by Jack Gilbert, Art Beat | Read more:
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Mostly a white people’s pastime, nostalgia used to be a pining for an idealized yesteryear, for a prelapsarian world tinted in sepia. “Nostalgia appeals to the feeling that the past offered delights no longer obtainable,” the social critic Christopher Lasch wrote in The True and Only Heaven. Ah, no longer. Since the publication of Lasch’s book, in 1991, the Internet and cable TV have colonized the hive mind and set up carnival pavilions. Now every delight is obtainable and on display at an arcade that never closes. Friends, Seinfeld, Buffy the Vampire Slayer, and The X-Files still cycle in syndication; Felicity and My So-Called Life are on Hulu; making a Holy Ghost appearance as a hologram at the Coachella music festival, Tupac and his thug-life gaze have cast the posthumous spell of Malcolm X posters (he is even the subject of a new Broadway musical, Holler if Ya Hear Me); and the grunge look is a perennial, re-applied with a grease gun. This anxious, ravenous speedup of nostalgia—getting wistful over goodies that never went away—is more than a reflection of the overall acceleration of digital culture, a pathetic sign of our determination to dote on every last shiny souvenir of our prolonged adolescence, and an indictment of our gutless refusal to face the rotten future like Stoic philosophers. It’s also a recognition that September 11, 2001, and the Iraq war cast a pall over everything that has come after. The millennium has been a major letdown. Yet let’s not con ourselves. It’s not as if the 90s were some belle époque, either, a last fling before the anvil fell.
Now outnumbering journalists four to one, publicists are an omnipresent component of the machinery that powers creative industries like fashion, arts, and publishing, and increasingly also play central roles in social-justice movements. Though organizations such as Free Press and writers like Robert McChesney have led the charge in asserting that the proliferation of these spin doctors constitutes an insidious and growing threat to journalism and democracy, few have bothered to analyze the gendered split between journalists and publicists. In stark contrast to newsrooms, in which women have never exceeded 38 percent, public relations operates as a solidly pink-collar sector of the creative industries and comprises a labor force that is currently over 85 percent female.A big part of public relations is building relationships between your brand and the media. Because brands are built by humans and humans run the media, this relationship … often boils down to your run-of-the-mill work friendship. When I was in PR, I had an expense account and a quota of breakfast/lunch/dinner or drink “meetings” I had to go out on each week (seriously). We didn’t have new products launching that often, so I wasn’t always there to pitch a specific story. A lot of times I was there to get to know the editor better so that pitching her in the future would be easier for both of us: I wouldn’t feel uncomfortable calling her and I’d already know how and what she likes being pitched. But, like with other work acquaintances, if you go out for company-sponsored cocktails enough it’s easy to become fast friends. When you inevitably get to the stage where you’re sharing boyfriend drama, it’s not awkward to start a phone call with “I need a favor …”Though this elision of work and friendship is necessary for effective PR, it also forms the basis of what people find questionable about the profession. In response to Lewis’s description, her interviewer stated, “It’s unfair to the readers not to disclose which products are great and which are there as the result of a friendship. Which is the thing that gets to me, it all seems so phony.” Phoniness is a criticism leveled again and again at PR as a practice that, after all, necessitates an expression of enthusiasm for a product because of pay rather than passion.
Mark, a 62-year-old former general counsel for Verizon Wireless, and Mary, a retired math teacher, say they couldn't be more excited about their imminent move to a smaller, Mediterranean-style place on the California coast. But with moving trucks arriving in exactly one week, they're more than a little anxious about whether this estate sale will be successful in unloading nearly three decades' worth of accumulated belongings—especially prized pieces like their antique, hand-knotted Persian rugs (the one in the living room originally cost $20,000). "We wanted to sell these expensive items in a way that brought closure," says Mark, "and didn't want them to just walk out the door for almost nothing."Warhol: Someone said that Brecht wanted everybody to think alike. I want everybody to think alike. But Brecht wanted to do it through Communism, in a way. Russia is doing it under government. It’s happening here all by itself without being under a strict government; so if it’s working without trying, why can’t it work without being Communist? Everybody looks alike and acts alike, and we’re getting more and more that way.
I think everybody should be a machine. I think everybody should like everybody.
Art News: Is that what Pop Art is all about?
Warhol: Yes. It’s liking things.
Art News: And liking things is like being a machine?
Warhol: Yes, because you do the same thing every time. You do it over and over again.
The Diagnostic and Statistical Manual of Mental Disorders defines a pedophile as an individual who “over a period of at least six months” has “recurrent, intense sexually arousing fantasies, sexual urges, or behaviors involving sexual activity with a prepubescent child or children.” This person also has to have “acted on these sexual urges, or the sexual urges or fantasies cause marked distress or interpersonal difficulty,” and be “at least age 16 years and at least five years older than the child or children” involved.
Being betrayed by someone is the worst, most excruciatingly devastating thing a human being can go through. It is a sin against relationships and an affront to trust. And we’re not talking about someone dating someone you used to date, or eating the last piece of pizza before you had a chance to claim it. We’re talking about conspiring, cheating, compulsive lying, layoffs, divorce, the real big things that destroy people.
Because the dancers were obviously terrified of this man I, too, became afraid and wanted to run, but we all stood rooted to the spot as he walked silently and majestically into the desert night. Afterwards, the lead dancer apologised profusely for the tribe’s shaman, or medicine man: he was holy but a bit eccentric. My 12-year-old self wondered how one might become like this extraordinary individual, so singular, respected and brave he could take the desert night alone.
Over the next few months, however, Siri’s limitations became apparent. Ask her to book a plane trip and she would point to travel websites—but she wouldn’t give flight options, let alone secure you a seat. Ask her to buy a copy of Lee Child’s new book and she would draw a blank, despite the fact that Apple sells it. Though Apple has since extended Siri’s powers—to make an OpenTable restaurant reservation, for example—she still can’t do something as simple as booking a table on the next available night in your schedule. She knows how to check your calendar and she knows how to use OpenTable. But putting those things together is, at the moment, beyond her.