days then, and what would it do to him if only a handful of people showed up? Could he survive that? That last fear proved unfounded.
When the big night came, I had the cabdriver let me off out front, instead of at the stage door, to assess the crowd.
There was a touching aspect to the milling, chatting, laughing throng. Some carried pictures of Groucho and his siblings, some had painted on Groucho mustaches. Hurrying back to the stage door I must have seen at least a dozen fully-got-up Grouchos complete with swallow-tail coat. There were even a few Harpos and Chicos. (I saw no Zeppos.) Nice kids in a troubled time.
It was 1972 — not a nice time in the country — and there was something so sweet about these kids that I couldn’t manage to ditch the thought that some equally nice kids might have loved to be there but for their having been, just two years earlier, shot dead by the National Guard at Kent State.
Pushing dark thoughts aside, I went inside and up to the dressing room. I recall now that the words and melody of Groucho’s friend Harry Ruby’s “Everyone Says I Love You” began to play in my head in Groucho’s voice, sung by him on my show a few years earlier. This was going to be a great evening.
I entered the dressing room and was horrified. Groucho was slumped on a couch looking more frail and papery than I had ever seen him. The famous voice was a hoarse whisper. I thought of those milling kids outside in a near frenzy to see their hero and here he (all but) lay before me, looking like moribundity warmed over. Clearly it would be a miracle if we could get him downstairs and to the stage, let alone through a two-hour concert.
“How do you feel, Grouch?” I asked with forced brightness.
“Tired.”
by Dick Cavett, NY Times | Read more:
Photo: Wikipedia
I remember thinking that it might be a long time before I saw so many happy people in one place. The place was Carnegie Hall and the people were fans — worshipers might be the more appropriate word — of Groucho Marx.
At least half the eager throng was a young, college-type crowd; it was at the peak of the time when the Marx Brothers — and I, to some extent — were campus heroes. The controversial (mildly put) Erin Fleming (see previous column), the young woman who was running Groucho’s life and household for both good and ill — had hauled the frail fellow out into public once more.To the dismay of friends and relatives, who feared that in these sadly waning years, Groucho, with formidable powers decreasing noticeably, lacked the stamina, let alone the desire to perform again, Erin had lined up a series of “concerts,” the true purpose of which many felt was less to get Groucho back in the limelight than to get Fleming into it with him.
There were two fears. Would he be physically able to get through a full-length concert, enfeebled as he was most days then, and what would it do to him if only a handful of people showed up? Could he survive that? That last fear proved unfounded.
When the big night came, I had the cabdriver let me off out front, instead of at the stage door, to assess the crowd.
There was a touching aspect to the milling, chatting, laughing throng. Some carried pictures of Groucho and his siblings, some had painted on Groucho mustaches. Hurrying back to the stage door I must have seen at least a dozen fully-got-up Grouchos complete with swallow-tail coat. There were even a few Harpos and Chicos. (I saw no Zeppos.) Nice kids in a troubled time.
It was 1972 — not a nice time in the country — and there was something so sweet about these kids that I couldn’t manage to ditch the thought that some equally nice kids might have loved to be there but for their having been, just two years earlier, shot dead by the National Guard at Kent State.
Pushing dark thoughts aside, I went inside and up to the dressing room. I recall now that the words and melody of Groucho’s friend Harry Ruby’s “Everyone Says I Love You” began to play in my head in Groucho’s voice, sung by him on my show a few years earlier. This was going to be a great evening.
I entered the dressing room and was horrified. Groucho was slumped on a couch looking more frail and papery than I had ever seen him. The famous voice was a hoarse whisper. I thought of those milling kids outside in a near frenzy to see their hero and here he (all but) lay before me, looking like moribundity warmed over. Clearly it would be a miracle if we could get him downstairs and to the stage, let alone through a two-hour concert.
“How do you feel, Grouch?” I asked with forced brightness.
“Tired.”
by Dick Cavett, NY Times | Read more:
Photo: Wikipedia
