There's something endearing about people who loudly proclaim their love of books. Forget the suspicions kicked up by trumpeting something as universal as “books” as one’s true love (also loves: baby animals, pizza, oxygen); forget the anachronism of loving physical objects in space and not some “long read” floating in the ether; forget the self-congratulatory tone that hints at a closetful of book-festival tote bags emblazoned with Shakespeare’s face. Proudly championing books still counts as a true act of courage, a way of raging against the dying of the page.
In embracing the book as an object, a concept, a signifier, and a religion, though, one often forgets the texts that answer to the name of “book” these days. A perusal of the best-seller lists of the past two decades indicates that the most popular books might more accurately be described as billionaire-themed smut, extended blast of own-horn tooting, Sociology 101 textbook with sexy one-word title, unfocused partisan rant, 250-page-long stand-up routine, text version of Muppets Most Wanted with self-serious humans where the Muppets should be, folksy Christian sci-fi/fantasy, pseudohistorical rambling by non-historian, and simpleton wisdom trussed up in overpriced yoga pants.
And if we narrow our focus to the No. 1 spot on the New York Times’ hardcover-nonfiction best-seller list in the twenty years since Bookforum was first published, we discover an increasingly shrill, two-decade-long cry for help from the American people. As I Want to Tell You by O. J. Simpson (1995) and The Royals by Kitty Kelley (1997) yield to Dude, Where’s My Country? by Michael Moore (2003) and Plan of Attack by Bob Woodward (2004), you can almost see the support beams of the American dream tumbling sideways, the illusions of endless peace and rapidly compounding prosperity crumbling along with it. The leisurely service-economy daydreams of the late ’90s left us plenty of time to spend Tuesdays with Morrie and muse about The Millionaire Next Door or get worked up about The Day Diana Died. But such luxe distractions gave way to The Age of Turbulence, as our smug belief in the good life was crushed under the weight of 9/11, the Great Recession, and several murky and seemingly endless wars. Suddenly the world looked Hot, Flat, and Crowded, with the aggressively nostalgic waging an all-out Assault on Reason. In such a Culture of Corruption, if you weren’t Going Rogue you inevitably found yourself Arguing with Idiots.
Tracking this borderline-hysterical parade of titles can feel like watching America lose its religion in slow motion. Except, of course, this also meant there was a boom industry in patiently teaching faith-shaken Americans precisely how to believe again. Since the new century began, the top spot on the best-seller list most years has been all but reserved for these morale-boosting bromides: Seemingly every politician, blowhard, and mouthpiece willing to instruct us on how to reclaim our threadbare security blanket of patriotism, cultural supremacy, and never-ending growth and prosperity has turned up in that prestigious limelight. If that list is any indication, we’re desperate for something to ease our fears—or to feed directly into those fears with the kind of angry rhetoric that plays so well on cable news. (...)
And while it’s impossible to argue that people aren’t purchasing books by Laura Ingraham and Sean Hannity and Sarah Palin and Dick Cheney, it’s also difficult to imagine that people are actually reading these books from cover to cover. These are identity accessories more than books—the red-state equivalent of what a funky watch or rakishly arranged silk scarf might be in our notoriously shallow and decadent coastal metropolises. It also says something about the current state of liberal culture that the most popular blue-state authors—Franken, Jon Stewart, Stephen Colbert—are, accessory-wise, more like a bow tie that squirts water in your face. Solemn, poorly written tomes on everything that’s wrong with this country are on one side of the fence, ironic detachment, incredulity, and clown cars on the other. Or as Bill O’Reilly put it when he appeared on the Daily Show in 2004, “You’ve got stoned slackers watching your dopey show every night, and they can vote.”
Bemoaning the stoned slackers of the world might not be a wise choice for the author responsible for what we might term the “Mansplanations of History for Stoned Slackers” series: Killing Lincoln (2011), Killing Kennedy (2012), Killing Jesus (2013), and Killing Patton (2014), every single one of which rested comfortably in the No. 1 spot for weeks at a time. In fact, over the past two decades, O’Reilly has been in the position with seven different books for forty-eight weeks total. How does he do it?
Here’s a clue: If mansplaining means “to comment on or explain something to a woman in a condescending, overconfident, and often inaccurate or oversimplified manner,” then O’Reilly clearly sees America as a suggestible (though fortunately profligate) woman in desperate need of a seemingly limitless amount of remedial mansplanation. And to be fair, if the most popular nonfiction books are a reliable guide, Americans crave mansplaining the way starving rats crave half-eaten hamburgers. We’d like Beck—not an education professor—to mansplain the Common Core to us. We want Malcolm Gladwell—not a neuroscientist or a sociologist or psychologist—to mansplain everything from the laws of romantic attraction to epidemiology. And we want O’Reilly—not an actual historian—to mansplain Lincoln, Kennedy, Jesus, and all of the other great mansplaining icons of history. We want mansplainers mansplaining other mansplainers. We dig hot mansplainer-on-mansplainer action.

And if we narrow our focus to the No. 1 spot on the New York Times’ hardcover-nonfiction best-seller list in the twenty years since Bookforum was first published, we discover an increasingly shrill, two-decade-long cry for help from the American people. As I Want to Tell You by O. J. Simpson (1995) and The Royals by Kitty Kelley (1997) yield to Dude, Where’s My Country? by Michael Moore (2003) and Plan of Attack by Bob Woodward (2004), you can almost see the support beams of the American dream tumbling sideways, the illusions of endless peace and rapidly compounding prosperity crumbling along with it. The leisurely service-economy daydreams of the late ’90s left us plenty of time to spend Tuesdays with Morrie and muse about The Millionaire Next Door or get worked up about The Day Diana Died. But such luxe distractions gave way to The Age of Turbulence, as our smug belief in the good life was crushed under the weight of 9/11, the Great Recession, and several murky and seemingly endless wars. Suddenly the world looked Hot, Flat, and Crowded, with the aggressively nostalgic waging an all-out Assault on Reason. In such a Culture of Corruption, if you weren’t Going Rogue you inevitably found yourself Arguing with Idiots.
Tracking this borderline-hysterical parade of titles can feel like watching America lose its religion in slow motion. Except, of course, this also meant there was a boom industry in patiently teaching faith-shaken Americans precisely how to believe again. Since the new century began, the top spot on the best-seller list most years has been all but reserved for these morale-boosting bromides: Seemingly every politician, blowhard, and mouthpiece willing to instruct us on how to reclaim our threadbare security blanket of patriotism, cultural supremacy, and never-ending growth and prosperity has turned up in that prestigious limelight. If that list is any indication, we’re desperate for something to ease our fears—or to feed directly into those fears with the kind of angry rhetoric that plays so well on cable news. (...)
And while it’s impossible to argue that people aren’t purchasing books by Laura Ingraham and Sean Hannity and Sarah Palin and Dick Cheney, it’s also difficult to imagine that people are actually reading these books from cover to cover. These are identity accessories more than books—the red-state equivalent of what a funky watch or rakishly arranged silk scarf might be in our notoriously shallow and decadent coastal metropolises. It also says something about the current state of liberal culture that the most popular blue-state authors—Franken, Jon Stewart, Stephen Colbert—are, accessory-wise, more like a bow tie that squirts water in your face. Solemn, poorly written tomes on everything that’s wrong with this country are on one side of the fence, ironic detachment, incredulity, and clown cars on the other. Or as Bill O’Reilly put it when he appeared on the Daily Show in 2004, “You’ve got stoned slackers watching your dopey show every night, and they can vote.”
Bemoaning the stoned slackers of the world might not be a wise choice for the author responsible for what we might term the “Mansplanations of History for Stoned Slackers” series: Killing Lincoln (2011), Killing Kennedy (2012), Killing Jesus (2013), and Killing Patton (2014), every single one of which rested comfortably in the No. 1 spot for weeks at a time. In fact, over the past two decades, O’Reilly has been in the position with seven different books for forty-eight weeks total. How does he do it?
Here’s a clue: If mansplaining means “to comment on or explain something to a woman in a condescending, overconfident, and often inaccurate or oversimplified manner,” then O’Reilly clearly sees America as a suggestible (though fortunately profligate) woman in desperate need of a seemingly limitless amount of remedial mansplanation. And to be fair, if the most popular nonfiction books are a reliable guide, Americans crave mansplaining the way starving rats crave half-eaten hamburgers. We’d like Beck—not an education professor—to mansplain the Common Core to us. We want Malcolm Gladwell—not a neuroscientist or a sociologist or psychologist—to mansplain everything from the laws of romantic attraction to epidemiology. And we want O’Reilly—not an actual historian—to mansplain Lincoln, Kennedy, Jesus, and all of the other great mansplaining icons of history. We want mansplainers mansplaining other mansplainers. We dig hot mansplainer-on-mansplainer action.
by Heather Havrilesky, Bookforum | Read more:
Image: The Princess Bride with uncredited modifications