[ed. Short answer, it's already too late (as far as industrial tourism is concerned). Longer term question is how much of Venice will still be above water in 20 years?]
A deadly plague haunts Venice, and it’s not the cholera to which Thomas Mann’s character Gustav von Aschenbach succumbed in the Nobel laureate’s 1912 novella “Death in Venice.” A rapacious tourist monoculture threatens Venice’s existence, decimating the historic city and turning the Queen of the Adriatic into a Disneyfied shopping mall.
Millions of tourists pour into Venice’s streets and canals each year, profoundly altering the population and the economy, as many native citizens are banished from the island city and those who remain have no choice but to serve in hotels, restaurants and shops selling glass souvenirs and carnival masks.
Tourism is tearing apart Venice’s social fabric, cohesion and civic culture, growing ever more predatory. The number of visitors to the city may rise even further now that international travelers are avoiding destinations like Turkey and Tunisia because of fears of terrorism and unrest. This means that the 2,400 hotels and other overnight accommodations the city now has no longer satisfy the travel industry’s appetites. The total number of guest quarters in Venice’s historic center could reach 50,000 and take it over entirely.
Just along the Grand Canal, Venice’s main waterway, the last 15 years have seen the closure of state institutions, judicial offices, banks, the German Consulate, medical practices and stores to make way for 16 new hotels.
Alarm at this state of affairs led to last month’s decision by the United Nations Educational, Scientific and Cultural Organization to place Venice on its World Heritage in Danger list unless substantial progress to halt the degradation of the city and its ecosystem is made by next February. Unesco has so far stripped only one city of its status as a heritage site from the more than 1,000 on the list: Dresden, after German authorities ignored Unesco’s 2009 recommendations against building a bridge over the River Elbe that marred the Baroque urban ensemble. Will Venice be next to attain this ignominious status?
In its July report, Unesco’s committee on heritage sites expressed “extreme concern” about “the combination of ongoing transformations and proposed projects threatening irreversible changes to the overall relationship between the City and its Lagoon,” which would, in its thinking, erode the integrity of Venice.
Unesco’s ultimatum stems from several longstanding problems. First, the increasing imbalance between the number of the city’s inhabitants (which plummeted from 174,808 in 1951 to 56,311 in 2014, the most recent year for which numbers are available) and the tourists. Proposed large-scale development, including new deepwater navigation channels and a subway running under the lagoon, would hasten erosion and strain the fragile ecological-urban system that has grown up around Venice.
For now, gigantic cruise liners regularly parade in front of Piazza San Marco, the city’s main public square, mocking the achievements of the last 1,500 years. To mention but one, the M.S.C. Divina is 222 feet high, twice as tall as the Doge’s Palace, a landmark of the city that was built in the 14th century. At times, a dozen liners have entered the lagoon in a single day.
A deadly plague haunts Venice, and it’s not the cholera to which Thomas Mann’s character Gustav von Aschenbach succumbed in the Nobel laureate’s 1912 novella “Death in Venice.” A rapacious tourist monoculture threatens Venice’s existence, decimating the historic city and turning the Queen of the Adriatic into a Disneyfied shopping mall.
Millions of tourists pour into Venice’s streets and canals each year, profoundly altering the population and the economy, as many native citizens are banished from the island city and those who remain have no choice but to serve in hotels, restaurants and shops selling glass souvenirs and carnival masks.
Tourism is tearing apart Venice’s social fabric, cohesion and civic culture, growing ever more predatory. The number of visitors to the city may rise even further now that international travelers are avoiding destinations like Turkey and Tunisia because of fears of terrorism and unrest. This means that the 2,400 hotels and other overnight accommodations the city now has no longer satisfy the travel industry’s appetites. The total number of guest quarters in Venice’s historic center could reach 50,000 and take it over entirely.Just along the Grand Canal, Venice’s main waterway, the last 15 years have seen the closure of state institutions, judicial offices, banks, the German Consulate, medical practices and stores to make way for 16 new hotels.
Alarm at this state of affairs led to last month’s decision by the United Nations Educational, Scientific and Cultural Organization to place Venice on its World Heritage in Danger list unless substantial progress to halt the degradation of the city and its ecosystem is made by next February. Unesco has so far stripped only one city of its status as a heritage site from the more than 1,000 on the list: Dresden, after German authorities ignored Unesco’s 2009 recommendations against building a bridge over the River Elbe that marred the Baroque urban ensemble. Will Venice be next to attain this ignominious status?
In its July report, Unesco’s committee on heritage sites expressed “extreme concern” about “the combination of ongoing transformations and proposed projects threatening irreversible changes to the overall relationship between the City and its Lagoon,” which would, in its thinking, erode the integrity of Venice.
Unesco’s ultimatum stems from several longstanding problems. First, the increasing imbalance between the number of the city’s inhabitants (which plummeted from 174,808 in 1951 to 56,311 in 2014, the most recent year for which numbers are available) and the tourists. Proposed large-scale development, including new deepwater navigation channels and a subway running under the lagoon, would hasten erosion and strain the fragile ecological-urban system that has grown up around Venice.
For now, gigantic cruise liners regularly parade in front of Piazza San Marco, the city’s main public square, mocking the achievements of the last 1,500 years. To mention but one, the M.S.C. Divina is 222 feet high, twice as tall as the Doge’s Palace, a landmark of the city that was built in the 14th century. At times, a dozen liners have entered the lagoon in a single day.
by Salvatore Settis, NY Times | Read more:
Image: Venice, uncredited
