Tuesday, October 30, 2012

The Bookstore Brain


If you could create a bookstore, what would you put in it? What would you exclude? Would you specialize in any particular genre? Would your organizing principle be quantity or quality, or would you devise a way to have both?

Nearly all bibliophiles—that peculiar breed of people who feel more at home in bookstores than in their actual homes—have at some point posed such questions and daydreamed about the utopian store they would construct in answer to them, the store that would smoothly combine expertise and aesthetic preference with comfort and commercial viability.

Except for the quixotically determined few who actually open a store, most book lovers must be content to tend to the garden of their own libraries. But for a few years, I had the chance to put speculation into practice. I worked at Housing Works Bookstore, one of the retail arms of the venerable New York H.I.V./AIDS nonprofit that was started in the nineteen-eighties by members of ACT UP. Like the organization’s thrift stores, the bookstore is run largely by volunteers and receives its stock entirely from donations. So at any given time, crowded under the steam pipes of the store’s basement and sub-basement, are scores of boxes of books—from publishers or magazines getting rid of their overflow, from the apartments of lifelong readers who have died, or simply from the shelves of New Yorkers who need to clear space. In those boxes is the raw material to make a bookstore. My job was to sift their contents, relying on my tastes and book-floor experience to select the stock. And influenced by the same fond madness that allows booksellers to continue to believe, despite overwhelming evidence to the contrary, that the book-buying public still wants their guidance, I am certain that you will be interested in reading an essay about book sorting. (...)

I have worked at four bookstores. Two were Barnes & Nobles, the unjustly maligned chain megastore. It’s true that the mind governing these stores is corporate, but the staff tends to be far better read and more informed than detractors allow, and the selection is large and egalitarian.

I worked, too, at the Strand bookstore, the Manhattan institution that boasts the impossible-to-verify claim of having eighteen miles of books. The Strand’s most distinctive characteristic is its lupine voracity. It opened on Book Row in the nineteen-twenties among dozens of other bookshops, but like some apex predator, it is the only one that has survived. It is hungry for your books—it wants to buy them cheap and sell them slightly less cheap. Watching the process is mesmerizing: A potential seller will appear and present the carefully culled fruits of his library. His books are instantly snatched up and spread like entrails over the counter. The grizzled buyers, who have worked at the store for decades, claw at them for a moment and then shout out a non-negotiable offer. Seconds later the man staggers away with two wrinkled tens and a kick in the behind. It’s rough handling, but the visitor benefits, because the sheer volume of the stock makes the browsing otherworldly.

But my favorite job was at Housing Works, where I stood at the sluice gates of the incoming book donations and was tasked with judging which ones would be elevated to the shelves on the book floor. Housing Works is a fascinating case study, because its floor inventory and its online inventory (also housed in the building’s basements) are separate entities. It’s almost like two bookstores in one—the first for browsing and surfing the serendipity of the stacks, the second for title-searched Internet ordering. On average there, thirty per cent of book sales are made in person and the remainder are made online. A book sorter needs to keep this ratio in mind when determining whether a book should go to the book floor or to the online division. Apart from that consideration, he follows his own lights. Here, for the curious, are some of the precepts that guided me.

by Sam Sacks, New Yorker |  Read more:
Illustration by Edel Rodriguez