Thursday, October 31, 2013

Food Fighter


Kyoto, Japan—The meal begins simply, almost religiously: a bowl of rice, a plate of pickles, a pot of green tea. Pour the tea over the rice and take a sip, then pinch a half moon of daikon between your chopsticks. Later comes a plate of tofu scraps dressed with green onions and dried fish, a seaweed salad, and a small bowl of miso soup.

This is obanzai, Japanese home-style cooking, but the cook is no ordinary homemaker: Setsuko Sugimoto is the matriarch of one of the oldest families in Kyoto, a city where everyone knows exactly how far your family goes back. Her home is older than the United States and protected by the Kyoto government. Tonight’s dinner stretches back to the Edo period, and to prove it she drops before me a telephone book–thick copy of the original recipes her family has preserved for 10 generations. “These are the traditions that we are starting to lose,” she tells me.

Not more than a few blocks from Sugimoto’s centuries-old home is a thicket of unwelcome invaders: Starbucks slinging monster soy lattes, a pizza delivery chain prepping seafood pies, a rainbow array of 24-hour convenience stores, portals of warmed-over carbohydrates and general gastronomic mischief. It’s a familiar tale: waves of brutish Western culture crashing on the shores of foreign countries and encroaching upon their long-held traditions. But the phenomenon is all the more striking here in Kyoto, in the heart of one of the world’s richest culinary cultures, with cooking traditions that stretch back millennia and more Michelin stars per capita than any other city in the world.

But Kyoto and the rest of Japan are not prepared to see their food yield to the mitigating forces of the modern world. Sugimoto is a part of a formidable coalition of government officials, nonprofit organizations, scholars, and food luminaries who have been working for two years on a proposal to include washoku—the traditional dining cultures of Japan—on the United Nations Educational, Scientific, and Cultural Organization’s list of “intangible world heritages.” On Thursday, they received word that their bid had advanced to the final stage, making Japanese cuisine all but certain to win this prized UNESCO designation in early December. It may seem a benign marker, but the UNESCO program is itself not without controversy. Moreover, it begs the question: Can a U.N. body’s imprimatur do anything to protect something as intangible as a style of cooking?

by Matt Goulding, Slate | Read more:
Image: Matt Goulding

Big Mother is Watching You

The other day, my eleven-year-old son handed me my iPhone with an accusatory air, as if to say: So this is what you people do behind our backs. While he was looking at stocks, he came across a news item reporting that AT&T, with another company, was about to introduce a snap-around-the-wrist, GPS-tracking, emergency-button-featuring, watch-like thingie for children. It’s called FiLIP, comes in bright colors, and has two-way calling and parent-to-child texting. It allows you to set safe zones, so that you’re alerted when your child enters or leaves a designated area.

A little stunned, I checked it out online. FiLIP, I found, is far from the first such gizmo; this one just has more bells and whistles than most. “The world used to be a little simpler,” went its mom-and-apple-pie pitch. “Kids ran free and returned at dinnertime, and parents didn’t worry so much. But today, parents are under more pressure than ever. ... FiLIP has a simple mission—to help kids be kids again, while giving parents an amazing new window into their children’s lives.” Right. And the Invisible Fence collar on my late lamented cairn terrier let my dog be a dog.

All parents have to let their children off the leash eventually—to let them go out unsupervised, to grant them free-ish range on the Internet. That moment always comes before you’re ready for it. For me, it came after a ninth birthday, when we hooked up a Nintendo Wii, then discovered, months later, that it could be used to roam the Internet. Another point was reached toward the end of elementary school, when my children announced that they were the very last kids in their class to get a smartphone. I stalled. Then my son showed me the FiLIP ad, and I discovered a universe of options.

For the iPhone I will soon be buying him, I can get an iPhone Spy Stick, to be plugged into a USB port while he sleeps; it downloads Web histories, e-mails, and text messages, even the deleted ones. Or I can get Mobile Spy, software that would let me follow, in real time, his online activity and geographical location. Also available are an innocent-looking iPhone Dock Camera that would recharge his battery while surreptitiously recording video in his room, and a voice-activated audio monitor, presumably for the wild parties he’s going to throw when his father and I go out of town.

by Judith Shulevitz, TNR |  Read more:
Image: uncredited

Wednesday, October 30, 2013


Harry Callahan, Untitled (Atlanta), 1984
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NSA Broke Into Yahoo, Google Data Centers


[ed. Out. Of. Control. The NSA's revealed data gathering activities are the biggest threat to democracy I think I've ever experienced. Not to mention business - with tech companies pushing consumers and corporations to migrate to the "cloud" where everything now mostly resides on NSA servers. Good luck with that. See also: Europe Erupts and NSA Chief wants Media Stopped; and Angry Over U.S. Surveillance, Tech Giants Bolster Defenses]

The National Security Agency has secretly broken into the main communications links that connect Yahoo and Google data centers around the world, The Washington Post reported Wednesday, citing documents obtained from former NSA contractor Edward Snowden.

A secret accounting dated Jan. 9, 2013, indicates that NSA sends millions of records every day from Yahoo and Google internal networks to data warehouses at the agency's Fort Meade, Md., headquarters. In the last 30 days, field collectors had processed and sent back more than 180 million new records — ranging from "metadata," which would indicate who sent or received emails and when, to content such as text, audio and video, the Post reported Wednesday on its website.

The latest revelations were met with outrage from Google, and triggered legal questions, including whether the NSA may be violating federal wiretap laws.

"Although there's a diminished standard of legal protection for interception that occurs overseas, the fact that it was directed apparently to Google's cloud and Yahoo's cloud, and that there was no legal order as best we can tell to permit the interception, there is a good argument to make that the NSA has engaged in unlawful surveillance," said Marc Rotenberg, executive director of Electronic Privacy Information Center. The reference to 'clouds' refers to sites where the companies collect data.

The new details about the NSA's access to Yahoo and Google data centers around the world come at a time when Congress is reconsidering the government's collection practices and authority, and as European governments are responding angrily to revelations that the NSA collected data on millions of communications in their countries. Details about the government's programs have been trickling out since Snowden shared documents with the Post and Guardian newspaper in June.

The NSA's principal tool to exploit the Google and Yahoo data links is a project called MUSCULAR, operated jointly with the agency's British counterpart, GCHQ. The Post said NSA and GCHQ are copying entire data flows across fiber-optic cables that carry information between the data centers of the Silicon Valley giants.

by Lolita C. Baldor, Yahoo News |  Read more:
Image: AP/Google

Helmut Newton, Karen Mulder & Yves Saint Laurent
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Bertien van Manen, A Hundred Summers a Hundred Winters, Tomsk, Russia railway station, 1992
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Slaves of the Internet, Unite!

Not long ago, I received, in a single week, three (3) invitations to write an original piece for publication or give a prepared speech in exchange for no ($0.00) money. As with stinkbugs, it’s not any one instance of this request but their sheer number and relentlessness that make them so tiresome. It also makes composing a polite response a heroic exercise in restraint.

People who would consider it a bizarre breach of conduct to expect anyone to give them a haircut or a can of soda at no cost will ask you, with a straight face and a clear conscience, whether you wouldn’t be willing to write an essay or draw an illustration for them for nothing. They often start by telling you how much they admire your work, although not enough, evidently, to pay one cent for it. “Unfortunately we don’t have the budget to offer compensation to our contributors...” is how the pertinent line usually starts. But just as often, they simply omit any mention of payment.

A familiar figure in one’s 20s is the club owner or event promoter who explains to your band that they won’t be paying you in money, man, because you’re getting paid in the far more valuable currency of exposure. This same figure reappears over the years, like the devil, in different guises — with shorter hair, a better suit — as the editor of a Web site or magazine, dismissing the issue of payment as an irrelevant quibble and impressing upon you how many hits they get per day, how many eyeballs, what great exposure it’ll offer. “Artist Dies of Exposure” goes the rueful joke.

In fairness, most of the people who ask me to write things for free, with the exception of Arianna Huffington, aren’t the Man; they’re editors of struggling magazines or sites, or school administrators who are probably telling me the truth about their budgets. The economy is still largely in ruins, thanks to the people who “drive the economy” by doing imaginary things on Wall Street, and there just isn’t much money left to spare for people who do actual things anymore.

This is partly a side effect of our information economy, in which “paying for things” is a quaint, discredited old 20th-century custom, like calling people after having sex with them. The first time I ever heard the word “content” used in its current context, I understood that all my artist friends and I — henceforth, “content providers” — were essentially extinct. This contemptuous coinage is predicated on the assumption that it’s the delivery system that matters, relegating what used to be called “art” — writing, music, film, photography, illustration — to the status of filler, stuff to stick between banner ads.

Just as the atom bomb was the weapon that was supposed to render war obsolete, the Internet seems like capitalism’s ultimate feat of self-destructive genius, an economic doomsday device rendering it impossible for anyone to ever make a profit off anything again. It’s especially hopeless for those whose work is easily digitized and accessed free of charge. I now contribute to some of the most prestigious online publications in the English-speaking world, for which I am paid the same amount as, if not less than, I was paid by my local alternative weekly when I sold my first piece of writing for print in 1989. More recently, I had the essay equivalent of a hit single — endlessly linked to, forwarded and reposted. A friend of mine joked, wistfully, “If you had a dime for every time someone posted that ...” Calculating the theoretical sum of those dimes, it didn’t seem all that funny.

I’ve been trying to understand the mentality that leads people who wouldn’t ask a stranger to give them a keychain or a Twizzler to ask me to write them a thousand words for nothing. I have to admit my empathetic imagination is failing me here. I suppose people who aren’t artists assume that being one must be fun since, after all, we do choose to do it despite the fact that no one pays us. They figure we must be flattered to have someone ask us to do our little thing we already do.

I will freely admit that writing beats baling hay or going door-to-door for a living, but it’s still shockingly unenjoyable work. I spent 20 years and wrote thousands of pages learning the trivial craft of putting sentences together. My parents blew tens of thousands of 1980s dollars on tuition at a prestigious institution to train me for this job. They also put my sister the pulmonologist through medical school, and as far as I know nobody ever asks her to perform a quick lobectomy — doesn’t have to be anything fancy, maybe just in her spare time, whatever she can do would be great — because it’ll help get her name out there.

by Tim Kreider, NY Times |  Read more:
Image: Post Typography

Anchovies Elevate a Pan-Seared Chicken Dish

There’s nothing wrong with a dinner of pan-seared chicken seasoned with salt and pepper. But there’s everything right about the same chicken when you add anchovies, capers, garlic and plenty of lemon to the pan.

What was once timid and a little dull turns vibrant, tangy and impossible to stop eating. And the only real extra work is chopping the garlic and a little parsley for garnish.

In this dish, the cut of chicken is less important than the pungent pan sauce. Most people will probably want to use the workhorse of all poultry dinners, the boneless, skinless breasts. But being a dark-meat lover, I prefer the thighs. They cook nearly as quickly, and have a greater margin of error in terms of doneness. Overcook your breasts by even a minute, and you’ll get dry, tough meat. Thighs are more forgiving. However, if your family insists on white meat, you can substitute breasts and subtract about 3 minutes from the cooking time.

Although you can make this dish entirely on the stove top, I take a cue from chefs and finish it in the oven. It cooks more evenly there, with less monitoring. This frees you up to toss a salad and slice up a crusty loaf of bread for mopping up the juices. If you love anchovies and garlic, you won’t want to leave even a drop behind.

Recipe: Garlicky Chicken With Lemon-Anchovy Sauce

by Melissa Clark, NY Times |  Read more:
Image: via:

Tuesday, October 29, 2013

#$%@!


[ed. Internet connection problems today.]

Monday, October 28, 2013

A Curmudgeon’s Guide to Praise

Occasionally I meet someone else who’s weathered the extravagant praise of a parent, like the writer who published six books of poetry but whose dad brags that she’s won a Guggenheim. That would certainly be miraculous and worth bragging about, because she’s never applied. This kind of praise misconstrues facts “accidentally on purpose,” and a parent has plausible deniability (“I must have misheard you”) until a pattern sets in; though, from their point of view, they really don’t know what the problem is. If praise masquerades as an objective assessment that really conveys the subjective feeling of their love — that boundless, intoxicating feeling — why not sacrifice a few details? Heck, why not sacrifice them all?

A sense of truth — the difference between potential and accomplishment, dream and fact — can be the first casualty in families like this. Growing up I felt like a private eye tracking down unseemly rumors about me, adapting a private eye’s worldview along the way: dark, noirish and suspicious of anyone who claimed to “know” what “happened” about “anything.” I was desperate for praise but paranoid about its ability to manipulate. If you paid me a compliment I’d love you for a second, then squint suspiciously, spit out an imaginary cigar and ask “What do you want, anyway?”

As my girlfriend and I became serious, she spent time with my mom and heard some of the extravagant stories of my childhood. I was concerned if she rolled her eyes any harder she might injure them. Was I really so verbal and wise — and jaded — at age two, after my father died, that I offered my mom irrefutable proof that Santa was a fake? Did I really teach myself to read music at age five? Become a concert-grade pianist without practicing? My girlfriend called bullshit on the highlight reel of my childhood. I didn’t believe half this stuff either, but I believed some of it. That is, I wanted the option in my early 20s of believing it some nights, to lie in bed after a lame day as a secretary and revel in my secret specialness that had not yet been recognized by the world. Doubting the myths of your childhood can be more destabilizing than reading you’re a finalist for a prize you didn’t apply for. Our parents are the historians of our lives. We want to think we have a coherent identity that stretches back to birth, and for the first time I stared back and saw what looked an awful lot like nothing.

Careless praise and exaggerated stories are just a quirky part of growing up in some families, but they can be damaging when they amplify the weird romance kids already have about themselves — the secret identities and magical powers they know they have that adults around them can’t see. I can’t walk five minutes in Prospect Park without seeing some girl spin around, sprinkle herself with magic pixie dust and chant I am the princess, I am the princess, I am the princess. I needed no prompting myself to think I was the next Ron Guidry. I had a natural slider that was unhittable — and uncontrollable — and stayed up each night before I pitched imagining how I’d record 18 straight strikeouts, end the game by myself, and set a record. Onlookers would gasp as they saw a small thing of perfection in a fallen world, or the evening would be a tough slog.

You can guess which one it was.

Our first task as children is to dream ourselves into being and, oddly enough, we pretend to be other people to do that, as if life were a drama filled with larger-than-life characters first glimpsed from afar. We try on identities, just as I assigned one to my dad and was given one by my mom, until we find one that fits, but then face the task of insinuating ourselves into a world that’s indifferent or hostile to us or just more complicated than we imagined. That, of course, is the day childhood starts to end, when we may start to suspect that the praise echoing in our ears sounds an awful lot like lying.

I had no idea there might be a cultural component to all this, that the fantasies families weave around their children might have changed over time, until I was expecting a son myself and read some parenting books. Apparently I grew up at the height of the self-esteem movement, and well-intentioned but excessive praise has harmed a number of children. That, at least, is the claim of Po Bronson and Ashley Merryman in Nurture Shock. In the first chapter they trace the self-esteem movement back to Nathaniel Branden, who asserted in 1969 that self-esteem is our most important attribute. California even created a self-esteem task force, thinking if it could raise the self-esteem of its citizens, they’d “do everything from lower dependence on welfare to decrease teenage pregnancy.” Soon we were handing out medals to every participant at sporting events and not keeping score. Competition is too competitive —our children’s egos are at stake.

But can self-esteem be pinned on someone like a ribbon? Is it an effect or a cause of competence? Does telling children to feel good about themselves actually make them feel good about themselves? The authors, citing research from Carol Dweck, suggest that constant, overly general praise can have the opposite of the intended effect. Their parenting advice, to treat the mind like a muscle that needs exercise, echoes Seneca, our oldest self-help guru, who insisted that the mind be exercised “day and night.” (All of these writers value effort above all; for Seneca, it is the one way we surpass even the gods.) Constant praise makes children both fragile and risk averse. Since they aren’t praised for their effort, the one thing they control, children take failure as a sign that they were never intelligent to begin with. I got a sense of how far off the deep end we’d gone when an NYU psychiatry professor was trotted out late in the chapter to stress what should have been obvious. Praise, she says, “has to be based on a real thing.”

Well, what has praise been based on? (...)

For the parents interviewed in Nurture Shock, praise is a practical attempt to bolster their children’s confidence before they go out to battle the world, so any amount of affirmation can be justified as long as it works. You might call this the Bluster Theory of Praise. At first it doesn’t sound unreasonable. We all know people whose self-promotion allows them to achieve what their capabilities wouldn’t on their own. The downside — in addition to having irritating children — is that their confidence won’t be based on something that should inspire confidence. They get their way not through their ability but through their aggression and can mistake one thing for the other. It can also start an arms race in which every child is inevitably considered a genius.

by Christopher Wall, LA Review of Books |  Read more:
Image: uncredited

Fitz


[ed... and other quotes from This Side of Paradise.]
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Harry Gruyaert, Moscow, 1989.
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Andrea Kowch, Dream Chaser
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Omens

As the oldest university in the English-speaking world, Oxford is a strange choice to host a futuristic think tank, a salon where the concepts of science fiction are debated in earnest. The Future of Humanity Institute seems like a better fit for Silicon Valley or Shanghai. During the week that I spent with him, Bostrom and I walked most of Oxford’s small cobblestone grid. On foot, the city unfolds as a blur of yellow sandstone, topped by grey skies and gothic spires, some of which have stood for nearly 1,000 years. There are occasional splashes of green, open gates that peek into lush courtyards, but otherwise the aesthetic is gloomy and ancient. When I asked Bostrom about Oxford’s unique ambience, he shrugged, as though habit had inured him to it. But he did once tell me that the city's gloom is perfect for thinking dark thoughts over hot tea.

There are good reasons for any species to think darkly of its own extinction. Ninety-nine percent of the species that have lived on Earth have gone extinct, including more than five tool-using hominids. A quick glance at the fossil record could frighten you into thinking that Earth is growing more dangerous with time. If you carve the planet's history into nine ages, each spanning five hundred million years, only in the ninth do you find mass extinctions, events that kill off more than two thirds of all species. But this is deceptive. Earth has always had her hazards; it's just that for us to see them, she had to fill her fossil beds with variety, so that we could detect discontinuities across time. The tree of life had to fill out before it could be pruned. (...)

Bostrom isn’t too concerned about extinction risks from nature. Not even cosmic risks worry him much, which is surprising, because our starry universe is a dangerous place. Every 50 years or so, one of the Milky Way’s stars explodes into a supernova, its detonation the latest gong note in the drumbeat of deep time. If one of our local stars were to go supernova, it could irradiate Earth, or blow away its thin, life-sustaining atmosphere. Worse still, a passerby star could swing too close to the Sun, and slingshot its planets into frigid, intergalactic space. Lucky for us, the Sun is well-placed to avoid these catastrophes. Its orbit threads through the sparse galactic suburbs, far from the dense core of the Milky Way, where the air is thick with the shrapnel of exploding stars. None of our neighbours look likely to blow before the Sun swallows Earth in four billion years. And, so far as we can tell, no planet-stripping stars lie in our orbital path. Our solar system sits in an enviable bubble of space and time.

But as the dinosaurs discovered, our solar system has its own dangers, like the giant space rocks that spin all around it, splitting off moons and scarring surfaces with craters. In her youth, Earth suffered a series of brutal bombardments and celestial collisions, but she is safer now. There are far fewer asteroids flying through her orbit than in epochs past. And she has sprouted a radical new form of planetary protection, a species of night watchmen that track asteroids with telescopes.

‘If we detect a large object that’s on a collision course with Earth, we would likely launch an all-out Manhattan project to deflect it,’ Bostrom told me. Nuclear weapons were once our asteroid-deflecting technology of choice, but not anymore. A nuclear detonation might scatter an asteroid into a radioactive rain of gravel, a shotgun blast headed straight for Earth. Fortunately, there are other ideas afoot. Some would orbit dangerous asteroids with small satellites, in order to drag them into friendlier trajectories. Others would paint asteroids white, so the Sun’s photons bounce off them more forcefully, subtly pushing them off course. Who knows what clever tricks of celestial mechanics would emerge if Earth were truly in peril. (...)

The risks that keep Bostrom up at night are those for which there are no geological case studies, and no human track record of survival. These risks arise from human technology, a force capable of introducing entirely new phenomena into the world.

Nuclear weapons were the first technology to threaten us with extinction, but they will not be the last, nor even the most dangerous. A species-destroying exchange of fissile weapons looks less likely now that the Cold War has ended, and arsenals have shrunk. There are still tens of thousands of nukes, enough to incinerate all of Earth’s dense population centers, but not enough to target every human being. The only way nuclear war will wipe out humanity is by triggering nuclear winter, a crop-killing climate shift that occurs when smoldering cities send Sun-blocking soot into the stratosphere. But it’s not clear that nuke-levelled cities would burn long or strong enough to lift soot that high. The Kuwait oil field fires blazed for ten months straight, roaring through 6 million barrels of oil a day, but little smoke reached the stratosphere. A global nuclear war would likely leave some decimated version of humanity in its wake; perhaps one with deeply rooted cultural taboos concerning war and weaponry.

Such taboos would be useful, for there is another, more ancient technology of war that menaces humanity. Humans have a long history of using biology’s deadlier innovations for ill ends; we have proved especially adept at the weaponisation of microbes. In antiquity, we sent plagues into cities by catapulting corpses over fortified walls. Now we have more cunning Trojan horses. We have even stashed smallpox in blankets, disguising disease as a gift of good will. Still, these are crude techniques, primitive attempts to loose lethal organisms on our fellow man. In 1993, the death cult that gassed Tokyo’s subways flew to the African rainforest in order to acquire the Ebola virus, a tool it hoped to use to usher in Armageddon. In the future, even small, unsophisticated groups will be able to enhance pathogens, or invent them wholesale. Even something like corporate sabotage, could generate catastrophes that unfold in unpredictable ways. Imagine an Australian logging company sending synthetic bacteria into Brazil’s forests to gain an edge in the global timber market. The bacteria might mutate into a dominant strain, a strain that could ruin Earth’s entire soil ecology in a single stroke, forcing 7 billion humans to the oceans for food.

These risks are easy to imagine. We can make them out on the horizon, because they stem from foreseeable extensions of current technology. But surely other, more mysterious risks await us in the epochs to come. After all, no 18th-century prognosticator could have imagined nuclear doomsday. Bostrom’s basic intellectual project is to reach into the epistemological fog of the future, to feel around for potential threats. It’s a project that is going to be with us for a long time, until — if — we reach technological maturity, by inventing and surviving all existentially dangerous technologies.

There is one such technology that Bostrom has been thinking about a lot lately. Early last year, he began assembling notes for a new book, a survey of near-term existential risks. After a few months of writing, he noticed one chapter had grown large enough to become its own book. ‘I had a chunk of the manuscript in early draft form, and it had this chapter on risks arising from research into artificial intelligence,’ he told me. ‘As time went on, that chapter grew, so I lifted it over into a different document and began there instead.’

by Ross Andersen, Aeon |  Read more:
Image: Andy Sansom

Book of Lamentations

The best dystopian literature, or at least the most effective, manages to show us a hideous and contorted future while resisting the temptation to point fingers and invent villains. This is one of the major flaws in George Orwells’s 1984: When O’Brien laughingly expounds on his vision of “a boot stamping on a human face – forever” he starts to acquire the ludicrousness of a Bond villain; he may as well be a cartoon – one of the Krusty Kamp counsellors in The Simpsons, raising a glass “to Evil.” Orwell’s satire of Stalinism, or Margaret Atwood’s on the religious right in The Handmaid’s Tale tend to let our present world off the hook a little by comparison. More subtle works, like Huxley’s Brave New World, are far more effective. His Controller, when interrogated, doesn’t burst out in maniacal laughter and start twiddling his moustache. He explains, in quite reasonable terms, why the dystopia he lives in is the best way to ensure the happiness of all – and he means it. Everything’s broken, but it’s not anyone’s fault; it’s terrifying because it’s so familiar. (...)

The opening passages of DSM-5 give us a long history of the purported previous editions of the book and the endless revisions and fine-tunings that have gone into the work. This mad project is clearly something that its authors are fixated on to a somewhat unreasonable extent. In a retrospectively predictable ironic twist, this precise tendency is outlined in the book itself. The entry for obsessive-compulsive disorder with poor insight describes this taxonomical obsession in deadpan tones: “repetitive behavior, the goal of which is […] to prevent some dreaded event or situation.” Our narrator seems to believe that by compiling an exhaustive list of everything that might go askew in the human mind, this wrong state might somehow be overcome or averted. References to compulsive behavior throughout the book repeatedly refer to the “fear of dirt in someone with an obsession about contamination.” The tragic clincher comes when we’re told, “the individual does not recognize that the obsessions or compulsions are excessive or unreasonable.” This mad project is so overwhelming that its originator can’t even tell that they’ve subsumed themselves within its matrix. We’re dealing with a truly unreliable narrator here, not one that misleads us about the course of events (the narrator is compulsive, they do have poor insight), but one whose entire conceptual framework is radically off-kilter. As such, the entire story is a portrait of the narrator’s own particular madness. With this realization, DSM-5 starts to enter the realm of the properly dystopian. (...)

The idea emerges that every person’s illness is somehow their own fault, that it comes from nowhere but themselves: their genes, their addictions, and their inherent human insufficiency. We enter a strange shadow-world where for someone to engage in prostitution isn’t the result of intersecting environmental factors (gender relations, economic class, family and social relationships) but a symptom of “conduct disorder,” along with “lying, truancy, [and] running away.” A mad person is like a faulty machine. The pseudo-objective gaze only sees what they do, rather than what they think or how they feel. A person who shits on the kitchen floor because it gives them erotic pleasure and a person who shits on the kitchen floor to ward off the demons living in the cupboard are both shunted into the diagnostic category of encopresis. It’s not just that their thought-process don’t matter, it’s as if they don’t exist. The human being is a web of flesh spun over a void. (...)

The word “disorder” occurs so many times that it almost detaches itself from any real signification, so that the implied existence of an ordered state against which a disorder can be measured nearly vanishes is almost forgotten. Throughout the novel, this ordered normality never appears except as an inference; it is the object of a subdued, hopeless yearning. With normality as a negatively defined and nebulously perfect ideal, anything and everything can then be condemned as a deviation from it. Even an outburst of happiness can be We’re told this consists of a prolonged period during which the sufferer’s mood “may be described as euphoric, unusually good, cheerful, or high” and in which “the person may spontaneously start extensive conversations with strangers in public places,” or – more distressingly, admittedly – “a salesperson may telephone strangers at home in the early morning hours to initiate sales”diagnosed as a manic episode. And then there are the “not otherwise specified” personality disorder categories. Here all pretensions to objectivity fall apart and the novel’s carefully warped imitation of scientific categories fades into an examination of petty viciousness. A personality disorder not otherwise specified is the diagnosis for anyone whose behaviors “do not meet the full criteria for any one Personality Disorder, but that together cause clinically significant distress […] eg. social or occupational.” It’s hard not to be reminded of a few people who’ve historically caused social or occupational distress. If you don’t believe that people really exist, any radical call for their emancipation is just sickness at its most annoying.

If there is a normality here, it’s a state of near-catatonia. DSM-5 seems to have no definition of happiness other than the absence of suffering. The normal individual in this book is tranquilized and bovine-eyed, mutely accepting everything in a sometimes painful world without ever feeling much in the way of anything about it. The vast absurd excesses of passion that form the raw matter of art, literature, love, and humanity are too distressing; it’s easier to stop being human altogether, to simply plod on as a heaped collection of diagnoses with a body vaguely attached.

by Sam Kriss, TNI |  Read more:
Image: Vincent van Gogh Corridor in the Asylum (1889)