Serena Williams won her 21st Grand Slam title at Wimbledon this month. This marks the 17th time in a row that she has defeated Maria Sharapova. Yet Williams, who has earned more prize money than any female player in tennis history, is continually overshadowed by the woman whom she consistently beats. In 2013, Sharapova earned $29 million, $23 million of that from endorsements. That same year, Williams earned $20.5 million, only $12 million of that from endorsements. How’s that possible? Because endorsements don’t always reward the best athlete. They often reward the most presentable according to the Western cultural ideal of beauty.
I know, you think this article is about racism. It’s not.
Misty Copeland just became the first African-American woman to be named principal dancer at the American Ballet Theatre. But when she was 13, she was rejected from a ballet academy for having the wrong body type. As an ad featuring Ms. Copeland put it, summarizing the responses she received early in her career: “Dear candidate, Thank you for your application to our ballet academy. Unfortunately, you have not been accepted. You lack the right feet, Achilles tendons, turnout, torso length, and bust.” At 13? That criticism of her body being too muscular and “mature” has followed her throughout her career. “There are people who say that I don’t have the body to be a dancer, that my legs are too muscular, that I shouldn’t be wearing a tutu, that I don’t fit in,” Copeland said in response.
What do these two highly successful athletic women have in common? They seem to endure more body shaming than their white, less successful counterparts.
(Still not about racism.)
In her novel, The Bluest Eye, Toni Morrison writes, “Along with the idea of romantic love, she was introduced to another—physical beauty. Probably the most destructive ideas in the history of human thought.” Morrison’s assessment of social ideals for physical beauty as destructive is harshly accurate. We have established a definition of beauty so narrow that almost no one can live up to it. Women struggle to fit within the constrictions of social expectations of thin, youthful, sexuality as constricting as a Victorian corset. We display these paragons of beauty from billboards and magazine covers and Victoria Secret ads with the full knowledge that because of the use of photo-enhancing, lighting, makeup, and other morphing techniques, the women shown are as real as the CGI-created Hulk in the Avengersmovies.
There’s plenty of evidence showing how harmful this beauty standard is to society. The typical American woman spends about $15,000 on makeup over a lifetime (if that same money were invested into a retirement plan, it would give her about $100,000 at age 70). Even though Americans spend the most on cosmetics in the world, we are ranked only 23rd in one list of “satisfaction with life.” In a futile effort to fit this mythical ideal of beauty, millions of American women torture their feet with high heels, undergo unnecessary cosmetic surgeries, starve themselves, and make themselves physically and mentally miserable—all over an imaginary ideal they didn’t even create.
OK, I lied: Some of the body shaming of athletic black women is definitely a racist rejection of black women’s bodies that don’t conform to the traditional body shapes of white athletes and dancers. No one questions the beauty of black actresses such as Kerry Washington (Scandal) or Lupita Nyong’o (12 Years a Slave) because they fit the lithe image perpetuated by women’s fashion magazines. The body shaming of Williams and Copeland is partly because they don’t fit the Western ideal of femininity. But another cause is our disrespectful ideal of the feminine body in general.
I know, you think this article is about racism. It’s not.
Misty Copeland just became the first African-American woman to be named principal dancer at the American Ballet Theatre. But when she was 13, she was rejected from a ballet academy for having the wrong body type. As an ad featuring Ms. Copeland put it, summarizing the responses she received early in her career: “Dear candidate, Thank you for your application to our ballet academy. Unfortunately, you have not been accepted. You lack the right feet, Achilles tendons, turnout, torso length, and bust.” At 13? That criticism of her body being too muscular and “mature” has followed her throughout her career. “There are people who say that I don’t have the body to be a dancer, that my legs are too muscular, that I shouldn’t be wearing a tutu, that I don’t fit in,” Copeland said in response.
What do these two highly successful athletic women have in common? They seem to endure more body shaming than their white, less successful counterparts.
(Still not about racism.)
In her novel, The Bluest Eye, Toni Morrison writes, “Along with the idea of romantic love, she was introduced to another—physical beauty. Probably the most destructive ideas in the history of human thought.” Morrison’s assessment of social ideals for physical beauty as destructive is harshly accurate. We have established a definition of beauty so narrow that almost no one can live up to it. Women struggle to fit within the constrictions of social expectations of thin, youthful, sexuality as constricting as a Victorian corset. We display these paragons of beauty from billboards and magazine covers and Victoria Secret ads with the full knowledge that because of the use of photo-enhancing, lighting, makeup, and other morphing techniques, the women shown are as real as the CGI-created Hulk in the Avengersmovies.
There’s plenty of evidence showing how harmful this beauty standard is to society. The typical American woman spends about $15,000 on makeup over a lifetime (if that same money were invested into a retirement plan, it would give her about $100,000 at age 70). Even though Americans spend the most on cosmetics in the world, we are ranked only 23rd in one list of “satisfaction with life.” In a futile effort to fit this mythical ideal of beauty, millions of American women torture their feet with high heels, undergo unnecessary cosmetic surgeries, starve themselves, and make themselves physically and mentally miserable—all over an imaginary ideal they didn’t even create.
OK, I lied: Some of the body shaming of athletic black women is definitely a racist rejection of black women’s bodies that don’t conform to the traditional body shapes of white athletes and dancers. No one questions the beauty of black actresses such as Kerry Washington (Scandal) or Lupita Nyong’o (12 Years a Slave) because they fit the lithe image perpetuated by women’s fashion magazines. The body shaming of Williams and Copeland is partly because they don’t fit the Western ideal of femininity. But another cause is our disrespectful ideal of the feminine body in general.
by Kareem Abdul-Jabbar, Time | Read more:
Image: Julian Finney—Getty Images