Sunday, January 21, 2024

Invisible Ink: At the CIA’s Creative Writing Group

Last spring, a friend of a friend visited my office and invited me to Langley to speak to Invisible Ink, the CIA’s creative writing group.

I asked Vivian (not her real name) what she wanted me to talk about.

She said that the topic of the talk was entirely up to me.

I asked what level the writers in the group were.

She said the group had writers of all levels.

I asked what the speaking fee was.

She said that as far as she knew, there was no speaking fee.

I dwelled a little on this point.

She confirmed that there was no speaking fee.

When an organization has, say, financed the overthrow of the government of Guatemala, you would think there might be a speaking fee. But I was told that, in lieu of payment, the writing group would take me out to lunch in the executive dining room afterward. I would also have my picture taken in front of the CIA seal, and I could post that picture anywhere I wanted.


“So my visit wouldn’t be classified?”

Vivian confirmed that I could tell anyone I wanted. “Just don’t tell them my name—or I’ll have to kill you. Just kidding!”

As I considered the invitation, I kept wondering why I’d been invited. I don’t write about CIA-adjacent topics, nor am I successful enough a novelist that people outside a small circle—one that I doubt includes U.S. intelligence agencies—know my name. So the invite was a bit of a mystery. This was the second-most common question that came up when I told writer friends about it, topped only by: “No speaking fee?” At first, I wondered whether the gig was part of a recruitment strategy. But it doesn’t take a vast intelligence apparatus to know that I am not intelligence material, not least because I am a professional writer.

Next I wondered if my visit could be used as soft-diplomacy propaganda. Look how harmless we are! We let writers come to our headquarters and pose for pictures. The CIA had veered into this type of literary boosterism before—supporting, for example, the founding of the very magazine for which I am writing this piece. So it wasn’t out of the question. In 2021, I had turned down an invitation from the government of Saudi Arabia for an all-expenses-paid trip to a writers’ retreat at al-‘Ulā, as I didn’t want to be a part of their arts and culture whitewashing. But in the end, I couldn’t think of a way that I’d be a useful propaganda tool for the CIA—unless they anticipated me writing this essay (in which case, kudos CIA)—and so I said yes.
***
On the agreed-upon morning a few weeks later, I left my apartment in D.C. and drove into the haze of Canadian wildfire smoke that was floating over the city. By the time I turned off the George Washington Parkway at the George Bush Center for Intelligence exit, and on to a restricted usage road, I was already nervous. I’m the kind of person who weighs and measures my suitcases before flying, lest I be scolded at the airport, and I do not like driving down roads with signs like EMPLOYEES ONLY and WILL BE ARRESTED.

At the gate intercom, I gave my name and social security number—Vivian had gathered this information and more ahead of time, over a series of phone calls, each from a different phone number—and a police officer gave me a visitor’s badge that was to be displayed on my person at all times. He warned me that I was to be escorted at all times.

I met Vivian in a lot between the first gate and the second gate, where her car was the only one parked. She gave me another badge that appeared identical to the first. I left my phone in my car as instructed, and we got into Vivian’s car and drove to the second gate. That was when things started not going as planned.

Four agitated police officers blocked our way.

“He can’t leave his car here!” they yelled when Vivian rolled down her window.

“But I cleared this ahead of time,” Vivian said.

“He can’t leave his car here. It’s a security risk.”

“But how am I supposed to escort him if we can’t drive together?”

“Ma’am,” one of them said, “I just do parking.”

It turned out that, like in many bureaucracies, the individual parts that made up the CIA were siloed, and there was no point in arguing about logical contradictions.

Vivian gave up and drove me back to my car, clearly stressed. I told her it wasn’t a big deal—I would just follow her.

The problem, she said, was that we wouldn’t be able to park in the same lot. And I had to be escorted at all times. And employee parking at the CIA was a mess. “It’ll take me forever just to walk to you.”

She resolved that she would simply park in VIP visitor parking with me, and if she got a ticket, she got a ticket. “Just follow me.”

I got in my car and followed her to the gate. I watched from behind the wheel as she drove up to the gate, talked to one of the police officers, and drove off past the gate at a good clip, very much not being followed by me.

I pulled up to the gate, and an aggressive police officer questioned me about why I had two badges.

“Didn’t it seem strange to you to get a second badge when you’d just got your first one?”

“I’ve never been here before,” I said. “Everything seems strange to me.”

A different cop told him to give it a rest, handed me a third badge, and asked if I needed directions to VIP parking. I have a terrible sense of direction—I once got lost at Costco for so long that they had to call my mom over the PA; I was fifteen—and Google Maps isn’t much use at Langley.

The nice cop said that I needed to turn right and follow the road until the sixth left. There I would see a line of squad cars and a gate, where my badge would swipe me in.

“If you see a helicopter, you’ve gone too far,” he said. “Just loop back around. Don’t make a U-turn.”

When I later told Vivian about the mean cop and the nice one, she said, “They’re always doing that good cop–bad cop thing.”

“For parking?”

“For everything!” (...)

I asked Vivian how many people worked at the CIA.

“Maybe two million?” She smiled and confessed that she had no idea, even though I was made to understand that she had been at the CIA, and in the writing group, for a number of years. (...)

At first, we couldn’t find the conference room. Like me, Vivian wasn’t allowed to bring her phone into the main building, but even if she had, I don’t know who she would’ve called for directions. CIA officers generally don’t know their coworkers’ last names. (The Starbucks at Langley is the only Starbucks where baristas aren’t allowed to ask for your name.) So I am without photos or notes, but walking through the main building at Langley, is, in my memory, like walking through an airport terminal in a major metropolis, crossed with a hospital, crossed with an American mall, crossed with an Eastern European university. It’s big and gleaming and cold and brutal, all at once. There was a hall of presidential portraits with notes from commanders in chief to the Secret Service, all of them written in elegant fountain pen, except for Donald Trump’s, which was written in Sharpie and said “I’M SO PROUD OF YOU!”

We finally found the conference room, through a side door in the CIA Museum. It was unclear who this museum was for, but it was not a bad museum, full of objects of interest: pieces of the Berlin Wall, tie-clip cameras, Soviet bugging devices, et cetera, displayed in glass cases. Six people were seated at the conference table inside the conference room, which was windowless and had a big CIA seal on the wall.

“Sorry we’re late!” Vivian announced.

“Strip search?” one of the men joked.

“Parking,” I said.

A collective groan. The goddamned parking.

I began by asking what people were writing. Surprisingly, none of the CIA writers were writing spy novels. They were working on short stories. Self-published dystopian sci-fi. A presidential biography. Upmarket fiction. A personal blog, which I was told to check out if I ever wanted a really good muffin recipe. The writing group was organized around what sounded like a listserv announcing periodic meetings to whatever members were available that day. Only about half the people in the room seemed to know one another.

I talked a little bit about writing beginnings and working through false starts. I read the first page of my latest novel, explained why I’d set the first scene in the U.S. when the rest of the novel takes place in Ukraine, and went through all the false starts I’d taken to get where I was going. One officer raised their hand and asked about establishing voice in first versus third person. Another asked about revision techniques. Another about the shift from writing alone to working with an editor. It was the least remarkable Q&A I’ve ever been a part of.

I had a little time to kill before our lunch reservation—seating time in the executive dining room was not flexible—so Vivian took me to the gift shop.

Given that almost no one’s allowed inside Langley and the people who work for the CIA aren’t supposed to advertise it, it was, like with the museum, a bit of a mystery who the gift shop was for. The shelves were stocked with T-shirts (Central Intelligence Agency), mugs (Central Intelligence Agency), and novelty barbecue sauce (Top Secret Recipe!). There was also a Pride Month display (Central Intelligence Agency in rainbow). I bought a Pride Month pen for four dollars.

by Johannes Lichtman, Paris Review | Read more:
Image: CIA HQ; Wikimedia Commons