[ed. See also: Love and Death]
I'm an advice columnist, so sometimes people ask me about how they can "keep the romance alive" in their marriages. This stumps me a little because, by "romance," I know they mean the traditional version, the one that depends on living inside a giant, suspenseful question mark. This version of romance is all about that thrilling moment when you think that someone may have just materialized who will make every single thing in the world feel delicious and amazing and right forever and ever. It springs forth from big questions, like "Can I really have what I've been looking for? Will I really feel loved and desired and truly adored at last? Can I finally be seen as the answer to someone else's dream, the heroine with the glimmering eyes and sultry smile?" And this version of romance peaks at the exact moment when you think, Holy Christ, I really am going to melt right into this other person (who is a relative stranger)! It really IS physically intoxicating and perfect! And it seems like we feel the exact same way about each other! Traditional romance is heady and exciting precisely because — and not in spite of the fact that — there are still lingering questions at the edges of the frame: "Will I be enough for this person? Will she stop wanting me someday? Is he as amazing as he seems/feels/tastes?"
But once you’ve been married for a long time (my tenth anniversary is in a few months!), a whole new kind of romance takes over. It’s not the romance of rom-coms, which are predicated on the question of “Will he/she really love me (which seems impossible), or does he/she actually hate me (which seems far more likely and even a little more sporting)?" Long-married romance is not the romance of watching someone’s every move like a stalker, and wanting to lick his face but trying to restrain yourself. It’s not even the romance of “Whoa, you bought me flowers, you must REALLY love me!” or “Wow, look at us here, as the sun sets, your lips on mine, we REALLY ARE DOING THIS LOVE THING, RIGHT HERE.” That’s dating romance, newlywed romance. You’re still pinching yourself. You’re still fixated on whether it’s really happening. You’re still kind of sort of looking for proof. The little bits of proof bring the romance. The question of whether you’ll get the proof you require brings the romance. (The looking for proof also brings lots of fights, but that’s a subject for another day.)
After a decade of marriage, if things go well, you don’t need any more proof. What you have instead — and what I would argue is the most deeply romantic thing of all — is this palpable, reassuring sense that it’s okay to be a human being. Because until you feel absolutely sure that you won’t eventually be abandoned, it’s maybe not 100 percent clear that any other human mortal can tolerate another human mortal. The smells. The sounds. The repetitive fixations on the same dumb shit, over and over. Even as you develop a kind of a resigned glaze of oh, this again in, say, marital years one through five, you also feel faintly unnerved by your own terrible mortal humanness.
Or you should feel that way. (...)
And now I’m going to tell you my most romantic story of all. I was very sick out of the blue with some form of dysentery. It hit overnight. I got up to go to the bathroom, and I fainted on the way and cracked my ribs on the side of the bathtub. My husband discovered me there, passed out, in a scene that … well, imagine what would happen if you let Todd Solondz direct an episode of Game of Thrones. Think about what that might look like. I’m going to take your delicate sensibilities into account and resist the urge to paint a clearer picture for you.
My husband was not happy about this scene. But he handled it without complaint. That is the very definition of romantic: not only not being made to feel crappy about things that are clearly out of your control, but being quietly cared for by someone who can shut up and do what needs to be done under duress. That is the definition of sexy, too. People think they want a cowboy, because cowboys are rugged and macho and they don't whine. But almost anyone can ride a stallion across a beautiful prairie and then come home and eat a giant home-cooked steak without whining about it. Entering into a Todd Solondz–directed Game of Thrones dysentery scene, though, will try the most stalwart and unflinching souls among us.
Now let’s tackle something even darker and more unpleasant, the seeming antithesis of our modern notion of romance: Someone is dying in their own bed, and someone’s spouse is sitting at the bedside, holding the dying person’s hand, and also handling all kinds of unspeakable things that people who aren’t drowning in gigantic piles of cash sometimes have to handle all by themselves. To me, that’s romance. Romance is surviving and then not surviving anymore, without being ashamed of any of it.
Because survival is ugly. Survival means sometimes smelling and sounding the wrong way. It’s one thing for a person to buy you flowers, to purchase a nice dinner, to PROVE that they truly, deeply want to have some good sweet-talky time and some touching time alone with you, and maybe they’d like to do that whole routine forever and ever and ever. That’s a heady thing. Really? Me? Forever? YOUR HEART SINGS. And you imagine eating out at nice restaurants, and screwing, and eating out and screwing and eating out and screwing. It's like that Bongwater song about Pretty Woman, where romance boils down to "sucking and shopping and sucking and shopping and sucking and shopping!" Romance, in this view, is like Bill Murray in Groundhog Day, except he's repeating the same sexily suspenseful moment over and over again.
True romance, though, is more like the movie True Romance: Two deluded, lazy people face a bewildering sea of filth and blood and gore together, but they make it through somehow, some way, without losing their minds completely.
I'm an advice columnist, so sometimes people ask me about how they can "keep the romance alive" in their marriages. This stumps me a little because, by "romance," I know they mean the traditional version, the one that depends on living inside a giant, suspenseful question mark. This version of romance is all about that thrilling moment when you think that someone may have just materialized who will make every single thing in the world feel delicious and amazing and right forever and ever. It springs forth from big questions, like "Can I really have what I've been looking for? Will I really feel loved and desired and truly adored at last? Can I finally be seen as the answer to someone else's dream, the heroine with the glimmering eyes and sultry smile?" And this version of romance peaks at the exact moment when you think, Holy Christ, I really am going to melt right into this other person (who is a relative stranger)! It really IS physically intoxicating and perfect! And it seems like we feel the exact same way about each other! Traditional romance is heady and exciting precisely because — and not in spite of the fact that — there are still lingering questions at the edges of the frame: "Will I be enough for this person? Will she stop wanting me someday? Is he as amazing as he seems/feels/tastes?"
But once you’ve been married for a long time (my tenth anniversary is in a few months!), a whole new kind of romance takes over. It’s not the romance of rom-coms, which are predicated on the question of “Will he/she really love me (which seems impossible), or does he/she actually hate me (which seems far more likely and even a little more sporting)?" Long-married romance is not the romance of watching someone’s every move like a stalker, and wanting to lick his face but trying to restrain yourself. It’s not even the romance of “Whoa, you bought me flowers, you must REALLY love me!” or “Wow, look at us here, as the sun sets, your lips on mine, we REALLY ARE DOING THIS LOVE THING, RIGHT HERE.” That’s dating romance, newlywed romance. You’re still pinching yourself. You’re still fixated on whether it’s really happening. You’re still kind of sort of looking for proof. The little bits of proof bring the romance. The question of whether you’ll get the proof you require brings the romance. (The looking for proof also brings lots of fights, but that’s a subject for another day.)After a decade of marriage, if things go well, you don’t need any more proof. What you have instead — and what I would argue is the most deeply romantic thing of all — is this palpable, reassuring sense that it’s okay to be a human being. Because until you feel absolutely sure that you won’t eventually be abandoned, it’s maybe not 100 percent clear that any other human mortal can tolerate another human mortal. The smells. The sounds. The repetitive fixations on the same dumb shit, over and over. Even as you develop a kind of a resigned glaze of oh, this again in, say, marital years one through five, you also feel faintly unnerved by your own terrible mortal humanness.
Or you should feel that way. (...)
And now I’m going to tell you my most romantic story of all. I was very sick out of the blue with some form of dysentery. It hit overnight. I got up to go to the bathroom, and I fainted on the way and cracked my ribs on the side of the bathtub. My husband discovered me there, passed out, in a scene that … well, imagine what would happen if you let Todd Solondz direct an episode of Game of Thrones. Think about what that might look like. I’m going to take your delicate sensibilities into account and resist the urge to paint a clearer picture for you.
My husband was not happy about this scene. But he handled it without complaint. That is the very definition of romantic: not only not being made to feel crappy about things that are clearly out of your control, but being quietly cared for by someone who can shut up and do what needs to be done under duress. That is the definition of sexy, too. People think they want a cowboy, because cowboys are rugged and macho and they don't whine. But almost anyone can ride a stallion across a beautiful prairie and then come home and eat a giant home-cooked steak without whining about it. Entering into a Todd Solondz–directed Game of Thrones dysentery scene, though, will try the most stalwart and unflinching souls among us.
Now let’s tackle something even darker and more unpleasant, the seeming antithesis of our modern notion of romance: Someone is dying in their own bed, and someone’s spouse is sitting at the bedside, holding the dying person’s hand, and also handling all kinds of unspeakable things that people who aren’t drowning in gigantic piles of cash sometimes have to handle all by themselves. To me, that’s romance. Romance is surviving and then not surviving anymore, without being ashamed of any of it.
Because survival is ugly. Survival means sometimes smelling and sounding the wrong way. It’s one thing for a person to buy you flowers, to purchase a nice dinner, to PROVE that they truly, deeply want to have some good sweet-talky time and some touching time alone with you, and maybe they’d like to do that whole routine forever and ever and ever. That’s a heady thing. Really? Me? Forever? YOUR HEART SINGS. And you imagine eating out at nice restaurants, and screwing, and eating out and screwing and eating out and screwing. It's like that Bongwater song about Pretty Woman, where romance boils down to "sucking and shopping and sucking and shopping and sucking and shopping!" Romance, in this view, is like Bill Murray in Groundhog Day, except he's repeating the same sexily suspenseful moment over and over again.
True romance, though, is more like the movie True Romance: Two deluded, lazy people face a bewildering sea of filth and blood and gore together, but they make it through somehow, some way, without losing their minds completely.
by Heather Havrilesky, The Cut | Read more:
Image: Mel Brooks and Anne Bancroft via:
