“My only sin is my skin. What did I do, to be so black and blue?”
–Fats Waller, “(What Did I Do to Be So) Black and Blue?”
“Manhattan’s streets I saunter’d, pondering.”
–Walt Whitman, “Manhattan’s Streets I Saunter’d, Pondering”
My love for walking started in childhood, out of necessity. No thanks to a stepfather with heavy hands, I found every reason to stay away from home and was usually out—at some friend’s house or at a street party where no minor should be—until it was too late to get public transportation. So I walked.
The streets of Kingston, Jamaica, in the 1980s were often terrifying—you could, for instance, get killed if a political henchman thought you came from the wrong neighborhood, or even if you wore the wrong color. Wearing orange showed affiliation with one political party and green with the other, and if you were neutral or traveling far from home you chose your colors well. The wrong color in the wrong neighborhood could mean your last day. No wonder, then, that my friends and the rare nocturnal passerby declared me crazy for my long late-night treks that traversed warring political zones. (And sometimes I did pretend to be crazy, shouting non sequiturs when I passed through especially dangerous spots, such as the place where thieves hid on the banks of a storm drain. Predators would ignore or laugh at the kid in his school uniform speaking nonsense.)
I made friends with strangers and went from being a very shy and awkward kid to being an extroverted, awkward one. The beggar, the vendor, the poor laborer—those were experienced wanderers, and they became my nighttime instructors; they knew the streets and delivered lessons on how to navigate and enjoy them. I imagined myself as a Jamaican Tom Sawyer, one moment sauntering down the streets to pick low-hanging mangoes that I could reach from the sidewalk, another moment hanging outside a street party with battling sound systems, each armed with speakers piled to create skyscrapers of heavy bass. These streets weren’t frightening. They were full of adventure when they weren’t serene. There I’d join forces with a band of merry walkers, who’d miss the last bus by mere minutes, our feet still moving as we put out our thumbs to hitchhike to spots nearer home, making jokes as vehicle after vehicle raced past us. Or I’d get lost in Mittyesque moments, my young mind imagining alternate futures. The streets had their own safety: Unlike at home, there I could be myself without fear of bodily harm. Walking became so regular and familiar that the way home became home.
The streets had their rules, and I loved the challenge of trying to master them. I learned how to be alert to surrounding dangers and nearby delights, and prided myself on recognizing telling details that my peers missed. Kingston was a map of complex, and often bizarre, cultural and political and social activity, and I appointed myself its nighttime cartographer. I’d know how to navigate away from a predatory pace, and to speed up to chat when the cadence of a gait announced friendliness. It was almost always men I saw. A lone woman walking in the middle of the night was as common a sight as Sasquatch; moonlight pedestrianism was too dangerous for her. Sometimes at night as I made my way down from hills above Kingston, I’d have the impression that the city was set on “pause” or in extreme slow motion, as that as I descended I was cutting across Jamaica’s deep social divisions. I’d make my way briskly past the mansions in the hills overlooking the city, now transformed into a carpet of dotted lights under a curtain of stars, saunter by middle-class subdivisions hidden behind high walls crowned with barbed wire, and zigzag through neighborhoods of zinc and wooden shacks crammed together and leaning like a tight-knit group of limbo dancers. With my descent came an increase in the vibrancy of street life—except when it didn’t; some poor neighborhoods had both the violent gunfights and the eerily deserted streets of the cinematic Wild West. I knew well enough to avoid those even at high noon.
I’d begun hoofing it after dark when I was 10 years old. By 13 I was rarely home before midnight, and some nights found me racing against dawn. My mother would often complain, “Mek yuh love street suh? Yuh born a hospital; yuh neva born a street.” (“Why do you love the streets so much? You were born in a hospital, not in the streets.”)
* * * *
I left Jamaica in 1996 to attend college in New Orleans, a city I’d heard called “the northernmost Caribbean city.” I wanted to discover—on foot, of course—what was Caribbean and what was American about it. Stately mansions on oak-lined streets with streetcars clanging by, and brightly colored houses that made entire blocks look festive; people in resplendent costumes dancing to funky brass bands in the middle of the street; cuisine—and aromas—that mashed up culinary traditions from Africa, Europe, Asia, and the American South; and a juxtaposition of worlds old and new, odd and familiar: Who wouldn’t want to explore this?
On my first day in the city, I went walking for a few hours to get a feel for the place and to buy supplies to transform my dormitory room from a prison bunker into a welcoming space. When some university staff members found out what I’d been up to, they warned me to restrict my walking to the places recommended as safe to tourists and the parents of freshmen. They trotted out statistics about New Orleans’s crime rate. But Kingston’s crime rate dwarfed those numbers, and I decided to ignore these well-meant cautions. A city was waiting to be discovered, and I wouldn’t let inconvenient facts get in the way. These American criminals are nothing on Kingston’s, I thought. They’re no real threat to me.
What no one had told me was that I was the one who would be considered a threat.
Within days I noticed that many people on the street seemed apprehensive of me: Some gave me a circumspect glance as they approached, and then crossed the street; others, ahead, would glance behind, register my presence, and then speed up; older white women clutched their bags; young white men nervously greeted me, as if exchanging a salutation for their safety: “What’s up, bro?” On one occasion, less than a month after my arrival, I tried to help a man whose wheelchair was stuck in the middle of a crosswalk; he threatened to shoot me in the face, then asked a white pedestrian for help.
I wasn’t prepared for any of this. I had come from a majority-black country in which no one was wary of me because of my skin color. Now I wasn’t sure who was afraid of me. I was especially unprepared for the cops. They regularly stopped and bullied me, asking questions that took my guilt for granted. I’d never received what many of my African-American friends call “The Talk”: No parents had told me how to behave when I was stopped by the police, how to be as polite and cooperative as possible, no matter what they said or did to me. So I had to cobble together my own rules of engagement. Thicken my Jamaican accent. Quickly mention my college. “Accidentally” pull out my college identification card when asked for my driver’s license.
My survival tactics began well before I left my dorm. I got out of the shower with the police in my head, assembling a cop-proof wardrobe. Light-colored oxford shirt. V-neck sweater. Khaki pants. Chukkas. Sweatshirt or T-shirt with my university insignia. When I walked I regularly had my identity challenged, but I also found ways to assert it. (So I’d dress Ivy League style, but would, later on, add my Jamaican pedigree by wearing Clarks Desert Boots, the footwear of choice of Jamaican street culture.) Yet the all-American sartorial choice of white T-shirt and jeans, which many police officers see as the uniform of black troublemakers, was off-limits to me—at least, if I wanted to have the freedom of movement I desired.
In this city of exuberant streets, walking became a complex and often oppressive negotiation. I would see a white woman walking towards me at night and cross the street to reassure her that she was safe. I would forget something at home but not immediately turn around if someone was behind me, because I discovered that a sudden backtrack could cause alarm. (I had a cardinal rule: Keep a wide perimeter from people who might consider me a danger. If not, danger might visit me.) New Orleans suddenly felt more dangerous than Jamaica. The sidewalk was a minefield, and every hesitation and self-censored compensation reduced my dignity. Despite my best efforts, the streets never felt comfortably safe. Even a simple salutation was suspect.
One night, returning to the house that, eight years after my arrival, I thought I’d earned the right to call my home, I waved to a cop driving by. Moments later, I was against his car in handcuffs. When I later asked him—sheepishly, of course; any other way would have asked for bruises—why he had detained me, he said my greeting had aroused his suspicion. “No one waves to the police,” he explained. When I told friends of his response, it was my behavior, not his, that they saw as absurd. “Now why would you do a dumb thing like that?” said one. “You know better than to make nice with police.”
by Garnette Cadogan, LitHub | Read more:
Image:“Father and Son,” from Ruddy Roye’s “When Living is Protest” series.
–Fats Waller, “(What Did I Do to Be So) Black and Blue?”
“Manhattan’s streets I saunter’d, pondering.”
–Walt Whitman, “Manhattan’s Streets I Saunter’d, Pondering”
My love for walking started in childhood, out of necessity. No thanks to a stepfather with heavy hands, I found every reason to stay away from home and was usually out—at some friend’s house or at a street party where no minor should be—until it was too late to get public transportation. So I walked.
The streets of Kingston, Jamaica, in the 1980s were often terrifying—you could, for instance, get killed if a political henchman thought you came from the wrong neighborhood, or even if you wore the wrong color. Wearing orange showed affiliation with one political party and green with the other, and if you were neutral or traveling far from home you chose your colors well. The wrong color in the wrong neighborhood could mean your last day. No wonder, then, that my friends and the rare nocturnal passerby declared me crazy for my long late-night treks that traversed warring political zones. (And sometimes I did pretend to be crazy, shouting non sequiturs when I passed through especially dangerous spots, such as the place where thieves hid on the banks of a storm drain. Predators would ignore or laugh at the kid in his school uniform speaking nonsense.)
I made friends with strangers and went from being a very shy and awkward kid to being an extroverted, awkward one. The beggar, the vendor, the poor laborer—those were experienced wanderers, and they became my nighttime instructors; they knew the streets and delivered lessons on how to navigate and enjoy them. I imagined myself as a Jamaican Tom Sawyer, one moment sauntering down the streets to pick low-hanging mangoes that I could reach from the sidewalk, another moment hanging outside a street party with battling sound systems, each armed with speakers piled to create skyscrapers of heavy bass. These streets weren’t frightening. They were full of adventure when they weren’t serene. There I’d join forces with a band of merry walkers, who’d miss the last bus by mere minutes, our feet still moving as we put out our thumbs to hitchhike to spots nearer home, making jokes as vehicle after vehicle raced past us. Or I’d get lost in Mittyesque moments, my young mind imagining alternate futures. The streets had their own safety: Unlike at home, there I could be myself without fear of bodily harm. Walking became so regular and familiar that the way home became home.The streets had their rules, and I loved the challenge of trying to master them. I learned how to be alert to surrounding dangers and nearby delights, and prided myself on recognizing telling details that my peers missed. Kingston was a map of complex, and often bizarre, cultural and political and social activity, and I appointed myself its nighttime cartographer. I’d know how to navigate away from a predatory pace, and to speed up to chat when the cadence of a gait announced friendliness. It was almost always men I saw. A lone woman walking in the middle of the night was as common a sight as Sasquatch; moonlight pedestrianism was too dangerous for her. Sometimes at night as I made my way down from hills above Kingston, I’d have the impression that the city was set on “pause” or in extreme slow motion, as that as I descended I was cutting across Jamaica’s deep social divisions. I’d make my way briskly past the mansions in the hills overlooking the city, now transformed into a carpet of dotted lights under a curtain of stars, saunter by middle-class subdivisions hidden behind high walls crowned with barbed wire, and zigzag through neighborhoods of zinc and wooden shacks crammed together and leaning like a tight-knit group of limbo dancers. With my descent came an increase in the vibrancy of street life—except when it didn’t; some poor neighborhoods had both the violent gunfights and the eerily deserted streets of the cinematic Wild West. I knew well enough to avoid those even at high noon.
I’d begun hoofing it after dark when I was 10 years old. By 13 I was rarely home before midnight, and some nights found me racing against dawn. My mother would often complain, “Mek yuh love street suh? Yuh born a hospital; yuh neva born a street.” (“Why do you love the streets so much? You were born in a hospital, not in the streets.”)
* * * *
I left Jamaica in 1996 to attend college in New Orleans, a city I’d heard called “the northernmost Caribbean city.” I wanted to discover—on foot, of course—what was Caribbean and what was American about it. Stately mansions on oak-lined streets with streetcars clanging by, and brightly colored houses that made entire blocks look festive; people in resplendent costumes dancing to funky brass bands in the middle of the street; cuisine—and aromas—that mashed up culinary traditions from Africa, Europe, Asia, and the American South; and a juxtaposition of worlds old and new, odd and familiar: Who wouldn’t want to explore this?
On my first day in the city, I went walking for a few hours to get a feel for the place and to buy supplies to transform my dormitory room from a prison bunker into a welcoming space. When some university staff members found out what I’d been up to, they warned me to restrict my walking to the places recommended as safe to tourists and the parents of freshmen. They trotted out statistics about New Orleans’s crime rate. But Kingston’s crime rate dwarfed those numbers, and I decided to ignore these well-meant cautions. A city was waiting to be discovered, and I wouldn’t let inconvenient facts get in the way. These American criminals are nothing on Kingston’s, I thought. They’re no real threat to me.
What no one had told me was that I was the one who would be considered a threat.
Within days I noticed that many people on the street seemed apprehensive of me: Some gave me a circumspect glance as they approached, and then crossed the street; others, ahead, would glance behind, register my presence, and then speed up; older white women clutched their bags; young white men nervously greeted me, as if exchanging a salutation for their safety: “What’s up, bro?” On one occasion, less than a month after my arrival, I tried to help a man whose wheelchair was stuck in the middle of a crosswalk; he threatened to shoot me in the face, then asked a white pedestrian for help.
I wasn’t prepared for any of this. I had come from a majority-black country in which no one was wary of me because of my skin color. Now I wasn’t sure who was afraid of me. I was especially unprepared for the cops. They regularly stopped and bullied me, asking questions that took my guilt for granted. I’d never received what many of my African-American friends call “The Talk”: No parents had told me how to behave when I was stopped by the police, how to be as polite and cooperative as possible, no matter what they said or did to me. So I had to cobble together my own rules of engagement. Thicken my Jamaican accent. Quickly mention my college. “Accidentally” pull out my college identification card when asked for my driver’s license.
My survival tactics began well before I left my dorm. I got out of the shower with the police in my head, assembling a cop-proof wardrobe. Light-colored oxford shirt. V-neck sweater. Khaki pants. Chukkas. Sweatshirt or T-shirt with my university insignia. When I walked I regularly had my identity challenged, but I also found ways to assert it. (So I’d dress Ivy League style, but would, later on, add my Jamaican pedigree by wearing Clarks Desert Boots, the footwear of choice of Jamaican street culture.) Yet the all-American sartorial choice of white T-shirt and jeans, which many police officers see as the uniform of black troublemakers, was off-limits to me—at least, if I wanted to have the freedom of movement I desired.
In this city of exuberant streets, walking became a complex and often oppressive negotiation. I would see a white woman walking towards me at night and cross the street to reassure her that she was safe. I would forget something at home but not immediately turn around if someone was behind me, because I discovered that a sudden backtrack could cause alarm. (I had a cardinal rule: Keep a wide perimeter from people who might consider me a danger. If not, danger might visit me.) New Orleans suddenly felt more dangerous than Jamaica. The sidewalk was a minefield, and every hesitation and self-censored compensation reduced my dignity. Despite my best efforts, the streets never felt comfortably safe. Even a simple salutation was suspect.
One night, returning to the house that, eight years after my arrival, I thought I’d earned the right to call my home, I waved to a cop driving by. Moments later, I was against his car in handcuffs. When I later asked him—sheepishly, of course; any other way would have asked for bruises—why he had detained me, he said my greeting had aroused his suspicion. “No one waves to the police,” he explained. When I told friends of his response, it was my behavior, not his, that they saw as absurd. “Now why would you do a dumb thing like that?” said one. “You know better than to make nice with police.”
by Garnette Cadogan, LitHub | Read more:
Image:“Father and Son,” from Ruddy Roye’s “When Living is Protest” series.
