Foodie-ism, as Youth Culture

Chang arrives at the tiny Thai place with her friends Jasmine, a stylist, and Marcos, a graphic designer. They, too, have their food bona fides: Marcos snaps quick photos of each dish as it is placed on the table; Jasmine’s phone holds carefully curated favorite-restaurant lists for New York and L.A. Both are a little older—30-plus to Chang’s 27—but Chang is clearly the group’s leader. She has picked the place, orders for everyone (shrimp salad, deep-fried catfish, and crispy pork off the restaurant’s “secret menu”), and generally steers the conversation toward the plates in front of us.

Petite and stylish, with a self-­consciously goofy smile, Chang works in online and social-media marketing. She is, in culinary parlance, a civilian—her job has nothing to do with New York’s sprawling food industry or with the chattering class that’s gathered around it. Her leisure time and modest discretionary income, however, are devoted almost entirely to food and restaurants.

“I’m not a foodie, I just like what I like,” she says. “Yes, I know, it’s just like hipsters saying, ‘I’m not a hipster.’ ” (The cliché cracks her up.) “But it’s like when my boss says, ‘Oh, you’re such a foodie.’ I’m like, Oh God. When I hear the word foodie, I think of Yelp. I don’t want to be lumped in with Yelp.” Just then, her iPhone goes off, and I glimpse her screen saver. It’s a close-up photo of a pile of gnarly, gristly pig’s feet, skin singed and torn, half-rendered fat and pearlescent cartilage beaming back the flash. The dish is from a tiny food stall in Taipei, she tells me. “It’s braised in a soy-based sauce, and they serve it on rice with pickled mustard greens.”

There have, of course, always been people in this town for whom food is a serious cultural pursuit. Traditionally, they have been older, white, and affluent. Knowing the newest and finest restaurants to frequent and where to find the very best things to eat have long been essential New York status markers. One of the main hallmarks of twentysomething life, on the other hand, has typically been to not give a shit what and where you eat. As recently as the late nineties, a steady diet of burritos and takeout Chinese, with an ironic-but-not-really TV dinner thrown in now and then, was part of the ­Generation X ethic. An abiding interest in food was something for old people or snobs, like golf or opera. The notion of idolizing chefs, filling notebooks with restaurant “life lists,” or talking about candied foie gras on a date was out-and-out bizarre.

Lately, however, food has become a defining obsession among a wide swath of the young and urbane. It is not golf or opera. It’s more like indie rock. Just like the music of, say, Drag City bands on a nineties campus, food is now viewed as a legitimate option for a hobby, a topic of endless discussion, a playground for one-upmanship, and a measuring stick of cool. “It’s a badge of honor,” says Chang. “Bragging rights.” She says she disliked M.Wells, last year’s consensus “It” restaurant, partly because of “the fact that everybody loves it, and I just don’t want to believe the hype.” The quest for ever greater obscurity, a central principle of the movement, reaches a kind of event horizon in Chang’s friend James Casey, the publisher of an idiosyncratic annual food magazine called Swallow. Lately, Casey has been championing the theory that mediocre food is better than good, the equivalent of a jaded indie kid extolling the virtues of Barry Manilow.

Food’s transformation from a fusty hobby to a youth-culture phenomenon has happened remarkably fast. The simultaneous rise of social networks and camera phones deserves part of the credit (eating, like sex, is among the most easily chronicled of pursuits), but none of this would have happened without the grassroots revolution in fine dining. “You can now eat just as quality food with a great environment without the fuss and the feeling of sitting at the grown-up table,” says Chang’s friend Amy, who is, incidentally, a cook at the very grown-up Jean Georges.

by Michael Idov, New York Magazine |  Read more:
Illustrations by Gluekit. Photographs courtesy of Diane Chang.

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John Crawford, Aerial Nudes
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My Mom Won’t Stop Driving

Just over a year ago, my siblings and I (and our spouses) jointly convinced our then 86-year-old mother to move to an upscale, continuing-care community. She had become a prisoner in her home of 40-plus years, afraid to go out if inclement weather was even a remote possibility (so in effect the entire winter). She’d become frail and had balance and vision issues, and she’d had a few falls, broken her arm, dislocated her shoulder, etc. But the clincher for us was that her memory and judgment were becoming increasingly impaired. An MRI (which she resisted mightily, but finally submitted to) showed that she’d had two mini-strokes, which the neurologist felt accounted for the balance and memory problems. He did not feel she had Alzheimer’s disease. I agree she’s not demented, but she is impaired, and we all felt she was one accident away from a catastrophe.  (...)

Now the issue at hand is getting Mom to give up her car. She has macular degeneration with very impaired vision, but apparently not crossing the line into legal blindness. But there’s no doubt she’s a menace on the road, and she often forgets how to work her car, e.g., how to turn on the windshield wipers. She sees our pressing her to stop driving as yet another instance of our cruelty and desire to take away her freedom. She says she doesn’t care if she dies in a car accident, and when we point out that she might hurt others, she sniffs that that’s unlikely to happen.

by Cary Tennis, Salon |  Read more:
Illustration: Zach Trenholm/Salon

World Water Day

March 22, is World Water Day, an event established by the United Nations in 1993 to highlight the challenges associated with this precious resource. Each year has a theme, and this year's is "Water and Food Security." The UN estimates that more than one in six people worldwide lack access to 20-50 liters (5-13 gallons) of safe freshwater a day to ensure their basic needs for drinking, cooking, and cleaning. And as the world's population grows beyond 7 billion, clean water is growing scarcer in densely populated areas as well as in remote villages. Collected here are recent images showing water in our lives -- how we use it, abuse it, and depend on it. [36 photos]

An aerial view during a media tour by oil company Royal Dutch Shell shows an illegal oil refining site with the runoff from crude oil covering the banks along the Imo River, 30 km (20 miles) west of Nigeria's oil hub city of Port Harcourt, on September 22, 2011. (Reuters/Akintunde Akinleye)

Water from a leaky fire hose rains down on neighborhood residents as they attempt to put out a fire that had already burned dozens of homes, in the New Building slum neighborhood in central Malabo, Equatorial Guinea, on January 23, 2012. As firefighters struggled to get enough water pressure to make their firehoses work, residents fought the fire with buckets of waste water and used mallets to tear down homes in the fire’s path. (AP Photo/Rebecca Blackwell)

World Water Day
via: The Atlantic

Nicki Bluhm and The Gramblers

Hall and Oates - I Can't Go For That - Cover by Nicki Bluhm and The Gramblers - Van Sessions 

Very likeable acoustic cover version of the song, performed in a moving van. Bonus points for the use of a kazoo …

via: PK

A Collection of Kisses

A young couple kisses in the fountain during the celebration of International Women's Day, at Revolution Square in Mexico City, on March 8, 2012. (Yuri Cortez/AFP/Getty Images).

One of the most intimate human gestures, a kiss can convey greetings, give comfort, express joy, and above all, show love. Gathered from news photos over the past few months, this collection of kisses features playful moments, emotional reunions, public displays of affection, and some pure expressions of love. [37 photos]

via: The Atlantic

Jason Derulo (7th Heaven Radio Edit / Tonic Remix VDO)

Filing a Lawsuit? There Might be an App for That

Poland has created an online court that allows plaintiffs and defendants to carry their cases to completion entirely on the web. According to Polish-speaking "geek of all trades" Daniel Janus, the Sixth Civil Division of the Lublin-West Regional Court in Lublin, Poland has jurisdiction over the entire country of Poland, and handles only cases concerning payment claims.

It has proven immensely popular, having processed about two million cases in its first year of operation.

Lawyers who are already concerned about dwindling employment prospects, you may now run for the exits.

The really crazy thing is that the world's first all-digital court doesn't just have a website -- it also has an API. Which means that, if you wanted to, you could create an mobile app that would make it convenient for you to sue someone. In a society as litigious as ours, that is either the ultimate deterrent or a recipe for a nightmarish future in which even the least slight is litigated on the spot.

The English-language explanation of the workings of Poland's e-court makes the system sound breathtakingly efficient:

The claimant (party who brings the action) communicates with the Court exclusively electronically by means of a system dedicated to the electronic writ of payment proceedings.

[…]

If the official concludes that the claim is well-grounded the electronic system prepares a draft of the order which is subsequently signed by the official using the electronic signature. (special individual code assigned to court officials considering cases). In the event where the claim appears groundless, no payment order (writ of payment)follows, and the case is transferred to the competent court for detailed consideration.

 by Christopher Mims, Technology Review |  Read more:

No Pulse: How Doctors Reinvented The Human Heart

Meeko the calf stood nuzzling a pile of hay. He didn’t seem to have much appetite, and he looked a little bored. Every now and then, he glanced up, as though wondering why so many people with clipboards were standing around watching him.

Fourteen hours earlier, I’d watched doctors lift Meeko’s heart from his body and place it, still beating, in a plastic dish. He looked no worse for the experience, whisking away a fly with his tail as he nibbled, demonstrably alive—though above his head, a monitor showed a flatlined pulse. I held a stethoscope to his warm, fragrant flank and heard, instead of the deep lub-dub of a heartbeat, what sounded like a dentist’s drill or the underwater whine of an outboard motor. Something was keeping Meeko alive, but it was nothing like a heart.

As many as five million Americans suffer some form of heart failure, but only about 2,000 hearts a year become available for transplant. The obvious solution to that scarcity is to build an artificial heart, and how hard could that be? The heart’s just a pump, after all, and people have been making pumps since the Mesopotamians invented the shadoof to raise river water 3,000 years before the birth of Christ. Doctors started thinking seriously about replacing the heart with a machine around the time Harry Truman was president.

To understand why they still haven’t succeeded, pick up a two-pound barbell and start curling it. Two pounds: nothing. But see how long you can keep it up. Twenty minutes? An hour? Two? Your heart does that all day and all night—35 million beats a year—for as long as you live, without ever taking a rest. Manufacturing a metal and plastic heart capable of beating that way for more than about 18 months has so far proved impossible.

The problem is the “beating” part. Among the first to envision an artificial heart was, amazingly, the ventriloquist Paul Winchell. When not in front of a TV camera manipulating his dummies Jerry Mahoney and Knucklehead Smiff, Winchell was developing patents, some 30 in all, including one for an artificial heart that he invented with Dr. Henry Heimlich, of the eponymous anti-choking maneuver. Back then, and up through the famous Jarvik-7—the first machine to replace a human heart, in 1982, albeit briefly—inventors could only imagine imitating the heart’s lub-dub. That is, they envisioned filling a chamber with deoxygenated blood returning from the body and pumping it out to the lungs to be infused with oxygen—lub—and then drawing that good red blood back into a second chamber and pumping it back out to the body—dub.

by Dan Baum, PopSci |  Read more:

Image: Artificial Heart Jack Thompson

Astor Piazzolla

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It’s True: Cities are Meaner

When Casey Neistat filmed himself trying to steal his own bike earlier this month, he was pretty sure that no one would try to stop him. “That comes from having five bikes stolen in New York,” he says.

He was right. Dozens of pedestrians hurried by as he destroyed his bike lock with hacksaws and power tools on various busy sidewalks, seeming to confirm a stereotype about New Yorkers: “People are so busy that we keep our heads down and go to work,” he says. “People are so caught up in their own (life) that they’re not concerned with yours.”

Are New Yorkers — and city folk in general — really so busy and self-absorbed that we have no concern for others? Do we lack a moral compass? Is Rick Santorum right? For more than 50 years, “urban psychologists” have been faking seizures, dropping cash and breaking into cars in broad daylight to see if strangers would intervene. They’ve discovered two things. One is that people in rural areas do indeed get involved more readily than urbanites. But they’ve also concluded that this has very little to do with morality.

The linchpin of this theory is the Bystander Effect, which suggests that our failure to react is caused by the urban environment. It was first established in 1968 after the notorious murder of Kitty Genovese, the young Queens woman who was killed while dozens of witnesses looked on. But in the decades since, our knowledge of the Bystander Effect has evolved even further. Now we can even predict which people — in which cities — are most likely to help out a stranger.

Psychologist Dr. Harold Takooshian sees strong evidence of the Bystander Effect in Neistat’s bike-theft experiment. “When it comes to this fellow with the bike,” he says, “there are several reasons the people don’t intervene.”

by Will Doig, Salon |  Read more:
Photo: R McKown via Shutterstock/Salon

Uemura Shoen, Japanese, 1875-1949
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Listening to Xanax

In my Brooklyn kitchen last December, not long after a report circulated about veterinarians using Xanax to treat post-traumatic-stress disorder in military dogs, a neighbor mentioned that she had begun to carry Xanax in her purse after her first child entered kindergarten, for relief from the uncontrollable separation anxiety she felt each time she boarded the subway and headed to work. “It was just so obvious that time was passing, and I could never get it back,” she told me. Another friend, the breadwinner in her family, started taking Xanax when she saw that she was about to get laid off, then upped her dose when she did. Around Thanksgiving, I found myself sitting on a plane next to a beautiful young FIT graduate in a rabbit-fur vest. Before takeoff, she neatly placed a pillbox on her knees, plucked out a small tablet, and swallowed it. “Control issues,” she said sweetly, giving me a gorgeous smile. As we became airborne, she reached out and clutched my hand.

If the nineties were the decade of Prozac, all hollow-eyed and depressed, then this is the era of Xanax, all jumpy and edgy and short of breath. In Prozac Nation, published in 1994, Elizabeth Wurtzel describes a New York that today seems as antique as the one rendered by Edith Wharton. In the book, she evokes a time when twenty­somethings lived in Soho lofts, dressed for parties in black chiffon frocks, and ended the night crying on the bathroom floor. Twenty years ago, just before Kurt Cobain blew off his head with a shotgun, it was cool for Kate Moss to haunt the city from the sides of buses with a visage like an empty store and for Wurtzel to confess in print that she entertained fantasies of winding up, like Plath or Sexton, a massive talent who died too soon, “young and sad, a corpse with her head in the oven.” (...)

Anxiety can also be a serious medical problem, of course. It sometimes precedes depression and often gets tangled up with it (which is why Prozac-type drugs are prescribed for anxiety too). But anxiety has a second life as a more general mind-set and cultural stance, one defined by an obsession with an uncertain future. Anxious people dwell on potential negative outcomes and assume (irrational and disproportionate) responsibility for fixing the disasters they imagine will occur. “What’s going to happen?” or, more accurately, “What’s going to happen to me?” is anxiety’s quiet whisper, its horror-show crescendo the thing Xanax was designed to suppress. Three and a half years of chronic economic wobbliness, the ever-pinging of the new-e-mail alert, the insistent voices of prophet-pundits who cry that nuclear, environmental, political, or terrorist-generated disaster is certain have together turned a depressed nation into a perennially anxious one. The editors at the New York Times are running a weekly column on anxiety in their opinion section with this inarguable rationale: “We worry.”

Panicked strivers have replaced sullen slackers as the caricatures of the moment, and Xanax has eclipsed Prozac as the emblem of the national mood. Jon Stewart has praised the “smooth, calm, pristine, mellow, sleepy feeling” of Xanax, and Bill Maher has wondered whether the president himself is a user. “He’s eloquent and unflappable. He’s so cool and calm.” U2 and Lil Wayne have written songs about Xanax, and in her 2010 book Dirty Sexy Politics, John McCain’s daughter Meghan copped to dosing herself and passing out the day before the 2008 election “still in my clothes and makeup.” When news outlets began reporting that a cocktail of alcohol, Valium, and Xanax might have caused Whitney Houston’s death, it felt oddly inevitable. Coke binges are for fizzier eras; now people overdo it trying to calm down.

Anxiety can be paralyzing and life-­destroying for those who suffer it acutely. But functional anxiety, which afflicts nearly everyone I know, is a murkier thing. Not quite a disease, or even a pathology, low-grade anxiety is more like a habit. Its sufferers gather in places like New York, where relentlessness and impatience are the highest values, and in industries built on unrelenting deadlines and tightrope deals. The shrinks say that these people—urban achievers—retain a superstitious belief in the magical powers of their worry. They believe it’s the engine that keeps them going, that gives them an edge, that allows them to work weekends and at five o’clock in the morning, until at last it becomes too much. That’s where the pills come in.

by Lisa Miller, New York Magazine |  Read more:
Illustration by Lola Dupré, based on an original photograph by Shaun Kardinal