Monday, March 30, 2026

McCartney In Tokyo, 1966.
via:
[ed. Tuned left-handed?]

Emil Bisttram - The Storm, c. 1950
via:

Marcin Wasilewski Trio

She Left a Silicon Valley VC to Solve a Problem Left Untouched for 88 years

As Women’s History Month comes to a close, here’s a little bit of trivia for you: One of the premier patents in bras hadn’t been touched or improved upon in 88 years. That was until Bree McKeen went after it. 

[ed. I'd say this problem has been touched quite a bit in 88 years. But, anyway...]

In 1931, inventor Helene Pons was granted a U.S. patent for a brassiere featuring an open-ended wire loop that encircled the bottom and sides of each breast. That uncomfortable, unyielding design had largely been left unchanged for nearly a century—and remains the dominant style in the global bra market, which is expected to reach nearly $60 billion by 2032.

Nobody had filed a patent for an underwire replacement until McKeen, founder of Evelyn & Bobbie, left her Silicon Valley job to try to fix a personal problem. At the end of long work days working at a boutique venture capital firm doing due diligence on consumer health care companies, she would come home with divots on her shoulders and chronic tension headaches after being hunched over her desk for hours on end.
 
While the world was demanding, the culprit wasn’t her workload. It was her bra.

But McKeen had zero experience in fashion. She studied medical anthropology and earned her MBA from Stanford. The turning point for her, though, came in a physiologist’s office, where McKeen had been working on her posture, along with regular barre training.

“He’s like, your posture looks great,’” McKeen recalled to Fortune. “And I kind of blurt it out: When I stand like this, I get pain from my bra.”

The physiologist explained it was a neuromuscular feedback loop, or the body’s automatic response to pain, like a pebble in a shoe.

“Here I am doing all this work to carry myself with authority and poise, and my bra, I find out, is totally doing the opposite,” McKeen said. “You don’t have to tell your body to curl around the pain. It just does.”

She had zero fashion experience. She filed a patent anyway

That realization kickstarted McKeen on a major career switch, costing her a career in VC—but earning her one of the most quietly disruptive brands in women’s fashion (Evelyn & Bobbie is now the fastest-growing brand at Nordstrom). She moved to Portland, home to Nike, Adidas, and Columbia for inspiration from major brands and proximity to new connections.

She started tinkering with prototypes in her garage and immediately filed for intellectual property rights. That was based on her VC knowledge that a woman’s company would need that to get funded.

McKeen got her first works utility patent (the harder, more defensible kind that covers how something works, not just how it looks) within a year. The brand declined to disclose how much funding it has raised, but now holds 16 international patents protecting its proprietary EB Core technology, which mimics the support and structure of a wire without causing discomfort.

To put into perspective how critical it was to protect her intellectual property, only 12% of patents in the U.S. were awarded to women, according to the U.S. Patent and Trademark Office as of 2019. McKeen has six of them, protecting the unique 3D-sling technology in her bras.

The brand McKeen built, Evelyn & Bobbie, was named for her maternal grandmother and her aunt, and operates on a simple premise: a bra that fits well and feels good all day.

“I wanted a bra that made me look better in my clothes,” McKeen said—an inspiration reminiscent of how Spanx founder Sara Blakely started her now-$1.2 billion shapewear empire. “Wire-free bras give you that mono boob—not a nice silhouette. They make your clothes look frumpy. I wanted nice lift, separation, a beautiful silhouette. I could not find that bra. How outrageous, really.”

The average U.S. bra size is 34F. Most brands design for something much smaller

With major brands like Victoria’s Secret, Aerie, Third Love, Savage X Fenty, and countless others on the market, Evelyn & Bobbie is undoubtedly in a crowded, competitive space. But as all women know, not all bras are comfortable to wear, especially for extended periods.

What sets Evelyn & Bobbie apart is their approach to sizing. McKeen designs with 270 fit models across seven easy sizes, grading each style individually rather than scaling up from a single sample.

“Most bra companies have like one or two fit models,” she said. “They’ll make a 34B and just scale it up, which is why it doesn’t fit well in larger sizes.

The average bra size in the U.S., McKeen pointed out, is a 34F, a stat that’s surprising to most people—including initial investors she once had to convince that comfort was even a relevant selling point.

“I had many investor meetings where they were 60-minute meetings, and 50 minutes of it was me trying to convince them that comfort was relevant,” she said. “I mean, Victoria’s Secret kind of figured it out, right? Like it’s just sexy, isn’t that what women want?” [...]

With a luxury product comes a luxury price point: Evelyn & Bobbie bras retail for $98 each. But that price tag could be worth avoiding chronic pain for some women.

by Sydney Lake, Fortune |  Read more:
Image: Evelyn & Bobbie
[ed. An entire article about bras but mostly about protecting intellectual property rights (16 international patents!), never fully explaining what the new technology actually is, other than it uses more fit models to ensure proper sizing. FYI: according to E&B's website EB Core uses "bonded internal structures and a soft, adaptive material, that stretches, molds, and supports—delivering wire-free lift.". Well, guess that explains it.] 

Lost In Space

No one is happy with NASA’s new idea for private space stations (Ars Technica):

"Most elements of a major NASA event this week that laid out spaceflight plans for the coming decade were well received: a Moon base, a focus on less talk and more action, and working with industry to streamline regulations so increased innovation can propel the United States further into space.

However, one aspect of this event, named Ignition, has begun to run into serious turbulence. It involves NASA’s attempt to navigate a difficult issue with no clear solution: finding a commercial replacement for the aging International Space Station.

During the Ignition event on Tuesday, NASA leaders had blunt words for the future of commercial activity in low-Earth orbit. Essentially, they are not confident in the viability of a commercial marketplace for humans there, and the agency’s plan to work with private companies to develop independent space stations does not appear to be headed toward success. Plenty of people in the industry share these concerns, but NASA officials have not expressed them out loud before.

“We’re on a path that’s not leading us where we thought it would,” said Dana Weigel, manager of the International Space Station program for NASA.

NASA proposed a new solution that would bind the private companies more closely to NASA, requiring them not to build free-flying space stations but rather to work directly with the space agency on modules that would, at least initially, dock with the International Space Station. This change was not well-received."

***
[ed. See also: SpaceX offers details on orbital data center satellites (Space News):]

"At a March 21 event in Austin, Texas, Musk outlined an initiative by SpaceX, along with automaker Tesla and artificial intelligence company xAI — also run by Musk — to massively increase production of high-end computer chips needed for both terrestrial and space applications.

The Terafab project seeks to produce one terawatt of processors annually, which Musk said is 50 times the combined production rate of all manufacturers of chips used today in advanced applications such as AI.

Those processors, he said, are the “missing ingredient” in his plans to deploy a large constellation of satellites to serve as an orbital data center.

“We either build the Terafab or we don’t have the chips, and we need the chips, so we’re going to build the Terafab,” he said.

"SpaceX filed an application with the Federal Communications Commission in late January for a constellation of up to one million satellites that would be used as an orbital data center for AI applications. The company provided few technical details about the constellation, including the size of the satellites, in that application."

Sunday, March 29, 2026

The Last Useful Man

About halfway through Mission: ImpossibleThe Final Reckoning, Tom Cruise goes for a run on a treadmill. The treadmill is on the USS Ohio, a submarine manned exclusively by implausibly attractive people. One of those people is not who they seem: a cultist, radicalized by the Entity, the film’s AI antagonist. The cultist sneaks up behind Cruise and lunges with a knife. Things look dicey for a moment — until Cruise gains some distance and kicks him repeatedly in the head. While doing so, he imparts a few words of wisdom: “You spend too much time on the internet.

What divides the heroes and villains in Final Reckoning is simple: the villains have to Google things, and the heroes do not. There are three bad guys, more or less. First, the Entity, a rogue AI halfway through its plan for global domination. Second, Gabriel, the Entity’s meat puppet. Third, a gang of surprisingly likable Russians who take Cruise’s team hostage in a house in Alaska. What unites the villains isn’t malice so much as it is uselessness. I mean that precisely. They are often effective, even successful. But never useful. [...]

This division between characters with embodied knowledge and those without runs through all of Cruise’s recent work. His own impossible mission is to teach the value of physical competence: not just knowing things, but knowing how to do them. In Final Reckoning, this idea finds its clearest form. [...]

Like Forster, Cruise and his long-time collaborator Christopher McQuarrie invent machines to dramatize the age they live in. Forster gave us the Machine; McQuarrie, the Entity. But unlike Forster, their imagination of technology is not apocalyptic but diagnostic — they aren’t warning us of the machine age so much as asking what it demands of us, and what it reveals.

This brings us to what looks, at first glance, like a paradox: How does a franchise so lovingly built on disguises, gadgets, and inventions of all kinds — from the eye-tracking projector that gets Cruise into the Kremlin to the single suction glove that lets him cling to the Burj Khalifa — end with a villain made of pure technology?

If you asked Cruise, his answer would be simple: technology is good when it roots you in your body and bad when it lets you forget you have one. That’s why Final Reckoning, for all its AI villainy and suspicion of the terminally-online, still treats technology with a near-Romantic sensibility. Hand-soldered pen drives, aging aircraft carriers, and vintage biplanes carry Cruise and his team on their mission to save the world. At times subtlety disappears altogether; the film’s most inviting location is a candle-lit Arctic hideout filled with analogue comforts: old books and gramophones, telescopes and soldering tools.

The same ideas return — turned up to eleven — in Cruise and McQuarrie’s two other collaborations this decade outside the Mission: Impossible franchise. The first, Edge of Tomorrow, in which Cruise relives the same day on repeat until he generates enough embodied knowledge to defeat an autonomous alien race, is, even for the purposes of this essay, too on the nose, so I’ll focus instead on Top Gun: Maverick.

The film opens with Cruise test-piloting an experimental stealth aircraft in a last-ditch attempt to save the program from cancellation by the “drone ranger,” an admiral who wants the budget for his autonomous fleet. For the program to survive, Cruise needs to hit Mach 10: a speed no vehicle has ever reached. As the team watches on, he delivers the impossible. Gauzy wisps of supersonic air stream across the cockpit windows as Maverick stares out into the black of space. He whispers softly to his dead best friend, “Talk to me, Goose.”

Soon afterwards, Maverick is sent back to Top Gun to train a new generation of pilots. He begins his first lesson holding up the flight manual for the F-18, which makes the Riverside Chaucer look like a novella, before throwing it in the bin. “I assume you know this book inside and out. So does your enemy.” What matters instead is the knowledge that can’t be written down: the things his students already know by instinct, but cannot yet express  “Today we’ll start with only what you think you know.”

The quest to ‘“know more than we can tell,”’ as Michael Polanyi put it, drives the rest of the film. The pilots even have their own version of the phrase, a near-religious catechism recited at almost every decisive moment: “Don’t think. Just do.”

Beyond the screen, the same principle applies. In the Mission: Impossible franchise, filming begins with no plot or script, only a commitment to figuring it out in the process. It’s most evident in each film’s tentpole action sequences, where the line between Cruise the actor and Cruise the stuntman blurs beyond recognition.

The art critic Robert Hughes once wrote of his love for “the spectacle of skill” — the thrill of watching an expert at work, whatever the discipline. Nowhere is this more evident than in Cruise’s increasingly daring plane sequences. In Mission Impossible: Rogue Nation, Cruise clings to a real Airbus A400M as it lifts off from an airfield in Lincolnshire. He sprints across the field, in that inimitable Tom Cruise style, mounts the wing with practiced ease, and seats himself by the cargo door. The plane taxis. So far, so cool. Then it lifts off. The perfect hair vanishes, blown back and forwards, alternating second by second between old skeleton and boy with bowl cut. His clothes are shapeless and billowing, pulled off him by the force of the air.

This is no country for sprezzatura, nor the embodiment preached by the wellness industry with its vocabulary of “balance” and “equilibrium.” Here, we are meant to feel the effort. To know yourself is to know your limits, and so push your body to the edge of failure. When they are about to perform stunts, Cruise often briefs his team with an unusual mantra: ‘Don’t be safe, be competent.”

At the end of Final Reckoning, Cruise plummets through the sky as his parachute burns to cinders above him. To film it, the stunt team soaked a parachute in flammable liquid, flew him to altitude in a helicopter, and pushed him out as it ignited. He did this 19 times. When he asked to go again, the stunt coordinator told him there were no parachutes left. This was a lie. McQuarrie was more direct: “You’re done. Do not anger the gods.”

It’s interesting to see this return to embodiment and strange to find myself drawn to it. Like many default clever people, I’d long paid lip service to Merleau-Ponty and his ilk while living as a dualist; my brain was the moneymaker, my body just along for the ride. It was only after having children that I began to understand what it meant to inhabit a body rather than simply use one.

In an essay for Granta earlier this year, the writer Saba Sams contrasted her son’s love of leaping from benches and walls with her own unease: “For them, the body is not a constraint, is not a ticking clock, is not something to be moulded or hidden. The body is the window to movement, and movement is a window to joy.”

Sams captures something larger. This renewed fascination with embodiment isn’t spontaneous, it’s a reaction to technologies so powerful and frictionless they’re impossible to ignore. Even the most grounded among us now move through the world not through our bodies but through screens, which is why so many make the negative case for technology, urging us, thankfully without a Cruise-style kick to the head, to spend less time on the internet.

What Cruise gives us is the positive case: not just resistance to disembodiment but a reminder of what is beautiful about being physical in the first place. The skilled things bodies can do are inherently satisfying. They can be thrilling, reassuring, even a little terrifying. But, as David Foster Wallace put it in his essay on Roger Federer:
The human beauty we’re talking about here is beauty of a particular type; it might be called kinetic beauty. Its power and appeal are universal. It has nothing to do with sex or cultural norms. What it seems to have to do with, really, is human beings’ reconciliation with the fact of having a body.
That’s the mission, if we choose to accept it. The target is not the recent bugbear of AI, but instead the more gentle conditions of modernity. When we use Google Maps instead of a printed atlas, or when CGI is used to sell a stunt instead of the performers doing it themselves, something is lost. It’s why the focus on AI can sometimes be misguided. It’s not so much a revolution, it’s simply the next step on the ladder of disembodiment: another in a long line of technologies to make humans a little less self-reliant. Why learn, if you can ask?

In the final biplane sequence, we watch Cruise commandeer a plane, fly it to another, board that plane midair, and take control of it — a feat so exhausting it beggars belief. Gabriel, the villain, in order to survive his defeat, needs only do something a hundredth as difficult: jump from the plane and deploy a parachute. He laughs. This is easy. But he doesn’t know the complexities of leaving a biplane with a parachute — the correct moment to release, the parts to steer clear from. He’s never bothered to learn. He frees himself, clips the rudder, cracks his skull open, and dies.

Here we see the real villain: not intelligence, but convenience. The mission so often feels impossible because we keep trying to do things without effort. Cruise’s answer is simple: Stop. Remember your body. Sometimes, it’s better to take the hard way.

Final Reckoning’s closing scene presents us with two intelligences and two bodies. One is Cruise, a 62-year-old body who we’ve seen, for the last two hours, run fast, dive deep, and hang from planes. The other is the Entity, trapped in a glorified USB stick: a golden nugget incapable of anything other than being flushed down a toilet.

One still moves. The other never could.

by Aled Maclean-Jones, The Metropolictan Review | Read more:
Image: Getty

Flea

[ed. Quite an evolution from his Chili Pepper days. See also: a live performance of this song on Jimmy Fallon.]

The 49MB Web Page

If active distraction of readers of your own website was an Olympic Sport, news publications would top the charts every time.

I went to the New York Times to glimpse at four headlines and was greeted with 422 network requests and 49 megabytes of data. It took two minutes before the page settled. And then you wonder why every sane tech person has an adblocker installed on systems of all their loved ones.

It is the same story across top publishers today.

To truly wrap your head around the phenomenon of a 49 MB web page, let's quickly travel back a few decades. With this page load, you would be leaping ahead of the size of Windows 95 (28 floppy disks). The OS that ran the world fits perfectly inside a single modern page load. In 2006, the iPod reigned supreme and digital music was precious. A standard high-quality MP3 song at 192 kbps bitrate took up around 4 to 5 MB. This singular page represents roughly 10 to 12 full-length songs. I essentially downloaded an entire album's worth of data just to read a few paragraphs of text. According to the International Telecommunication Union, the global average broadband internet speed back then was about 1.5 Mbps. Your browser would continue loading this monstrosity for several minutes, enough time for you to walk away and make a cup of coffee.

If hardware has improved so much over the last 20 years, has the modern framework/ad-tech stack completely negated that progress with abstraction and poorly architected bloat?

CPU throttles, tracking and privacy nightmares


For the example above, taking a cursory look at the network waterfall for a single article load reveals a sprawling, unregulated programmatic ad auction happening entirely in the client's browser. Before the user finishes reading the headline, the browser is forced to process dozens of concurrent bidding requests to exchanges like Rubicon Project (fastlane.json) and Amazon Ad Systems. While these requests are asynchronous over the network, their payloads are incredibly hostile to the browser's main thread. To facilitate this, the browser must download, parse and compile megabytes of JS [ed. javascript]. As a publisher, you shouldn't run compute cycles to calculate ad yields before rendering the actual journalism.

1. The user requests text.
2. The browser downloads 5MB of tracking JS.
3. A silent auction happens in the background, taxing the mobile CPU.
4. The winning bidder injects a carefully selected interstitial ad you didn't ask for.


Beyond the sheer weight of the programmatic auction, the frequency of behavioral surveillance was surprising. There is user monitoring running in parallel with a relentless barrage of POST beacons firing to first-party tracking endpoints (a.et.nytimes.com/track). The background invisible pixel drops and redirects to doubleclick.net and casalemedia help stitch the user's cross-site identity together across different ad networks.

When you open a website on your phone, it's like participating in a high-frequency financial trading market. That heat you feel on the back of your phone? The sudden whirring of fans on your laptop? Contributing to that plus battery usage are a combination of these tiny scripts.

Ironically, this surveillance apparatus initializes alongside requests fetching purr.nytimes.com/tcf which I can only assume is Europe's IAB transparency and consent framework. They named the consent framework endpoint purr. A cat purring while it rifles through your pockets.

So therein lies the paradox of modern news UX. The mandatory cookie banners you are forced to click are merely legal shields deployed to protect the publisher while they happily mine your data in the background. But that's enough about NYT.

The Economics of Hostile Architecture

Publishers aren't evil but they are desperate. Caught in this programmatic ad-tech death spiral, they are trading long-term reader retention for short-term CPM pennies. The modern ad industry is slowly de-coupling the creator from the advertiser. They weaponize the UI because they think they have to.

Viewability and time-on-page are very important metrics these days. Every hostile UX decision originates from this single fact. The longer you're trapped on the page, the higher the CPM the publisher can charge. Your frustration is the product. No wonder engineers and designers make every UX decision that optimizes for that. And you, the reader, are forced to interact, wait, click, scroll multiple times because of this optimization. Not only is it a step in the wrong direction, it is adversarial by design.

The reader is not respected enough by the software. The publisher is held hostage by incentives from an auction system that not only encourages but also rewards dark patterns.

And almost all modern news websites are guilty of some variation of anti-user patterns. As a reminder, the NNgroup defines interaction cost as the sum of mental and physical efforts a user must exert to reach their goal. In the physical world, hostile architecture refers to a park bench with spikes that prevent people from sleeping. In the digital world, we can call it a system carefully engineered to extract metrics at the expense of human cognitive load. Let's also cover some popular user-hostile design choices that have gone mainstream.

The Pre-Read Ambush


Selected GDPR examplesThe advantage and disadvantages of these have been discussed in tech circles ever since they launched.

When a user clicks a news link, they have a singular purpose of reading the headline and going through the text. The problem is that upon page load, users are greeted by what I call Z-Index Warfare. The GDPR/Cookie banners occupy the bottom 30%. The user scrolls once and witnesses a "Subscribe to our Newsletter" modal. Meanwhile the browser has started hammering them with allow notification prompts.

The user must perform visual triage, identify the close icons (which are deliberately given low contrast) and execute side quests just to access the 5KB of text they came for. Let's look at how all these anti-patterns combine into a single, user-hostile experience.

by Shubham Bose, Thatshubham |  Read more:
Images: uncredited

Hawaii’s Small Farmers Begin Recovery After Catastrophic Flooding

Eddie Oroyan’s farm was thriving when the storms hit. He and his wife had started LewaTerra Farm last year on a gorgeous stretch of land on the north shore of Oahu. They were delivering vegetables to customers in the community, selling at farmer’s markets and to local restaurants.

Then, on the week of 10 March, a first kona low storm hit the island, bringing copious amounts of water, flooding their land and wiping out crops. Nearly all their papayas were gone. And the tomatoes didn’t survive. But the couple quickly began cleaning, replanting and tying down crops, confident that they would get back on their feet shortly.

“It was looking really positive. We were like, OK, we’re going to make it out of this,” Oroyan said.

But days later the Hawaiian Islands were hit with yet another storm – this one even more perilous. It inundated neighborhoods, leading to more than 200 rescues, washing houses off their foundations and leaving wide swaths of the land underwater.

Oroyan and his wife evacuated in chest-deep water. They returned to find an almost complete loss.

“The crops were completely covered and had already been underwater earlier that week. The disease was already setting in,” he said.

One week on, Hawaii is only just beginning to grapple with the aftermath of both storms, which saw as much as 50in of rain and caused some of the state’s worst flooding since 2004. The damage is immense – with officials estimating costs at $1bn, and farmers have been hit hard, particularly on Oahu. More than 300 farms have reported about $17.5m in damage as of this week, said Brian Miyamoto, the executive director of the Hawai‘i Farm Bureau.

“This is so widespread that the need is astronomical,” he said.

And with significant debris, damaged roads, and thick mud indoors and outside, cleanup will take time. [...]

Blake Briddell and Brit Yim, who for the last eight years have run an eight-acre farm on land that used to serve as a sugarcane plantation on the north shore, went through their nursery and storage sheds, elevating everything off the ground to protect their breadfruit, mango and citrus trees.

The storm came sooner than expected. The first front brought incessant rain, dropping about 20in in McKinnon’s area, which typically sees an average of 30in for the year. The water levels on Briddell’s farm were steadily rising, and the couple soon had to evacuate.

The heavy rains didn’t stay for long, but caused significant damage, including flooding fields and saturating the ground, and harvested crops were lost to power outages and damaged equipment.

Much of the land that Oroyan and his wife, Jessica Eirado Enes, tend had been left coated in a thick layer of mud thanks to the dense clay soil. Millions of years of erosion from the mountains produced that mineral-rich clay soil, which is good for planting, but that doesn’t soak up water well, Oroyan said, and swallows shoes and tractors.

The couple spent days cleaning up their land, trying to get things back in order and leaving soaked equipment out to dry. They got to work replanting crops that had tipped over, including eggplant and okra.

So did McKinnon and Briddell. Another kona storm was forecast, but was expected to be less severe than the previous ones. “It’s silly looking back, but we were talking about how it might be nice to get a little bit of rain to wash the mud off of everything. Like a little bit of rain would be welcome,” Briddell said.

Briddell woke up at 1.30am on the morning of 20 March to the see water surrounded his farm’s small living space, an alarming development given that it is located on the most elevated area of the property. The water was already shin-deep, meaning the road was too flooded for the couple to drive out, he said.

“We knew we were stuck at that point and it was just a matter of ‘OK, everything that we can get back up elevated, let’s do it’” Briddell said. “The water at that stage was raising about a foot every 20 minutes. I’ve never seen anything like it. You could literally see the water line climbing.”

Meanwhile, as the storm made landfall, Oroyan had been harvesting beets and lettuce in the rain, trying to get them out of the ground before it became too muddy to do so. As he prepared to go to bed, he saw that water was already overwhelming a nearby culvert and coming to the edge of a drainage ditch on the property.

He and his wife began to prepare once more. They gathered their things and moved valuable heavy equipment, a solar generator and a washing machine.

“Within 20 minutes of me saying we should start prepping it was at the foot of the living space,” Oroyan said. Twenty minutes later it was up to their knees, and they drove their vehicles to higher ground with water submerging the hoods of their cars. They made it to a neighbors after walking through chest-deep water.

Briddell and Yim put on wetsuits, and placed their dry clothes in a cooler. The couple knew their cats would not leave, and that they couldn’t swim out with them, so they left wet food on the rafters of their home where they knew they’d be safe. They swam a quarter of a mile to their kayak and met with a friend who offered them a vehicle to drive out in.

“The drive was scarier than the swim. The water ripping down the roads. You’re driving with the tailpipe pipes submerged for miles where you can’t let off the gas,” Briddell said.

by Dani Anguiano, The Guardian | Read more:
Images: Eddie Oroyan of LewaTerra Farm
[ed. Climate change. We lost the fight before ever getting started. Because it was a hoax. Because we needed to protect our corporations and our economy, 401Ks, consumptive standards of living. Because it was too complex and too far in the future. Because it was just too hardSee also: They’re Rich but Not Famous—and They’re Suddenly Everywhere.]

Séamus and Caoimhe Uí Fhlatharta feat. Malinda

“Eileanóir na Rún”. An Irish song performed in the sean-nós style, originally composed by Cearbhall Óg Ó Dálaigh in the 17th century.
[ed. Beautiful and heartfelt. No wonder this song has survived for centuries.]

History is Made by Those Who Show Up

The powerful adage, “History is made by those who show up,” serves as a profound reminder that passive observation rarely shapes the world. Its meaning is layered, emphasizing that the first and most crucial step toward any form of impact, change, or achievement is simply being present. It champions action over intention, participation over critique, and engagement over apathy. This quote suggests that grand historical narratives are not solely written by geniuses or leaders in isolation, but are collectively forged by the countless individuals who choose to participate—by attending the meeting, casting the vote, joining the movement, or lending a hand. The essence of the “history is made by those who show up” quote is an empowering call to agency, asserting that showing up is the foundational act upon which all else is built.

Origin and Attribution of the Quote

Unlike many famous sayings tied to a single historical figure, the exact origin of “history is made by those who show up” is pleasingly democratic—it has emerged from the collective consciousness. It is often attributed, perhaps apocryphally, to various figures including President Harry S. Truman or Speaker of the House Tip O’Neill, reflecting its political resonance. The sentiment echoes the writings of philosopher and psychologist William James, who emphasized the power of habit and action. Regardless of its precise source, the quote’s endurance lies in its universal truth. It has been adopted by community organizers, business coaches, and motivational speakers alike, becoming a modern mantra for proactive living. The ambiguity of its origin, in a way, proves its point: the quote’s history was made by the many who showed up to use it, share it, and live by it.

A Curated List of “Show Up” Quotes and Their Meanings

The central theme of showing up resonates across time and disciplines. Here is a collection of quotes that expand on this vital principle, each followed by an explanation of its significance.

Eighty percent of success is showing up.” – Often attributed to Woody Allen. This variation focuses on the disproportionate reward for the simple act of presence. It suggests that consistency and availability are primary drivers of achievement, often outweighing raw talent or perfect conditions.

Don’t wait for the perfect moment. Take the moment and make it perfect.” – Zoey Sayward. This quote challenges the paralysis of waiting for ideal circumstances. Its meaning is that showing up imperfectly is better than not showing up at all, and that action itself transforms a situation.

The world is changed by your example, not by your opinion.” – Paulo Coelho. While related, this quote shifts focus from mere presence to exemplary action. Its meaning highlights that showing up authentically and living your values has far more impact than simply voicing critiques or beliefs.

You miss 100% of the shots you don’t take.” – Wayne Gretzky. A classic in the sports world, this quote is a mathematical argument for participation. Its meaning is clear: without the courage to “show up” and attempt, failure is guaranteed. Opportunity only exists where there is engagement.

It is not the critic who counts… The credit belongs to the man who is actually in the arena.” – Theodore Roosevelt. This is the grand philosophical counterpart to our core quote. Its meaning glorifies the person who shows up, strives, and dares greatly, while dismissing the value of those who only observe and criticize from the sidelines.

Small deeds done are better than great deeds planned.” – Peter Marshall. This quote prioritizes tangible, completed action over grand, unfinished intentions. Its meaning reinforces that showing up to do a small part is historically more significant than drafting a perfect, unmaterialized blueprint.

Action is the foundational key to all success.” – Pablo Picasso. A succinct statement linking action to all achievement. Its meaning posits that showing up is the first action, the essential spark from which all other possibilities—creativity, success, history—ignite.

They always say time changes things, but you actually have to change them yourself.” – Andy Warhol. This quote adds a layer of agency to the passage of time. Its meaning is that showing up is an active intervention, a deliberate force required to steer history, as time alone does not guarantee progress.

The best way to predict the future is to create it.” – Often attributed to Abraham Lincoln or Peter Drucker. This forward-looking statement frames showing up as a creative, future-building act. Its meaning is that by participating today, you are actively drafting the chapters of tomorrow’s history.

Never doubt that a small group of thoughtful, committed citizens can change the world; indeed, it’s the only thing that ever has.” – Margaret Mead. This anthropological perspective gives social weight to the “show up” quote. Its meaning confirms that history is indeed made by those who show up—specifically, by committed groups who choose to engage collectively.

How to Apply the “History is Made by Those Who Show Up” Quote in Modern Life

Understanding the “history is made by those who show up” quote is one thing; living it is another. Here’s how to translate this philosophy into daily practice. In your career, it means volunteering for challenging projects, attending networking events (even virtually), and consistently contributing in meetings. Your voice and ideas cannot shape your team’s direction if you are silent or absent. In civic life, it translates to informed voting, attending town halls, or participating in local clean-up drives. Democracy and community are built entirely on the principle of showing up. For personal goals, it means lacing up your running shoes even when you’re tired, writing the first page of that book, or finally enrolling in that course. Progress is a series of “show-ups.” In relationships, it means being emotionally present for friends and family, making time for connections, and doing the small, consistent acts that build trust. The history of any strong relationship is written by these moments of dedicated presence. The digital age offers new avenues: showing up can mean contributing thoughtfully to online discussions, supporting meaningful causes, or creating content that adds value. The core principle remains—passive scrolling does not build a legacy; active participation does.

by Befagi |  Read more:
[ed. I was reminded of this while posting the essay below.]

Shoot the Messenger

Media criticism these days is usually focused on ideological bias. The right argues the media is full of left-wing hacks, and the left points out that many media moguls are right-wingers. But I actually find ideological bias to be less concerning than the more fundamental problem that the class of people who determine the boundaries of debate share a set of demographic and experiential traits that they don’t recognize as distinctive.

This class of people includes journalists, yes, but also people who work in the tech industry, academics, nonprofit leaders, influencers, and those who work in politics. From now on, I’ll refer to this group broadly as “the messenger class.”

The messenger class’s distinctive experiences — like living in downtown Washington, D.C., or living in one of the parts of New York highlighted in red — shape the boundaries of normal in ways harder to counteract than pure ideological or partisan bias.

The messenger class plays a fundamental role in any democracy. Democratic self-governance requires not just fair procedures for making decisions but an accurate and shared picture of social reality to reason about. That picture is revealed through the communicated experiences of citizens, filtered through the messenger class, which decides which experiences are urgent and require intervention.

But if our mediating institutions are all staffed by people drawn from the same narrow demographic band, then the picture they produce will be skewed in ways nobody intends and few notice. This isn’t about whether the messenger class is full of bad people — it’s largely not — it’s about whether it’s even possible to know when you’re acting as a mirror to society, or a spotlight on what you personally happen to care about. [...]

[ed. Examples: GentrificationOpioid Epidemic; AI Job Displacement; Rising Unionization:]

The psychology of projection

There is a name for what’s happening here. Psychologists call it the false consensus effect — the tendency to overestimate how much others share your beliefs, behaviors, and experiences.

First established by Ross, Greene, and House in 1977, it has been confirmed in a meta-analysis of 115 hypothesis tests and found to be a robust, moderate-sized effect. Later research shows that it persists even when people are warned about it.

Neuroimaging research has shown that projecting your views onto others activates the brain’s reward centers; it feels good to believe everyone is like you. And a 2021 study found that social media use amplifies the effect: The more time you spend in an environment where your views are echoed back to you, the more convinced you become that those views are universal.

The false consensus effect is usually studied at the individual level. But what I’m describing is a class-wide and industry-wide version.

It’s not just that any one journalist overestimates how representative her experience is; it’s that an entire class of professionals shares a similar set of experiences, confirms those experiences with each other on the same platforms, and then produces a body of public knowledge that reflects those experiences as though they were the norm.

And even when people from nontraditional backgrounds join the fray, they are incentivized to conform through social media, company cohesion, editorial norms, and the normal human urge to get along with your peers and be taken seriously by the people you respect.

So many problems, so little time

Agenda-setting is zero-sum.

There’s only so much time elected officials, charities, nonprofits, or businesses have to respond to the public’s needs. So if something is getting more coverage than may be warranted, that means other things are getting less. And that means fewer solutions are being explored.

Remember that gentrification report? It found that 15% of urban neighborhoods showed signs of gentrification over 50 years, while 26% experienced substantial population decline.

The far more common trajectory for a poor urban neighborhood is not invasion by white yuppies — it’s continued segregation, disinvestment, and deteriorating housing stock. But that story doesn’t get told with anywhere near the same intensity.

The same asymmetry shows up in the AI conversation. The workers most likely to struggle if displaced by AI are not the ones getting the most ink.

A Brookings analysis found that roughly 6.1 million workers face both high AI exposure and low adaptive capacity — limited savings, advanced age, narrow skill sets, scarce local opportunities. Eighty-six percent of these workers are women, and they’re concentrated in clerical and administrative roles in smaller metro areas.

I’m not arguing that journalists are dishonest, that scholars are corrupt, or that the messenger class is engaged in some conspiracy to distort public reality. The people I’m describing are, by and large, doing their best to tell the truth about the world.

The problem is that they’re drawing on their own experiences, their own social networks, and their own platform ecosystems as raw material — and those inputs are unrepresentative in ways they have no easy mechanism for detecting.

Part of this could be resolved with an increased fluency with quantitative data. But that’s not actually enough. Many stories — like the opioid epidemic — are ones that require journalists to respond to anecdotes before the quantitative data has been assembled, analyzed, and produced by the academy.

by Jerusalem Demsas, The Argument |  Read more:
Image: Klaus Vedfelt via Getty Images

Vietnamese men on a vintage postcard, mailed in 1907

Saturday, March 28, 2026

Bruno Liljefors

Welcome to a Multidimensional Economic Disaster

The global economy has become dependent on the AI industry. Trillions of dollars are being invested into the technology and the infrastructure it relies on; in the final months of 2025, functionally all economic growth in the United States came from AI investments. This would be risky even in ideal conditions. And we are very far from ideal conditions.

Much of the AI supply chain—chips, data centers, combustion turbines, and so on—relies on key materials that are produced in or transported through just a few places on Earth, with little overlap. In particular, the industry is highly dependent on the Middle East, which has been destabilized by the war in Iran. A global energy shock seems all but certain to come soon—the kind where even the best-case scenario is a disaster. The war could grind the AI build-out to a halt. This would be devastating for the tech firms that have issued historic amounts of debt to race against their highly leveraged competitors, and it would be devastating for the private lenders and banks that have been buying up that debt in the hope of ever bigger returns.

For the better part of the past year, Wall Street analysts and tech-industry observers have fretted publicly about an AI bubble. The fear is that too much money is coming in too fast and that generative-AI companies still have not offered anything close to a viable business model. If growth were to stall or the technology were to be seen as failing to deliver on its promises, the bubble might burst, triggering a chain reaction across the financial system. Everyone—big banks, private-equity firms, people who have no idea what’s mixed into their 401(k)—would be hit by the AI crash.

Until recently, that kind of crash felt hypothetical; today, it feels plausible and, to some, almost inevitable. “What’s unusual about this, unlike commercial real estate during the global financial crisis,” Paul Kedrosky, an investor and financial consultant, told us, “is all of these interlocking points of fragility.”

Perhaps the clearest examples are advanced memory and training chips, which are among the most important—and are by far the most expensive—components of training any AI model. Currently, most of them are produced by two companies in South Korea and one in Taiwan. These countries, in turn, get a large majority of their crude oil and much of their liquefied natural gas—which help fuel semiconductor manufacturing—from the Persian Gulf. The chip companies also require helium, sulfur, and bromine—three key inputs to silicon wafers—largely sourced from the region. In addition, Saudi Arabia, Qatar, the United Arab Emirates, and other regional petrostates have become key investors in the American AI firms that purchase most of those chips.

Because of the war in Iran, the Strait of Hormuz is functionally closed to most shipping vessels, stranding one-fifth of the world’s exports of natural gas, one-third of the world’s exports of crude oil, and significant quantities of the planet’s exportable fertilizer, helium, and sulfur. Meanwhile, Iran and Israel have begun bombing much of the fossil-fuel infrastructure in the region, which could take many years to replace. In only a month of war, the price of Brent crude—a global oil benchmark—has jumped by 40 percent and could more than double, liquefied-natural-gas prices are soaring in Europe and Asia, and helium spot prices have already doubled. The strait is “critical to basically every aspect of the global economy,” Sam Winter-Levy, a technology and national-security researcher at the Carnegie Endowment for International Peace, told us. “The AI supply chain is not insulated.”

The situation could quickly deteriorate from here. A helium crunch could trigger a shortage of AI chips or cause chip prices to rise. AI companies need ever more advanced chips to fill their data centers—at higher prices, the massive server farms, already hurting from elevated energy costs caused by the war, would have almost no hope of becoming profitable. Without these chips, new data centers would not be built or would sit empty. Astronomical tech valuations, and in turn the entire stock market, could collapse.

One industry’s precarious position isn’t usually everyone’s problem. Unfortunately, AI is different. The biggest data-center players, known as hyperscalers, are among the biggest corporations in the history of capitalism; they include Microsoft, Google, Meta, and Amazon. But even they will be pressed by collectively spending nearly $700 billion on AI in a single year. In order to get the money for these unprecedented projects, data-center providers are beginning to take on colossal amounts of debt. Some of this is done through creative deals with private-equity firms including Blackstone, BlackRock, and Blue Owl Capital—which themselves operate as sort of shadow banks that, since the most recent financial crisis, have arguably become as powerful and as influential as Bear Stearns and Lehman Brothers were prior to 2008. Endowments, pensions, insurance funds, and other major institutions all trust private equity to invest their money.

For a while, it seemed like every time Google or Microsoft announced more data-center investments, their stock prices rose. Now the opposite occurs: The hyperscalers are spending far more, but investors have started to notice that they are not generating anything near the revenue they need to. The data-center boom’s top players—Google, Meta, Microsoft, Amazon, Nvidia, and Oracle—have all lost 8 to 27 percent of their value since the start of the year, making them a huge drag on the overall stock market. And the $121 billion of debt that hyperscalers issued in 2025, four times more than what they averaged for years prior, is expected to grow dramatically.

All of the major players in this investment ecosystem are vulnerable. Private-equity firms are being squeezed on both ends by generative AI: During the coronavirus pandemic, they bought up software companies, which are now plummeting in value because AI is expected to eat their lunch. Meanwhile, private equity’s new investment strategy, data centers, is also falling apart because of AI. Blackstone, Blue Owl, and the like are sinking huge sums into data-center construction with the assumption that lease payments from tech companies will pay for their debt. In order to pay for their investments, private-equity companies raised money from major financial institutions—but now the viability of those lease payments is coming into question as the hyperscalers’ cash flow is strained. “There’s a reason to think we’re seeing some of the same 2008 dynamics now,” Brad Lipton, a former senior adviser at the Consumer Financial Protection Bureau and now the director of corporate power and financial regulation at the Roosevelt Institute, told us. “Everyone’s getting tied up together. Banks are lending money to private credit, which in turn lends it elsewhere. That amps up the risk.” [...]

The war in Iran affects data-center finances as well. Should energy prices continue to skyrocket, so will the cost of this already very expensive computing equipment, because it needs tremendous amounts of energy to manufacture and operate. And the war has exposed physical risks to these buildings. Janet Egan, a senior fellow at the Center for a New American Security, described data centers to us as “large, juicy targets.” It is impossible to hide these facilities, which can cover 1 million square feet. Earlier this month, Iran bombed Amazon data centers in the UAE and Bahrain. American hyperscalers had been planning to build far more data centers in the region, because the Trump administration and the AI industry have sought funding from Saudi Arabia, the UAE, Qatar, and Oman. Now there’s a two-way strain on those relationships. The physical security of the data centers is more precarious, and the conflict is damaging the economic health of the petrostates, thereby jeopardizing a major source of further investment in American AI firms. The Trump administration “staked a lot on the Gulf as their close AI partner, and now the war that they’ve launched poses a huge threat to the viability of the Gulf as that AI partner,” Winter-Levy said.

Plus, “what’s to prevent Iran or a proxy group, or another maligned actor, from tomorrow launching an armed drone against a data center in Northern Virginia?” Chip Usher, the senior director for intelligence at the Special Competitive Studies Project, a national-security and AI think tank, told us. “It could happen. Our defenses are not adequate.” State-sponsored cyberattacks of the variety Iran is known for could also knock a data center offline. You can build all manner of defenses—reinforced concrete, drone-interception systems—but doing so adds cost and time to already costly and slow construction. [...]

Even if Iran and the Strait of Hormuz don’t directly trigger an AI-driven financial crisis, the odds are decent that another vector could. (Remember tariffs?) Energy prices could stay elevated for years, because the targeted fossil-fuel facilities in the Persian Gulf will take a long time to restore. As the U.S. directs huge amounts of attention and military resources toward Iran, it’s easy to imagine China launching an invasion of Taiwan—a scenario that terrifies Silicon Valley, because it would halt the production of chips needed to train frontier models. That’s not even considering the single Dutch company that makes the high-tech lithography machines used to print virtually all AI chips, or the German company that makes the mirrors used in those machines. “There are too many ways for it to fail for it not to fail,” Kedrosky said of the AI industry’s web of risk. “All you can say for sure is this is a fragile and overdetermined system that must break, so it will.”

by Matteo Wong and Charlie Warzel, The Atlantic | Read more:
Image: An Amazon Web Services data center in Manassas, Virginia (Nathan Howard / Bloomberg / Getty)
[ed. See also: 

They’re Rich but Not Famous—and They’re Suddenly Everywhere

They’re not billionaires, but they’re still very, very rich.
 
The number of Americans worth tens of millions and hundreds of millions of dollars has boomed in the past few decades, thanks to a rising stock market, lucrative private investments and swelling valuations for small and midsize businesses. This growing class is now a huge force in the economy, driving the demand for everything from lavish hotel rooms to private jet travel.
“The ultrawealthy have grown really substantially,” said Owen Zidar, a Princeton economics professor who studies wealth. While some of these people made their money in technology or finance and live on the coasts, many others live outside of the highest-cost areas and own small businesses like car dealerships, he said.
 
Here is data on the rise of this group. Wealth measures a household’s assets, like stocks, bank accounts and home equity, minus liabilities like mortgages, car loans and credit-card debt.
More ultrawealthy people
There are about 430,000 U.S. households worth $30 million or more, according to an analysis of Federal Reserve data by Zidar. Within that, there are about 74,000 worth $100 million or more. Over the past few decades, the growth in the number of very rich households has surpassed general population growth.

The Fed’s data runs through 2022 and shows a small dip in some categories of the ultrawealthy in 2019. Many well-off households have further benefited from the big stock market gains of the past few years.
Get rich quick(er)
There are more very rich people in large part because their wealth has grown much faster than everyone else’s. Even adjusted for inflation, the wealth of the top 0.1% of households has grown more than 13-fold over the past 50 years, according to Realtime Inequality, a tracker developed by economists Emmanuel Saez, a professor at the University of California, Berkeley, and Gabriel Zucman, a professor at the Paris School of Economics. In this analysis, American families with a net worth of $43 million and higher in 2024 are in the top 0.1%.

The bottom 50% have long struggled to build any wealth at all, but they have made some progress.

Average inflation-adjusted wealth turned negative for this group starting in the mid-1990s and then sank further during the 2008-09 financial crisis and housing collapse. It was only after the start of the Covid-19 pandemic, which brought stimulus checks and rising home values, that average wealth turned positive for the bottom 50% of households again.
Stocks and businesses
The typical American family leans heavily on homeownership to build their net worth, and homeowners of all wealth levels have benefited from the recent rise in home prices. 
Over time, though, the very wealthy have amassed more wealth, in part because they own the kinds of assets that have risen particularly dramatically. They have a lot of stocks, in some cases because they are top employees of publicly traded companies paid partially in shares. Many also own stakes in private businesses.
 
For the top 0.1%, nearly 72% of their wealth is made up of corporate equities, mutual fund shares and private businesses, according to the Fed. The S&P 500 has more than tripled in the past decade. And many private businesses have seen valuations rise, too.
Boomer wealth boom
Baby boomers collectively have far more wealth than any other living generation. That is largely because they bought homes and stocks decades ago and are benefiting from the long run-up in the values of those assets.
 
About two-thirds of households worth $30 million and up are headed by boomers, according to an analysis of Fed data by Zidar.
Spending it
Because there are so many more multimillionaires, products and services that cater to this group are also booming. Hermès, Brunello Cucinelli and Ferrari all recently reported strong sales from the richest customers, while some companies that target the merely well-off are facing flagging demand. 
by Rachel Louise Ensign, Wall Street Journal |  Read more:
Image: uncredited

Friday, March 27, 2026

Maureen Crosbie

Politics as Bad Group Therapy

The [MAGA] rallies are set to return Saturday—the third such round in the past year—built around a slogan that suggests Americans are living under something closer to tyranny than democracy. It’s a striking claim for a country that fought a revolution to overthrow a king and hasn’t had one since. Still, it’s revealing. It reflects a broader shift in how political disagreement is understood—not as a clash of views, but as a struggle between victims and villains.

The U.S. remains what it has long been: a contentious, often frustrating democracy shaped by competing interests and imperfect leadership. But describing it in more dramatic terms raises the emotional stakes. It transforms ordinary political conflict into something more absolute—and more psychologically satisfying.

In my work as a psychotherapist, I’ve seen a parallel change in how people interpret their personal lives. Feelings are increasingly treated not as signals to examine but as conclusions to affirm. Discomfort is no longer something to work through but something to explain—often by projecting blame onto an external source. This mindset doesn’t stay in the therapy room. It has begun to shape political life, and the [MAGA] rallies offer a framework that favors affirmation over scrutiny: a clean moral narrative in which there are those who are wronged, and those responsible for the wrongdoing.

At their core, the rallies resemble bad group therapy—gatherings that offer validation, solidarity and emotional release. They feel good in the moment. Participants vent, find reinforcement among like-minded people, and leave feeling heard and aligned. The experience can seem productive, even clarifying. But like bad group therapy, it stops at validation. The feelings are processed but not challenged, reinforced but not examined. There is relief but little resolution, and the underlying problems remain. It offers the feeling of progress without the substance of it. [...]

This helps explain why disagreement in these settings can feel less like a difference of opinion and more like a breach of reality. That is part of their appeal. These gatherings offer not only political expression but psychological alignment—a sense of being among others who see the world the same way. The effect can be energizing but also insulating, as politics organized around shared feeling begins to drift away from shared fact.

The atmosphere often reflects this shift. Many rallies have taken on a performative, even theatrical quality, with costumes and exaggerated symbolism replacing direct political engagement. That approach lowers the stakes of confrontation but reinforces the idea that the primary goal is expression rather than persuasion. [...]

This style of politics rewards intensity over accuracy and certainty over nuance. It makes compromise difficult and disagreement suspect, shifting the goal from persuasion to affirmation. This helps explain why such movements can feel more effective than they are.

That cycle—expression, validation, temporary relief—can be powerful. It gives the impression that something meaningful has occurred. But without friction, challenge or genuine engagement with opposing views, little is resolved. Participants are left with a sense of involvement but few tangible outcomes.

As the rallies return, they will likely generate energy, visibility and a sense of shared purpose. But they will also illustrate a familiar trade-off: When politics becomes organized around emotional validation, it can feel more satisfying even as it becomes less effective.

Democratic systems depend on something more demanding: the ability to tolerate disagreement, engage with complexity and distinguish between what feels true and what is demonstrably so. That process is often uncomfortable. It requires restraint, patience and a willingness to confront ideas that don't affirm one’s own perspective.

The [MAGA] rallies, for all their intensity, transform frustration into clarity. They turn disagreement into moral certainty. In doing so, they risk turning politics into something that feels good in the moment—and accomplishes almost nothing.

by Jonathan Alpert, Wall Street Journal |  Read more:
Image: Scott McIntyre for The New York Times
[ed. Haha, psych! Substitute No Kings for MAGA and you have a classic case of delusional projection. You'd think that if the Wall Steet Journal wanted to platform some random psychotherapist in their Op-ed section, they'd be a little more careful about who they select and what he has to contribute. Apparently not.]

Fuzz: Wildlife Conflict in the Modern Era

Recently, I read Fuzz: When Natures Breaks the Law by Mary Roach. Like all of her books, it is a meandering journey that touches on a common theme. Although the subtitle makes it seem that the theme is nature crime, the theme is more about conflicts between bureaucracy, modernity and nature rather than crime itself. A more accurate but worse title would be Fuzz: The Weird Ways Humans Deal with Nature while Navigating Bureaucracy and the Impossibility of People Wanting to be around Wildlife without Ever Being Inconvenienced. Some examples Roach explores include the Indian government’s attempt to sterilize monkeys, how the city of Aspen deals with bears raiding trash cans, and the many failed attempts at getting rid of birds including the infamous Australian emu war.

Reading Fuzz was often frustrating because most of the problems share the same basic structure regardless of time or place. Humans disturb a local ecosystem through moving there or extracting resources. Animals then wander into human settlements in response to ecosystem change that has worsened their food supply, altered the predator-prey ratio, or made it easier to get caloric rich food. Humans react by engaging in one of two strategies. Strategy one is to kill everything, which is usually ineffective because it does not affect the population levels or results in extinction (at least in the region) which results in further ecosystem change. Strategy two is to feed the wild animals because that seems like the nice thing to do except that feeding them encourages the animals to keep going into the human settlements which makes the animals bolder which leads to more conflict and potentially leads to attacks. Once this has started, the animals become so used to relying on people for food that they cannot be integrated back into the wild. Sometimes people become so frustrated and angry that they go back to the first strategy of kill everything.

These problems can seem intractable. People have a hard time being convinced that killing everything doesn’t work and the people who don’t want to kill the animals have a hard time accepting that their help may makes things worse. They continue to feed the wild animals, resist methods that would discourage the animals (such as locking trashcans), and mainly advocate translocation (moving the animal to a different area) even though translocation rarely works. Whether because of blinding love or hate, people have a hard time handling wild animals wandering into their homes and cities.

Even though reading about these issues was frustrating, Fuzz left me feeling more inspired than dejected. There are examples of humans humanely and successfully addressing human-wildlife conflict and limiting the presence of introduced flora and fauna. They do so through careful study of local ecosystems, which includes the humans who live there and how they feel about wildlife. What was the most inspiring thing in the book was seeing how much the animal rights and environmental movements have changed how the public handles these wildlife issues. Before the 1970s, the kill everything approach was the norm. Now it is not.

Throughout these stories, Roach makes the case that the best way to deal with wildlife conflict is to find better ways to live with animals that isn’t killing them or making them reliant on humans. Sometimes the solution is simple and easy. After multiple chapters of ridiculous attempts to stop birds from eating crops, Roach argues that it’s better to do nothing or to hire a human to scare the birds off. Other times the solution is complicated. In New Zealand, there’s research being done on using genetic engineering to induce infertility among mice and other destructive, introduced species as a way to reduce the population without mass poisoning. The researchers are trying to limit unintended consequences but there will always be risk. The important question is whether the unknown risk of doing something is worth the known risk of doing nothing. I appreciate that there are people out there doing the often thankless work of trying to make humans and wildlife happy. Roach did an excellent job of showing the myriad of ways this plays out and, unlike other books I’ve read, Roach discusses these issues without claiming that now is the first time humans have tried caring about nature and ecological balance.

by Mia Milne, Solar Thoughts |  Read more:
Image: Fuzz
[ed. This issue has played out forever in my old hometown of Anchorage, Alaska (as you can imagine), and will probably never be resolved to everyone's satisfaction. It's a form of politics. What's the science say, and what are the options? How feasible are mitigative policies, and how much will they cost? Finally arriving at the most relevant question: what kind of city do you want to live in (that would perpetually kill its animal populations and modify its natural environment)?]

Hall Thorpe (1874 - 1947) - Nasturtiums. Colour woodcut.
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