Sunday, September 30, 2018

Out of Office Reply


Bill Watterson
via:
[ed. Taking a short vacation and will be back soon. Enjoy the archives. Update: Returning tomorrow (Oct. 6).]

Saturday, September 29, 2018

Smart Reply

Last week I got an email from my boss about a recent piece I’d written on Donald Trump’s penis (just out here doing the family name proud). Surprisingly, it was a kind email as opposed to a notification of the termination of my employment for besmirching the paper of CP Scott with wisecracks about Trump’s junk, but, kind or otherwise, I’ve never known how to respond to messages from my editors.

The informality of the email form clashes with my natural instinct, which is – as New Yorker writer Anthony Lane once wrote of his former editor Tina Brown – to stand to attention every time they call me on the phone. Is email the internet equivalent of going out for drinks with someone after work? Are you expected to be casual with each other in a way you aren’t in the office? Or should I express myself in a way that reflects my true feelings? “Dear Boss, I humbly thank you. Really sorry about all the dick jokes. Respectfully yours, Hadley K Freeman.” After more than 20 years of using email, I have not figured this out.

Unexpectedly, at the bottom of this email, Google itself stepped in to help me. Beneath my boss’s message were three suggested responses: “Love it!” “Haha that’s awesome!” “That’s a good one!” Turns out “respectfully yours” is just not very Silicon Valley 2018.

Once I’d recovered from the hernia caused by laughing for 72 hours at Google’s noble effort to make me sound like a fembot (“Haha, that’s a good one, Hadley!”), I investigated what was going on here. It turned out that my Gmail had updated itself, which is kind of creepy in itself, though not nearly as creepy as its suggested responses, a feature Google has dubbed “Smart Reply” and what I dub “Hell”. Smart Reply is conclusive proof that Google does, as we already kinda knew, read our emails; now it has decided it can answer them better than we do. No need to read any sci-fi books about the dystopian future, kids, because we’re already here. Love it!

I could talk about how furious I am about this bizarrely open disregard of privacy (though in today’s world, the only thing that marks one out as more of an oldster than starting an email with “Dear” are concerns about privacy) because, sure, of course I am. But I have to be honest: I enjoy the banality of these automated answers, so much so that I’ve started reading them before the actual emails. When my mother wrote to ask if we were meeting up over the weekend, the suggested responses were “Let me get back to you on that!” “Amazing!” and “No way!” For the record, Google, if I ever replied “Let me get back to you on that!” to my mother, she would call the police to say my body had been possessed by an alien.

These responses confirm something anyone who’s ever been on social media already knows: online, there is no middle ground. Everything is either “Amazing!” or “No way!” Meanwhile the exclamation mark continues its deadening march to become as ubiquitous as the “x” for kiss: a once almost ironic stylistic extra that was strictly reserved for close friends is now the downright, earnest norm.

I think what tickles me most about these suggested replies is the way they lay bare some of the most irksome elements of our age. Most of us have become inured to the point of obliviousness to those jarring, algorithm-driven adverts, all faux chumminess mixed with creepy surveillance, topped off with spectacularly unhelpful help: “Hey! We noticed you once bought a red coat! Here are some other red coats! To add to your red coat collection! We’re just being helpful!” (...)

And there is something of this soulless mentality in Gmail’s Smart Responses. On the one hand, email is supposed to make it easier for all of us to keep in touch. On the other, we are now being urged to outsource that correspondence to an exclamation-happy bot that makes us sound more robot than human.

by Hadley Freeman, The Guardian |  Read more:
Image: The Project Twins/Synergy

How Chefs Have Reinvented the Dishes They Envy Most
Image (and Scotch egg recipe): via (Bon Appétit)

Yuko Shimizu
via:

Bonfire of Republican Vanities

If you put a man in the White House who openly boasts of being a sexual predator, a president credibly accused by more than a dozen people of misconduct, you are no friend of women and the good men who love them.

If your rallies are highlighted by “lock her up” chants against a person who has never been charged with a crime, you cannot wrap yourself in due process or presumption of innocence.

If your men of God, led by the Rev. Franklin Graham, say attempted rape is not a crime because “if it was true, these are two teenagers, and she said no and he respected that,” you need a new faith in which to cover your hypocrisies.

Story follows character, as the Greeks knew, and what we’re seeing now with the Bonfire of Republican Vanities is the predictable outcome of those who enabled the amoral presidency of Donald Trump.

The bargain was simple: Republicans would get tax cuts for the well-connected and a right-wing majority on the Supreme Court, and in turn would overlook every assault on decency, truth, our oldest allies and most venerable principles. They expected Trump to govern by grudges, lie eight times a day, call women dogs, act as a useful idiot for foreign adversaries, make himself a laughingstock to the world.

“I knew he was a shallow, lazy ignoramus,” as Ann Coulter said, “but I didn’t care.”

In the end, they would get what they wanted. In the end, they would get a court to return America to one imagined by the elites who put forth the lifetime protectors of the permanent class. They would get justices who came through a laboratory of privilege, someone “who was born for” a lifetime seat on the Supreme Court, as Trump said of Brett M. Kavanaugh.

Oh, but the price has gone up. Republicans are left with a roomful of men standing athwart the #MeToo movement and yelling, “Stop!” They are left with Trump, who outlined the game plan for sexual predation, saying women who remember atrocities from the past are part of a “con game.” And men better watch out. George Washington would lose his teeth if he were around today.

What they hadn’t bargained on was Christine Blasey Ford staring down a wall of men in power, a private woman in the most public moment on earth, recounting a horror that “drastically altered my life.”

She was not supposed to be on trial, any more than Kavanaugh. She’s a character witness for one of the most powerful jobs on earth. The last-minute cries for due process are a joke. If Republicans wanted the truth, they would have called Kavanaugh’s friend Mark Judge — a bro buddy, the author of “Wasted: Tales of a Gen X Drunk.” They would have asked for an F.B.I. investigation 10 days ago.

Kavanaugh says he’s appalled that sordid details of one’s past are being used to destroy reputation. Is this the same Kavanaugh who once demanded that the most graphic details of another man’s private life, Bill Clinton, be made public “piece by painful piece”?

When Republicans made this pact with Trump, they did not expect that the lab for long-term governance — elite prep school, Ivy League college and law school, the right mentors, think tank promoters, lawyers and judges — would be shown as an incubator of social pathologies.

What they have now is an immolation of principle. A lifetime of Republican pieties, put forth by the bow-tied best and brightest, has gone up in a poof. Free trade? It’s been swamped by America First. Balanced budgets, living within our means? Get to love the trillion-dollar deficit, courtesy of those tax cuts. (...)

Mitch McConnell, the Senate majority leader, complains about Democrats making a mockery of the court confirmation hearing. McConnell, of course, did them one better: he wouldn’t even give President Barack Obama’s nominee for the high court a hearing. That’s when the match was lit.

One good thing to come out of this debacle is the shining of a light on the policy shops promoting and protecting their own, the Ivy Leagues and fraternity of connected clerks. The gold standard.

God forbid we would ever look outside the bubble of entitlement — to someone who went to a public university, to someone from the Midwest or West, to a person with life experiences closer to that of average Americans.

by Tim Egan, NY Times |  Read more:

What’s More Appealing: Eight Seasons of ‘Suits’ or Six Volumes of Karl Ove Knausgaard?

Which would prevail — Scandinavian high literature or Meghan Markle?

This is the question that dogged me between May and August of this year, during which time I devoted myself to two cultural undertakings: reading all of “My Struggle” and watching all of “Suits.” “My Struggle,” as readers of this or any other literary publication will know, is the sometimes brilliant, sometimes tedious, intermittently frustrating and always genre-defying 3,600-page autobiographical novel by the Norwegian writer Karl Ove Knausgaard that became a phenomenon among Anglo-American literati when the translation of Book 1 appeared here, in 2012, and whose sixth and last volume appears this month.

“Suits,” as readers of pretty much every other publication will have known since Prince Harry of Wales became engaged last autumn to Markle, one of the show’s stars, is a popular USA Network legal drama, currently in its eighth season — now of course sans Markle, who has abandoned fictional dramas forever, although whether being a member of the British royal family (currently the subject of another popular TV series) constitutes “reality” is a question beyond the scope of this essay.

But it is within the scope of this essay to ponder some implications of the differences between the two fictions, as I found myself doing over the course of the four months during which I was wrapped up in both — not the least of those implications being questions about precisely what fiction is and how it relates to reality, and the extent to which traditional narrative can be a delivery vehicle for saying something true about life. These, as it happens, lie at the intellectual and aesthetic heart of Knausgaard’s huge undertaking.

Both “My Struggle” and “Suits” are serial entertainments, with the difference that the TV show is a turbid middlebrow melodrama that places all of its aesthetic chips on plot — patently contrived story lines engineered to generate further incident. (The gimmick that sets the whole drama in motion is typically high concept: The brilliant young lawyer who is the show’s hero never actually went to law school — a dire secret that motivates his, and eventually more and more of his colleagues’, actions, as they go to increasingly desperate lengths to conceal his past.) “My Struggle,” by contrast, has no plot. Confidently bestriding the increasingly popular gray zone that lies between fiction and autobiography (the genre the French call “autofiction”), it purports to be a minutely accurate reconstruction of the author’s life from earliest childhood to the present, populated by characters who bear the names of, or are identifiable with, people he knows in real life, its meandering narrative dutifully reproducing events as they unfolded with few visible attempts to shape or edit their flow to suit expectations of “story.” All this is an expression of the author’s conviction, announced in Book 1, that “our ludicrously inconsequential lives … had a part in this world.”

The great technical ambition of this work is the attempt to reconstruct the rich inconsequentiality of our quotidian experience in prose stripped of the usual novelistic devices. Before embarking on “My Struggle,” Knausgaard had published two atmospheric novels — one an eccentric but rather beautiful re-creation of Genesis in a Norwegian setting, complete with angels — and since then he’s produced a series of four gossamer volumes, each named after a season and filled with artfully etched observations about everyday things and experiences; but in the magnum opus he claims to eschew any prettifying literary technique. Every object, every event, it seems, is reduced to its bare mechanical particulars: There’s a reason that an account of teenagers trying to get some booze for a New Year’s Eve party, which might have occupied a paragraph in another kind of novel, takes 70 pages. Where some authors might write “He drove off,” Knausgaard gives us “Yngve plumped down in the seat beside me, inserted the key in the ignition, twisted it, craned his head and began to reverse down the little slope.”

Likewise, the volumes obey few of the laws of narrative structure; the most you can say for each is that it covers some phase of the author’s life, although not necessarily in chronological order. Book 1 is set in motion by the death, in the late 1990s, of Knausgaard’s schoolteacher father — by far the most powerful “character” here, a grandiose alcoholic whose abusiveness is elliptically yet indelibly evoked in a series of long flashbacks to the author’s childhood. These alternate with scenes set in the present, at the funeral home and the house where the father ended his days sordidly, sitting in his own excrement and surrounded by empty bottles. This first installment is by far the most artful (many would say the most successful) of the six, not least because it self-consciously emulates Proust, to whose own multivolume autobiographical novel Knausgaard acknowledges his indebtedness. Some readers of Book 1 will feel as though they’re on a treasure hunt for allusions to the French masterpiece: There are reflections on how different rooms feel, meditations on famous paintings, a preoccupation with a beloved grandmother, early fumblings with girls that result in premature ejaculations.

Through all this, the author’s past is reconstituted at a level of detail so dense that you’re persuaded of the narrative’s factuality even as you’re forced to acknowledge that it has to have been, at the least, greatly enhanced, however close to some emotional truth or memory an individual scene or stretch of dialogue may be. This technique raises — as Knausgaard wants it to — questions about the limits both of memory and of fictional representation. “The 14 years I lived in Bergen,” he writes at the beginning of Book 5, “are long gone, no traces of them are left” — a sly claim, given that the 614 pages that follow constitute a seemingly “factual” re-creation of that very period.

This faux factuality is the hallmark of all six volumes. Book 2 begins in the “present” of 2008, when Knausgaard, nearing 40, is living in Malmo, Sweden, with his wife, Linda, and their children, contemplating the novel that would become “My Struggle.” These scenes alternate with flashbacks to the period several years earlier when he had left Norway for Sweden; it is there, crippled by emotional and intellectual insecurities, that he arduously courts Linda, a poet with psychological troubles of her own. Book 3 leapfrogs back in time to provide an unexpected and often charming glimpse of his childhood and teenage years — the source of those awful insecurities (he describes his childhood as a “ghetto-like state of incompleteness”); in this volume, the author’s desire to recreate every aspect of the past extends to descriptions of his bowel movements. Book 4 finds the 18-year-old Karl Ove living in a tiny town in northern Norway, where he spends a year as a schoolteacher, struggling with an increasingly alarming drinking problem, his attraction to some of the underage girls in his class and his attempts to write serious fiction. Book 5 moves on to the author’s 20s and early 30s — those 14 years during which he lived in Bergen and experienced his first literary failures and successes, as well as an early marriage that collapsed in part because of his infidelity.

As this summary suggests, the life recounted here is one of unusually intense emotional extremes of the sort that can make for powerful writing. The childhood abuse, the alcoholism, the affairs and breakups are the stuff of many a memoir — a genre that, curiously, doesn’t figure at all in the numerous digressions on literature that dot the landscape of intentional quotidian banality here, even though “My Struggle” has far more in common with memoir than it does with fiction. (I suspect that Knausgaard decided to call his work a novel because memoir continues to be seen as a “soft” genre, and he’s after bigger literary game.)

And yet, despite all the emotional drama, I was rarely moved by this vast and often impressive work. As with some blogs or soap operas, the ongoing narration, however tedious it often is, can be weirdly addictive, and the suggestive play with fact and fiction can be intriguing. But in the end, the books left me cold and, not infrequently, exasperated.

by Daniel Mendelsohn, NY Times | Read more:
Image: Rachell Sumpter
[ed.Knausgaard seems to be one of those authors you either "get" or don't. I don't (and would add the likes of Bolano and Calvino to that list as well, among many others). God help anyone that actually made it through all six volumes (I barely made it through the first). They can be great sleeping aids though.] 

Thursday, September 27, 2018

Proptech: Opendoor

Opendoor, a start-up that flips homes, attracted attention in June when it announced it had raised $325 million from a long list of venture capitalists. The financing valued the four-year-old company at more than $2 billion.

That was only an appetizer. Three months later, Opendoor has more than doubled its cash pile. On Thursday, the company said it had gotten a $400 million investment from SoftBank’s Vision Fund. The valuation for Opendoor remains the same.

The so-called mega-round for Opendoor was not the Vision Fund’s only major real estate-related deal on Thursday. The firm also co-led a $400 million investment in the high-end brokerage Compass that valued the company at $4.4 billion.

The hauls are part of a race by investors to pour money into technology for real estate, or what Silicon Valley now calls proptech.

Having watched tech start-ups upend old-line industries like taxis and hotels, venture capitalists are casting about for the next area to be infused with software and data. Many have homed in on real estate as a big opportunity because parts of the industry — like pricing, mortgages and building management — have been slow to adopt software that could make business more efficient. (...)

Opendoor’s goal is to make moving as simple as the click of a button, according to Mr. Wu. While that remains a far-off reality, the company has simplified the process of selling a home. It uses a combination of data, software and a team of 50 human evaluators to assess a home’s value. If a customer accepts Opendoor’s value for their home, the company will buy the property, charging a 6.5 percent fee on average.

The company said it offers sellers certainty — many conventional home sales fall through — and flexible closing dates, helping them avoid paying double mortgages. It also eliminates the need for a real estate agent. Opendoor employs 100 licensed real estate agents to advise customers if they request it.

Opendoor only buys homes built in 1960 or later, worth $175,000 to $500,000, and not in need of major renovations or repairs. Operating in more than a dozen cities, mostly in the South, it bought $316 million of homes in August, up from around $100 million in January. After some light fixes, it sells the homes in an average of 90 days.

Before its latest cash infusion, Opendoor planned to expand into one new city a month. Now it plans to double that pace. The company said it expects to be in 22 cities in the United States by the end of the year.

Its growth has spawned competitors: OfferPad and Knock offer comparable services to Opendoor, and Zillow and Redfin, which are both publicly traded, have entered the house-flipping market as well. (...)

Opendoor’s business model has not been tested by a major dip in the housing market, causing some skepticism about whether it can work over the long term.

“The vast majority of investors who hear about it initially think it’s a bad idea,” said Stephen Kim, an analyst at Evercore ISI, a market research company. But the skepticism often fades as they realize Opendoor makes money by providing a service to home sellers, rather than on price appreciation, Mr. Kim said. Even if the company breaks even on a sale, the transaction fees are a meaningful business.

by Erin Griffith, NY Times |  Read more:
Image: Aaron Wojack for The New York Times

Bomba Estereo



Video: YouTube

‘This Guy Doesn’t Know Anything’: The Inside Story of Trump’s Shambolic Transition Team

Chris Christie noticed a piece in the New York Times – that’s how it all started. The New Jersey governor had dropped out of the presidential race in February 2016 and thrown what support he had behind Donald Trump. In late April, he saw the article. It described meetings between representatives of the remaining candidates still in the race – Trump, John Kasich, Ted Cruz, Hillary Clinton and Bernie Sanders – and the Obama White House. Anyone who still had any kind of shot at becoming president of the United States apparently needed to start preparing to run the federal government. The guy Trump sent to the meeting was, in Christie’s estimation, comically underqualified. Christie called up Trump’s campaign manager, Corey Lewandowski, to ask why this critical job had not been handed to someone who actually knew something about government. “We don’t have anyone,” said Lewandowski.

Christie volunteered himself for the job: head of the Donald Trump presidential transition team. “It’s the next best thing to being president,” he told friends. “You get to plan the presidency.” He went to see Trump about it. Trump said he didn’t want a presidential transition team. Why did anyone need to plan anything before he actually became president? It’s legally required, said Christie. Trump asked where the money was going to come from to pay for the transition team. Christie explained that Trump could either pay for it himself or take it out of campaign funds. Trump didn’t want to pay for it himself. He didn’t want to take it out of campaign funds, either, but he agreed, grudgingly, that Christie should go ahead and raise a separate fund to pay for his transition team. “But not too much!” he said.

And so Christie set out to prepare for the unlikely event that Donald Trump would one day be elected president of the United States. Not everyone in Trump’s campaign was happy to see him on the job. In June, Christie received a call from Trump adviser Paul Manafort. “The kid is paranoid about you,” Manafort said. The kid was Jared Kushner, Trump’s son-in-law. Back in 2005, when he was US attorney for New Jersey, Christie had prosecuted and jailed Kushner’s father, Charles, for tax fraud. Christie’s investigation revealed, in the bargain, that Charles Kushner had hired a prostitute to seduce his brother-in-law, whom he suspected of cooperating with Christie, videotaped the sexual encounter and sent the tape to his sister. The Kushners apparently took their grudges seriously, and Christie sensed that Jared still harboured one against him. On the other hand, Trump, whom Christie considered almost a friend, could not have cared less.

Christie viewed Kushner as one of those people who thinks that, because he is rich, he must also be smart. Still, he had a certain cunning about him. And Christie soon found himself reporting everything he did to prepare for a Trump administration to an “executive committee”. The committee consisted of Kushner, Ivanka Trump, Donald Trump Jr, Eric Trump, Manafort, Steve Mnuchin and Jeff Sessions. “I’m kind of like the church elder who double-counts the collection plate every Sunday for the pastor,” said Sessions, who appeared uncomfortable with the entire situation. The elder’s job became more complicated in July 2016, when Trump was formally named the Republican nominee. The transition team now moved into an office in downtown Washington DC, and went looking for people to occupy the top 500 jobs in the federal government. They needed to fill all the cabinet positions, of course, but also a whole bunch of others that no one in the Trump campaign even knew existed. It is not obvious how you find the next secretary of state, much less the next secretary of transportation – never mind who should sit on the board of trustees of the Barry Goldwater Scholarship and Excellence in Education Foundation. (...)

The first time Trump paid attention to any of this was when he read about it in the newspaper. The story revealed that Trump’s very own transition team had raised several million dollars to pay the staff. The moment he saw it, Trump called Steve Bannon, the chief executive of his campaign, from his office on the 26th floor of Trump Tower, and told him to come immediately to his residence, many floors above. Bannon stepped off the elevator to find Christie seated on a sofa, being hollered at. Trump was apoplectic, yelling: You’re stealing my money! You’re stealing my fucking money! What the fuck is this?

Seeing Bannon, Trump turned on him and screamed: Why are you letting him steal my fucking money? Bannon and Christie together set out to explain to Trump federal law. Months before the election, the law said, the nominees of the two major parties were expected to prepare to take control of the government. The government supplied them with office space in downtown DC, along with computers and rubbish bins and so on, but the campaigns paid their people. To which Trump replied: Fuck the law. I don’t give a fuck about the law. I want my fucking money. Bannon and Christie tried to explain that Trump couldn’t have both his money and a transition.

Shut it down, said Trump. Shut down the transition. (...)

Chris Christie was sitting on a sofa beside Trump when Pennsylvania was finally called. It was 1.35am, but that wasn’t the only reason the feeling in the room was odd. Mike Pence went to kiss his wife, Karen, and she turned away from him. “You got what you wanted, Mike,” she said. “Now leave me alone.” She wouldn’t so much as say hello to Trump. Trump himself just stared at the TV without saying anything, like a man with a pair of twos whose bluff has been called. His campaign hadn’t even bothered to prepare an acceptance speech. It was not hard to see why Trump hadn’t seen the point in preparing to take over the federal government: why study for a test you will never need to take? Why take the risk of discovering you might, at your very best, be a C student? This was the real part of becoming president of the US. And, Christie thought, it scared the crap out of the president-elect.

Not long after the people on TV announced that Trump had won Pennsylvania, Jared Kushner grabbed Christie anxiously and said: “We have to have a transition meeting tomorrow morning!” Even before that meeting, Christie had made sure that Trump knew the protocol for his discussions with foreign leaders. The transition team had prepared a document to let him know how these were meant to go. The first few calls were easy – the very first was always with the prime minister of Great Britain – but two dozen calls in you were talking to some kleptocrat and tiptoeing around sensitive security issues. Before any of the calls could be made, however, the president of Egypt called in to the switchboard at Trump Tower and somehow got the operator to put him straight through to Trump. “Trump was like ... I love the Bangles! You know that song Walk Like an Egyptian?” recalled one of his advisers on the scene.

That had been the first hint Christie had of trouble. He had asked Kushner what that was about, and Kushner had simply said, Trump ran a very unconventional campaign, and he’s not going to follow any of the protocols. The next hint that the transition might not go as planned came from Pence – now, incredibly, the vice-president-elect. Christie met with Pence the day after the election, to discuss the previous lists of people who had been vetted for jobs. The meeting began with a prayer, followed by Pence’s first, ominous question: “Why isn’t Puzder on the list for labour?” Andrew Puzder, the head of CKE Restaurants, the holding company for the fast-food chains Hardee’s and Carl’s Jr, wanted to be the secretary of labour. Christie explained that Puzder’s ex-wife had accused him of abuse (although she later retracted the allegation) and his fast-food restaurant employees had complained of mistreatment. Even if he was somehow the ideal candidate to become the next secretary of labour, he wouldn’t survive his Senate confirmation hearings. (Trump ignored the advice and nominated Puzder. In the controversy that followed, Puzder not only failed to be confirmed, but also stepped down from his job.) (...)

In the days after the election, the people in the building on 17th and Pennsylvania were meant to move to another building in downtown DC, a kind of White House-in-waiting. They soon discovered that the lists that they had created of people to staff the Trump administration were not the lists that mattered. There was now this other list, of people allowed into the new building, and most of their names weren’t on it. “People would show up to the new building and say: ‘Let me in,’ and the secret service would say: ‘Sorry, you’re not on the list,’” said a civil servant who worked in the new building.

It wasn’t just Christie who had been fired. It was the entire transition team – although no one ever told them so directly. As Nancy Cook reported in Politico, Bannon visited the transition headquarters a few days after he had given Christie the news, and made a show of tossing the work the people there had done for Trump into the bin. Trump was going to handle the transition more or less by himself. Not even Bannon thought this was a good idea. “I was fucking nervous as shit,” Bannon later told friends. “I go, ‘Holy fuck, this guy [Trump] doesn’t know anything. And he doesn’t give a shit.’”

They were about to take control of the portfolio of existential risks managed by the US government. Only they weren’t. On the morning after the election the hundreds of people who had prepared to brief the incoming Trump administration sat waiting. A day became a week and a week became a month … and no one showed up. The parking spots that had been set aside for Trump’s people remained empty, and the briefing books were never opened. You could walk into almost any department of the US government and hear people asking the same question: where were these people who were meant to be running the place?

The department of agriculture was an excellent case study. The place had an annual budget of $164bn and was charged with so many missions critical to the society that the people who worked there played a drinking game called Does the Department of Agriculture Do It? Someone would name a function of government, say, making sure that geese don’t gather at US airports, and fly into jet engines. Someone else would have to guess whether the agriculture department did it. (In this case, it did.) Guess wrong and you had to drink. Among other things, the department essentially maintained rural America, and also ensured that the American poor and the elderly did not starve. Much of its work was complicated and technical – and yet for the months between the election and the inauguration, Trump people never turned up to learn about it. Only on inauguration day did they flood into the building, but the people who showed up had no idea why they were there or what they were meant to do. Trump sent, among others, a long-haul truck driver, a telephone company clerk, a gas company meter reader, a country club cabana attendant, a Republican National Committee intern and the owner of a scented candle company. One of the CVs listed the new appointee’s only skill as “a pleasant demeanor”.

All these people had two things in common. They were Trump loyalists. And they knew nothing whatsoever about the job they suddenly found themselves in. A new American experiment was underway.

by Michael Lewis, The Guardian |  Read more:
Image: Nathalie Lees

Wednesday, September 26, 2018

Judge Kavanaugh Has Taught Me So Much About How the World Works

I can’t stop reading about Judge Kavanaugh. I am learning so much about how the world works.

His yearbook from high school is horrifying. There were derogatory jokes about women throughout the pages. Everyone knew, but the boys were rich, and they were going to top colleges, so it was okay. I didn’t know there were yearbooks like that.

I knew that in those rich-kid private schools the teachers decide who goes to which school. I know that, for example, Yale takes a certain number of kids from Choate, and Choate tells Yale which kids will be the best fit. There is a symbiotic relationship. Choate can say they always get kids into Yale. And Yale knows they’ll get the best kids for Yale without having to do much searching.

What I didn’t know was that the most coveted clerkships work the same way. Judge Kavanaugh always takes law students from Yale. The symbiotic relationship there is that Yale can say their students always get great clerkships, and in exchange Yale law professor Amy Chua makes sure Kavanaugh always has a stream of female law school students who look like models. Really. Click that link.

Kavanaugh fed law clerks to Judge Alex Kozinski. That’s part of what made Kavanaugh such a great place to start a law career. Kozinski was famous. For power. But also for harassment. Chua and her husband, Jed Rubenfeld, also a Yale law professor and also already under investigation, knew about the harassment. It was common knowledge among Yale faculty.

That feeder system is done. Kozinski was forced to resign. And Chua is on mysterious, emergency medical leave, not even able to write her own emails to the press.

People like to hire people who are like them. We have so much research that supports that. The only way to get around that is to be way, way better than everyone else (black men often do this) or to be really hot. Middle-aged men do not have access to young, hot women except when they pay for it, or it’s their daughter’s friends. But if the men have power they can have access to those women at work.

I knew there were not a lot of female staff in the Senate. But I did not realize that every time there was a female issue, the male Senators sent a woman to deal with it. The all-male Republican judiciary committee does not want to have to question Kavanaugh’s accusers. They think the optics are bad. So they want a female staff member to do it. But the female staff are saying no.They say it’s part of a Senator’s job to know how to work with women. The female staff are sick of doing it for the male Senators.

I have done this job for men my whole career. I have stepped in to tell my boss that there are women in the company not making as much as their male counterparts and we have to fix it. I have told male leadership that we have a client who keeps harassing the women in the company. I thought it was my job to take care of lower-level women because I knew leadership would not. I did not even know I was doing that. I never expected the men to look out for the women.

I’m not doing that anymore — I will ask the men why they are not making sure themselves. I will show them how to do it. It’s a mentality. To know what to look out for. It is not the job of women like me. It’s the job of all of senior management.

I didn’t know that women so bright and successful as Christine Blasey Ford got derailed for years after sexual assault. I got derailed for years from sexual assault. But I thought it was because I was weak. I thought I was making too big a deal out of it. I am shocked that the time in her life when she finally told her husband, in couples counseling, is similar to the time in my life I finally told people about my experience.

I was shocked that Debbie Ramirez was so ashamed of having been forced to touch Kavanaugh’s penis that she never talked about it with anyone. I am shocked because I was forced to touch someone’s penis. But, like Ramirez, I wasn’t sure how to talk about it. I’m still not. I mean, I was there with a penis in front of me. And I said no, get away from me, gross. But I still touched it. I am shocked that it’s hard for Ramirez to put a coherent story together. I thought not having a coherent story meant maybe what I thought happened didn’t happen.

But now I understand that not having the words to describe it is part of the problem. We have no word in the English language for being so stressed and so full of shame that you start trying so hard to block it out the minute you get way. Of course we have no word for that. Because it’s only women feeling a loss of power who need that word.

by Penelope Trunk |  Read more:

Chicken Francese: The Single Best Thing to Cook With Chicken Breasts

There are people who never get tired of breaded chicken cutlets. (I know, because some of them live in my house.)

For the rest of us, finding a higher purpose for boneless, skinless chicken breasts is a lifelong mission. Their virtues are well known: They are quick-cooking, high-protein, crowd-pleasing, low-fat. As are their drawbacks: They are dry, tough, tasteless. A really well-seasoned, crunchy chicken cutlet is a fine thing to eat, but many other cooking methods — marinating, grilling, searing, poaching — only take the cut from bad to worse.

Chicken francese, with its butter lemon sauce, is the single best thing you can make with chicken cutlets. Chicken and lemon are a classic combination that almost every meat-eater likes. And it is one of those rare restaurant dishes that is truly easy to make at home.

“It’s one of our most popular dishes, but I have no idea where it came from,” Lisa Bamonte said at her family’s 118-year-old restaurant, Bamonte’s in Williamsburg, Brooklyn, where the chicken francese is considered one of the best in the city. Four generations of her family, including Ms. Bamonte, have worked in the kitchen, so she is more than familiar with the recipe’s signature elements: a flour dredge, an egg wash and a bright, plentiful sauce.

Like piccata, Marsala and saltimbocca, francese was originally made with veal cutlets. Those dishes are Italian classics, and they all work the same way: A thin cut of meat gets a light coating of flour, then just enough time to brown in oil, then a drizzle of instant pan sauce. It is a fast but challenging formula. The veal or chicken must cook through in a flash to avoid scorching the coating, and you must immediately make the sauce and serve the dish, or it will be cold and dry.

Francese is a more forgiving dish, and here’s why: It has an egg coating to keep the meat moist, and a plentiful pan sauce to keep the whole dish comfortingly warm. A dip in beaten eggs is traditional for European fried chicken (yes, there is such a thing) and classic dishes like Wiener schnitzel and fritto misto. During cooking, egg proteins form a thin but critical coating that protects the meat or fish from drying out. An egg-batter crust is not as crunchy as an American-style one, which adds a thick layer of flour or bread crumbs.

But that’s O.K., because you’re going to tuck the cooked cutlets back into the pan anyway, to reheat them and to give them a nice coating of sauce. And that means the dish is not such a split-second operation; you can cook the cutlets and make the sauce a few hours ahead, then reheat them just before serving.

by Julia Moskin, NY Times |  Read more:
Image: Linda Xiao for The New York Times. Food Stylist: Monica Pierini.

Recipe:

INGREDIENTS
2 eggs
2 tablespoons whole milk
1 teaspoon salt, plus more for seasoning
½ teaspoon ground black pepper, plus more for seasoning
1 cup all-purpose flour
⅓ cup olive oil
⅓ cup vegetable oil
4 to 6 large boneless, skinless chicken cutlets (buy the cutlets thinly sliced, or buy regular boneless breasts and slice them in half horizontally to make thin pieces)
3 to 6 tablespoons unsalted butter
1 lemon, thinly sliced, seeds removed (optional)
½ cup dry white wine
Freshly squeezed juice of 1 lemon, more to taste
2 cups chicken stock
3 to 4 tablespoons freshly minced parsley

PREPARATION
In a wide, shallow bowl, whisk eggs, milk, salt and pepper until blended. Place the flour in a separate bowl. Line a baking sheet with paper towels.

In a wide skillet, heat olive and vegetable oils over medium heat until shimmering.

Working in batches to avoid crowding the pan, lightly dredge the chicken in flour and shake off any excess. Dip into egg batter, let excess batter drip back into the bowl and place in the skillet. Fry, turning once, until golden brown on both sides, about 4 minutes per side. Adjust the heat as the cutlets cook so they brown slowly and evenly, with a steady bubbling. Transfer to the paper-towel-lined pan and repeat with remaining cutlets.

When all cutlets are browned, remove the pan from the heat and pour off the oil. Wipe out the pan with paper towels. Return the pan to low heat. 

If making the lemon slices (if not, skip to Step 6 below): Melt 3 tablespoons of the butter and then scatter the lemon slices over the bottom of the pan. Cook, stirring gently occasionally, until the lemon slices are golden and browning around the edges, about 3 minutes. Scoop out the lemon slices and set them aside. 

Add 3 tablespoons of butter, the wine and lemon juice and bring to a boil. Boil until the liquid is syrupy, 3 to 4 minutes. Pour in the stock, bring to a boil and cook until thickened into a sauce, about 5 minutes. (It will thicken more when you add the cutlets.) Taste and adjust the seasonings with lemon, salt and pepper; it should be quite lemony and not too salty.

Reduce the heat, tuck the cutlets into the pan and simmer very gently until the sauce is velvety and the chicken pieces are heated through, about 4 minutes. Turn the cutlets over occasionally in the sauce. Place the browned lemon slices on top. Sprinkle with chopped parsley and serve, spooning some of the sauce over each serving.

Read more (with video):

Vote

Tuesday, September 25, 2018

Maison Margiela Fusion Sneaker


Nordstrom: Maison Margiela Fusion Sneaker - $1,645 (free shipping)
via
Image: Nordstrom

How You Can Invest in Dire Straits Royalities

Starting today, you can invest in a unique manager’s share of sound recording royalties generated by the entire epic catalog of rock legends Dire Straits, as well as the solo catalog of former members Mark Knopfler and John Illsley.

This catalog has been earning royalties since the band released their first album in 1978. Since the beginning, the band sold 140 million records around the world, won four Grammy awards, and was inducted into the Rock & Roll Hall of Fame this year.

The royalties aren’t shabby either.

Although the band broke up in 1995, this catalog keeps earning royalties, and will for the life of the copyright. In fact, the catalog’s royalties grew 60% over the last 2 years.

Keep reading to learn all of the details of the catalog, including the financials, and how you can take part in this offer. (...)

About the Offering

This Private Syndicate investment opportunity features access to the manager’s commission of sound recording royalties earned by the complete recording catalog of legendary British rock band Dire Straits, as well as certain solo releases from band members Mark Knopfler and John Illsley.

This includes all six studio albums (most notably, the smash Brothers In Arms), hits like “Sultans of Swing,” “Money For Nothing,” and “Walk of Life” (along with their music videos), live albums, and any existing or future best-of compilations.

It also includes solo work of frontman Mark Knopfler, which among other releases includes soundtracks to movies like the beloved classics “The Princess Bride,” “Local Hero,” "Wag the Dog," and others. Click here for a list of the full catalog

Like all iconic catalogs — Dire Straits is actually growing faster than the industry at large. We want to bring you assets like this, and that’s why we’re so excited to announce this offer. Popular songs come and go, but classics like those in the Dire Straits catalog have uncommon longevity. As you’ll see in the Financials section below, this catalog’s earnings are not only still growing, but are outperforming the growth of the broader music industry.

Buying units of this Syndicate entitles you to these growing earnings generated from an epic music collection that stands the test of time. We are projecting a 10-year annualized IRR between 12%-15%.* (...)

Unique Earnings

These earnings have several unique elements worth noting.

First, they take the form of the manager’s commission earned by Dire Straits’ and Mark Knopfler’s former manager Ed Bicknell. Unlike typical manager agreements, where commissions expire in the early years after the management contract ends, Mr. Bicknell’s commission lasts for the perpetuity of the copyright — the lifetime of the author plus 70 years. This management agreement has been updated to ensure the Private Syndicate receives these commissions going forward, per an amendment signed by Knopfler and Illsley.

Under this scenario, the Syndicate will own 85% of all payments collected through this agreement as of July 1, 2018.

Second, the catalog collects public performance royalties on the sound recording from terrestrial radio airplay (called neighboring rights) outside the United States. The U.S. is one of the few countries that does not pay public performance royalties on terrestrial radio airplay, and as such U.S. recording artists don’t receive the same for radio airplay outside the U.S. But since Dire Straits is a U.K. act, it receives this royalty for radio airplay outside the U.S.

This is significant because Dire Straits is proportionally more popular outside the U.S. than it is domestically. According to an analysis by ChartMasters.org, the band's European sales alone are nearly triple that of its U.S. sales, which speaks volumes to international demand.

by Private Syndicate, Royalty Exchange |  Read more:
Image: Dire Straits, Brothers in Arms

Alejandro Escovedo


[ed. Nice to see him get the recognition. See: Alejandro Escovedo’s Return to the Border. (And, from the new album: Sonica USA).]

Giving Malaria a Deadline

Malaria is among the world’s worst scourges. In 2016 the disease, which is caused by a parasite and transmitted by mosquitoes, infected 194 million people in Africa and caused 445,000 deaths.

But biologists now have developed a way of manipulating mosquito genetics that forces whole populations of the insect to self-destruct. The technique has proved so successful in laboratory tests that its authors envisage malaria could be eliminated from large regions of Africa within two decades.

A team led by Andrea Crisanti, a biologist at Imperial College, London, altered a gene that disrupts the mosquito’s sexual development; the females become infertile but the males remain able to spread the debilitating gene to an ever-dwindling number of progeny. Dr. Crisanti found that laboratory populations of mosquitoes can be driven to extinction within 11 generations, he and colleagues report in Monday’s issue of Nature Biotechnology. Wild populations could be made to crash in about four years, according to computer models.

The technique involves equipping mosquitoes with a gene drive, a genetic mechanism that forces a gene of choice into all of an organism’s offspring. (Normally, sexual reproduction would pass the gene to only half the progeny.) Genes carried by a gene drive therefore can spread very rapidly through a population, which makes the technique both powerful and potentially dangerous. No gene drive has yet been released in the wild. (...)

Launching a gene drive into the wild is risky. Once released, it can’t be recalled or easily disabled should anything go awry. In 2016, the National Academy of Sciences called for extensive tests and public consultationbefore any gene drive is released.

The theory of how gene drives could be used to control pest populations was laid out in 2003, in an article by Austin Burt, a biologist at Imperial College, London, and a co-author on the new paper. He hopes that a small-scale field trial can be started in Africa in five years.

by Nicholas Wade, NY Times | Read more:
Image: Dr. Tony Brain/Science Source
[ed. Bad idea, and not just because of mission creep. See also: The Law of Unintended Consequences (of which, biological intervention has had more than its fair share of historical failure). As Ian Malcolm would say "life finds a way".]

Public Shaming And The Disposable Society

Hit Like a Girl

This past spring, the internet was gleefully stunned by the drum stylings of Yoyoka Soma, an 8-year-old girl from Japan whose size suggests she could comfortably cradle herself inside her kick drum, if she preferred hide-and-go-seek to rock ’n’ roll. In the viral video, Soma flawlessly traverses the pounding nuances of her favorite song, the Led Zeppelin classic “Good Times, Bad Times.” Knocking the cowbell centerpiece metronomically and grinning widely, the adorably bobbed Soma miraculously mimics the drum track laid 50 years ago by John Bonham, the burly, beer-swigging Brit who’s considered one of the greatest rock drummers of all time. Upon seeing the video — which has garnered well over three million views — Led Zeppelin singer Robert Plant marveled at her talent, saying, “That’s a technically really difficult thing to do.” Speaking on behalf of his departed drummer, Plant added, “I think he’d be amazed.”


Soma’s clip is just one of thousands of videos submitted from around the world over the past seven years to the Hit Like a Girl contest, an amateur female drumming competition designed to inspire female empowerment and spark a rebound in the struggling musical instrument industry. Contestants create a user profile on the Hit Like a Girl website, then upload an approximately three-minute performance video to YouTube. There are several categories — straight drum-set performance, concert percussion, marching percussion and others — and separate contests for adults and girls under 18. A panel of industry executives and esteemed female drummers serve as judges, with the results of public votes also considered. Scholarships to performing arts programs, free gear and other prizes supplied by more than 60 sponsors are up for grabs.

“We have girls from as young as 7 to women as old as 70 that participated in the contest this year,” says Hit Like a Girl co-founder David Levine, who owns the cymbal manufacturer TRX Cymbals. Levine adds that more than 50 countries and a wide variety of musical genres were represented among this year’s 500-plus contestants — an all-time high. He says he hears gratitude for the existence of Hit Like a Girl from participants and others just learning about it, “pretty much every day.”

by Michael Stahl, Narratively |  Read more:
Image: Hit Like a Girl

Monday, September 24, 2018

Joni Mitchell


[ed. Turn it up.]

The European Union Versus the Internet

Earlier this summer the Internet breathed a sigh of relief: the European Parliament voted down a new Copyright Directive that would have required Internet sites to proactively filter uploaded content for copyright violations (the so-called “meme ban”), as well as obtain a license to include any text from linked sites (the “link tax”).

Alas, the victory was short-lived. From EUbusiness:
Internet tech giants including Google and Facebook could be made to monitor, filter and block internet uploads under amendments to the draft Copyright Directive approved by the EU Parliament Wednesday. At their plenary session, MEPs adopted amendments to the Commission’s draft EU Copyright Directive following from their previous rejection, adding safeguards to protect small firms and freedom of expression… 
Parliament’s position toughens the Commission’s proposed plans to make online platforms and aggregators liable for copyright infringements. This would also apply to snippets, where only a small part of a news publisher’s text is displayed. In practice, this liability requires these parties to pay right holders for copyrighted material that they make available. 
At the same time, in an attempt to encourage start-ups and innovation, the text now exempts small and micro platforms from the directive.
I chose this rather obscure source to quote from for a reason: should Stratechery ever have more than either 50 employees or €10 million in revenue, under this legislation I would likely need to compensate EUbusiness for that excerpt. Fortunately (well, unfortunately!), this won’t be the case anytime soon; I appreciate the European Parliament giving me a chance to start-up and innovate.

This exception, along with the removal of an explicit call for filtering (that will still be necessary in practice), was enough to get the Copyright Directive passed. This doesn’t mean it is law: the final form of the Directive needs to be negotiated by the EU Parliament, European Commission, and the Council of the Europe Union (which represents national governments), and then implemented via national laws in each EU country (that’s why it is a Directive).

Still, this is hardly the only piece of evidence that EU policy makers have yet to come to grips with the nature of the Internet: there is also the General Data Protection Regulation (GDPR), which came into effect early this year. Much like the Copyright Directive, the GDPR is targeted at Google and Facebook, but as is always the case when you fundamentally misunderstand what you are fighting, the net effect is to in fact strengthen their moats. After all, who is better equipped to navigate complex regulation than the biggest companies of all, and who needs less outside data than those that collect the most?

In fact, examining where it is that the EU’s new Copyright Directive goes wrong — not just in terms of policy, but also for the industries it seeks to protect — hints at a new way to regulate, one that works with the fundamental forces unleashed by the Internet, instead of against them.

by Ben Thompson, Stratechery |  Read more:
Image: no image
[ed. A Big Deal (and complex). Important.]

Treating the Prodrome

A prodrome is an early stage of a condition that might have different symptoms than the full-blown version. In psychiatry, the prodrome of schizophrenia is the few-months-to-few-years period when a person is just starting to develop schizophrenia and is acting a little bit strange while still having some insight into their condition.

There’s a big push to treat schizophrenia prodrome as a critical period for intervention. Multiple studies have suggested that even though schizophrenia itself is a permanent condition which can be controlled but never cured, treating the prodrome aggressively enough can prevent full schizophrenia from ever developing at all. Advocates of this view compare it to detecting early-stage cancers, or getting prompt treatment for a developing stroke, or any of the million other examples from medicine of how you can get much better results by catching a disease very early before it has time to do damage.

These models conceptualize psychosis as “toxic” – not just unpleasant in and of itself, but damaging the brain while it’s happening. They focus on a statistic called Duration of Untreated Psychosis. The longer the DUP, the more chance psychosis has had to damage the patient before the fire gets put out and further damage is prevented. Under this model it’s vitally important to put people who seem to be getting a little bit schizophrenic on medications as soon as possible. (...)

After learning more about the biology of schizophrenia, I’ve become more willing to credit the DUP model. I can’t give great sources for this, because I’ve lost some of them, but this Friston paper, this Fletcher & Frith paper, and Surfing Uncertainty all kind of point to the same model of why untreated schizophrenia might get worse with time.

In their system, schizophrenia starts with aberrant prediction errors; the brain becomes incorrectly surprised by some sense-data. Maybe a fly buzzes by, and all of a sudden the brain shouts “WHOA! I WASN’T EXPECTING THAT! THAT CHANGES EVERYTHING!” Your brain shifts its resources to coming up with a theory of the world that explains why that fly buzzing by is so important – or perhaps which maximizes its ability to explain that particular fly at the cost of everything else.

Talk to early-stage schizophrenics, and their narrative sounds a lot like this. They’ll say something like “A fly buzzed by, and I knew somehow it was very significant. It must be a sign from God. Maybe that I should fly away from my current life.” Then you’ll tell them that’s dumb, and they’ll blink and say “Yeah, I guess it is kind of dumb, now that you mention it” and continue living a somewhat normal life.

Or they’ll say “I was wondering if I should go to the store, and then a Nike ad came on that said JUST DO IT. I knew that was somehow significant to my situation, so I figured Nike must be reading my mind and sending me messages to the TV.” Then you’ll remind them that that can’t happen, and even though it seemed so interesting that Nike sent the ad at that exact moment, they’ll back down.

But even sane people change their beliefs more in response to more evidence. If a friend stepped on my foot, I would think nothing of it. If she did it twice, I might be a little concerned. If she did it fifty times, I would have to reevaluate my belief that she was my friend. Each piece of evidence chips away at my comfortable normal belief that people don’t deliberately step on my feet – and eventually, I shift.

The same process happens as schizophrenia continues. One fly buzzing by with cosmic significance can perhaps be dismissed. But suppose the next day, a raindrop lands on your head, and there’s another aberrant prediction error burst. Was the raindrop a sign from God? The evidence against is that this is still dumb; the evidence for is that you had both the fly and the raindrop, so your theory that God is sending you signs starts looking a little stronger. I’m not talking about this on the conscious level, where the obvious conclusion is “guess I have schizophrenia”. I’m talking about the pre-conscious inferential machinery, which does its own mechanical thing and tells the conscious mind what to think.

As schizophrenics encounter more and more strange things, they (rationally) alter their high-level beliefs further and further. They start believing that God often sends signs to people. They start believing that the TV often talks especially to them. They start believing that there is a conspiracy. The more aberrant events they’re forced to explain, the more they abandon their sane views about the world (which are doing a terrible job of predicting all the strange things happening to them) and adopt psychotic ones.

But since their new worldview (God often sends signs) gives a high prior on various events being signs from God, they’ll be more willing to interpret even minor coincidences as signs, and so end up in a nasty feedback loop. From the Frith and Fletcher paper:
Ultimately, someone with schizophrenia will need to develop a set of beliefs that must account for a great deal of strange and sometimes contradictory data. Very commonly they come to believe that they are being persecuted: delusions of persecution are one of the most striking and common of the positive symptoms of schizophrenia, and the cause of a great deal of suffering. If one imagines trying to make some sense of a world that has become strange and inconsistent, pregnant with sinister meaning and messages, the sensible conclusion might well be that one is being deliberately deceived. This belief might also require certain other changes in the patient’s view of the world. They may have to abandon a succession of models and even whole classes of models.
A few paragraphs later, they expand their theory to the negative symptoms of schizophrenia. That is: advanced-stage schizophrenics tend to end up in a depressed-like state where they rarely do anything or care about anything. (...)

I think what they are saying is that, as the world becomes even more random and confusing, the brain very slowly adjusts its highest level parameters. It concludes, on a level much deeper than consciousness, that the world does not make sense, that it’s not really useful to act because it’s impossible to predict the consequences of actions, and that it’s not worth drawing on prior knowledge because anything could happen at any time. It gets a sort of learned helplessness about cognition, where since it never works it’s not even worth trying. The onslaught of random evidence slowly twists the highest-level beliefs into whatever form best explains random evidence (usually: that there’s a conspiracy to do random things), and twists the fundamental parameters into a form where they expect evidence to be mostly random and aren’t going to really care about it one way or the other. (...)

The Frith and Fletcher paper also tipped me off to this excellent first-person account by former-schizophrenic-turned psychologist Peter Chadwick:
At this time, a powerful idea of reference also overcame me from a television episode of Colombo and impulsively I decided to write letters to friends and colleagues about “this terrible persecution.” It was a deadly mistake. After a few replies of the “we’ve not heard anything” variety, my subsequent (increasingly overwrought) letters, all of them long, were not answered. But nothing stimulates paranoia better than no feedback, and once you have conceived a delusion, something is bound to happen to confirm it. When phrases from the radio echoed phrases I had used in those very letters, it was “obvious” that the communications had been passed on to radio and then television personnel with the intent of influencing and mocking me. After all betrayal was what I was used to, why should not it be carrying on now? It seemed sensible. So much for my bonding with society. It was totally gone. I was alone and now trusted no one (if indeed my capacity to trust people [particularly after school] had ever been very high). 
The unfortunate tirade of coincidences that shifted my mentality from sane to totally insane has been described more fully in a previous offering. From a meaningless life, a relationship with the world was reconstructed by me that was spectacularly meaningful and portentous even if it was horrific. Two typical days from this episode I have recalled as best I could and also published previously. The whole experience was so bizarre it is as if imprinted in my psyche in what could be called “floodlit memory” fashion. Out of the coincidences picked up on, on radio and television, coupled with overheard snatches of conversation in the street, it was “clear” to me that the media torment, orchestrated as inferred at the time by what I came to call “The Organization,” had one simple message: “Change or die!” Tellingly my mother (by then deceased) had had a fairly similar attitude. It even crossed my (increasingly loosely associated) mind that she had had some hand in all this from beyond the grave […] 
As my delusional system expanded and elaborated, it was as if I was not “thinking the delusion,” the delusion was “thinking me!” I was totally enslaved by the belief system. Almost anything at all happening around me seemed at least “relevant” and became, as Piaget would say, “assimilated” to it. Another way of putting things was that confirmation bias was massively amplified, everything confirmed and fitted the delusion, nothing discredited it. Indeed, the very capacity to notice and think of refutatory data and ideas was completely gone. Confirmation bias was as if “galloping,” and I could not stop it. 
As coincidences jogged and jolted me in this passive, vehicular state into the “realization” that my death was imminent, it was time to listen out for how the suicide act should be committed. “He has to do it by bus then?!” a man coincidentally shouted to another man in the office where I had taken an accounts job (in fact about a delivery but “of course” I knew that was just a cover story). “Yes!” came back the reply. This was indeed how my life was to end because the remark was made as if in reply to the very thoughts I was having at that moment. Obviously, The Organization knew my very thoughts. 
Two days later, I threw myself under the wheels of a double decker, London bus on “New King’s Road” in Fulham, West London, to where I had just moved. In trying to explain “why all this was happening” my delusional system had taken a religious turn. The religious element, that all this torment was willed not only by my mother and transvestophobic scandal-mongerers but by God Himself for my “perverted Satanic ways,” was realized in the personal symbolism of this suicide. New King’s Road obviously was “the road of the New King” (Jesus), and my suicide would thrust “the old king” (Satan) out of me and Jesus would return to the world to rule. I then would be cast into Outer Darkness fighting Satan all the way. The monumental, world-saving grandiosity of this lamentable act was a far cry from my totally irrelevant, penniless, and peripheral existence in Hackney a few months before. In my own bizarre way, I obviously had moved up in the world. Now, I was not an outcast from it. I was saving the world in a very lofty manner. Medical authorities at Charing Cross Hospital in London where I was taken by ambulance, initially, of course, to orthopedics, fairly quickly recognized my psychotic state. Antipsychotic drugs were injected by a nurse on doctors’ advice, and eventually, I made a full physical and mental recovery.
Chadwick never got too far along; he had all the weird coincidences, he was starting to get beliefs that explained them, but he never got to a point where he shifted his fundamental concepts or beliefs about logic in an irreversible way. As far as I know he’s been on antipsychotics consistently since then, and has escaped with no worse consequences than becoming a psychology professor.

by Scott Alexander, Slate Star Codex |  Read more:
[ed. Interesting, how schizophrenia takes hold.]

Hating Big Pharma Is Good, But Supply-Side Epidemic Theory Is Killing People

Addiction experienced in the first-person feels like watching a movie shot entirely in extreme close-ups. No matter how hard you try, you can’t see the world beyond the frame. A tolerance builds after a while and you grow used to the shaky, nauseating ride. We couldn’t have possibly known it at the time, that we weren’t the stars in our very own drama. The content of our stories differed in the details, but the tone was uncannily similar: how prescription painkillers first took hold; after pharmaceuticals became scarce and expensive, how we, as a generation in unison, playing a fucked up game of Red Rover, beelined toward heroin. Another thing we had in common was a lot of dead friends.

Really, we were just extras in a vast plot. Data points in a decadeslong “mass casualty event.” Epidemics are sort-of defined after the fact. After enough emergency room physicians start connecting the dots, after economists quantify labor participation and all-cause mortality, after a small hamlet’s population begins to shrink, after the morgue runs out of freezer space, after the president goes on TV.

What kicked off addiction on such an enormous scale has become an Odyssey for epidemiologists and journalists (like me), as well as parents and siblings who’ve lost loved ones. Grieving families and activists have turned up the heat on politicians and cops, urging a unified public health response that would reverse course. But how we define the origin of the crisis, its root causes, invariably informs which solutions are prioritized. Decades in, with each year deadlier than the one before, and no end in sight, what’s it going to take? The answer depends on who’s asking the questions.
***
Drenched in shame and broken by stigma, the impulse to blame ourselves for our addictions felt like a natural turn inward. Journalist Beth Macy’s new book, Dopesick: Dealers, Doctors, and the Drug Company that Addicted America, isn’t interested in victim blaming, as the title suggests. The villains, familiar to those following the news, are doctors cum dealers duped by Purdue Pharma’s marketing that downplayed the risk of addiction for their blockbuster drug, OxyContin. And after painkillers had their run, the story goes, enterprising heroin dealers tapped a hungry market outside the city, “picturesque” and “bucolic” markets demanding relief after years of physical labor and economic distress metastasized into despair. (...)

The real tragedy of Dopesick isn’t that young people are using drugs. It’s that when they’re drowning and begging for help, they’re callously thrown deflated life preservers. The numerous attempts at treatment throughout the book — typically at abstinence-based facilities, a dangerous move for someone with an opioid use disorder — become maddening. These are places that prefer to give patients heart-shaped rocks instead of the two FDA-approved medications that reduce the risk of fatal overdose by 50 percent or more.

All the treatment failures in Dopesick read like screams into the void of America’s outdated patchwork of shoddy care. Macy finds just the right details that’ll make you pull your hair out. A police officer picks up Jesse’s cellphone at the scene of his fatal overdose, and on the other end is a treatment center (that he’d already been to once before, that doesn’t believe in medication) calling to confirm Jesse’s arrival. If you’re wondering why so many of us are still dying, in-patient, residential “treatment” is one place to start looking. (...)

The villains in Dopesick are the usual suspects. In 2015, Los Angeles Times crime reporter Sam Quinones wrote one of the first major books about the modern day opioid crisis, Dreamland, in which he sketches out the mechanics that drove the first wave of painkiller overdoses in Ohio and the Rust Belt. Quinones calls Ohio the epicenter of the crisis; Macy calls Virginia the epicenter of the crisis. But both Macy and Quinones find the same culprit: Purdue Pharma’s false marketing, which assured doctors that their time-released opioid analgesic rarely addicted patients.

Central to the origin story of the crisis in both Dreamland and Dopesick is the over-supply of OxyContin, dulled out by sometimes well-intentioned but misinformed doctors, or in bulk at greedy pill mills diverted for street sale. Either way, in the late ’90s and into the aughts, during a climate of deregulation and a “patient-centeredness” movement obsessed with smiley-faced rate-your-pain scales, these drugs flooded vulnerable regions of America.

Both Macy and Quinones look intently at the supply of drugs. But did flooding the market with opioids create the demand? Drugs, after all, are like any other product: people have to like and want it or they won’t buy it. So, can a doctor create addiction in their patients? Can a drug company addict an entire country? Only if you believe opioids are like mosquitos carrying Malaria, and whoever touches them comes down with the disease.

The vast majority of people who use opioids do not become addicted to them. A conservative estimate for rates of addiction among pain patients is less than 8 percent (still much higher than Purdue’s < 1 percent claim). But among those who do become addicted, they’re typically using diverted medications that were never prescribed to them, or had misused illicit drugs and were well on their way to addiction prior to receiving a prescription, thanks to trauma, mental health, and other factors that increase one’s risk. Nobody walks into a doctor’s office with a clean slate. (...)

As satisfying the feeling is to rail against Big Pharma and unenlightened doctors, the iatrogenic (doctor-caused) narrative isn’t without caveats and shortcomings, which are becoming painfully evident as the government rolls out strategies to rein in the supply of opioids. A recent study out of Stanford that modeled public health policy shows that aggressively controlling the supply of prescriptions, in the short-term, is actuallyincreasing overdose deaths by the thousands. Other strategies to reschedule drugs like Vicodin also backfired, new studies are finding. In a powerful commentary by public health experts, “Opioid Crisis: No Easy Fix to its Social and Economic Determinants,” they argue wrangling the supply of opioids fails to address root causes. Targeting supply is important, the authors of “No Easy Fix” agree, but doing so without addressing people’s pain is one of the reasons things are this bad. (...)

America’s draconian conception of drug policy has life and death consequences. Jesse, the football player in Dopesick, preferred to inject pharmaceutical oxycodone. This was true for my friends and me. Jesse, like my friend Alex, didn’t survive the leap to heroin. This isn’t retold to condone the misuse of prescription painkillers. The moral world of addiction is shaded with greys. And the fact is, injecting a regulated pharmaceutical of known dose and purity is less risky than injecting a bag of white powder purchased on the street. Bags of dope come with no proof of ingredients. At the end of the day, an 80 milligram OxyContin is always 80 milligrams. It may not be pretty, and Purdue executives might be dead-eyed ghouls, but at least there was measure of safety. That safety’s gone now. Hello, fentanyl.

Unfocused anger at Big Pharma also winds up harming a different vulnerable group, one that’s typically an afterthought in stories about opioids: chronic pain patients. In the name of “battling the epidemic,” patients who need opioids are being abandoned by their doctors. With Jeff Sessions and the DEA breathing down their necks, they’re afraid of prescribing any narcotic. In response to the opioid crisis, the prescribing pendulum has rapidly swung. Doctors who treat pain are receiving threatening letters to prescribe fewer opioids, patient outcomes be damned. As a result, some of these patients are killing themselves, which has caught the interest of investigators at the Human Rights Watch, who are documenting patient abandonment in the new, restrictive climate. A sweeping package of opioid legislation recently passed by the Senate will also be studying whether opioid prescribing limits have led to patient suicide. (...)

Macy calls this game “Whac-a-Mole,” with new dealers and more dangerous products popping-up after each bust, otherwise known as the Iron Law of Prohibition: painkillers replaced by heroin, and heroin replaced by fentanyl. Choking off the supply of prescription painkillers early on in the crisis, without first installing a safety net to catch the fallout, was a major policy failure that worsened America’s opioid problem by orders of magnitude. What would such a safety net look like? In Fighting for Space: How a Group of Drug Users Transformed One City’s Struggle with Addiction, Canadian journalist Travis Lupick exhaustively details the architecture of a demand-centered strategy that prioritizes saving the lives of active drug users.

Lupick rarely mentions supply-side interventions in his book. Instead, he stays close to people actively injecting heroin and cocaine several times per day, learning what makes them desire drugs in the first place, listening to what they say they need. Fighting for Space, more than anything else, is a testament to the organizing power of drug users. In 1997, with the help of compassionate public housing and healthcare workers on the Downtown Eastside, where poverty and trauma are heavily concentrated, drug users came together to form a union called the Vancouver Area Network of Drug Users (VANDU). Rather than flinch at their drug use, Lupick portrays Downtown Eastside users as they truly are: fierce but flawed heroes. Like the manic energy of user-activist Dean Wilson, whose injection cocaine habit made him an untiring debater, dunking all over City Hall’s bureaucrats. He was one of VANDU’s early presidents.

For the uninitiated, Lupick’s harm reduction history might read like inside baseball. But as you slowly come to meet the activists, like the recalcitrant Ann Livingston and the mysterious heroin-poet Bud Osborne, you can’t help but root for them as they break all the undignifying rules that make life a living hell for those addicted on the street. From an American perspective, Lupick’s encyclopedic history also reads as a blueprint.

Treating addiction like the public health issue that it is didn’t happen because Canadians are naturally nicer and friendlier toward drug users. After decades of highly organized, politically strategic activism by a dedicated, at times disabled and tense group of drug users and health care providers, Vancouver’s most marginalized community was seen and heard. They didn’t merely get what they wanted; they got what they needed by fighting for their space: their space to do drugs with dignity, in the presence of radically compassionate nurses, but also space at the policymaking table where decisions about their fate are made. “Nothing about us, without us,” the saying goes. Canadian drug users had the insight to make their needs political, and had the stamina and support to sustain pressure on the city.

Reminiscent of ACT UP during the HIV epidemic of the ’80s and ’90s, VANDU targeted the media and politicians who seldom made a peep about their friends who overdosed alone behind dumpsters in the alley, or others who died from untreated AIDS and Hepatitis C.

by Zachary Siegel, Longreads | Read more:
Image: Jose A. Bernat Bacete / Getty, Illustration by Katie Kosma