Tuesday, September 10, 2013

The Bechdel Test


In her 1929 essay A Room of One's Own, Virginia Woolf observed about the literature of her time what the Bechdel test would later highlight in more recent fiction:
All these relationships between women, I thought, rapidly recalling the splendid gallery of fictitious women, are too simple. [...] And I tried to remember any case in the course of my reading where two women are represented as friends. [...] They are now and then mothers and daughters. But almost without exception they are shown in their relation to men. It was strange to think that all the great women of fiction were, until Jane Austen's day, not only seen by the other sex, but seen only in relation to the other sex. And how small a part of a woman’s life is that [...]
What is now known as the Bechdel test was introduced in Alison Bechdel's comic strip Dykes to Watch Out For. In a 1985 strip titled "The Rule", an unnamed female character says that she only watches a movie if it satisfies the following requirements:
  1. It has to have at least two women in it,
  2. who talk to each other,
  3. about something besides a man.
Bechdel credited the idea for the test to a friend and karate training partner, Liz Wallace.

The test has been described as "the standard by which feminist critics judge television, movies, books and other media", and moved into mainstream criticism in the 2010s. According to Neda Ulaby, the test still resonates because "it articulates something often missing in popular culture: not the number of women we see on screen, but the depth of their stories, and the range of their concerns." (...)

Application

Only a small proportion of films pass the Bechdel test, according to writer Charlie Stross and film director Jason Reitman. According to Mark Harris of Entertainment Weekly, if passing the test were mandatory, it would have jeopardized half of 2009's Academy Award for Best Picture nominees and would cut the length of the annual Comic-Con from five days to 45 minutes. Stross also noted that about half of the films that do pass the test only do so because the women talk about marriage or babies. Works that fail the test include some that are mainly about or aimed at women, or which do feature prominent female characters. The television series Sex and the City highlights its own failure to pass the test by having one of the four female main characters ask: "How does it happen that four such smart women have nothing to talk about but boyfriends? It's like seventh grade with bank accounts!"

Explanations that have been offered to explain why relatively few films pass the Bechdel test include the relative lack of diversity among scriptwriters, or their assumptions about the audience's preferences: A scriptwriting student at UCLA wrote in 2008 that she was told by professors that the audience "only wanted white, straight, male leads" and not, as she quoted a male industry professional as saying, "a bunch of women talking about whatever it is women talk about".

The website bechdeltest.com is a user-edited database of some 3,300 films classified by whether or not they pass the test, with the added requirement that the women must be named characters. As of July 2012, it listed 53% of these films as passing all three of the test's requirements, 11% as failing one (the women's conversations are about men), 25% as failing two (the women don't talk to each other) and 11% as failing all three (there are not two named female characters).

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