The loss of the Oscars’ latest host is, on the one hand, just another mishap to add to the list. From 2016’s #OscarsSoWhite to 2017’s wrong delivery of the best picture award, the ceremony now seems like a particularly slow bloopers reel. Yet the loss of Kevin Hart – who quit after old homophobic tweets resurfaced – is also a sign of something else. The fact that no one has replaced him, and that it’s difficult to think of many people who could, or would, reveals a much deeper malaise: a scary loss of nerve across showbiz’s top-tier events.
Within weeks, the Super Bowl half-time show will air. In the past, the American football final has been an epic showcase for the likes of Madonna, Prince and Beyoncé, a 20-minute, legacy-defining megamix. This year, though, with Rihanna and Cardi B having turned it down in solidarity with the activist NFL player Colin Kaepernick, we will be left with the hardly epochal sounds of Maroon 5.
A certain blandness seems to threaten all proceedings. Earlier this month the Golden Globes made do with the anodyne pairing of Andy Samberg and Sandra Oh as hosts, while the White House correspondents’ dinner – historically a raucous roast for America’s political class – has now asked a historian to host April’s televised event after the comedian Michelle Wolf was deemed to have taken last year’s proceedings too far. (...)
“It feels like a failure, and an ominous sign of our inability to sustain any kind of shared stage,” says Spencer Kornhaber, a pop culture journalist for the Atlantic. “No one is able to step up to the plate and just tell some jokes and get out of the way.”
This confusion is one place where the Oscars can claim a type of relevance, although not the type it wants. As its TV audience has dwindled, the Academy has tried to shake things up by hiring a variety of “edgy” hosts. Jon Stewart, Chris Rock, Seth Macfarlane, the bizarre pairing of James Franco and Anne Hathaway: you can’t say they haven’t tried. But the reception has been lukewarm. (...)
The loose expectation of an awards host is to act as a court jester among showbusiness royalty, poking fun at their foibles. The problem is that these events thrive on a sense of their own prestige, so it doesn’t do to jest too much. And this is the age of “wokeness”, where people – particularly that crucial younger audience – are more conscious of gags revolving around gender, sexuality and race.
“I think it’s a generational thing,” says Abramovitch, who is 46. “With my generation, it was still OK to poke some things, and the millennial generation are a lot more sensitive. It’s hard for them to understand context or satire.” Not that he thinks it is all political correctness gone mad. “This reckoning that’s happening, it’s all good.”
When causing offence is almost inevitable, it takes a strong stomach to want to give it a go. I spoke, on condition of anonymity, to an events organiser who helps put together an important awards ceremony in London. “I’ve found it trickier to find a host this year,” they said. “You want a big name – but they don’t need to do it.” The reasons for hosting an event have changed, the organiser suggests: comedians have other platforms to showcase their talents. Often they don’t need the money. And yes, there is the danger of saying the wrong thing. “You have to be so careful, don’t you? Because the backlash can be extreme.”
Within weeks, the Super Bowl half-time show will air. In the past, the American football final has been an epic showcase for the likes of Madonna, Prince and Beyoncé, a 20-minute, legacy-defining megamix. This year, though, with Rihanna and Cardi B having turned it down in solidarity with the activist NFL player Colin Kaepernick, we will be left with the hardly epochal sounds of Maroon 5.
A certain blandness seems to threaten all proceedings. Earlier this month the Golden Globes made do with the anodyne pairing of Andy Samberg and Sandra Oh as hosts, while the White House correspondents’ dinner – historically a raucous roast for America’s political class – has now asked a historian to host April’s televised event after the comedian Michelle Wolf was deemed to have taken last year’s proceedings too far. (...)“It feels like a failure, and an ominous sign of our inability to sustain any kind of shared stage,” says Spencer Kornhaber, a pop culture journalist for the Atlantic. “No one is able to step up to the plate and just tell some jokes and get out of the way.”
This confusion is one place where the Oscars can claim a type of relevance, although not the type it wants. As its TV audience has dwindled, the Academy has tried to shake things up by hiring a variety of “edgy” hosts. Jon Stewart, Chris Rock, Seth Macfarlane, the bizarre pairing of James Franco and Anne Hathaway: you can’t say they haven’t tried. But the reception has been lukewarm. (...)
The loose expectation of an awards host is to act as a court jester among showbusiness royalty, poking fun at their foibles. The problem is that these events thrive on a sense of their own prestige, so it doesn’t do to jest too much. And this is the age of “wokeness”, where people – particularly that crucial younger audience – are more conscious of gags revolving around gender, sexuality and race.
“I think it’s a generational thing,” says Abramovitch, who is 46. “With my generation, it was still OK to poke some things, and the millennial generation are a lot more sensitive. It’s hard for them to understand context or satire.” Not that he thinks it is all political correctness gone mad. “This reckoning that’s happening, it’s all good.”
When causing offence is almost inevitable, it takes a strong stomach to want to give it a go. I spoke, on condition of anonymity, to an events organiser who helps put together an important awards ceremony in London. “I’ve found it trickier to find a host this year,” they said. “You want a big name – but they don’t need to do it.” The reasons for hosting an event have changed, the organiser suggests: comedians have other platforms to showcase their talents. Often they don’t need the money. And yes, there is the danger of saying the wrong thing. “You have to be so careful, don’t you? Because the backlash can be extreme.”
by Louis Wise, The Guardian | Read more:
Image:Lucas Jackson/Reuters
