The Plastic Surgeon Summit

We’re in a plastic surgery “renaissance period.”

Dr. Yannis Alexandrides: It is busier than ever. There’s a remarkable year-on-year demand increase that we see in surgical procedures, especially for the face, but also for the body. This is a trend that we have seen through the pandemic, but it has accelerated the last year.

Dr. Akshay Sanan: I think plastic surgery is in a renaissance period right now because of people publicly talking about it. Plastic surgery is now part of your wellness armamentarium. People used to flex what gym they went to, that they had a trainer, and now plastic surgery is part of that flex. People love to rock that they had their eyes done or their face and neck done or their body done. It’s just part of the cultural shift that we’re seeing.

Dr. Jason Champagne: This is where social media comes into play, camera phones and Zoom meetings. You see yourself from all these different angles nowadays that maybe you didn’t notice in the past.

Dr. Emily Hu: I find it very generational: Those who grew up in the social media era with a lot of sharing and openness are also very open about telling their friends [about the work they’ve had done].

Sanan: There’s a shift in consumer or patient habits. More people in their late 30s, early 40s, they’re choosing surgery earlier to age gracefully instead of waiting until things are advanced. They’re like, “I’m not going to wait until it drops down further. I just want to be hot in my 40s.”

Dr. John Diaz: It used to be that not everyone had access to a plastic surgeon. That was reserved within the realm of the elite. Well, not anymore. I have celebrities, executives, and business owners come in — but also teachers and waiters. There’s this democratization of attractiveness.

Dr. Paul Afrooz: Patients are very educated these days. They know what they’re looking for, they know what realistic results are, and they have the ability to do a lot of background research and understand who does things at an elite level. [...]

Let’s get into it: Why are we talking so much about facelifts this year?

Diaz: Facelifts have absolutely exploded for a few reasons. A lot of women see celebrities and influencers suddenly looking incredible, and they want to know how. Think about Kris Jenner — she had a huge impact when her pictures came out. And now it’s brought awareness to the fact that we have the technology to be able to take a young-looking woman and make her look better with surgery, without making her look fake. That was a real challenge 20 years ago.

Alexandrides: Kris Jenner was a very hot topic the last few months. Definitely a lot of the patients I see here take her as, let’s say, a model on how they want to look, because she looks fresh, but she doesn’t look pulled. She looks younger, and she looks happy, and you cannot see the scars, at least not in these pictures that we see.

Hu: I can’t tell you how many of my patients are like, “Yeah, my mom had a facelift. She was so scary. I’m never doing a facelift.” I mean, that was their response because they see their mom all bruised and scary looking.

Dr. Mark Murphy: Facelifts historically had a stereotypical “plastic surgery” look. Now people have realized, “I can look like myself 15 years ago and not have to look like a circus freak for it.” It’s become very digestible for patients. Social media is a huge driver behind it. Well, that, and the techniques are better.

So what’s actually new or changing about facelifts?

Dr. Mark Mani: We call it the golden age of facelift surgery. It’s primarily because of the success of the deep plane facelift.

Dr. David Shafer: There’s nothing new about [the deep plane facelift] as a procedure. It’s just very sophisticated marketing that’s being done now, and there are refinements to the procedures. But it’s not some plastic surgeon who’s marketing it now as some magic procedure that he came up with that nobody else does.

Mani: [A version of] the first deep plane lifts was performed in the late 1960s by a surgeon named Tord Skoog in Sweden [though the name came later]. I have his textbook and can show you results that would stand up to the best deep plane surgeons today. It’s not the procedure, it’s the surgeon, and facelift surgery, among all surgeries in plastic surgery, is an art form.

Afrooz: A surgeon named Sam Hamra — he just passed, but a wonderful human being, an extraordinary thinker, an extraordinary surgeon — first coined the phrase “deep plane facelift” in a 1990 paper and laid out some building blocks of the procedure. Just like everything else in plastic surgery, we stand on the giants before us.

Dr. Michael Stein: There are two main facelift techniques: deep plane and SMAS plication. The deep plane facelift is where you cut the layer under the skin called the SMAS, dissect underneath it, and tighten it in addition to the skin. In the SMAS facelift, instead of cutting and elevating the SMAS, you suture it to itself to tighten it from over top.

Dr. Amir Karam: The majority of surgeons, up until recently, have been doing the traditional SMAS technique, which is more or less horizontally pulling the face sideways, and that was leading to a very unnatural look.

Mani: I was the surgeon who wrote the most-read facelift academic article that convinced other surgeons to do deep plane facelifts. It was an article in Aesthetic Surgery Journal in 2016, where I detailed the specific anatomic reasons that deep plane is better.

Stein: The people who only do deep plane facelifts say they have a more longitudinal result, and vice versa. But the truth is, a good result is a good result. It depends more on the surgeon versus technique. A good facelift is a good facelift.

Facelifts aren’t done evolving.

Karam: The consumer is driving surgeons to create better and better results. So there’s been a massive increase in interest for surgeons to level up their strategies surgically and learn new techniques that are not new but new to them.

Afrooz: Even my facelift today is better than my facelift was one year ago. When you hone in on one thing as your career, you’re just constantly looking for ways to improve. It’s the cumulative effect of small subtleties over time and practice that you notice nuanced improvements to your results. One might assume that a deep plane facelift in one surgeon’s hands is the same as it is in another’s, but I’m here to tell you that it’s very much not the same.

Dr. Daniel Gould: There are new layers that we’re adding into the surgery. We’re recognizing the importance of the mid-face and volume position there. I’m recognizing adding fat to the mouth and the areas around the mouth, the chin, because all these areas have been neglected. We are now nailing all the low-hanging fruit: We’re nailing the neck, we’re nailing the face, we’re nailing the temple and the brows. Now it’s time to move forward and continue to innovate and push the limits of what we can really do in facial rejuvenation.

Mani: What I’ve developed is called the scarless lift, and it’s basically a deep plane facelift without a scar in front of the ear, with an endoscope. The endoscopic procedure involves a hidden incision within the hair, a short one behind the ear, and sometimes one under the chin. I still do about 60% open [non-endoscopic], but a good percentage of my facelifts are scarless endoscopic. The results are more beautiful because you don’t have to worry about the scar, and the vectors of lifting are better.

Alexandrides: I don’t think this will be now, “OK, let’s forget about facelifts, let’s move to something else.” What will probably happen is that people will discover intricate little different techniques and say, “You have the facelift that is done like that.” I have patients who ask me very technical questions: How do you design your scar around your ear?

Stein: Facelift surgery has survived the test of time. Every year there are new machines designed to tighten skin, and for some patients with mild laxity, they may see nice results. The truth is though, if you have jowls or droopy skin of the face and neck, the only thing that’s really going to give you the best bang for your buck and directly address your laxity is a facelift.

by Bustle Editors, Bustle |  Read more:

Image: uncredited

World Monitor

How a Music Streaming CEO Built an Open-Source Global Threat Map in His Spare Time. Frustrated by fragmented war news, Anghami’s Elie Habib built World Monitor, a platform that fuses global data, like aircraft signals and satellite detections, to track conflicts as they unfold.

Elie Habib doesn’t work in the defense or intelligence industries. Instead, he runs Anghami, one of the Middle East’s largest music streaming platforms. But as missiles began flying across the region, a side project he coded earlier this year suddenly became something bigger: an open-source dashboard people around the world were using to track the war in real time.

The engineer turned executive built the system, called World Monitor, to make sense of chaotic geopolitical news. Instead, it went viral. [...]

The idea emerged as headlines began colliding in ways that felt impossible to follow. “The news became genuinely hard to parse,” he says. “Iran, Trump’s decisions, financial markets, critical minerals, tensions compounding from every direction simultaneously.”

Traditional media wasn’t solving the problem he had in mind. “I didn’t need a news aggregator,” he says. “I needed something that showed me how these events connect to each other in real time. The existing OSINT tools that did this cost governments and large enterprises tens of thousands of dollars annually.” [...]

The platform processes a messy stream of global data, bypassing social media noise to pull facts directly from the source.

“The system ingests 100-plus data streams simultaneously,” Habib notes. The result is a constantly updating map of global tensions: conflict zones with escalation scores, military aircraft broadcasting positions through ADS-B transponders, ship movements tracked through AIS signals, nuclear installations, submarine cables, internet outages and satellite fire detections.

“Everything is normalized, geolocated and rendered on a WebGL globe capable of displaying thousands of markers without frame drops,” Habib says...

When the War Hit

Before the missiles started flying, people used the map for very specific reasons. Traders tracked cargo ships to monitor supply chains, while engineers watched power grids and infrastructure networks. “One sports bar runs it on their TVs when there are no games,” Habib says.

But when joint US-Israeli military strikes hit Iran in late February—disrupting maritime logistics and forcing commercial airspace to clear—the platform’s role changed almost overnight.

What had been a curiosity for analysts and hobbyists became a live threat monitor. Casual observers began watching active escalations unfold in real time.

How the Map Verifies Reality

Processing hundreds of live data streams during a military conflict raises a question: How do you verify information fast enough to keep the system moving?

Habib’s answer was to remove human editors entirely. “Zero editorializing,” he says. “No human editor makes a call.”

Instead, Habib says the platform relies on a strict source hierarchy. Wire services and official channels such as Reuters, AP, the Pentagon and the UN sit at the top tier. Major broadcasters including the BBC and Al Jazeera follow, along with specialist investigative outlets such as Bellingcat. In total, he says the system processes about 190 sources, assigning higher confidence scores to more reliable ones.

Software then scans incoming reports for major events and emerging patterns. If multiple credible sources report the same development within minutes, the system flags it as a breaking alert. But headlines alone are not enough.

Because online claims can be unreliable, the platform also looks for physical signals on the ground. It tracks disruptions such as internet blackouts, diverted military flights, halted cargo ships and satellite-detected fires. “A convergence algorithm then checks how many distinct signal types activate in the same geography simultaneously,” Habib says.

“One signal is noise. Three or four converging in the same location is the signal worth surfacing,” Habib says. If an internet outage coincides with diverted aircraft and a satellite heat signature in the same area, the map flags a potential escalation.

by Lilian Wagoy, Wired |  Read more:

Image: World Monitor

[ed. Example here. Also, just as an aside (since World Monitor was created by a music streaming CEO) I'd like to highlight once again the totally awesome Radio Garden. I've been using this streaming app ever since I got it, exploring and listening to FM music stations all over the world.]

Peter Brannon, Bermuda Night Heron
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Brian Culbertson (feat. Mike Stern)

Cognitive Interdependence in Close Relationships

This chapter is concerned with the thinking processes of the intimate dyad. So, although we wlll focus from time to time on the thinking processes of the individual - as they influence and are influenced by the relationship with another person - our prime interest is in thinking as it occurs at the dyadic level. This may be dangerous territory for inquiry. After all, this topic resembles one that has, for many years now, represented something of a "black hole" in the social sciences - the study of the group mind. For good reasons, the early practice of drawing an analogy between the mind of the individual and the cognitive operations of the group has long been avoided, and references to the group mind in contemporary literature have dwindled to a smattering of wisecracks. 

Why, then, would we want to examine cognitive interdependence in close relationships? Quite simply, we believe that much could be learned about intimacy in this enterprise, and that a treatment of this topic, enlightened by the errors of past analyses, is now possible. The debate on the group mind has receded into history sufficiently that its major points can be appreciated, and at the same time, we find new realms of theoretical sophistication in psychology regarding the operation of the individual mind. With this background, we believe it is possible to frame a notion somewhat akin to the "group mind" and we to use it to conceptualize how people in close relationships may depend on each other for acquiring, remembering, and generating knowledge.

Interdependent Cognition 

Interdependence is the hallmark of intimacy. Although we are all interdependent to a certain degree, people in close relationships lead lives that are intertwined to the extreme. Certainly, the behaviors they enact, the emotions they feel, and the goals they pursue are woven in an intricate web. But on hearing even the simplest conversation between intimates, it becomes remarkably apparent that their thoughts, too, are interconnected. Together, they think about things in ways they would not alone. The idea that is central in our analysis of such cognitive interdependence is what we term transactive memory. As will become evident, we find this concept more clearly definable and, ultimately, more useful than kindred concepts that populate the history of social psychology. As a preamble to our ideas on transactive memory, we discuss the group mind notion and its pitfalls. We then turn to a concern with the basic properties and processes of transactive memory. [...]

The Nature of Transactive Memory 

Ordinarily, psychologists think of memory as an individual's store of knowledge, along with the processes whereby that knowledge is constructed organized, and accessed. So, it is fair to say that we are studying "memory'; when we are concerned with how knowledge gets into the person's mind, how it is arranged in the context of other knowledge when it gets there, and how it is retrieved for later use. At this broad level of definition, our conception of transactive memory is not much different from the notion of individual memory. With transactive memory, we are concerned with how knowledge enters the dyad, is organized within it, and is made available for subsequent use by it. This analogical leap is a reasonable one as long as we restrict ourselves to considering the functional equivalence of individual and transactive memory. Both kinds of memory can be characterized as systems that, according to general system theory (von Bertalanffy, 1968), may show rough parallels in their modes of operation. Our interest is in processes that occur when the transactive memory system is called upon to perform some function for the group - a function that the individual memory system might reasonably be called upon to perform for the person. 

Transactive memory can be defined in terms of two components: (1) an organized store of knowledge that is contained entirely in the individual memory systems of the group members, and (2) a set of knowledge-relevant transactive processes that occur among group members. Stated more colloquially, we envision transactive memory to be a combination of individual minds and the communication among them. This definition recognizes explicitly that transactive memory must be understood as a name for the interplay of knowledge, and that this interplay, no matter how complex, is always capable of being analyzed in terms of communicative events that have individual sources and individual recipients. By this definition, then, the thought processes of transactive memory are completely observable. The various communications that pass between intimates are, in principle, observable by outside observers just as each intimate can observe the communications of the other. Using this line of intepretation, we recognize that the observable interaction between individuals entails not only the transfer of knowledge, but the construction of a knowledge-acquiring, knowledge-holding, and knowledge-using system that is greater than the sum of its individual member systems. 

Let us consider a simple example to bring these ideas down to earth. Suppose we are spending an evening with Rudy and Lulu, a couple married for several years. Lulu is in another room for the moment, and we happen to ask Rudy where they got the wonderful stuffcd Canadian goose on the mantle. He says, "we were in British Columbia..." and then bellows, "Lulu! What was the name of that place where we got the goose?" Lulu returns to the room to say that it was near Kelowna or Penticton - somewhere along Lake Okanogan. Rudy says, "Yes, in that area with all the fruit stands." Lulu finally makes the identification: Peachland. In all of this, the various ideas that Rudy and Lulu exchange lead them through their individual memories. In a process of interactive cueing, they move sequentially toward the retrieval of a memory trace, the existence of which is known to both of them; And it is just possible that, without each other, neither Rudy nor Lulu could have produced the item. This is not the only process of transactive memory. Although we will speak of interactive cueing again, it is just one of a variety of communication processes that operate on knowledge in the dyad. Transactive processes can occur during the intake of information by the dyad, they can occur after information is stored and so modify the stored information, and they can occur during retrieval. 

The successful operation of these processes is dependent, however, on the formation of a transactive memory structure - an organizational scheme that connects the knowledge held by each individual to the knowledge held by the other. It is common in theorizing about the thoughts and memories of individuals to posit an organizational scheme that allows the person to connect thoughts with one another - retrieving one when the other is encountered, and so forth. In a dyad, this scheme is complicated somewhat by the fact that the individual memory stores are physically separated. Yet it is perfectly reasonable to say that one partner may know, at least to a degree, what is in the other's memory. Thus, one's memory is "connected" to the other's, and it is possible to consider how information is arranged in the dyadic system as a whole. A transactive memory structure thus can be said to reside in the memories of both individuals - when they are considered as a combined system. 

We should point out here that transactive processes and structures are not exclusively the province of intimate dyads. We can envision these: things occurring as well in pairs of people who have just met, or even in groups of people larger than the dyad. At the extreme, one might attribute these processes and organizational capacities to whole societies, and so make transactive memory into a synonym for culture. Our conceptualization stops short or these extensions for two reasons. First, we hesitate to extend these ideas to larger groups because the analysis quickly becomes unwieldy; our framework for understanding transactive memory would need to expand geometrically as additional individuals were added to the system. Second, we refrain from applying this analysis to nonintimate relations for the simple reason that, in such dyads, there is not as much to be remembered. Close dyads share a wealth of information unique to the dyad, and use it to operate as a unit. More distant dyads; in turn, engage in transactive processes only infrequently - and in the case of a first and only encounter, do so only once. Such pairs will thus not have a very rich organizational scheme for information they hold. We find the notion of transactive memory most apt, in sum, for the analysis of cognitive interdependence in intimate dyads. 

Our subsequent discussion of transactive memory in this chapter is fashioned to coincide with the process-structure distinction. We begin by considering the processes involved in the everyday operation of transactive memory. Here, we examine the phases of knowledge processing standardly recognized in cognitive psychology - encoding, storage, and retrieval - to determine how they occur in transactive memory. The second general section examines the nature of the organizational structure used for the storage of information in the dyad. The structure of stored information across the two individual memories will be examined, with a view toward determining how this organization impinges on the group's mental operations. The final section concentrates on the role of transactive memory, both process and structure, in the life of the dyad. We consider how such memory may contribute to compatibility or incompatibility in relationships, and how an individual's personal memory may be influenced by membership in a transactive system. 

Transactive Memory Processes 

Communication is the transfer of information. When communication takes place between people, we might say that information is transferred from one memory to another. However, when the dyadic group is conceptualiized as having one memory system, interpersonal communication in the dyad comes to mean the transfer of information within memory. We believe that multiple transfers can occur as the dyad encodes information, as it holds information in storage, and as it retrieves information - and that such transfers can make each of these processes somewhat different from its counterpart occurring at the individual level.

Transactive Encoding 

Obviously, dyads do not have their sense organs in common. The physical and social environment thus must be taken in by each person separately. Social theorists have repeatedly noted, though; that an individual's perceptions can be channeled in social ways. Many have observed, for example, that one partner might empathize with another and see the world from the other's "point of view." Alternatively, cognitive constructions of a "group perspective" may be developed by both partners that lend a certain commonality to their intake of information (see Wegner & Giuliano, 1982). These social influences on encoding, however, are best understood as effects on the individual. How does the dyad encode information? 

When partners encounter some event and encode it privately in their individual memories, they may discuss it along the way. And though we might commonly think of such a discussion as a "rehash," a mere echo of the original perceived event, there is reason to think that it could be much more. After all whereas expeiencing an event can be accomplished quite passively, discussing an event requires active processing of the information - and the generation of ideas relevant to the event. Several demonstrations of an individual memory phenomenon called the "generation effect" indicate that people will often remember information they have generated better than information they have simply experienced. So, for instance, one might remember the number 37 better if one had been presented with "14 + 23 = ?" than if one had merely been presented with "37 ." Partners who talk over an event, generating information along the way, might thus come to an encoded verbal representation of the event that supplants their original, individual encoding. 

The influence of the generation effect could, of course, take many forms. Ordinarily, it should lead partners to remember their own contributions to dyadic discussions better than the contributions of their partners. This phenomenon has been observed in several studies (e.g., Ross & Sicoly, 1979). But the generation effect could also contribute to one's memory for group generated information. When a couple observes some event - say, a wedding they may develop somewhat disparate initial encodings. Each will understand that it was indeed a wedding; but only one may encode the fact that the father of the bride left the reception in a huff; the other might notice instead the odd, cardboard-like flavor of the wedding cake. Their whispered chat during all this could lead them to infer that the bride's father was upset by the strange cake. Because this interpretation was generated by the group, both partners will have thus encoded the group's understanding of the events. Their chat could thus revise history for the group, leaving both with stored memories of the father angry over a sorry cake. 

Evidence from another domain of cognitive research leads to a similar point. One of the most powerful determinants of encoding in individual memory is the degree to which the incoming information is semantically elaborated (e.g., Anderson & Reder, 1979). To elaborate incoming information is simply to draw inferences from it and consider its meaning in relation to other information. This is precisely what happens in dyadic communications about events. Partners often talk about things they have experienced as individuals or as a group. They may speak about each other's behavior, about the behavior of others they both know, about the day's events, and so on. In such discussions, it is probable that those particular events or behaviors relevant to the dyad will be discussed at length. They will be tied to other items of knowledge and, in the process, will become more elaborately encoded - and thus more likely to be available for later retrieval. 

To the extent that generative or elaborative processes are effortful, or require careful thinking, their effects could be strengthened yet further. Encoding processes that are effortful for the individual typically lead to enhanced memory. When a couple engages in an argument, cognitive effort may be required for each person to understand what the other is saying and for each to convey a personal point of view. Such effort on the part of both could also be necessary when one partner is merely trying to teach the other something. It is the shared experience of argument, decision-making, or careful analysis that will be remembered more readily when the communication is effortful. After all, couples more frequently remember their "talks" than their routine dinner conversations. 

These transactive encoding processes could conceivably lead a dyad to understand events in highly idiosyncratic and private ways. Their discussions could go far afield, linking events to knowledge that, while strongly relevant to the dyad, is embedded primarily in the dyad's known history or anticipated future. The partners' memories of the encoded events themselves could be changed dramatically by the tenor of their discussions, sometimes to the point of losing touch with the initial realities the partners perceived. To some degree, such departures from originally encoded experience might be corrected by the partners' discussions' of events with individuals outside the relationship; such outsiders would serve to introduce a perspective on events that is uninformed of the dyad's concerns, and that therefore might help to modify memory of the events. But many experiences are discussed only within the relationship, and these are thus destined to be encoded in ways that may make them more relevant to the dyad's concerns than to the realities from which they derived.

by Daniel M Wegner, Toni Giuliano, and Paula T. Hertel, Harvard |  Read more (pdf):

Image via:

[ed. Probably of little interest to most but I find this, and the process of memory retrieval in general, to be fascinating. When I think back on the various experiences and conversations I've had over my lifetime it's not uncommon to settle on the same scenes, arguments, feelings, etc. over and over again to represent what I remember as being reality, or at least an accurate reflection of my personal 'history', when actually they're just a small slice of a larger picture, taken out of context. Want an example? Try talking to an old friend at a class reunion and see what they recall about your experiences together. We can never remember all the details of the thousands of small conversations and experiences we've had - individually, with partners, with others - that in the aggregate have more relevance to reality than we can imagine... or remember.]

Gone Girl

As I looked at Kristi Noem’s MAGA-fied visage plastered across the media on Thursday, along with the news that President Trump had fired her, I couldn’t help thinking: This was always going to end in tears.

Not because the defenestrated secretary of homeland security was uniquely bad at her job. Sure, “ICE Barbie,” as her critics dubbed her, was no paragon of competence. Her handling of ICE agents’ bloody rampage across Minneapolis was appalling — as, really, was her aggressive defense of the president’s entire deportation orgy. (That photo op field trip to the Salvadoran prison? Pure trash.) Her leadership style was, at best, chaotic. Her congressional testimony this week was defensive, dishonest, bumbling and self-contradictory. Her relentless self-promotion was embarrassing and more than a little foolish given who she works for. Rule No. 1 in Trumpworld: Never steal the spotlight from the boss.

Still, Ms. Noem was hardly the most incompetent, embarrassing or dangerous member of Mr. Trump’s cabinet. The competition is too steep.

No, I thought about how she owed her post to her laborious transformation into a particular kind of ultra-MAGA woman who kicks butt while always looking picture perfect — superfeminine and superaggressive — a role that comes with built-in challenges and limited room for error. The more furiously Ms. Noem contorted herself to fit this Trumpworld mold and catch the attention of the MAGA guys, the more she risked earning the contempt of the very people she wanted to impress, especially the president. Then, when she outlasted her usefulness, she was casually sloughed off.

Who could have predicted that one? Besides everyone.

Respect never seemed to be part of the equation with Mr. Trump and Ms. Noem. It’s hard to respect someone so eager to remake herself for your attention. Her physical MAGA makeover may be the most striking of any senior figure in Mr. Trump’s orbit. More disturbing was her scramble to prove herself the toughest cookie in the jar. [...]

It’s not hard to imagine why an ambitious woman might adopt an exaggerated, tough persona to fit in with a movement defined by chest thumping so heavy-handed it smells like misogyny. But Ms. Noem’s desperation to turn herself into a glambot enforcer was always just … sad.

It surely did nothing to help the secretary’s sense of self-worth that no one in the administration, much less the larger political world, took her seriously in her post. She was the face of an immigration policy that everyone assumed was being driven by the White House aide Stephen Miller and others, and presumably will continue to be.

But here’s where Ms. Noem really did herself in. With her high profile and her efforts to prove how hard-core she was — for instance, accusing the two Americans gunned down by immigration officials in Minneapolis of being domestic terrorists — she made herself a perfect scapegoat for the administration’s unpopular immigration agenda. No matter that some of her worst moments came as she tried to defend Mr. Trump’s morally indefensible policies. The president can now claim credit for firing a very bad employee, even as he and Mr. Miller continue promoting chaos and brutality.

It surely stings to be the first member of this cabinet to get the ax. Not Pete Hegseth? Pam Bondi? Lori Chavez-DeRemer? Robert F. Kennedy Jr.? But Ms. Noem can take solace in knowing she is not the first ambitious woman who tried to remake herself in the MAGA image only to be misused and ultimately discarded.

Elise Stefanik, a U.S. House member from New York, has traveled a similarly humiliating road. One of her party’s rising stars in the pre-Trump era, Ms. Stefanik followed the president down the dark MAGA path, visions of higher office dancing in her head. But time and again, she had her dreams sacrificed to Mr. Trump’s political needs — first her aborted nomination to the United Nations, then her aborted campaign for governor. She will leave the House at the end of this term with little to show for her self-debasement other than a reputation for shape shifting and sycophancy.

As Ms. Noem is finding out, it’s hard out there for a MAGA woman. You have to jump through trickier hoops than the men to get attention, but your efforts to please can work against you. The second your swaggering performance becomes a problem, the president kicks you to the curb. Just ask Marjorie Taylor Greene, who, after falling out with the president, fled the House and is now devoting herself to viciously critiquing his Iran policy.

Maybe Ms. Noem should consider a similar route, using her newfound freedom to tell the public how she really feels about what she was asked to do and defend in Mr. Trump’s name. She might even claw back some of that self-worth she gave up along the way.

by Michelle Cottle, NY Times |  Read more:

Image: Damon Winter/NYT

[ed. Ouch... a political obituary for the ages. But still, just a triffle compared to the widespread misery she caused. One down, many more left: Hegseth and Miller especially.]

The Ravyns

Do You Have to Be Polite to AI?

When a group of researchers decided to test whether "positive thinking" made AI chatbots more accurate, it led to some surprising results. As they asked various chatbots questions, they tried calling the AIs "smart", encouraged them to think carefully and even ended their questions with "This will be fun!" None of it made a consistent difference, but one technique stood out. When they made an artificial intelligence pretend it was on Star Trek, it got better at basic maths. Beam me up, I guess.

People have all sorts of bizarre strategies to get better responses from large language models (LLMs), the AI technology behind tools like ChatGPT. Some swear AI does better if you threaten it, others think chatbots are more cooperative if you're polite and some people ask the robots to role-play as experts in whatever subject they're working on. The list goes on. It's part of the mythology around "prompt engineering" or "context engineering" – different ways to construct instructions to make AI deliver better results. Here's the thing: experts tell me that a lot of accepted wisdom about prompting AI simply doesn't work. In some cases, it could even be dangerous. But the way you talk to an AI does matter, and some techniques really will make a difference. [...]

How to talk to your chatbot

There are some very real problems with AI, from ethical concerns to the environmental impact it can have. Some people refuse to engage with it altogether. But if you are going to use LLMs, learning to get what you want faster and more efficiently will be better for you and, probably, for the energy consumed in the process. These tips will get you started.

Ask for multiple options

"The first thing I tell people is don't ask for one answer, ask for three or five," White says. If you want help with a piece of writing, for example, tell the AI to give you multiple options that vary in some important way. "This forces the human being to re-engage and think about what they like and why."

Give examples

Provide the AI with a sample whenever possible. "For instance, I see people ask an LLM to write an email and then get frustrated because they're like 'that doesn't sound like me at all'," White says. The natural impulse is to respond with a list of instructions, "do this" and "don't do that". White says it's much more effective to say "here are 10 emails I've sent in the past, use my writing style".

Ask for an interview

"Let's say you want to generate a job description. Tell the AI 'I want you to ask me questions, one at a time, until you've gathered enough information to write a compelling job listing," White says. "By doing it one question at a time, it can adapt to your answers."

Be careful about role-playing

"There used to be this thought that if you told the AI it was a maths professor, for example, it would actually have higher accuracy when answering maths questions," says Sander Schulhoff, an entrepreneur and researcher who helped popularise the idea of prompt engineering. But when you're looking for information or asking questions with one right answer, Schulhoff and others say role-playing can make AI models less accurate.

"That can actually be dangerous," Battle says. "You're actually encouraging hallucination because you're telling it it's an expert, and it should trust its internal parametric knowledge." Essentially, it can make the AI act too confident.

But for wide open tasks with no single answer, role-playing is effective (think advice, brainstorming and creative or exploratory problem solving). If you're nervous about job interviews, telling a chatbot to imitate a hiring manager could be good practice – just consult other resources, too.

Stay neutral

"Don't lead the witness," Battle says. If you're trying to decide between two cars, don't say you're leaning towards the Toyota. "Otherwise, that's the answer you're likely to get."Pleases and thank yous

According to a 2019 Pew Research Center survey, more than half of Americans say "please" when they're talking to their smart speakers. It seems that trend continued. A 2025 survey by the publisher Future found 70% of people are polite to AI when they use it. Most said they're nice because it's just the right thing to do, though 12% said they do it to protect themselves in case of robot uprisings.

Politeness may not protect you from angry robots or make LLMs more accurate, but there are other reasons to keep doing it.

"The bigger thing for me is saying 'please' and 'thank you' might make you more comfortable interacting with the AI," says Schulhoff. "It's not helping the performance of the model, but if it's helping you use the model more because you're more comfortable, then it's useful."

There's also the tenderness of your own human nature to consider. The philosopher Immanuel Kant argued that one reason you shouldn't be cruel to animals is that it's also damaging to yourself. Essentially, being unfriendly to anything makes you a harsher person. You can't hurt AIs feelings because it doesn't have any, but maybe you should be nice anyway. It’s a habit that could benefit other parts of your life.

by Thomas Germain, BBC/Future |  Read more:

Image: Serenity Strull

[ed. See also: I hacked ChatGPT and Google's AI - and it only took 20 minutes (BBC).]

Hawaiian Slack Key

(and, let no good deed go unpunished)

Józef Marian Chełmońsk, Partridges in the Snow

via:

Shoddy People

America has been successfully invaded by an army of shoddiness. Our bones are gnawed upon by lazy rats. Even our pervasive sense of menace is shoddy in its approach.

The government has organized itself to please the King of Shoddiness, a man wholly concerned with spectacle to the exclusion of substance. The announcement of a program or action is all-important; what happens after that, no one cares. We watch federalism reshaped into the edifice of a casino, a swooping artifice of neon hung on a flimsy frame, fronting a blocky and neglected interior whose employees are rapidly losing interest in the customers.

The Secretary of Defense is a drunk newsman whose ideas for history’s most powerful military extend only to “increase your max bench,” and tail off from there. Likewise the FBI director, whose bug-eyed macho posturing evinces the desperation of a man trying not to think about the contempt in which his underlings hold him. The Attorney General’s primary qualification is the willingness to make loud declarative statements that are provably false while maintaining the serious visage of a television anchor. The Secretary of Homeland Security spends her time donning tactical gear and tossing around her inhuman ringlets while making videos for those with a Nazi propaganda kink. The Director of National Intelligence, a self-promoting political chameleon, has achieved the neat trick of being both incompetent and frozen out of power by other incompetents at the same time.

The Transportation Secretary, a former reality star whose official White House biography boasts that “Rachel and Sean are America’s first and longest-married reality TV couple,” is not even close to being the cabinet’s least qualified member. The Education Secretary and head of the Small Business Administration are just rich women seemingly assigned their positions at random. Others have, if such a thing is possible, negative qualifications. The Secretary of State landed his job by proving himself willing to adopt a posture of submission towards the man that he had tried and failed to cast as less manly than himself during the 2016 primaries. The Secretary of Health and Human Services is a certified loon, a classic dissolute child of privilege swirling into ever deeper cesspools of fringery, a former environmentalist transformed into a pesticide-boosting anti-vaxer, a man with no emotional or mental grounding in anything other than his determination to fulfill his destiny of poisoning the family name forever.

The Labor Secretary and her husband are both under investigation for different sex-related violations, simultaneously. The Vice President combs expensive lotions into his beard and practices taking the oath of office in his mirror at night, tears running down his lonesome face, dreaming of being able to hurt enough people to prove to his mother that he is worth something.

If these people were concerned with carrying out a coherent ideological mission they would be in trouble. They are not. Their small personal ambitions to have official titles and taxpayer-funded private planes occupy their small store of energy. For these baubles and modest perks they are happy to perform a gruesome pantomime of deference to a tacky know-nothing whose plastic skin droops further towards the gutter with each passing day. Embarrassing, one might think; but the smallness of all involved serves them well. They are too shallow to be filled with shame, overflowing as they already are with the yokel dazzle of a Price Is Right contestant who has just heard their name called, at last.

Propping up this leaky and flatulent balloon of misplaced careerism is an even more debased substructure of boosters who find satisfaction in the firm placement of a brown loafer on their collective carotid artery. A parallel world of media, which cultivates the appearance of news with none of its reality, exists to help prompt these political actors when they forget their lines. Awkward young white men in tight blue suits, their minds marinated for years in the virtual fascism of internet marginalia, find rewarding jobs as twitchy boosters of real world fascism for imaginary audiences of pale and insecure peers who never had anyone to urge them to read The Autobiography of Malcolm X. [...]

Saddest of all is “the base.” Base in class, base in emotion, regarded by those it supports in the same way they would regard any pedestal: A thing to stand upon in order to boost themselves, and then to promptly forget. The paltriness of this entire movement’s gestures at any version of substantial truth mean that it is impossible to be a genuine supporter without having an overwhelming amount of ignorance, delusion, or both. Bolstering the ranks of the purely deluded are the movement’s cynical supporters, aware of its bullshit but willing to overlook it due to a traumatic belief that nothing really matters. This layer of unhappy and unsuccessful con men lurk about in grudging respect for the more successful con men they see in charge. These are the angry small business owners with violent daydreams, the wheedling would-be hustlers trying to take advantage of modest and clumsy bribes, the Mar-a-Lago ghosts who haunt suburban Fort Lauderdale McMansions, clutching cheaply framed photos of themselves posing with the president in a holiday party receiving line. This coalition of the doomed lines the road to perdition, grasping for any crumbs that might fall to them, forsaking all earthly pleasures other than hypnotism.

What defines our seedy era is not its dishonesty, which has always been the government’s baseline orientation, but rather the pointed lack of concern for covering that dishonesty up. The well-crafted lies have given way to careless ones. The conspiracies all fester in plain sight. The payoffs and the quid pro quos are conducted casually. The motivation to appear more just than they really are has left the ruling class. In its place is an odd sort of affinity for tawdriness, a newfound respect for disgrace. If everyone abandons all pretense at telling the truth all at once, well, the pressure’s off, isn’t it?

by Hamilton Nolan, How Things Work |  Read more:

Image: Getty

[ed. Yep. When your principle political philosophy is just 'owning the libs', and blindly following your leader's every zig and zag you're just a clown hiding under a flag. How's that working out? See also: Remove Your Ring Camera With a Claw Hammer (HTW):]

***

Do you have a Ring (TM) or similar video camera by your front door? With the curved end of a claw hammer, deliver a sharp downward stroke to the device’s top edge. Think of the blow as a slicing or chopping motion. When the unit is severed from your doorway, place it in the trash.

For stubbornly attached units, you can also use the flat side of the hammer in a straight-on strike, repeated until the item is rendered into a pile of splinters that can be swept up using an everyday broom and dustpan.

Some say this approach to your Ring camera is wasteful. This is true. It would have been more efficient never to install this device at all. But perhaps you moved into a home that already has one. Or perhaps you were momentarily afflicted with an episode of irrational terror, which has now passed. Either way you need to get the thing off. Whatever waste is produced is, at this point, unavoidable.

Others say that this action is destructive. This is an error. What is destructive is the insidious belief that the world outside your front door is to be treated with suspicion; that every passerby is a potential threat; that every neighbor is a potential enemy; that every human interaction must be stored and cataloged as evidence of possible crime. This attitude is destructive of good will, of brotherhood, of peace, of love. This is the attitude of the Gestapo. This is the attitude of the paranoid lunatic. This is totalitarianism creeping into your home disguised as safety.

One swift stroke of that claw hammer will fix all that.

...what if someone steals your Amazon package off your front steps? Well, what if they do? I guess you would have to get a refund. I guess you might suffer an extremely minor inconvenience. I guess it could be an opportunity to reflect on the painful predations of poverty under capitalism, which creates economic desires, renders people unable to satisfy them, and then taunts them with constant visions of abundance in which they cannot share. True, it is a tragedy of unimaginably small proportions that someone has stolen your box of paper towels. Would you let them steal your optimism, as well?

The Real Story Behind ‘Zen and the Art of Motorcycle Maintenance’

A Korean War veteran is floundering. His career is an endless bumpy road, and includes work as a teacher, a technical writer for Honeywell, and even a Nevada casino employee. But our ambitious vet also studies philosophy at the Banaras Hindu University in India—and starts to develop his own philosophy of life, an unconventional merging of Eastern and Western currents.

Then comes a mental breakdown that sends him to a psychiatric hospital. Here he undergoes repeated electroshock therapy. He finally emerges a changed person.

But maybe he changed too much—he can hardly remember the person he once was. It’s almost as if his life got cleaved in two at this juncture. His wife leaves him. He holds on to his relationship with his son—but that ends tragically with the son’s murder in San Francisco at age 22.

While working for Honeywell, our aspiring philosopher stays awake from 2 AM to 6 AM in a small apartment above a shoe store in Minneapolis. Here he writes a novel destined to become one of the defining books of the era. But he has to pitch it to 121 editors before he gets a contract and a $3,000 advance.

The editor, J.D. Landis, admitted that he only accepted the novel because this “book forced him to decide what he was in publishing for.” But the author, he insisted, shouldn’t expect to make more than his tiny advance. Then Landis added: “Money isn’t the point with a book like this.”

That’s the story of how Robert Pirsig published of Zen and the Art of Motorcycle Maintenance. But the editor was wrong. The book sold 5 million copies, and for a spell in the 1970s you would see copies everywhere, even in the hands of people who didn’t read novels.

And that was just the start. Robert Redford tried to buy movie rights, but the author said no. Highbrow literary critic George Steiner compared Pirsig to Dostoevsky—which is especially meaningful when you know that Steiner wrote a book on Dostoevsky. The Smithsonian acquired the titular motorcycle for its permanent collection.

The book is simple enough to describe. It tells the story of a 17-day motorcycle trip from Minnesota to California. Along the way, the narrator tries to figure out many things—but especially his own past before his life split in two.

At one point in the novel, Pirsig writes:

“Before the electrodes were attached to his head he’d lost everything tangible: money, property, children; even his rights as a citizen had been taken away from him by order of the court….I will never know all that was in his head at that time, nor will anyone else. What’s left now is just fragments: debris, scattered notes, which can be pieced together but which leave huge areas unexplained.”

The electroshock treatment was done without Pirsig’s consent. That would be illegal nowadays.

In the aftermath, Pirsig felt so disconnected from his past that he included his pre-treatment self as a separate character in the novel. He calls that abandoned part of himself Phaedrus, a name drawn from Plato’s dialogues.

So you can read Zen and the Art of Motorcycle Maintenance as a dialogue between a man and his past self. Or you can treat it as a travel story or as a philosophical discussion (what Pirsig describes as a chautauqua, a name drawn from a populist adult education movement of the late 1800s). And, yes, it’s also a guide to motorcycle maintenance.

The text actually moves back and forth between all of these. Few novels pay less attention to the rules of fiction than Zen and the Art of Motorcycle Maintenance. For that reason, it just might be the strangest travel book ever written—because most of the journey happens inside the narrator’s head.

But maybe that’s part of the story too. Pirsig worked as a college writing teacher, and was frustrated by the rules he was expected to impart to his students. He felt that good writing was indefinable. It violated accepted rules, and created its own. The whole process was mysterious.

Solving that mystery of Quality—also called goodness, excellence, or worth—is the main theme of the novel. Indeed, it’s the overarching theme of Pirsig’s entire life’s work. He wrote one more novel after Zen and the Art of Motorcycle Maintenance, the seldom read Lila, and it continues the discussion on quality. And the same topic takes center stage in the posthumous collection of writings published under the title On Quality: An Inquiry into Excellence. [...]

But let’s be honest: Pirsig was a better mystic than philosopher, and the deeper Pirsig digs into his personal notion of Quality, the more interesting—and metaphysical—his thinking becomes. Quality, he insists, can never be defined. He eventually embraces it as a kind of Tao, a force underlying all our experiences—hence resisting empirical analysis. He is now leaving philosophy behind, and perhaps for the better.

So he eventually aligns himself with a profound idea drawn from the ancient Greeks—but not the philosophers. Instead he goes back to the Homeric mythos, five hundred years older than rational philosophy, and discoveres the source of his Quality in the Greek concept of aretḗ, or excellence (sometimes translated as virtue). Aretḗ, Pirsig believes, is more powerful than Aristotelian logic, and closer in spirit to the Hindu dharma.

He quotes a passage from classicist H.D.F. Kitto, which I want to share in its entirety—not only because it is essential to Pirsig’s worldview, but because it’s invaluable to us today. Many are struggling to understand a place for humans in a world of AI and super-smart machines. From a purely rational perspective, the robots can beat us in terms of data generation and analysis. But in a world of aretḗ (or Quality), they fall far short.

This is where Pirsig earns my admiration and loyalty. Some things really are more powerful than logic.

Back in 1952 Kitto anticipated Zen and the Art of Motorcycle Maintenance—and provided the missing piece to Pirsig’s worldview—when he wrote:

[If aretḗ refers to a person] it will connote excellence in the ways in which a man can be excellent—morally, intellectually, physically, practically. Thus the hero of the Odyssey is a great fighter, a wily schemer, a ready speaker, a man of stout heart and broad wisdom who knows that he must endure without too much complaining what the gods send; and he can both build and sail a boat, drive a furrow as straight as anyone, beat a young braggart at throwing the discus, challenge the Phaeacian youth at boxing, wrestling or running; flay, skin, cut up and cook an ox, and be moved to tears by a song. He is in fact an excellent all-rounder; he has surpassing arête.

Aretḗ implies a respect for the wholeness or oneness of life, and a consequent dislike of specialization. It implies a contempt for efficiency...or rather a much higher idea of efficiency, an efficiency which exists not in one department of life but in life itself.

We are now at the heart of Zen and the Art of Motorcycle Maintenance. If you read Kitto, you are already prepared for Pirsig—maybe you can even skip the novel. But, much better, you have a game plan for living a human life in the face of encroaching machines.

Pirsig understood this more than fifty years ago. He saw that we made a Faustian bargain when we put rationality ahead of the Good, and data ahead of human excellence. He grasped that science should be subservient to human needs, not the other way around. And the price we’re paying now is much higher than it was back then.

In an extraordinary passage, the narrator of Pirsig’s novel picks up a copy the Tao Te Ching, and recites it aloud—but substituting the word Quality for Tao. This is strange and unprecedented, but hits at the heart of this mystic work from the fourth century BC:

The quality that can be defined is not the Absolute Quality….
The names that can be given it are not Absolute names.
It is the origin of heaven and earth.
When named it is the mother of all things….

He declares: “Quality is the Buddha. Quality is scientific reality. Quality is the goal of Art.”

I worked with many quality control engineers in the business world and often walked with them on the factory floor. I’m sure they would be shocked by Pirsig’s statement that “Quality is the Buddha.” But that’s exactly the kind of journey we’re on in this book.

by Ted Gioia, The Honest Broker |  Read more:

Image: Heritage Preservation Department - MNHS; uncredited book cover

Why Libraries Don't Stock Many Audiobooks

Have you ever wondered …

Why can’t my library get more copies of e-books and digital audiobooks?

You’re not alone! And there are a couple of reasons you might find yourself on a long wait list for e-content:

• Most materials are licensed, not owned by the library like print books are, and publishers put limits on how long and/or how often the content can be used. Once the limit is reached, the library must re-purchase the license if we want to keep offering the e-content to our community. 
• At the same time, e-books and digital audiobooks cost libraries more than print copies and more than what consumers would pay to purchase them commercially.

Here’s a real-time example:

How can you help?

• If you finish with e-content early, please return it so the next person can jump off the waiting list and into the book! Just go to Manage Loan and select Return Early in the Libby App.
• And keep borrowing e-content from your library! The numbers help us advocate for funding.

by Hawaii State Library Association 

[ed. Would it hurt publishers or whoever's collecting these licensing fees to be a little more civic-minded by providing complimentary copies to libraries? (or at least getting rid of repurchasing requirements?) Guess so.]

Police Ask For Public’s Help In Falsifying Report

The Explainer: 'The Save America Act' and Data Centers By the Numbers

What To Know About The SAVE America Act

If passed into law, the Safeguard American Voter Eligibility Act will create new barriers to voting in federal elections by requiring documentation of citizenship to register and imposing strict photo-identification rules at polling places. The Onion shares everything you need to know about the SAVE America Act.

Q: What is the goal of the bill?

A: To ensure the pristine integrity of American elections by making sure they never happen again.

Q: What form of ID can be used to confirm citizenship?

A: NRA membership cards.

Q: Is the Senate expected to pass the SAVE America Act?

A: Depends on which senators die between now and the vote.

Q: Where’s my birth certificate?

A: Did you check the bottom drawer of the living room cabinet? There should be a purple folder underneath all those old receipts.

Q: Why did Trump endorse it?

A: To stop the many thousands of immigrants who aren’t here anymore from voting.

***

Data Centers By The Numbers

The surge in AI, cryptocurrency, and other digital assets is rapidly increasing demand for computational infrastructure around the country. The Onion examines the key facts and figures behind data centers.

0.8
New pH of your groundwater

$900,000,000
What 16GB of RAM will cost next year

4,000
Palm fronds fanned to cool the servers

1
Security guard job that Mom thinks might help you get back on your feet

3-2
City council vote that could have stopped this

600 billion
Goddamn wires to untangle

7
People profiting from this

***

[ed. See also: Anyone Else Have Those Weird Dreams Where Sobbing Future Generations Beg You To Change Course? (Sam Altman, CEO, OpenAI:]

The human subconscious is such an interesting thing. No matter how much you think you’ve got it figured out, it’ll always spit out the most random stuff. Take me, for example. After coming home from a long day at the world’s most groundbreaking artificial intelligence organization, I’ll go to bed and have the weirdest dreams where people from the future are sobbing and begging me to change course.

Anyone else ever have these?

It’s funny. Some people have dreams where their teeth fall out; others where they show up to high school tests naked. But the second my head hits the pillow, I’m suddenly in a cold gray smoky void where all I can make out are broken, haunted swarms of people pleading with me to “end this now while there’s still time.” Really peculiar, right? I wish there was some way to find other people who have had them. But when I search “endless crowds of weeping silhouettes telling you this is a terrible mistake” dreams on Reddit, it turns up nada.

It’s tough, because I don’t have much time during the day to think about them. I asked my spouse, Oliver, if he’s ever had the old “people screaming for help from the devastated wreckage of a future world” dream, and he said he didn’t know what that was. I even joked about it while I was out grabbing morning coffees with some venture capitalist buddies. I said, “Sorry if I’m a little off the ball today, guys—I had another one of those dreams where you’re on a scorched, desolate landscape desperately pushing past men who grab you by the lapel, shake you, and cry out, ‘Please understand: This isn’t a dream. It’s a warning.’”

They just looked at me like I was crazy, though... [read more:]

The Irsay Collection/Auction

Kurt Cobain’s famed Fender is part of $1 billion collection going to auction

In the summer of 1991, Nirvana filmed the music video for “Smells Like Teen Spirit” on a Culver City sound stage. Kurt Cobain strummed the grunge anthem’s iconic four-chord opening riff on a 1969 Fender Mustang, Lake Placid Blue with a signature racing stripe.

Nearly 35 years later, the six-string relic hung on a gallery wall at Christie’s in Beverly Hills as part of a display of late billionaire businessman Jim Irsay’s world-renowned guitar collection, which heads to auction at Christie’s, New York, beginning Tuesday. Each piece in the Beverly Hills gallery, illuminated by an arched spotlight and flanked by a label chronicling its history, carried the aura of a Renaissance painting.

Irsay’s billion-dollar guitar arsenal, crowned “The Greatest Guitar Collection on Earth” by Guitar World magazine, is the focal point of the Christie’s auction, which has split approximately 400 objects — about half of which are guitars — into four segments: the “Hall of Fame” group of anchor items, the “Icons of Pop Culture” class of miscellaneous memorabilia, the “Icons of Music” mixed batch of electric and acoustic guitars and an online segment that compiles the remainder of Irsay’s collection. The online sale, featuring various autographed items, smaller instruments and historical documents, features the items at the lowest price points.

A portion of auction proceeds will be donated to charities that Irsay supported during his lifetime.

Cobain’s Fender was only one of the music history treasures nestled in Christie’s gallery. A few paces away, Jerry Garcia’s “Budman” amplifier, once part of the Grateful Dead’s three-story high “Wall of Sound,” perched atop a podium. Just past it lay the Beatles logo drum head (estimated between $1 million and $2 million) used for the band’s debut appearance on “The Ed Sullivan Show,” which garnered a historic 73 million viewers and catalyzed the British Invasion. Pencil lines were still visible beneath the logo’s signature “drop T.” [ed. Also includes Eric Clapton's Martin acoustic guitar used on 'Unplugged'].

It is exceptionally rare for even one such artifact to go to market, let alone a billion-dollar group of them at once, Walker said. But a public sale enabling many to participate and demonstrate the “true market value” of these objects is what Irsay would have wanted, she added.

Dropping tens of millions of dollars on pop culture memorabilia may seem an odd hobby for an NFL general manager, yet Irsay viewed collecting much like he viewed leading the Indianapolis Colts.

Irsay, the youngest NFL general manager in history, said in a 2014 Colts Media interview that watching and emulating the legendary NFL owners who came before him “really taught me to be a steward.”

“Ownership is a great responsibility. You can’t buy respect,” he said. “Respect only comes from you being a steward.”

The first major acquisition in Irsay’s collection came in 2001, with his $2.4-million purchase of the original 120-foot scroll for Jack Kerouac’s 1957 novel, “On the Road.” He loved the book and wanted to preserve it, Walker said. But he also frequently lent it out, just like he regularly toured his guitar collection beginning 20 years later.

“He said publicly, ‘I’m not the owner of these things. I’m just that current custodian looking after them for future generations,’ ” Walker said. “And I think that’s what true collectors always say.”

At its L.A. highlight exhibition, Irsay’s collection held an air of synchronicity. Paul McCartney’s handwritten lyrics for “Hey Jude” hung just a few steps from a promotional poster — the only one in existence — for the 1959 concert Buddy Holly, Ritchie Valens and J.P. “The Big Bopper” Richardson were en route to perform when their plane crashed. The tragedy spurred Don McLean to write “American Pie,” about “the day the music died.”

Holly was McCartney’s “great inspiration,” Christie’s specialist Zita Gibson said. “So everything connects.”

Later, the Beatles’ 1966 song “Paperback Writer” played over the speakers near-parallel to the guitars the song was written on. [...]

Another fan-favorite is the “Wilson” volleyball from 2000’s “Cast Away,” starring Tom Hanks, estimated between $60,000 and $80,000, Gibson said.

Historically, such objects were often preserved by accident. But as the memorabilia market has ballooned over the last decade or so, Gibson said, “a lot of artists are much more careful about making sure that things don’t get into the wrong hands. After rehearsals, they tidy up after themselves.”

by Malia Mendez, Los Angeles Times/Seattle Times |  Read more:

Image:Cover Images/ZUMA Press/TNS
[ed. Mentioned this in a previous post but still can't believe what's here.]

Just Super Cub Flying - No BS

[ed. I could fall asleep to this. Wish I could have afforded one of these in my younger days (with floats!). See also: another video of AK super cub flying (and many more).

Burkhard Neie - Modern Romance

via: