If literature is no place to turn, perhaps there exists some great work of art? It was 2025, and I had to escape a May Day protest on the Mall (grown men in FUCK TRUMP wifebeaters, a crimson Handmaid’s Tale girl zapped back from a fascist-lite era). So far 2025 had been no 1963, 1982 or even 2017. CSPAN-watching geriatrics waving cardboard signs on bridges felt at times like the only symbolic act fending off the wacko, dark-web authoritarianism radiating from Pennsylvania Avenue. When May Day turned to more “mayday, mayday!,” rather than going to the Lincoln Memorial Reflecting Pool to drown myself, I ended up in front of a painting in the American Wing of the nearby National Gallery.
Over gray waters, a pair of goldeneye ducks are tossed mid-flight like clown juggling pins. Distant waves carry the sportsman who has just fired on them. As if rendered by a Persian miniaturist, the diminutive scale of the shooter makes clear human motives are entirely incidental to the painting. The real drama, and damage, is in the foreground—the freakish, jack-o’-lantern yellow eye of the bird on the left, the terrible head-first plummet on the right. Both birds’ bodies are a cohesion of awkward, unnatural angles. The animals are alive and dead. The waves crest and fall. There is nothing romantic about the state of suspension: the setting sun, low and feeble, is a single orange stroke Homer has made over the indefinite horizon, like a pencil scratch on a doorframe marking the growth of a child.
In late January of last year, a quiet panic began rippling through the capital when the little figure skaters’ plane went down in the Potomac. This was around the time the government was purging tens of thousands of jobs that do things like keep planes in the sky. Countless entries follow in the region’s diary of a bad year. Authorities abducted a local Maryland man from an IKEA parking lot, to then erroneously deport him to a Salvadoran mega-prison. Gold-chained tech barons snapped up mansions in Massachusetts Avenue Heights as the welcome mat was laid out in the White House. A gunman mowed down embassy sweethearts in the streets; seventy-ton M1 Abrams tanks squeaked through a militarized birthday carnival. The clangor of dissent played out on pots and pans as the National Guard rolled into town. M4 semiautomatic rifles circled two-year-olds’ birthday parties in Capitol Hill’s Lincoln Park. Meanwhile, immigration authorities began quietly patrolling the District alongside the police, making more than triple the number of arrests in a month than in the first half of the year. Come fall, the president spent the longest government shutdown in U.S. history gussying up the White House, with such understated measures as razing a wing. The year rounded out with two shot National Guard members and a hydra-headed call for five hundred more on the ground: Christmases lost protecting deserted streets in camo and Santa hats.
In a city being pulverized and remade seemingly daily, where even as recent of history as the Black Lives Matter plaza is jackhammered to oblivion, the sense of dread and unknown can bully one into a state of mental submission, or else frantic, desperate attempts to make sense of the nonsense—“rational delirium,” I underline in a hip novel I can’t finish. One of these disposable origami thoughts comes to me in the museum. It is futile surely as any other attempt to say something intelligent about such deeply stupid times. But there it is: like Homer’s bewildering birds, the targets in Washington have also been two. They have also been twinned. In this city, maybe no one has been thumped harder than undocumented workers from Central and South America, on the one hand, and federal public servants, on the other. Their red-alert existential terror—though quite incomparable in kind—might even be held within a single frame. Both perform types of labor deeply distasteful, or perhaps incomprehensible, to the administration: manual labor and public-serving work.
What I mean to say is, hardworking bricklayers and line cooks are being criminalized as hardened gangsters. Dedicated civil servants, meanwhile, are roasted as do-nothings, forced to correspond with HR black holes and polygraph machines. D.C. flags may have sold out across the city in protest of the paramilitary takeover, but Trump’s nostalgia for tough-on-crime 1970s New York increasingly feels like the sideshow. The real story of this past year, the story that will have the longer historical afterlife, is a quieter one. It is one of draining the intrinsic value from labor yoked to repetitive, inglorious and truly vital tasks: the maintenance of the civic home, on the one hand, and the literal home, on the other. (If you want to call these real, productive forms of labor feminized versus a masculine world of bullshit finance capital or big tech, I, for one, won’t object.)
In this bleak picture of 2025 Washington, both civil servants and undocumented workers were said to be living off ill-gotten gains. Both were targeted at the places of their work. Both, like the pair of mid-flight sea birds, found themselves in kinds of godless existential suspense. And both, I would argue in a more grandiose mood, if I could summon it, were subject to an elitist attack on the American work ethic. A work ethic that arrived in the rugged hills of New England with… the Puritans!
Leaving the museum, I retraced the perimeter of the protest on the National Mall, where it turned out I might have misunderstood the Calvinist commitments of the Handmaid girl whose outdated display had driven me away. Now sitting cross-legged, ringed by the roots of an American elm and the rim of her red dress, eyes closed, bodice pooling around her waist: She was topless? Stamp-sized leaves overlaid her nipples and inked across her chest in lipstick were the words “Non Violent Vibes.” (Two words, not one.)
The Puritans had their maypoles of Merry Mount and were, in reality, a band of certified neurotics (Max Weber’s description was always too somber). But even at this lefty protest, the Protestant work ethic—its seriousness, self-discipline, prudishness—appeared to be in somewhat dramatic retreat.
I supposed. Who the hell knew what was going on anymore. I was pregnant and needed to go home and lie down. [...]
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Around Washington, the flat, SSRI-pilled Zoomers wear shirts that read like floating signifiers or non sequiturs. A girl brandishes SOLD OUT across her sweatshirt in Capitol Hill. (She sold out? Her shirt is sold out?) MAIN CHARACTER traipses toward the zoo in Northwest. (Surely the pandas are the protagonists?) LET’S GO FOR A WALK crosses Penn Quarter, alone, as if the invitation has gone declined. I haven’t seen a slogan fit for the moment of deep unease in a city in which 20 percent of the workforce is federal, tens of thousands have left or been fired since February, and where the unemployment rate has been leading the nation for months. Why not say what we mean? CANNED, FURLOUGHED or PROBATIONARY. DAMNED. SAVED.In every other respect, the people of this city speak in a direct manner, so rarely a note of the ironical or bohemian. Washington can feel like inhabiting a LinkedIn hologram: transactional, oppressively chipper, neutered. At the tasteful, wood-paneled bistro, a young woman in athleisure sits alone reading Gung Ho! Increase Productivity, Profits, and Your Own Prosperity over a shrimp salad and pale coffee. (The endearing maître d’ who used to inhale drags of Arthur Schlesinger, Jr. behind the counter seems to have evacuated his post.) Steel yourself: the first question out of a new acquaintance’s month really might be “What d’you do?”...
Laments are often operatic, duly so, but from people whose professional life and manner are the definition of restraint. A physician running miraculous clinical trials described to me a Looney Tunes world this past winter: a futile Road Runner-Coyote chase sequence, until the latest cuts made by the DOGE kid stuffed in the utility closet inevitably get reversed. Another fed worker is witnessing his unit transform into a “tabloid operation,” he says, “a craven institution stewarding the demise of the nation.” He continues: “What do you do stuck in a job with career-preservationists in charge who bend 93 different ways a day?”...
An elder nanny sidles up at the library to tell me about more ICE sightings. Arrests of nannies at Turtle Park, now Macomb. “They called the parents to come get the child,” she says of yet another raid I cannot confirm. When I ask her where she is hearing these reports—that I think they really might in fact be false—she just points to her phone, to the WhatsApp-group rumor mills, like it is an investigative report published by the Washington Post. It doesn’t matter that she is a citizen, she says. “They don’t care who you are, what your status is. And they go right to us,” she says, pointing to her skin and pursing her lips. Other nannies in the area are forgoing Venmo or check payments. Cash only. “Soviet practices=best practices in this climate!” a Russian-American mom texts me.
No one can even pretend anymore that Americans will take over all these jobs, particularly in the realm of construction or farming, giving the lie to an “American-made” future. An artist acquaintance has been photographing housing construction sites to imagine what it would look like for the power tools and saws to go silent in an industry where undocumented workers constitute more than 20 percent of the workforce. In a film she is making, she interviews a worker who says in Portuguese: “That guy that makes the hole, that breaks things, gets on the roof, lays down brick—they [Americans] don’t want to do that.” He adds, lightly: “So that is why they have us.” I hear of another young woman’s Bolsonarista father in São Paulo finally turning on the Bolsonaro of the North: “Who will do the work?”
The tariffs on trade suppose we want our goods “American-made,” returning the old glory back to the American working-class and blue-collar jobs. But by treating undocumented laborers in the appalling manner we are, it sends the message, rather loudly, that the work done by these individuals does not confer one ounce of dignity or worth. In fact, it disqualifies one from living even a quiet life on the margins. Who wants to be the understudy to the guy who worked so hard he was rewarded with being disappeared to a country he doesn’t even come from?
Another South American living near Rock Creek Park tells me he woke up recently in the middle of the night to the cry of a rabbit shrieking, pursued by a fox, an owl, some kind of predator. It was the most chilling sound he had ever heard. “I feel like that,” he says, “like a chased animal.”
Image: Winslow Homer, Right and Left
