Wednesday, July 3, 2013

I was a Manic Pixie Dream Girl

Like scabies and syphilis, Manic Pixie Dream Girls were with us long before they were accurately named. It was the critic Nathan Rabin who coined the term in a review of the film Elizabethtown, explaining that the character of the Manic Pixie Dream Girl "exists solely in the fevered imaginations of sensitive writer-directors to teach broodingly soulful young men to embrace life and its infinite mysteries and adventures". She pops up everywhere these days, in films and comics and novels and television, fascinating lonely geek dudes with her magical joie-de-vivre and boring the hell out of anybody who likes their women to exist in all four dimensions.

Writing about Doctor Who this week got me thinking about sexism in storytelling, and how we rely on lazy character creation in life just as we do in fiction. The Doctor has become the ultimate soulful brooding hero in need of a Manic Pixie Dream Girl to save him from the vortex of self-pity usually brought on by the death, disappearance or alternate-universe-abandonment of the last girl. We cannot have the Doctor brooding. A planet might explode somewhere, or he might decide to use his powers for evil, or his bow-tie might need adjusting. The companions of the past three years, since the most recent series reboot, have been the ultimate in lazy sexist tropification, any attempt at actually creating interesting female characters replaced by... That Girl. (...)

Manic Pixies, like other female archetypes, crop up in real life partly because fiction creates real life, particularly for those of us who grow up immersed in it. Women behave in ways that they find sanctioned in stories written by men who know better, and men and women seek out friends and partners who remind them of a girl they met in a book one day when they were young and longing.

For me, Manic Pixie Dream Girl was the story that fit. Of course, I didn't think of it in those terms; all I saw was that in the books and series I loved - mainly science fiction, comics and offbeat literature, not the mainstream films that would later make the MPDG trope famous - there were certain kinds of girl you could be, and if you weren't a busty bombshell, if you were maybe a bit weird and clever and brunette, there was another option.

And that's how I became a Manic Pixie Dream Girl. The basic physical and personality traits were already there, and some of it was doubtless honed by that learned girlish desire to please - because the posture does please people, particularly the kind of sad, bright, bookish young men who have often been my friends and lovers. I had the raw materials: I’m five feet nothing, petite and small-featured with skin the color of something left on the bottom of a pond for too long and messy hair that’s sometimes dyed a shocking shade of red or pink. At least, it was before I washed all the dye out last year, partly to stop soulful Zach-Braff-a-likes following me to the shops, and partly to stop myself getting smeary technicolour splotches all over the bathroom, as if a muppet had been horribly murdered.  (...)

I’m fascinated by this character and what she means to people, because the experience of being her - of playing her - is so wildly different than it seems to appear from the outside. In recent weeks I’ve filled in the gaps of classic Manic Pixie Dream Girl films I hadn’t already sat through, and I’m struck by how many of them claim to be ironic re-imaginings of a character trope that they fail to actually interrogate in any way. Irony is, of course, the last vestige of modern crypto-misogyny: all those lazy stereotypes and hurtful put-downs are definitely a joke, right up until they aren’t, and clearly you need a man to tell you when and if you’re supposed to take sexism seriously.

by Laurie Penny, TNS |  Read more:
Image: Zooey Deschanel, uncredited