Sunday, October 12, 2014

Scheherazade

"I was a lamprey eel in a former life,” Scheherazade said once, as they lay in bed together. It was a simple, straightforward comment, as offhand as if she had announced that the North Pole was in the far north. Habara hadn’t a clue what sort of creature a lamprey was, much less what one looked like. So he had no particular opinion on the subject.

“Do you know how a lamprey eats a trout?” she asked.

He didn’t. In fact, it was the first time he’d heard that lampreys ate trout.

“Lampreys have no jaws. That’s what sets them apart from other eels.”

“Huh? Eels have jaws?”

“Haven’t you ever taken a good look at one?” she said, surprised.

“I do eat eel now and then, but I’ve never had an opportunity to see if they have jaws.”

“Well, you should check it out sometime. Go to an aquarium or someplace like that. Regular eels have jaws with teeth. But lampreys have only suckers, which they use to attach themselves to rocks at the bottom of a river or lake. Then they just kind of float there, waving back and forth, like weeds.”

Habara imagined a bunch of lampreys swaying like weeds at the bottom of a lake. The scene seemed somehow divorced from reality, although reality, he knew, could at times be terribly unreal.

“Lampreys live like that, hidden among the weeds. Lying in wait. Then, when a trout passes overhead, they dart up and fasten on to it with their suckers. Inside their suckers are these tonguelike things with teeth, which rub back and forth against the trout’s belly until a hole opens up and they can start eating the flesh, bit by bit.”

“I wouldn’t like to be a trout,” Habara said.

“Back in Roman times, they raised lampreys in ponds. Uppity slaves got chucked in and the lampreys ate them alive.”

Habara thought that he wouldn’t have enjoyed being a Roman slave, either.

“The first time I saw a lamprey was back in elementary school, on a class trip to the aquarium,” Scheherazade said. “The moment I read the description of how they lived, I knew that I’d been one in a former life. I mean, I could actually remember—being fastened to a rock, swaying invisibly among the weeds, eying the fat trout swimming by above me.”

“Can you remember eating them?”

“No, I can’t.”

“That’s a relief,” Habara said. “But is that all you recall from your life as a lamprey—swaying to and fro at the bottom of a river?”

“A former life can’t be called up just like that,” she said. “If you’re lucky, you get a flash of what it was like. It’s like catching a glimpse through a tiny hole in a wall. Can you recall any of your former lives?”

“No, not one,” Habara said. Truth be told, he had never felt the urge to revisit a former life. He had his hands full with the present one.

“Still, it felt pretty neat at the bottom of the lake. Upside down with my mouth fastened to a rock, watching the fish pass overhead. I saw a really big snapping turtle once, too, a humongous black shape drifting past, like the evil spaceship in ‘Star Wars.’ And big white birds with long, sharp beaks; from below, they looked like white clouds floating across the sky.”

“And you can see all these things now?”

“As clear as day,” Scheherazade said. “The light, the pull of the current, everything. Sometimes I can even go back there in my mind.”

“To what you were thinking then?”

“Yeah.”

“What do lampreys think about?”

“Lampreys think very lamprey-like thoughts. About lamprey-like topics in a context that’s very lamprey-like. There are no words for those thoughts. They belong to the world of water. It’s like when we were in the womb. We were thinking things in there, but we can’t express those thoughts in the language we use out here. Right?”

“Hold on a second! You can remember what it was like in the womb?”

“Sure,” Scheherazade said, lifting her head to see over his chest. “Can’t you?”

No, he said. He couldn’t.

“Then I’ll tell you sometime. About life in the womb.”

“Scheherazade, Lamprey, Former Lives” was what Habara recorded in his diary that day. He doubted that anyone who came across it would guess what the words meant.

by Haruki Murakami, New Yorker |  Read more:
Image: Merlin