Monday, February 15, 2021

What Happens If China Makes First Contact?

Last January, the Chinese Academy of Sciences invited Liu Cixin, China’s preeminent science-fiction writer, to visit its new state-of-the-art radio dish in the country’s southwest. Almost twice as wide as the dish at America’s Arecibo Observatory, in the Puerto Rican jungle, the new Chinese dish is the largest in the world, if not the universe. Though it is sensitive enough to detect spy satellites even when they’re not broadcasting, its main uses will be scientific, including an unusual one: The dish is Earth’s first flagship observatory custom-built to listen for a message from an extraterrestrial intelligence. If such a sign comes down from the heavens during the next decade, China may well hear it first.

In some ways, it’s no surprise that Liu was invited to see the dish. He has an outsize voice on cosmic affairs in China, and the government’s aerospace agency sometimes asks him to consult on science missions. Liu is the patriarch of the country’s science-fiction scene. Other Chinese writers I met attached the honorific Da, meaning “Big,” to his surname. In years past, the academy’s engineers sent Liu illustrated updates on the dish’s construction, along with notes saying how he’d inspired their work.

But in other ways Liu is a strange choice to visit the dish. He has written a great deal about the risks of first contact. He has warned that the “appearance of this Other” might be imminent, and that it might result in our extinction. “Perhaps in ten thousand years, the starry sky that humankind gazes upon will remain empty and silent,” he writes in the postscript to one of his books. “But perhaps tomorrow we’ll wake up and find an alien spaceship the size of the Moon parked in orbit." In recent years, Liu has joined the ranks of the global literati. In 2015, his novel The Three-Body Problem became the first work in translation to win the Hugo Award, science fiction’s most prestigious prize. Barack Obama told The New York Times that the book—the first in a trilogy—gave him cosmic perspective during the frenzy of his presidency. Liu told me that Obama’s staff asked him for an advance copy of the third volume.

At the end of the second volume, one of the main characters lays out the trilogy’s animating philosophy. No civilization should ever announce its presence to the cosmos, he says. Any other civilization that learns of its existence will perceive it as a threat to expand—as all civilizations do, eliminating their competitors until they encounter one with superior technology and are themselves eliminated. This grim cosmic outlook is called “dark-forest theory,” because it conceives of every civilization in the universe as a hunter hiding in a moonless woodland, listening for the first rustlings of a rival.

Liu’s trilogy begins in the late 1960s, during Mao’s Cultural Revolution, when a young Chinese woman sends a message to a nearby star system. The civilization that receives it embarks on a centuries-long mission to invade Earth, but she doesn’t care; the Red Guard’s grisly excesses have convinced her that humans no longer deserve to survive. En route to our planet, the extraterrestrial civilization disrupts our particle accelerators to prevent us from making advancements in the physics of warfare, such as the one that brought the atomic bomb into being less than a century after the invention of the repeating rifle.

Science fiction is sometimes described as a literature of the future, but historical allegory is one of its dominant modes. Isaac Asimov based his Foundation series on classical Rome, and Frank Herbert’s Dune borrows plot points from the past of the Bedouin Arabs. Liu is reluctant to make connections between his books and the real world, but he did tell me that his work is influenced by the history of Earth’s civilizations, “especially the encounters between more technologically advanced civilizations and the original settlers of a place.” One such encounter occurred during the 19th century, when the “Middle Kingdom” of China, around which all of Asia had once revolved, looked out to sea and saw the ships of Europe’s seafaring empires, whose ensuing invasion triggered a loss in status for China comparable to the fall of Rome.

This past summer, I traveled to China to visit its new observatory, but first I met up with Liu in Beijing. By way of small talk, I asked him about the film adaptation of The Three-Body Problem. “People here want it to be China’s Star Wars,” he said, looking pained. The pricey shoot ended in mid-2015, but the film is still in postproduction. At one point, the entire special-effects team was replaced. “When it comes to making science-fiction movies, our system is not mature,” Liu said.

I had come to interview Liu in his capacity as China’s foremost philosopher of first contact, but I also wanted to know what to expect when I visited the new dish. After a translator relayed my question, Liu stopped smoking and smiled.

“It looks like something out of science fiction,” he said. (...)

Seti researchers have looked for civilizations that shoot outward in all directions from a single origin point, becoming an ever-growing sphere of technology, until they colonize entire galaxies. If they were consuming lots of energy, as expected, these civilizations would give off a telltale infrared glow, and yet we don’t see any in our all-sky scans. Maybe the self-replicating machinery required to spread rapidly across 100 billion stars would be doomed by runaway coding errors. Or maybe civilizations spread unevenly throughout a galaxy, just as humans have spread unevenly across the Earth. But even a civilization that captured a tenth of a galaxy’s stars would be easy to find, and we haven’t found a single one, despite having searched the nearest 100,000 galaxies.

Some seti researchers have wondered about stealthier modes of expansion. They have looked into the feasibility of “Genesis probes,” spacecraft that can seed a planet with microbes, or accelerate evolution on its surface, by sparking a Cambrian explosion, like the one that juiced biological creativity on Earth. Some have even searched for evidence that such spacecraft might have visited this planet, by looking for encoded messages in our DNA—which is, after all, the most robust informational storage medium known to science. They too have come up empty. The idea that civilizations expand ever outward might be woefully anthropocentric.

Liu did not concede this point. To him, the absence of these signals is just further evidence that hunters are good at hiding. He told me that we are limited in how we think about other civilizations. “Especially those that may last millions or billions of years,” he said. “When we wonder why they don’t use certain technologies to spread across a galaxy, we might be like spiders wondering why humans don’t use webs to catch insects.” And anyway, an older civilization that has achieved internal peace may still behave like a hunter, Liu said, in part because it would grasp the difficulty of “understanding one another across cosmic distances.” And it would know that the stakes of a misunderstanding could be existential.

First contact would be trickier still if we encountered a postbiological artificial intelligence that had taken control of its planet. Its worldview might be doubly alien. It might not feel empathy, which is not an essential feature of intelligence but instead an emotion installed by a particular evolutionary history and culture. The logic behind its actions could be beyond the powers of the human imagination. It might have transformed its entire planet into a supercomputer, and, according to a trio of Oxford researchers, it might find the current cosmos too warm for truly long-term, energy-efficient computing. It might cloak itself from observation, and power down into a dreamless sleep lasting hundreds of millions of years, until such time when the universe has expanded and cooled to a temperature that allows for many more epochs of computing.

by Ross Andersen, The Atlantic |  Read more:
Image: Liu Xu/Xinhua/Getty
[ed. See also: here, here, here, and here.]