Emily King and Corey Smith had been dating for five months when they took a trip to Central America, in February, 2012. At a surf resort in Nicaragua, Smith helped a lanky American named Foster Huntington repair the dings in his board. When the waves were choppy, the three congregated in the resort’s hammock zone, where the Wi-Fi signal was strongest. One afternoon, Huntington listened to the couple have a small argument. Something about their fond irritation made him think that they’d be suited to spending long periods of time together in a confined space. “You guys would be great in a van,” he told them.
The year before, Huntington had given up his apartment in New York and his job as a designer at Ralph Lauren, and moved into a 1987 Volkswagen Syncro. He spent his days surfing, exploring, and taking pictures of his van parked in picturesque locations along the California coast. It was the early days of Instagram, and, over time, Huntington accumulated more than a million followers. He represented a new kind of social-media celebrity, someone famous not for starring in movies or recording hit songs but for documenting an enviable life. “My inspiration,” went a typical comment on one of his posts. “God I wish my life was that free and easy and amazing.” Huntington tagged his posts with phrases like #homeiswhereyouparkit and #livesimply, but the tag he used most often was #vanlife.
King and Smith left Nicaragua for Costa Rica, but the idea of the van stuck with them. King, a telegenic former business student, had quit her job at a Sotheby’s branch when she realized that she was unhappy. Smith, a competitive mountain biker and the manager of a kayak store, had never had a traditional office job. They figured they could live cheaply in a van while placing what they loved—travelling, surfing, mountain biking—at the center of their lives. When King found out that she’d been hired for a Web-development job that didn’t require her presence in an office, it suddenly seemed feasible.
King and Smith, who are thirty-two and thirty-one, respectively, had grown up watching “Saturday Night Live” sketches in which a sweaty, frantic Chris Farley character ranted, “I am thirty-five years old, I am divorced, and I live in a van down by the river!” But, the way Huntington described it, living in a vehicle sounded not pathetic but romantic. “I remember coming home and telling my mom, ‘I have something to tell you,’ ” King said. “She thought I was going to say we were getting married or having a baby. But I said, ‘We’re going to live in a van.’ ”
Huntington’s vanlife hashtag was a joking reference to Tupac’s “thug life” tattoo. “You know, it’s not thug life—it’s van life!” he told me. Six years later, more than 1.2 million Instagram posts have been tagged #vanlife. In 2013, Huntington used Kickstarter to fund “Home Is Where You Park It,” a sixty-five-dollar book of his vanlife photographs, which is now in its fourth printing. In October, Black Dog & Leventhal will publish his second book on the topic, “Van Life.”
Scroll through the images tagged #vanlife on Instagram and you’ll see plenty of photos that don’t have much to do with vehicles: starry skies, campfires, women in leggings doing yoga by the ocean. Like the best marketing terms, “vanlife” is both highly specific and expansive. It’s a one-word life-style signifier that has come to evoke a number of contemporary trends: a renewed interest in the American road trip, a culture of hippie-inflected outdoorsiness, and a life free from the tyranny of a nine-to-five office job.
Vanlife is an aesthetic and a mentality and, people kept telling me, a “movement.” S. Lucas Valdes, the owner of the California-based company GoWesty, a prominent seller of Volkswagen-van parts, compared vanlife today to surfing a couple of decades ago. “So many people identify with the culture, the attire, the mind-set of surfers, but probably only about ten per cent of them surf,” he said. “That’s what we’re trying to tap into.”
“You could buy these vans ten years ago for pennies on the dollar,” Harley Sitner, the owner of Peace Vans, a Volkswagen-van repair and rental shop in Seattle, told me. Sitner, who is forty-nine, said that his generation’s adventurous rite of passage was more along the lines of “backpacking through Southeast Asia, eating mushrooms on a beach in Thailand.” Around five years ago, he began to notice that young people were increasingly interested in old VW vans. “It’s men in their thirties with huge beards, and they’re pretty much all stay-at-home dads,” he said. “Their wives work office jobs and they work on the vans so the family can go out and vanlife on the weekend.”
Part of the fun of vanlife, Sitner theorized, is the old-fashioned, analog pleasure of tinkering. But vanlife, as a concept and as a self-defined community, is primarily a social-media phenomenon. Attaching a name (and a hashtag) to the phenomenon has also enabled people who would otherwise just be rootless wanderers to make their travels into a kind of product. “There are now professional vanlifers,” Huntington told me, sounding slightly scandalized. (...)
Some vanlifers drive shiny new Mercedes Sprinter vans or practical Ford Econolines, but the quintessential van is the Volkswagen Vanagon, beloved for its bulky, unaerodynamic shape. “It’s the Swiss Army knife of the R.V. world,” Smith explained.
by Rachel Monroe, New Yorker | Read more:
Image:Jeff Minton
The year before, Huntington had given up his apartment in New York and his job as a designer at Ralph Lauren, and moved into a 1987 Volkswagen Syncro. He spent his days surfing, exploring, and taking pictures of his van parked in picturesque locations along the California coast. It was the early days of Instagram, and, over time, Huntington accumulated more than a million followers. He represented a new kind of social-media celebrity, someone famous not for starring in movies or recording hit songs but for documenting an enviable life. “My inspiration,” went a typical comment on one of his posts. “God I wish my life was that free and easy and amazing.” Huntington tagged his posts with phrases like #homeiswhereyouparkit and #livesimply, but the tag he used most often was #vanlife.King and Smith left Nicaragua for Costa Rica, but the idea of the van stuck with them. King, a telegenic former business student, had quit her job at a Sotheby’s branch when she realized that she was unhappy. Smith, a competitive mountain biker and the manager of a kayak store, had never had a traditional office job. They figured they could live cheaply in a van while placing what they loved—travelling, surfing, mountain biking—at the center of their lives. When King found out that she’d been hired for a Web-development job that didn’t require her presence in an office, it suddenly seemed feasible.
King and Smith, who are thirty-two and thirty-one, respectively, had grown up watching “Saturday Night Live” sketches in which a sweaty, frantic Chris Farley character ranted, “I am thirty-five years old, I am divorced, and I live in a van down by the river!” But, the way Huntington described it, living in a vehicle sounded not pathetic but romantic. “I remember coming home and telling my mom, ‘I have something to tell you,’ ” King said. “She thought I was going to say we were getting married or having a baby. But I said, ‘We’re going to live in a van.’ ”
Huntington’s vanlife hashtag was a joking reference to Tupac’s “thug life” tattoo. “You know, it’s not thug life—it’s van life!” he told me. Six years later, more than 1.2 million Instagram posts have been tagged #vanlife. In 2013, Huntington used Kickstarter to fund “Home Is Where You Park It,” a sixty-five-dollar book of his vanlife photographs, which is now in its fourth printing. In October, Black Dog & Leventhal will publish his second book on the topic, “Van Life.”
Scroll through the images tagged #vanlife on Instagram and you’ll see plenty of photos that don’t have much to do with vehicles: starry skies, campfires, women in leggings doing yoga by the ocean. Like the best marketing terms, “vanlife” is both highly specific and expansive. It’s a one-word life-style signifier that has come to evoke a number of contemporary trends: a renewed interest in the American road trip, a culture of hippie-inflected outdoorsiness, and a life free from the tyranny of a nine-to-five office job.
Vanlife is an aesthetic and a mentality and, people kept telling me, a “movement.” S. Lucas Valdes, the owner of the California-based company GoWesty, a prominent seller of Volkswagen-van parts, compared vanlife today to surfing a couple of decades ago. “So many people identify with the culture, the attire, the mind-set of surfers, but probably only about ten per cent of them surf,” he said. “That’s what we’re trying to tap into.”
“You could buy these vans ten years ago for pennies on the dollar,” Harley Sitner, the owner of Peace Vans, a Volkswagen-van repair and rental shop in Seattle, told me. Sitner, who is forty-nine, said that his generation’s adventurous rite of passage was more along the lines of “backpacking through Southeast Asia, eating mushrooms on a beach in Thailand.” Around five years ago, he began to notice that young people were increasingly interested in old VW vans. “It’s men in their thirties with huge beards, and they’re pretty much all stay-at-home dads,” he said. “Their wives work office jobs and they work on the vans so the family can go out and vanlife on the weekend.”
Part of the fun of vanlife, Sitner theorized, is the old-fashioned, analog pleasure of tinkering. But vanlife, as a concept and as a self-defined community, is primarily a social-media phenomenon. Attaching a name (and a hashtag) to the phenomenon has also enabled people who would otherwise just be rootless wanderers to make their travels into a kind of product. “There are now professional vanlifers,” Huntington told me, sounding slightly scandalized. (...)
Some vanlifers drive shiny new Mercedes Sprinter vans or practical Ford Econolines, but the quintessential van is the Volkswagen Vanagon, beloved for its bulky, unaerodynamic shape. “It’s the Swiss Army knife of the R.V. world,” Smith explained.
by Rachel Monroe, New Yorker | Read more:
Image:Jeff Minton
