On or about March 15 of this year, Teller — the smaller, quieter half of the magicians Penn & Teller — says he received an e-mail from a friend in New York. In that e-mail, the friend included a link to a video on YouTube called the Rose & Her Shadow. Teller, sitting at his computer in his Las Vegas home, within eyeshot of a large black escape cross once owned by Houdini, clicked on the link. The video lasted one minute and fifty-one seconds. "I had what I can only describe as a visceral reaction to it," Teller says today.
The video was posted by a magician who works under the stage name Gerard Bakardy; his real name is apparently Gerard Dogge. (Bakardy, a fifty-five-year-old Dutch national born in Belgium, is more than a magician; he prefers the title entertainer, because he's a musician, too. Along with his blond partner, Nadia, he was, until recently, part of a lounge act called Los Dos de Amberes, the Two from Antwerp, booked mostly in the resort of Fuerteventura on the Canary Islands off Spain. "A lovely way to spend an evening," they said in online advertisements that have since disappeared.) Leaning into his computer screen, Teller watched Bakardy perform some kind of trick.
Against a crimson curtain, Bakardy had erected an easel with what looked like a large pad of white paper on it. Perhaps six feet in front of the easel sat a small wood table bearing a glass Coke bottle filled with water. That bottle also contained a single rose. A spotlight, outside of the camera's view, cast the rose's shadow on the paper on the easel. Dressed in a dark suit, Bakardy appeared in the frame carrying a large knife in his right hand. He sliced it deep into the rose's shadow. And when he cut into its shadow, something impossible happened: The corresponding part of the rose fell off the stem and onto the table. Petal by petal, Bakardy cut at the rose's shadow until that Coke bottle somehow held only a decapitated stem, which he removed as though to demonstrate the absence of wires. He then lifted up the bottle itself — still no strings attached — and poured out the water. Ta-da.
The video ended with Bakardy's e-mail address and an offer to sell the props necessary for the Rose & Her Shadow for what turned out to be 2,450 euros, or about $3,050 at the time. In bold white type across the bottom of the screen, Bakardy left a final message for his fellow magicians, including a dumbstruck Teller: EASY TO PERFORM.
On or about March 22 of this year, Teller called Gerard Bakardy. They would talk many times on the phone, Teller says, and they would also exchange e-mails. Teller told Bakardy that the Rose & Her Shadow looked a little too much like a trick of his own called Shadows that he conceived when he was a teenager and has performed at nearly every one of his shows since 1975. If you saw Bakardy's version and only it, you would think that it was very good. To paraphrase Penn, it would be like hearing the Byrds play "Mr. Tambourine Man." Watching Teller performing Shadows is like hearing Dylan. (...)
Shadows is the most elusive sort of trick, beautiful and mystifying. It's also particularly ripe for theft, because it's small and self-contained. Penn's solo tricks might involve nail guns or fire eating, and together, Penn & Teller shoot pistols and risk asphyxiating each other inside giant bags of helium. But in Teller's solo tricks, in his silent, lonely tricks, the only props might be a red ball or a single rose in a vase and a knife. When Teller is just Teller — he has legally dropped his given name, Raymond, as needless clutter — his tricks are stripped down to their glowing white cores. (...)
Until Bakardy came along, Teller had never needed his copyright filings to stake a claim. "It's not like good manners and generosity are inappropriate ways to behave in the world," he says. When he has contacted light-fingered magicians in the past, they have always apologized and stopped performing the trick. For instance, he does a trick in which he spills handfuls of coins into a tank filled with water, and they somehow turn into living, breathing goldfish. It's a throat-catching effect, and a magician in Sweden, who had seen Teller performing the trick on TV, studied the tape and finally lifted it. After Teller called him, the magician said sorry, boxed up his props in a crate, minus the fish, and shipped them to Las Vegas.
This time around, Teller offered to pay Gerard Bakardy several thousand dollars for the time he spent working on the Rose & Her Shadow. He had to promise only that he would stop performing and selling the trick. Bakardy, after asking whether Teller might help him bring Los Dos de Amberes to America, countered with a higher price. No one will confirm exactly what that amount was, but it was allegedly more than $100,000. "It really wasn't possible for me to come to any terms," Teller says. "It ended up having certain elements that reminded me of a kidnapping."
Teller, who had already persuaded YouTube to take down the offending video, asked Bakardy whether his demands were firm. Bakardy said they were.
Teller had a decision to make.
by Chris Jones, Esquire | Read more:
The video was posted by a magician who works under the stage name Gerard Bakardy; his real name is apparently Gerard Dogge. (Bakardy, a fifty-five-year-old Dutch national born in Belgium, is more than a magician; he prefers the title entertainer, because he's a musician, too. Along with his blond partner, Nadia, he was, until recently, part of a lounge act called Los Dos de Amberes, the Two from Antwerp, booked mostly in the resort of Fuerteventura on the Canary Islands off Spain. "A lovely way to spend an evening," they said in online advertisements that have since disappeared.) Leaning into his computer screen, Teller watched Bakardy perform some kind of trick.
Against a crimson curtain, Bakardy had erected an easel with what looked like a large pad of white paper on it. Perhaps six feet in front of the easel sat a small wood table bearing a glass Coke bottle filled with water. That bottle also contained a single rose. A spotlight, outside of the camera's view, cast the rose's shadow on the paper on the easel. Dressed in a dark suit, Bakardy appeared in the frame carrying a large knife in his right hand. He sliced it deep into the rose's shadow. And when he cut into its shadow, something impossible happened: The corresponding part of the rose fell off the stem and onto the table. Petal by petal, Bakardy cut at the rose's shadow until that Coke bottle somehow held only a decapitated stem, which he removed as though to demonstrate the absence of wires. He then lifted up the bottle itself — still no strings attached — and poured out the water. Ta-da.
The video ended with Bakardy's e-mail address and an offer to sell the props necessary for the Rose & Her Shadow for what turned out to be 2,450 euros, or about $3,050 at the time. In bold white type across the bottom of the screen, Bakardy left a final message for his fellow magicians, including a dumbstruck Teller: EASY TO PERFORM.
On or about March 22 of this year, Teller called Gerard Bakardy. They would talk many times on the phone, Teller says, and they would also exchange e-mails. Teller told Bakardy that the Rose & Her Shadow looked a little too much like a trick of his own called Shadows that he conceived when he was a teenager and has performed at nearly every one of his shows since 1975. If you saw Bakardy's version and only it, you would think that it was very good. To paraphrase Penn, it would be like hearing the Byrds play "Mr. Tambourine Man." Watching Teller performing Shadows is like hearing Dylan. (...)
Shadows is the most elusive sort of trick, beautiful and mystifying. It's also particularly ripe for theft, because it's small and self-contained. Penn's solo tricks might involve nail guns or fire eating, and together, Penn & Teller shoot pistols and risk asphyxiating each other inside giant bags of helium. But in Teller's solo tricks, in his silent, lonely tricks, the only props might be a red ball or a single rose in a vase and a knife. When Teller is just Teller — he has legally dropped his given name, Raymond, as needless clutter — his tricks are stripped down to their glowing white cores. (...)
Until Bakardy came along, Teller had never needed his copyright filings to stake a claim. "It's not like good manners and generosity are inappropriate ways to behave in the world," he says. When he has contacted light-fingered magicians in the past, they have always apologized and stopped performing the trick. For instance, he does a trick in which he spills handfuls of coins into a tank filled with water, and they somehow turn into living, breathing goldfish. It's a throat-catching effect, and a magician in Sweden, who had seen Teller performing the trick on TV, studied the tape and finally lifted it. After Teller called him, the magician said sorry, boxed up his props in a crate, minus the fish, and shipped them to Las Vegas.
This time around, Teller offered to pay Gerard Bakardy several thousand dollars for the time he spent working on the Rose & Her Shadow. He had to promise only that he would stop performing and selling the trick. Bakardy, after asking whether Teller might help him bring Los Dos de Amberes to America, countered with a higher price. No one will confirm exactly what that amount was, but it was allegedly more than $100,000. "It really wasn't possible for me to come to any terms," Teller says. "It ended up having certain elements that reminded me of a kidnapping."
Teller, who had already persuaded YouTube to take down the offending video, asked Bakardy whether his demands were firm. Bakardy said they were.
Teller had a decision to make.
by Chris Jones, Esquire | Read more:
Photo: Peter Yang