"In Germany, the Expressionist current triggered a wealth of exchanges between painters and dancers. While Laban embodied the new figure of the dancer as educator and theoretician, Mary Wigman, one of his pupils at the free community of Monte Verità , best epitomized the figure of woman beset with life and death urges, as illustrated in her famous Witch's dance. Wigman, who viewed herself as a dancer of humanity, proved equally fascinating to painters Emil Nolde and Ernst Ludwig Kirchner, not to mention her pupil Gret Palucca."
Monday, October 13, 2014
Dancing Through Life
"In Germany, the Expressionist current triggered a wealth of exchanges between painters and dancers. While Laban embodied the new figure of the dancer as educator and theoretician, Mary Wigman, one of his pupils at the free community of Monte Verità , best epitomized the figure of woman beset with life and death urges, as illustrated in her famous Witch's dance. Wigman, who viewed herself as a dancer of humanity, proved equally fascinating to painters Emil Nolde and Ernst Ludwig Kirchner, not to mention her pupil Gret Palucca."
